Re: musicxml2ly, midi2ly etc. broken ?
hi flup, i have a similar problem in converting an encore-file to lily using the xml-python-tool; i wrote into the group, but i do not have an answer yet; see: http://old.nabble.com/Music-xml_Problem-tt28428376.html#a28428376 here i described the problem i have got; i use the windows version, but your problem seems to be similar (trace-back etc.) i attached a screenshot to demonstrate the altert messages. cheers, christian flup2 wrote: Hello, Since a few versions (in the development branch, now 2.13.21), I get that kind of message while running converters included in Lilypond. This is the message shown when running midi2ly from the Terminal under Mac OS X - Could not find platform independent libraries prefix Could not find platform dependent libraries exec_prefix Consider setting $PYTHONHOME to prefix[:exec_prefix] 'import site' failed; use -v for traceback Traceback (most recent call last): File /Applications/LilyPond.app/Contents/Resources/bin/midi2ly, line 37, in module import os ImportError: No module named os Hello, Since a few versions (in the development branch, now 2.13.21), I get that kind of message while running converters included in Lilypond. This is the message shown when running midi2ly from the Terminal under Mac OS X - Any idea about fixing that (aside running an older verison) ? Do other people have the same problem ? -- View this message in context: http://old.nabble.com/musicxml2ly%2C-midi2ly-etc.-broken---tp28577716p28587518.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Music-xml_Problem
Hi! I tried to convert a xml-file (source: Encore) to a *.ly with the python-tool; There is always a failure as it is shown in the picture attached. What can I do? - resp. what are some recommendations in converting xml-files into lily? Cheers, Christian http://old.nabble.com/file/p28428376/cmd_problem_xml.jpg -- View this message in context: http://old.nabble.com/Music-xml_Problem-tp28428376p28428376.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Figured Bass: Position of Chords
Sorry to all, I just realised, that the paragraph with the problem was
gone...
here we go:
If I use my workaround, the vertical alignment does not fit with the
'regular' fgured bass symbols, it is printed a little lower; for the current
problem it does not matter, but I suggest to add the 'carat' as as default
symbol available in figured bass mode.
cheers, christian
grisu_76 wrote:
Hi!
I have the following problem:
in figured bass sometimes the position of the cord-tones is given with a
^ over the number:
carat-3 for the third to be played as the highest tone
carat-5 for the fifth to be played as the highest tone
carat-8 for the octave to be played as the highest tone
I built a workaround for my piece:
\version 2.12.2
\new Staff{
\clef bass
\relative c{
c c c
}
}
\new FiguredBass {
\figuremode{
\bassFigureStaffAlignmentDown
\markup{ \tiny{\combine \vcenter \center-align \number 3 \super
\vcenter \center-align ^}}4
\markup{ \tiny{\combine \vcenter \center-align \number 5 \super
\vcenter \center-align ^}}4
\markup{ \tiny{\combine \vcenter \center-align \number 8 \super
\vcenter \center-align ^}}4
}
}
Comments ans suggestions welcome!
Cheers, Christian
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Figured Bass: Position of Chords
Hi!
I have the following problem:
in figured bass sometimes the position of the cord-tones is given with a ^
over the number:
carat-3 for the third to be played as the highest tone
carat-5 for the fifth to be played as the highest tone
carat-8 for the octave to be played as the highest tone
I built a workaround for my piece:
\version 2.12.2
\new Staff{
\clef bass
\relative c{
c c c
}
}
\new FiguredBass {
\figuremode{
\bassFigureStaffAlignmentDown
\markup{ \tiny{\combine \vcenter \center-align \number 3 \super
\vcenter \center-align ^}}4
\markup{ \tiny{\combine \vcenter \center-align \number 5 \super
\vcenter \center-align ^}}4
\markup{ \tiny{\combine \vcenter \center-align \number 8 \super
\vcenter \center-align ^}}4
}
}
Comments ans suggestions welcome!
Cheers, Christian
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Re: Grouped Beams
wounderful! thx a lot!
cheers, christian
Nick Payne-3 wrote:
Something like this:
\version 2.13.12
sixteenthNotesBeamedInFours = \overrideBeamSettings #'Voice #'(2 . 2)
#'end #'((* . (1 1))
((1 . 16) . (4 4 4 4 4 4 4 4))
((1 . 32) . (8 8 8 8)))
\relative c' {
\time 2/2
\repeat unfold 32 c16
\sixteenthNotesBeamedInFours
\repeat unfold 32 c16
\revertBeamSettings #'Voice #'(2 . 2) #'end
\repeat unfold 32 c16
}
Nick
On 12/02/10 08:03, grisu_76 wrote:
I use 2.13;
cheers,
christian
Mats Bengtsson-4 wrote:
On Thu, 2010-02-11 at 07:31 -0800, grisu_76 wrote:
Hello!
