denoting division when voices separate
Hi, Is it possible to add a div marking when a soprano line temprorarily divides into two parts? I am writing the soprano part as one music block with the brief voiceOne voiceTwo layering when division occurs. Thanks in advance. Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
soprano line with splitting voices and different lyrics
Hi again,
I am trying to do the following for a soprano line that splits (div) 2x
and the second division has each part singing different lyrics with
different melisma.
I wonder if the following setup will work as I have yet to have success:
sopOneMusic \context Voice = sopranoOne { s1*14 one or two notes at the
second division with silence filling all bars on either side s*14 }
sopOneWords \lyricmode { words at the second division - really only one
vowel held for a few beats }
sopTwoMusic \context Voice = sopranoTwo { all unison and second
soprano parts including both soprano parts at first division }
sopTwoWords \lyricmode { all unison and second soprano words except for at the
2nd division }
altoMusic etc...
altoWords etc...
---
other parts (five percussion and piano (two hands)
---
\score {
\context ChoirStaff
\context Lyrics = sopranoOne \lyricsto sopranoOne \new Lyrics
\sopOneWords
\context Staff = soprano
\context Voice = sopranoOne
{ \voiceOne \sopOneMusic }
\context Voice = sopranoTwo
{ \set Staff.printKeyCancellation = ##f \set
Staff.instrument = Soprano \set Staff.instr = Sop
\voiceTwo \sopTwoMusic }
\context Lyrics = sopranoTwo \lyricsto sopranoTwo \new
Lyrics \sopTwoWords
\context Voice = alto
{ \set Staff.printKeyCancellation = ##f \set
Staff.instrument = Alto \set Staff.instr =
Alt \altoMusic }
\context Lyrics = alto \lyricsto alto \new Lyrics
\altoWords
---
percussion and piano here
---
Everything prints out pretty well except that the sopOneWords, which I
hoped would print above the staff very briefly (only for a few beats at
the second div) don't show up.
I am guessing that I am missing some syntax somewhere.
Version 2.6.3 Debian testing here.
Thanks again for any help,
Sterling MacNay
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
one line - two voices + 2 sets of lyrics
Hi, I am setting up a piece of music that has a soprano and alto line. I have figured out how to add lyrics to the alto line but realise that my soprano lyrics will be tricky. The soprano line is primarily one voice but at two locations, I need to split into two parts. I have accomplished this with the voiceOne and voiceTwo coding. However, I need to apply different lyrics to some of the voiceTwo (lower soprano) than the upper voiceOne soprano. I currently have all my melody set up in a block and lyrics in a block below and combine them with the \context Lyrics command down in the score settings. How would one accomplish this lyric problem? It seems I will also need to bump a few bits of soprano one above the stave OR could I treat the second soprano part as a second verse and just apply it in the \context Lyric area? Would it find a nested voiceTwo part? Thanks in advance, Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
make key signature invisible?
Hi folks, Can one make a key signature invisible? I have a piece that changes key a few times and has piano, two vocal, and five percussion lines. There is a lilypond bug with spacing first note after key signatures when some staffs do not use them (in this case the five percussion lines have no key sig and the piano and voice lines do). Instead of tweaking the lily grob settings, can I make the percussion lines regular Staff's with a key signature but hide the key sig? Just curious. Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
spacing-keysig-note.ly
Hi, For the problem of different key signatures on different staves and first note spacing, can one put a key signature on every stave (including percussion) but make it invisible? Like how we treat silent rests? Sterling ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
2.6.x and fonts with accents
Hi all, I just upgraded from 2.4.5 to 2.6.3 in Debian testing and converted my few meager scores. I noticed that (and expected) that the fonts would be handled differently but am not sure of how to put simple accents and such in titles and markup. I want a ~ over an n in the title - Habenera. I was using Hab\~nera but that no longer works. Do I need to define some sort of pango option in the score headers somewhere? Thanks in advance, Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
piano staff dynamics and template found in docs.
Hi,
I am using 2.6.3 now and am looking over the template for putting
dynamics in piano staff. I am a little confused about some of the
blocks of info needed to do this.