How to beam 4 16th-notes in a 2/2 automatically? got severe problem
with
the
override-auto-beam-setting
afraid, I did not get the idea behind..?
Which version of LilyPond are you using? The answer is different for
versions 2.12 and 2.13.
/Mats
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Grouped Beams
Hello! How to beam 4 16th-notes in a 2/2 automatically? got severe problem with the override-auto-beam-setting afraid, I did not get the idea behind..? cheers, christian -- View this message in context: http://old.nabble.com/Grouped-Beams-tp27547783p27547783.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Grouped Beams
I use 2.13; cheers, christian Mats Bengtsson-4 wrote: On Thu, 2010-02-11 at 07:31 -0800, grisu_76 wrote: Hello! How to beam 4 16th-notes in a 2/2 automatically? got severe problem with the override-auto-beam-setting afraid, I did not get the idea behind..? Which version of LilyPond are you using? The answer is different for versions 2.12 and 2.13. /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- View this message in context: http://old.nabble.com/Grouped-Beams-tp27547783p27554700.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Figured Bass Extenders Problem
Hi Richard,
in my work I have this problem too. I built a workaround which works only
for one single 8th-note without the extender:
ext = \markup {[-]}
in the code you can use it with \ext;
sometimes I would need a longer extender in square brackets as well, but I
did not found a solution so far;
Maybe the developers could help us...
Regards, Christian
Richard Holland-3 wrote:
I'm currently engraving a friend's completion of the Mozart Requiem K626.
While the notation is easy, and editorially either in smaller notes or
with
[] around items, the one thing I can't seem to do it get square brackets
around the figured bass extender lines.
Here's an example of what I need to do:
7[-]6[--]
5[--]
3
Is there any way to do this?
Many thanks.
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Re: Figured Bass - Alignment - Definitions?
Great, I had the fear I'm the only one with that problem ;-) let me know if there is something new; - maybe I can contribute with some testing... Regards, Christian Bugzilla from reinh...@kainhofer.com wrote: -BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Montag, 16. November 2009 21:17:59 schrieb grisu_76: maybe it is not the appropriate way, but is there a possibility that anyone could have a look to the figured bass alignment defintions? Neil looked at some definitions (fontsize, y-positioning: see messages form october 21st) to make it look more professional. Can someone give me a hint to change the definitions in a way to manipulate the accidentals used without numbers wrt the y-position, so that f.i. the extenders are in the same line? (see the examples) I can't give you any particular hints on that one, I just wanted to mention that I'm working on the vertical alignment of bass figures with extenders. Cheers, Reinhold - -- - -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * LilyPond, Music typesetting, http://www.lilypond.org -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.9 (GNU/Linux) iD8DBQFLAm+uTqjEwhXvPN0RAomyAJ910rzt2634qKe49NcW9UQOk566jQCfZUPr ZxhuSGVg2QRl7KYe07wIKbQ= =MMPv -END PGP SIGNATURE- ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- View this message in context: http://old.nabble.com/Figured-Bass---Alignment---Definitions--tp26378755p26389690.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Figured Bass - Alignment - Definitions?
Dear members, maybe it is not the appropriate way, but is there a possibility that anyone could have a look to the figured bass alignment defintions? Neil looked at some definitions (fontsize, y-positioning: see messages form october 21st) to make it look more professional. Can someone give me a hint to change the definitions in a way to manipulate the accidentals used without numbers wrt the y-position, so that f.i. the extenders are in the same line? (see the examples) Regards, Christian http://old.nabble.com/file/p26378755/test_fig_bass_default.pdf test_fig_bass_default.pdf http://old.nabble.com/file/p26378755/test_fig_bass_fontsize_0.pdf test_fig_bass_fontsize_0.pdf http://old.nabble.com/file/p26378755/test_fig_bass_definition_changed.pdf test_fig_bass_definition_changed.pdf -- View this message in context: http://old.nabble.com/Figured-Bass---Alignment---Definitions--tp26378755p26378755.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Figured Bass-Alignment - follow up
Dear Members, a while ago I discussed with Neil (thanks again!) th alignment of the figured-bass-items: for illustration, see the attached examples: _default: as it is programmed in 2.12: here, the combination of accidentals and numbers work well, but if one uses the accidental solely (i.e. the third is changed) a small accidental makes diffuculties in reading _fontsize_0: with the changed font-size in the translation-functions: changed fontsize causes unexpected results regarding to the y-position of numbers with accidentals especially in combination with the natural-sign _definition_changed: with Neils suggestion to solve the alignment-problem: the y-position of accidentals with numbers now work perfect; in addition, from the state of practice, it would be great if anyone has an idea to solve the following: if one uses the accidental solely (see above) the y-position is different (clearly seen if extenders are used); is there a way to handle accidentals eqal to the numbers (in respect to the y-position) if they are used solely? thanks and best regards, Christian http://old.nabble.com/file/p26267481/test_fig_bass_default.pdf test_fig_bass_default.pdf http://old.nabble.com/file/p26267481/test_fig_bass_fontsize_0.pdf test_fig_bass_fontsize_0.pdf http://old.nabble.com/file/p26267481/test_fig_bass_definition_changed.pdf test_fig_bass_definition_changed.pdf -- View this message in context: http://old.nabble.com/Figured-Bass-Alignment---follow-up-tp26267481p26267481.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Figured Bass - Alignment
Neil, it works wunderfully, the problem is gone! - Thanks!
for illustration, I made some output to show the differences:
_default: as it is programmed in 2.12
_fontsize_0: with the changed font-size in the translation-functions
_definition_changed: with you suggestion to solve the alignment-problem;
one would be great to be changed as well:
if one uses the accidental solely (i.e. as a number), the y-position is
different; is there a way to handle accidental eqal to the numbers if they
are used solely?
best regards, Christian
Neil Puttock wrote:
2009/10/19 grisu_76 christian.hum...@univie.ac.at:
now I've got the problem that the flat-sign changes the Y-position of the
numbers; I suppose that is beause the flat-sign uses more space above;
see
example:
I think you mean the natural sign: it's taller than the flat, so it
sticks out at the top when combined with larger font sizes.
does anyone has an idea to change the translation-functions.scm to lower
only the flat-sign when it has a number?
As a quick hack (untested; might have other side-effects in real-world
examples), you could reduce the Y-extent of the accidental markup.
Add this to define-markup-commands.scm:
(define-builtin-markup-command (with-y-dim layout props y arg)
(number-pair? markup?)
other
()
Set the vertical extent of @var{arg} to @var{y} and use the
default extent horizontally.
(let* ((m (interpret-markup layout props arg))
(x-ext (ly:stencil-extent m X)))
(ly:make-stencil (ly:stencil-expr m) x-ext y)))
Change this line in format-bass-figure,
#:pad-x 0.2 alt-markup
to this:
#:pad-x 0.2 #:with-y-dim '(0 . 1.5) alt-markup
by the way: after a while of playing with that, I wounder if the second
parameter has no? effect on the fontsize..?
If you mean the second digit (next to the parenthesis), then it's used
to set the fontsize of double sharps.
Regards,
Neil
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http://www.nabble.com/file/p25991353/test_fig_bass_default.pdf
test_fig_bass_default.pdf
http://www.nabble.com/file/p25991353/test_fig_bass_fontsize_0.pdf
test_fig_bass_fontsize_0.pdf
http://www.nabble.com/file/p25991353/test_fig_bass_definition_changed.pdf
test_fig_bass_definition_changed.pdf
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Figured Bass - Alignment
Dear Lilyponders,
as ist was discussed in the group earlier, one can alter the size of
accidentals in figuredbass-mode with a bit of a hack changing the
translation-functions.scm:
(alt (ly:event-property event 'alteration))
(alt-markup
(if (number? alt)
(markup
#:general-align Y DOWN #:fontsize
(if (not (= alt DOUBLE-SHARP))
0 0) %**
this was
default -2 -2;
(alteration-text-accidental-markup alt))
now I've got the problem that the flat-sign changes the Y-position of the
numbers; I suppose that is beause the flat-sign uses more space above; see
example:
\include deutsch.ly
\new Staff{
\clef bass
\relative c{
b8-. \fz b' b b b,-. \fz b' b b
es, \p es es es es es es es
} }
\new FiguredBass {
\figuremode{
\bassFigureStaffAlignmentDown
\bassFigureExtendersOn
\repeat unfold 8 {7}
8 3 8 3 8 3 5! 3\! 6 4 6 4 5- 3 _
}
}
does anyone has an idea to change the translation-functions.scm to lower
only the flat-sign when it has a number?
by the way: after a while of playing with that, I wounder if the second
parameter has no? effect on the fontsize..?
cheers, Christian
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Re: slashed reverse turn-sign
ok, ok, seems to be the more proper way :-)
reg. Christian
Mats Bengtsson-4 wrote:
You can get the same result without having to figure out what numbers to
use in a \translate command, in the following way:
slashedturn = \markup {
\combine
\vcenter \center-align \musicglyph #scripts.reverseturn
\vcenter \center-align \fontsize #3.5 |
}
/Mats
grisu_76 wrote:
Dear group members,
I built a sign for a transcription, a slashed reverse turn:
slashedturn =\markup {
\combine
\musicglyph #scripts.reverseturn
\translate #'(-1.0 . -1.2)
\fontsize #3.5 |
}
Maybe it's of interest to some of you, I only wanted to let you know.