I understand:
\upper =
\lower =
\dynamics =
\score {
\context PianoStaff
\context Staff=upper \upper
\context Dynamis=dynamics \dynamics
\context Staff=lower \lower
\layout {
}
but then there is another \score block that doesn't make sense to me. I
guess I need some clarification as to what this second \score block is
for.
Thanks for any simple explanation so I can get my head around the format
of this coding.
Yours,
Sterling MacNay
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
padding between key signature, time signature, and first note of bar
Hi again, How do I pad between time signature and first note of a bar? I notice that the first note following a time signature is almost touching the time sig. I seem to recall this being a bug but was wondering if it was fixed now or how to force some padding? I amd including links to three pages of the unfinished piece. Each page will show an example of my issue. Thanks in advance for any help, Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
forgot the links to padding and time signature post
the links to the images showing the problem I have with first note of bar crowding the time signature are here: http://smacnay.dyndns.org/~smacnay/temp/habenera-page1.png http://smacnay.dyndns.org/~smacnay/temp/habenera-page5.png http://smacnay.dyndns.org/~smacnay/temp/habenera-page7.png thanks again, Sterling ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
no TeX in new lily but is there lilypond-book?
Hi, I am still using 2.4.5 in Debian testing but understand that the use of TeX is no longer happening in the 2.6 series of releases. Can the lilypond-book snippets in a document still happen? Just curious. Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: newer Debian release soon?
Hi, Will there be a newer Debian release soon? I am suspecting Ghostscript might be holding things up. Is a personal build from source hard or achieveable... again, Ghostscript dependencies might be an issue. Anyone know about this? Thanks in advance, Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
vim mode
Hi everyone, I am switching my default editor back to vim (from emacs). I want to make sure that I am getting the best possible results with the syntax highlighting. I have a dir - ~./vim/syntax with one file 'lilypond.vim'. This file has a date of 2002 (in the first few lines). I note that there are quite a few *.vim files in the /usr/share/lilypond/2.4.5/vim/ directories. Do I need to do anything to the various files or are they picked up automatically by y lilypond.vim file? Thanks for any tips in advance, Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: bug is spacing first note on stave
Mats,
Thanks a lot. That was the issue. I just edited the define-grobs.scm
file (which I found easier than trying to write the proper syntax in my
.ly file as an \override) and it worked.
I need to keep reading on how to put in these override commands and
where to actually put them. Syntax is still a little odd for me but I
am guessing that if I learn some basic scheme, it might be a benefit.
Cheers,
Sterling
On Wed, Jun 29, 2005 at 09:13:13AM +0200, Mats Bengtsson wrote:
You probably suffer from the bug/feature described at
http://lists.gnu.org/archive/html/bug-lilypond/2005-04/msg00114.html
/Mats
[EMAIL PROTECTED] wrote:
Hi,
Thanks for the suggestion on altering the spacing for key signatures. I
tried playing with the settings but nothing was altered. I am attaching
two .jpg's (or giving links to see them) of how things look right now.
As well, I will add, below, snippets of my code maybe there is a
really simple reason this is happening.
http://smacnay.dyndns.org/~smacnay/crowded-keysig.jpg
http://smacnay.dyndns.org/~smacnay/crowded-keysig2.jpg
Thanks again,
Sterling MacNay
#(set-default-paper-size letter 'landscape)
\include english.ly
\version 2.4.5
\header {
title = Habe\~nera
composer = Regan MacNay b. 1979
copyright = Copyright - Regan MacNay - June 2005
footer = Engraved with Gnu Linux and Lilypond ver. 2.4.5
}
\paper {
% hsize = 27.9 \cm
% vsize = 21.6\cm
% betweensystemspace = 25\mm
% topmargin = 1\cm
% bottommargin = 1\cm
% leftmargin = 3.0\cm
% rightmargin = 1\cm
% raggedlastbottom = ##t
% linewidth = 20\cm
}
global = {
\time 4/4
}
%- Empty staves
partOne = {
\key cs \minor
s1*14
\set Staff.printKeyCancellation = ##f \key cs \major
s1*16
\key cs \minor
s1*14
}
partTwo = {
\key cs \minor
s1*14
\set Staff.printKeyCancellation = ##f \key cs \major
s1*16
\key cs \minor
s1*14
}
rhythmOne = {
key signature and notes after - spacing
Hi, I think that the problem I am having with key signatures crowding my bar is that my piece starts in C# - , goes to C# + , then back to C# -. In the first C# - section, the spacing between key sig and notes is ok. In the C# + section, the spacing becomes crowded and remains so into the second C# - section. Could there be a default spacing setting at the beginning of the piece that doesn't get observed in the C#+ section. Then the spacing from the C#+ section gets used in the second C#- section? I don't know. Just thinking. Sterling ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
key signature crowding first notes of bar
Hi, I am sure there is an \override for this but how does one pad the space between a key signature and the first notes in the bar? Is it an \override or a padding command? Thanks, I am looking right now but see nothing yet. Sterling ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
adding staves to a piano part...