Regards,
Christian
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=
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Signal Processing
School of Electrical Engineering
Royal Institute of Technology (KTH)
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: mats.bengts...@ee.kth.se
WWW: http://www.s3.kth.se/~mabe
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slashed reverse turn-sign
Dear group members,
I built a sign for a transcription, a slashed reverse turn:
slashedturn = \markup {
\combine
\musicglyph #scripts.reverseturn
\translate #'(-1.0 . -1.2)
\fontsize #3.5 |
}
Maybe it's of interest to some of you, I only wanted to let you know.
Regards,
Christian
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Re: Help needed in implementing patches
Reinhold Kainhofer wrote: -BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am Mittwoch, 29. Juli 2009 21:08:15 schrieb grisu_76: Dear Members, could someone give me a brief introduction (or where to look it up) how to implement patches such as: page-layout-problem.cc -- space systems nicely on a page. If systems can be stretched, do that too. That's a patch written by Joe Neeman, taken from his git-branch; Are you on windows or on Linux? I'm running Windows XP... Basically, you'll have to checkout the dev/jneeman branch from git, and then compile all of lilypond yourself. I don't know how long it will take until a version is released that containing Joe's development, but if it's not urgent, I would advise you to wait for such a version. If you are adventurous (and have enough time at your hands), you can follow the instructions: - -) Working with git (downloading the source code and checking out the dev/jneeman branch), described in our Contributor's guide (CG): http://kainhofer.com/~lilypond/Documentation/contributor/Starting-with-git.html - -) Compiling LilyPond, currently described in the Application Usage (AU): http://kainhofer.com/~lilypond/Documentation/application/Compiling-from-source.html Thanks for the hints, I'll try to get along; If you have any comments / suggestions / problems with these instructions, I'm sure Graham Percival (our grumpy build/release/documentation master) will be happy to get feedback on the lilypond-devel list. Just don't be frustrated if his response is not too sensitive... Cheers, Reinhold - -- - -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * LilyPond, Music typesetting, http://www.lilypond.org -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.9 (GNU/Linux) iD8DBQFKcK2RTqjEwhXvPN0RAktAAKDCUqbqV9fLbqu68x06QNp0RhIBBwCgmBlE 3/NLW24ygpLsE3Fwv/pS7Ug= =N4pR -END PGP SIGNATURE- ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- View this message in context: http://www.nabble.com/Help-needed-in-implementing-patches-tp24725628p24734657.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Help needed in implementing patches
Dear Members, could someone give me a brief introduction (or where to look it up) how to implement patches such as: page-layout-problem.cc -- space systems nicely on a page. If systems can be stretched, do that too. That's a patch written by Joe Neeman, taken from his git-branch; Many thanks an best regards, Christian -- View this message in context: http://www.nabble.com/Help-needed-in-implementing-patches-tp24725628p24725628.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
vertical alignment of single systems on page
Dear group members, since a couple of days I try to align a single system (orchestral score) vertically: see attachment for details; http://www.nabble.com/file/p24693463/Missa%2Bin%2BEs_Partitur_04_Graduale.pdf Missa+in+Es_Partitur_04_Graduale.pdf the problem is that there is a large amount of empty space at the bottom margin of the pages; I want the single system to be stretched evenly onto the page, but this does not work; I studied the contributions in the group, esp. the following: http://www.nabble.com/Vertical-stretching-of-groups-td17840365.html#a18722629 http://www.nabble.com/setting-max-stretch-to-a-high-value-still-leaves-some-space-at-the-bottom-td17719270.html#a17840464 I used the reference manual and the snippets-collection as well, but I have no idea how to fix this problem; Maybe one of you has found a satisfactionary solution... Thanks in advance! Best regards, Christian -- View this message in context: http://www.nabble.com/vertical-alignment-of-single-systems-on-page-tp24693463p24693463.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: vertical alignment of single systems on page
Hello Reinhold, thanks for reply; It's a pitty that there's no (?) possibility to fix that problem; Did you find some workaround, as for you report a similar problem? Thanks and kind regards, Christian Reinhold Kainhofer wrote: -BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Hi Christian, Am Dienstag, 28. Juli 2009 08:50:45 schrieb grisu_76: since a couple of days I try to align a single system (orchestral score) vertically: see attachment for details; http://www.nabble.com/file/p24693463/Missa%2Bin%2BEs_Partitur_04_Graduale.p df Missa+in+Es_Partitur_04_Graduale.pdf Looks good. Is this an Urtext edition of some old graduale? Whos is the composer? the problem is that there is a large amount of empty space at the bottom margin of the pages; I want the single system to be stretched evenly onto the page, but this does not work; Yes, that's a known problem and there's nothing you can do in lilypond 2.13.x... However, Joe Neeman is working on a completely new vertical layout engine, which will fix this problem among others. It's not yet clear when a version with the new layout engine will be released, though. Cheers, Reinhold - -- - -- Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/ * Financial Actuarial Math., Vienna Univ. of Technology, Austria * http://www.fam.tuwien.ac.at/, DVR: 0005886 * LilyPond, Music typesetting, http://www.lilypond.org -BEGIN PGP SIGNATURE- Version: GnuPG v1.4.9 (GNU/Linux) iD8DBQFKbsBeTqjEwhXvPN0RAgb6AJ9dR3eQNM4tJP2rNe7VaqtxQgH+AwCgoqaz bHF7G114kRFOoj3Aqrtnxy4= =+c78 -END PGP SIGNATURE- ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user -- View this message in context: http://www.nabble.com/vertical-alignment-of-single-systems-on-page-tp24693463p24696125.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
combine 2 orchestral voices
Hello to all!