Hi,
Me again.
I am enjoying the learning curve here and your help is making it a lot
of fun. I have finished a piano accompaniment for a vocal ensemble. I
have set up the file as such:
\pianoRH
notes (some second voice added)
\pianoLH
notes (some second voice added)
piano = {
\context PianoStaff
\set PianoStaff.instrument = #Piano
\context Staff = upper \PianoRH
\context Staff = lower \PianoLH
}
\score {
\context PianoStaff = piano { \piano }
\layout {
\context { \RemoveEmptyStaffContext }
\context {
\Score
\override BarNumber #'padding = #3
\override RehearsalMark #'padding = #2
}
}
% \midi {
%\tempo 4 = 75
%}
}
The output is brilliant. Now I wish to add 7 staves (5 or 6 percussion
and 1 vocal).
Seems I am having troubles doing it as such:
drums = {
\drummode notes
}
drums2 = {
\drummode notes
}
etc.
and then adding the drums in the \score section with '\new DrumStaff'
commands. Am I going about this in a correct manor?
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: triplet over half note
Neato!!
I was putting the half note interval first but didn't think of using
. I am not sure of what the \\ does, though. It worked! Thanks
again.
Sterling MacNay
On Wed, Jun 22, 2005 at 10:10:41AM +0200, Mats Bengtsson wrote:
How about
\times 2/3 {c4 d e} \\ e, g2
/Mats
Sterling Sympatico wrote:
Hi,
How do I, in the right hand of a piano score, make a chord as follows:
e and g (half note) with [c d e] triplet above. The c d e is three
quarters played by the right hand while the rh is holding the e and g
half notes. Any help would be appreciated.
Thanks,
Sterling
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: triplet over half note
Hi Mats,
I didn't know this (the 2.5 manual would apply to 2.4). I do run 2.4
but will start using the 2.5 manual. Your syntax for the triplet over
half notes was very much appreciated. I had everything except the
and the order of the notes correct. The manual is extremely valuable to
me. As is the help from other users.
Sterling MacNay
On Wed, Jun 22, 2005 at 03:50:03PM +0200, Mats Bengtsson wrote:
You didn't mention which version of LilyPond you use, but even if
you use 2.4.x, it might be worth looking at the manual of version 2.5.x,
since that manual has been significantly improved and is mostly relevant
also for version 2.4. For example, you can take a look at
http://lilypond.org/doc/v2.5/Documentation/user/out-www/lilypond/Basic-polyphony.html
and
http://lilypond.org/doc/v2.5/Documentation/user/out-www/lilypond/Explicitly-instantiating-voices.html
/Mats
Sterling Sympatico wrote:
Neato!!
I was putting the half note interval first but didn't think of using
. I am not sure of what the \\ does, though. It worked! Thanks
again.
Sterling MacNay
On Wed, Jun 22, 2005 at 10:10:41AM +0200, Mats Bengtsson wrote:
How about
\times 2/3 {c4 d e} \\ e, g2
/Mats
Sterling Sympatico wrote:
Hi,
How do I, in the right hand of a piano score, make a chord as follows:
e and g (half note) with [c d e] triplet above. The c d e is three
quarters played by the right hand while the rh is holding the e and g
half notes. Any help would be appreciated.