I've got a problem which does not work properly with \partcombine as for the
following reasons:
Guess an orchestral score with 2 Oboe voices (or Horns, Trumpets, Flutes
etc. - all the same);
1.) they should be combined into a single staff
2.) the dynamics of the single voices may not be the same at the same
time (slurs also)
3.) rests should printed only one time if the rythm is the same
4.) single voices for the two players should be created as automatic as
possible
I solved the points 1.) and 3.), but I've got no idea what to do with the
dynamics or to program a solution for the automatic extraction; My solution
so far is not satisfactiory, but it works;
Has someone the same problem already solved?
Regards, Christian
here's the example:
\version 2.12.2
\include deutsch.ly
nr = {
\revert Rest #'direction
\revert MultiMeasureRest #'staff-position
}
\new Staff =
\relative c''
{
{\dynamicUp
\nr r2
\nr r2
as'4.( \ as8)
g4 \! \f es
} \\
{ \nr r2
\nr r2
d4. \ f8
es4 \! \mf g,
}
}
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satisfactiory solution for the incipit-problem yet?
Hi everyone!
I am transcribing choir-music from the early 19th century; there the vocal
parts used the soprano/alto/tenore-clef for these voices; I transcribe them
into treble clef (as it is used in modern notation) but the original clefs
should be seen (the well known problem...)
I tried to use this workaround with the instrument-names, but then I have
severe problems with the aign-spaceing of the names of the accompaining
string-quartet;
regards to all!
Christian
see my approach here:
\include deutsch.ly
\version 2.12.2
global = {
\time 2/4
\key es \major
}
%%% * defines the incipit
*
incipitsopran = \markup{\score{ { \set Staff.instrumentName =
\markup{\normalsize{Soprano}}
\clef soprano
\override Staff.TimeSignature #'stencil
= ##f
\set clef.fontSize = #-2
\set Staff.fontSize = #-2
s8 }
\layout { ragged-right = ##t }
}}
%%% ** Starts the music
**
Sopran = {
\relative c''{
\set Staff.midiInstrument = #violin
b4 \p b
c8( b) b4
}
}
\score {
\new ChoirStaff
\new Staff \new Voice = incipitsopran {\set
Staff.instrumentName=\incipitsopran \global \Sopran}
\layout {
ragged-right = ##t
indent = 3\cm
short-indent = 1.5\cm
}
}
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Bug supposed
Hi everyone,
I have got the suspicion, that I detected a bug in 2.12 - but I am not
sure:confused::
As I wrote into the group on April 19th, I try to engrave a grace note at
the beginning of a pickup-bar;
The whole story is, that I engrave a string quartet useing the
string-quartet snippet for the snippets-manual (p. 230 ff); This uses
several files to generate either the full score or the single parts;
Up to the last movement all worked perfect, but the third movement begins
with a grace note in a pickup bar;
The example is as follows:
% Music -definition (= FILE 1: satz03)
\include deutsch.ly
global = {
\time 6/8
\key es \major
\tempo Presto
}
\markup {
\fill-line {
\huge III.
}
}
ViolineEins = \new Voice {\relative c'{
\set Staff.midiInstrument = #violin
\grace {d8} \partial 8*3 c8 d e
c d e
\bar |.
}}
ViolineZwei = \new Voice {\relative c'{
\set Staff.midiInstrument = #violin
\grace {d8} \partial 8*3 c8 d e
c d e
\bar |.
}}
Viola = \new Voice {\relative c'{
\clef alto
\set Staff.midiInstrument = #viola
\grace {d8} \partial 8*3 c8 d e
c d e
\bar |.