Thanks,
Sterling
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
piano right hand with chorded eigths beneath a half
Hi again, I am have looked for an example of the following: piano right hand: (r4 c4 ~ c2) but below this with the right hand are two eighth note chords that would appear as follows: (r2 r8 g e8 r8 g e8). lilypond 2.4.5 and have tried: r4 c4 ~ c2 // r8 g e8 r8 g e8 Any suggestions or is this possible. Would specifying stem up in the left hand and putting the two eight chords there be better? Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
triplet over half note
Hi, How do I, in the right hand of a piano score, make a chord as follows: e and g (half note) with [c d e] triplet above. The c d e is three quarters played by the right hand while the rh is holding the e and g half notes. Any help would be appreciated. Thanks, Sterling ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
change page number locations
Hi, How does one change the side of the page that the page number appears? My 2nd page (the first page to show a page number) will need the page number in the upper right corner, rather than upper left. Thanks for any hints. Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ec-fonts-mftraced installed properly
Hi, Mats... I think the fonts are installed as properly as can be in linux. I did a 'dpkg-reconfigure ec-fonts-mftraced' and then ran 'texhash' for good measure. All went fine. I still need to NOT specify the .map file to have success. If I specify the map file, my output fonts look bad. Thanks for the suggestion. Sterling ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
default fonts problem solved
Hi everyone, I was having problems with my fonts in lilypond 2.4.5. If I created a file (.ly) and ran lilypond file.ly, the resulting .dvi file looked great. The title and all text was a nice font. When I tried using xpdf and gv to view the pdf and ps files that were also created, the fonts looked like some typewriter font with poor kerning. However... If I run 'dvips file.dvi' I get a beautiful output in .ps. To get the same output in pdf, I need to run ps2pdf (dvipdfm does not seem to translate all the note stems and such - there is probably a method for calling the correct font file but I am not too concerned right now). The same goes for lilypond-book... I need to run the dvips command without the -u+ec-mftrace.map option to get the correct results. This may be a bug or some documentation that is incorrect with my current version of lilypond. Sterling ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: changing default font
Hi Graham, I am running lilypond 2.4.5 in Debian testing meaning I grab the source from the Debian sid distro. I run Debian testing which is Sarge with some newer packages. This was problem evident before Sarge came out. I see that when I run xdvi file.dvi, it looks fine (fonts do) but when I look at the same .ps or .pdf file (all generated when I ran lilypond file.ly), the strange fixed-space font is there. Thanks for any help in advance, Sterling On Fri, Jun 17, 2005 at 09:27:33PM -0700, Graham Percival wrote: On 17-Jun-05, at 9:02 AM, Sterling Sympatico wrote: My default font for titles and any markup is some sort of typewriter with very poor kerning. How does one change this to something like a bookman or some other font installed on my computer. I am running a linux system. All the example files I see don't specify a font but the output is lovely. Thanks in advance. This sounds like a bug. What OS/distro, what version of lilypond do you have, was it packaged? - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: changing default font
Hi, I am seeing the following versions of software (packages) on my Debian testing machine: ec-fonts-mftraced: Version: 1.0.10a-1 lilypond: Version: 2.4.5-2 tetex-base: Version: 2.0.2c-8 All seems to have installed fine. No errors. If this looks correct, could it be a .map file that is causing this font problem? Thanks for the suggestions. Sterling On Sat, Jun 18, 2005 at 09:45:06PM +0200, Mats Bengtsson wrote: I hope the ec-fonts-mftraced package was installed successfully as well, since it contains that fonts used for titles and markup. By the way, if you for some reason have teTeX version 3.0 instead of the default 2.04 in testing, than you have to fix some incompatibilities as is described in some emails in the mailing list archives. /Mats Sterling Sympatico wrote: Hi Graham, I am running lilypond 2.4.5 in Debian testing meaning I grab the source from the Debian sid distro. I run Debian testing which is Sarge with some newer packages. This was problem evident before Sarge came out. I see that when I run xdvi file.dvi, it looks fine (fonts do) but when I look at the same .ps or .pdf file (all generated when I ran lilypond file.ly), the strange fixed-space font is there. Thanks for any help in advance, Sterling On Fri, Jun 17, 2005 at 09:27:33PM -0700, Graham Percival wrote: On 17-Jun-05, at 9:02 AM, Sterling Sympatico wrote: My default font for titles and any markup is some sort of typewriter with very poor kerning. How does one change this to something like a bookman or some other font installed on my computer. I am running a linux system. All the example files I see don't specify a font but the output is lovely. Thanks in advance. This sounds like a bug. What OS/distro, what version of lilypond do you have, was it packaged? - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
output of vocal music score
Hi,
I am trying set a small vocal piece (2 part with a short 3rd part). All
is well for notation but am curious of any recommendations for a folded
part. Front page = cover, 2nd page = 1st page of music, 3rd page = 2nd
page of music, etc.) I am thinking that doing this in latex with a
\begin{lillypond} and \end{lillypond} would be the way to go. With the
power of latex to set margins and such, this looks like the easiest
route. Any suggestions?