}}
Cello = \new Voice {\relative c{
\clef bass
\set Staff.midiInstrument = #cello
\grace {d8} \partial 8*3 c8 d e
c d e
\bar |.
}}
music = {
\tag #'score \tag #' vn1 \new Staff { \global \ViolineEins }
\tag #'score \tag #' vn2 \new Staff { \global \ViolineZwei }
\tag #'score \tag #' vla \new Staff { \global \Viola }
\tag #'score \tag #' vlc \new Staff { \global \Cello }
}
%%%END OF FILE 1 %
File 2 includes File 1 useing the \tag to get the information of all voices
%%score for third movement; FILE 2:
(=quartetto_in_c_satz03.ly)
\include satz03.ly
# (set-global-staff-size 14)
\score {
\new StaffGroup \keepWithTag #'score \music
\layout {}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 285 8)
}
}
}
%%%END OF FILE 2 %
Now to the supposed bug:
Mats Bengtsson gave me the hint to try it in the following way (which works
without any problems - thanks Mats =))
TESTFILE
\include deutsch.ly
ViolineEins = \new Voice {\relative c'{
\set Staff.midiInstrument = #violin
\grace {c''8} \partial 8*3 b8\p (a) b-.
g8-. g-. g-. \grace{as} g(f) g-.
\bar |.
}}
ViolineZwei = \new Voice {\relative c'{
\set Staff.midiInstrument = #violin
\grace {s8} \partial 8*3 r4 r8
es'8-.\p es-. es-. r4 r8
\bar |.
}}
\new Staff { \time 6/8 \key es \major \ViolineEins \ViolineZwei }
% END OF FILE 3 %%%
Here, the rintout is perfect!
To sum it up:
obviously the grace not at the beginning of a score is crucial (as it is
reported in the reference manual on p. 78 Known issues and warnings); one
can override the problem to fill in unvisible grace notes for each single
voice - which works well; all other methods I tried do not work (to be more
precisely: I did not found a solution - so I suppuse a bug)
Useing the snippet with the \tag function, there is the problem that
1.) the grace note is printet between the key signature and the time
signature
2.) the default beams do not longer work
3.) the time signature of (in my example 6/8) is ignored and reset to C
That's it - I wanted to let you know that...
Best regards,
Christian
P.S.: Don't be upset for posting the whole example - I am convinced that it
is necessary to get the whole problem :wistle:
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Re: Grace Note in Pick-Up Bar
I tried your recommendations with the \grace before the \partial; it doesn't
seem to work;
as requested, here's the full example; it is based on two files: the second
one is the music-file and the first one is the file for the full score,
including the music-file
%% FILE 1:
\include satz03.ly
# (set-global-staff-size 14)
\score {
\new StaffGroup \keepWithTag #'score \music
\layout {}
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 8)
}
}
}
%
FILE 2 (i.e. satz03.ly:
\include deutsch.ly
global = {
\time 6/8
\key es \major
\tempo Presto
}
\markup {
\fill-line {
\huge III.
}
}
ViolineEins = \new Voice {\relative c'{
\set Staff.midiInstrument = #violin
\grace {c''8} \partial 8*3 b8 \p (a) b-.
g8-. g-. g-. \grace{as} g( f) g-.
\bar |.
}}
ViolineZwei = \new Voice {\relative c'{
\set Staff.midiInstrument = #violin
\grace {s8} \partial 8*3 r4 r8
\bar |.
}}
Viola = \new Voice {\relative c'{
\clef alto
\set Staff.midiInstrument = #viola
\partial 8*3 \grace {s8} r4 r8
\bar |.
}}
Cello = \new Voice {\relative c{
\clef bass
\set Staff.midiInstrument = #cello
\grace {s8} \partial 8*3 r4 r8
\bar |.
}}
music = {
\tag #'score \tag #' vn1 \new Staff { \global \ViolineEins }
\tag #'score \tag #' vn2 \new Staff { \global \ViolineZwei }
\tag #'score \tag #' vla \new Staff { \global \Viola }
\tag #'score \tag #' vlc \new Staff { \global \Cello }
}
grisu_76 wrote:
Hi everyone!
I try to do the following:
ViolineEins = \new Voice {\relative c'{
\set Staff.midiInstrument = #violin
\partial 8*3 \grace {c''8} b8\p (a) b-.
g8-. g-. g-. \grace{as} g(f) g-.
\bar |.
}}
ViolineZwei = \new Voice {\relative c'{
\set Staff.midiInstrument = #violin
\partial 8*3 \grace {s8} r4 r8
\bar |.
}}
I know about the Problem with those dummy-grace-notes, but it is printed
into the time/key signature;
Is there a posibility to let the piece start with the grace note within a
pickup bar?
Regards,
Christian
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Grace Note in Pick-Up Bar
Hi everyone!
I try to do the following:
ViolineEins = \new Voice {\relative c'{
\set Staff.midiInstrument = #violin
\partial 8*3 \grace {c''8} b8\p (a) b-.
g8-. g-. g-. \grace{as} g(f) g-.
\bar |.
}}
ViolineZwei = \new Voice {\relative c'{
\set Staff.midiInstrument = #violin
\partial 8*3 \grace {s8} r4 r8
\bar |.
}}
I know about the Problem with those dummy-grace-notes, but it is printed
into the time/key signature;
Is there a posibility to let the piece start with the grace note within a
pickup bar?
Regards,
Christian
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Re: Line break and page fit do not work
I found the source of the problem: It wasn't the measure length, it was a
problem with forced beams:
I wrote:
g4 [ g h,8 g h,8] g4 [ g h,8 g h,8]
in a 4/4 instead of:
c4 g h,8 [ g h,8] g4 g h,8 [ g h,8]
But this syntax error occurred several measures before the measure I
suspected to cause the problem.
Nevertheless, I learned much about trouble-shooting!
Regards, Christian
Cameron Horsburgh wrote:
On Tue, Mar 10, 2009 at 02:39:11PM -0700, grisu_76 wrote:
Hi everyone!
I've got the following problem:
I write a String Quartet; Line Break and page fit etc. work without any
problems for the violin2, the viola and the cello (log reports to fit it
on
10 to 11 pages); if I now add the violin1 it works, but only until a
particular measure; from there, the line break is not executed propery,
i.e.
the line continues after the paper margin and ends in nowhere (log now
reports to fit on 7 to 8 pages..?);
Does anyone know about this problem?
Have you checked that all your measure lengths are correct? If a
measure isn't correct you might not have notes finishing at the end of
measures, and lilypond will have trouble finding places to break
lines. Here's an example in case that isn't clear
\time 4/4 a4 a a % --- This bar is missing a beat \repeat volta 20
{a2 a} % --- None of these notes will begin at the start of
% a measure, because they're all offset by a
% beat.
--
Cameron Horsburgh
Blog: http://spiritcry.wordpress.com/
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Line break and page fit do not work
Hi everyone! I've got the following problem: I write a String Quartet; Line Break and page fit etc. work without any problems for the violin2, the viola and the cello (log reports to fit it on 10 to 11 pages); if I now add the violin1 it works, but only until a particular measure; from there, the line break is not executed propery, i.e. the line continues after the paper margin and ends in nowhere (log now reports to fit on 7 to 8 pages..?); Does anyone know about this problem? Best regards, Christian -- View this message in context: http://www.nabble.com/Line-break-and-page-fit-do-not-work-tp22444142p22444142.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ossia in String Quartet
I tried that, but now - after the compiling-process - it is printed out as a
Quintet: there's an additional staff, and the ossia-part ist still below the
cello; maybe the problem is, that the staffs of the full-score are
'produced' with the additional file - I confess, I'm a little confused...
Could it be a problem with the \tag- feature used to split the quartet
into parts?
regards, Christian
James E. Bailey-3 wrote:
You need to name the Staff that ViolineEins is on. ViolineEins = \new
Staff = ViolineEins \new Voice \relative c' {music}
El 25.02.2009, a las 23:28, grisu_76 escribió:
Dear James,
my score is set up in the following way (see below): the first is a
file
called piece.ly, there I write the piece; if I compile the file
score.ly
(see below), the ossia stands below the cello-line, not above the
violin1.
regards, Christian
%%file piece.ly
\version 2.12.2
\include deutsch.ly
global = {
\time 2/2
\key c \minor
}
ViolineEins = \new Voice {\relative c'{
\set Staff.instrumentName = #Violino primo
\set Staff.midiInstrument = #violin
g8 \p[(b g b)] {g[(b g b )]}
\new Staff \with {
\remove Time_signature_engraver
alignAboveContext =
#ViolineEins
fontSize = #-3
\override StaffSymbol #'staff-space =
#(magstep -3)
\override StaffSymbol #'thickness =
#(magstep -3)
firstClef = ##f
}
{as8[(b as b)]}
\bar |.
}}
%ViolineZwei, Viola, Cello in the same way
music = {
\tag #'score \tag #' vn1 \new Staff { \global \ViolineEins }
\tag #'score \tag #' vn2 \new Staff { \global \ViolineZwei }
\tag #'score \tag #' vla \new Staff { \global \Viola }
\tag #'score \tag #' vlc \new Staff { \global \Cello }
}
END OF FILE
This file produces the full score of the quartet:
file score.ly
\include piece.ly
# (set-global-staff-size 14)
\score {
\new StaffGroup \keepWithTag #'score \music
\layout {}
\midi {}
}
%%% END OF FILE
James E. Bailey-3 wrote:
El 25.02.2009, a las 19:01, grisu_76 escribió:
Hello to all!