Yours,
Sterling MacNay
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
changing default font
Hi again, My default font for titles and any markup is some sort of typewriter with very poor kerning. How does one change this to something like a bookman or some other font installed on my computer. I am running a linux system. All the example files I see don't specify a font but the output is lovely. Thanks in advance. Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ossia and adding a label
Hi,
I have figured out how to set up my two-part choral score to include an
ostinato line in the middle for a few bars. This is a percussive piece
(no melody).
I set:
Ostinato = \drummode {
\repeat unfold 4 {some percussion}
}
groupOne = \drummode {
\override Score.BarNumber #'padding = #2
\set Staff.instrument = Group One
bd sn etc..
}
groupTwo = \drummode {
\set Staff.instrument = Group Two
bd sn etc..
{ sn bd r4 sn | etc... }
\context DrumStaff =
Ostinato { \global \Ostinato }
bd sn more groupTwo stuff
}
\score { \context ChoirStaff
\context DrumStaff =
groupOne { \global \groupOne }
\context DrumStaff =
groupTwo { \global \groupTwo }
}
So, all works - I even padded my barnumbers up so they wouldn't clash
with the ChoirStaff. I can't seem to get the Ostinato line to have
Ostinato appear before it as I had Group One and Group Two appear
before their repective staves. Is this even possible? I tried
inserting the appropriate command at different places in the cile but to
no avail.
Thanks in advance.
Sterling MacNay
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
two drum staves put together
Hi,
I am putting together a choral work that is simply stomping and
clapping. I have decided to use the /drummode environment and let
snaredrum = clap and bassdum = stomp. All is well if I use the syntax:
\new DrumStaff
\drummode {
bd4 r r r
etc.
}
To put a second part in there would I:
\new DrumStaff
\drummode {
bd4 r r r
etc.
}
\new SrumStaff
\drummode {
r4 r sn4 r4
etc.
}
I would also like to label each stave as Group 1, Group 2, etc. Let
me know if this is proper syntax
Also, can one add a stave (ostinato part) somewhere in the middle of a
score? I don't want to add the ostinato from the beginning with 24 bars
rest.
Thanks for any help.
Sterling MacNay
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
help with 2.4.5 in Debian
Hi, I tried to install 2.4.6 in Debian using Ferenc Wagner's sources from http://tac.ki.iif.hu/. After having the default ec-fonts-mftraced crash and downloading the nerwer version (.deb), I got an install. However, all attempts to run lilypond on the simplest file resulted in a segmentation fault. I tried using the smallest example from the tutorial and compiling but got crashes. So I reverted back to version 2.2.6-3 in the Debian Sarge repository and at least it works. Is this a common problem with Debian folks? Also, I am trying to typeset a score choir. The choir will be split into 2, then 3, then back to 2 sections. There are no sung notes, only rhythmic clapping and stomping. Some sort of drum mode would be ideal for scoring but how do I use a mode like that in a piece with 2-3 stanzas? I am using version 2.2.6-3 right now. Thanks a lot in advance, Sterling MacNay ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