I have got a problem with the addition of an ossia in a string
quartet;
I work with the file structure explained in the snippets manual (p.
230 f).
All works out very well - all parts are printed out properly, but
if I want
to add an ossia in the viola-part in the score.ly, the examples
form the
learning-manual an from the notation-reference manual do not work;
I guess
it is because the score.ly uses the piece.ly to collect the
information from there (=from the example in the snippets manual:
There it
is recommended, to put in a \new Staff = ...)
The ossia is printed out, but below the cello-line; it could not be
manipulated with the alignAboveContext-command; does someone has
got an
I don't know exactly how your score is set up, but alignAboveContext
needs a named Staff context in order to work, so \new Staff = cello
\celloMusic \new Staff \with { alignAboveContext = cello }
\ossiaStaff.
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Re: Ossia in String Quartet
Dear Mats,
your coding worked out!
regards, Christian
Mats Bengtsson-4 wrote:
I hope you replaced your current line
\tag #'score \tag #' vn1 \new Staff { \global \ViolineEins }
by
\tag #'score \tag #' vn1 \new Staff = ViolineEins { \global
\ViolineEins }
in your \score block and didn't add James' suggestion as an extra line
somewhere.
/Mats
grisu_76 wrote:
I tried that, but now - after the compiling-process - it is printed out
as a
Quintet: there's an additional staff, and the ossia-part ist still below
the
cello; maybe the problem is, that the staffs of the full-score are
'produced' with the additional file - I confess, I'm a little confused...
Could it be a problem with the \tag- feature used to split the quartet
into parts?
regards, Christian
James E. Bailey-3 wrote:
You need to name the Staff that ViolineEins is on. ViolineEins = \new
Staff = ViolineEins \new Voice \relative c' {music}
El 25.02.2009, a las 23:28, grisu_76 escribió:
Dear James,
my score is set up in the following way (see below): the first is a
file
called piece.ly, there I write the piece; if I compile the file
score.ly
(see below), the ossia stands below the cello-line, not above the
violin1.
regards, Christian
%%file piece.ly
\version 2.12.2
\include deutsch.ly
global = {
\time 2/2
\key c \minor
}
ViolineEins = \new Voice {\relative c'{
\set Staff.instrumentName = #Violino primo
\set Staff.midiInstrument = #violin
g8 \p[(b g b)] {g[(b g b )]}
\new Staff \with {
\remove Time_signature_engraver
alignAboveContext =
#ViolineEins
fontSize = #-3
\override StaffSymbol #'staff-space =
#(magstep -3)
\override StaffSymbol #'thickness =
#(magstep -3)
firstClef = ##f
}
{as8[(b as b)]}
\bar |.
}}
%ViolineZwei, Viola, Cello in the same way
music = {
\tag #'score \tag #' vn1 \new Staff { \global \ViolineEins }
\tag #'score \tag #' vn2 \new Staff { \global \ViolineZwei }
\tag #'score \tag #' vla \new Staff { \global \Viola }
\tag #'score \tag #' vlc \new Staff { \global \Cello }
}
END OF FILE
This file produces the full score of the quartet:
file score.ly
\include piece.ly
# (set-global-staff-size 14)
\score {
\new StaffGroup \keepWithTag #'score \music
\layout {}
\midi {}
}
%%% END OF FILE
James E. Bailey-3 wrote:
El 25.02.2009, a las 19:01, grisu_76 escribió:
Hello to all!
I have got a problem with the addition of an ossia in a string
quartet;
I work with the file structure explained in the snippets manual (p.
230 f).
All works out very well - all parts are printed out properly, but
if I want
to add an ossia in the viola-part in the score.ly, the examples
form the
learning-manual an from the notation-reference manual do not work;
I guess
it is because the score.ly uses the piece.ly to collect the
information from there (=from the example in the snippets manual:
There it
is recommended, to put in a \new Staff = ...)
The ossia is printed out, but below the cello-line; it could not be
manipulated with the alignAboveContext-command; does someone has
got an
I don't know exactly how your score is set up, but alignAboveContext
needs a named Staff context in order to work, so \new Staff = cello
\celloMusic \new Staff \with { alignAboveContext = cello }
\ossiaStaff.
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=
Mats Bengtsson
Signal Processing
School of Electrical Engineering
Royal Institute of Technology (KTH)
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: mats.bengts...@ee.kth.se
WWW: http://www.s3.kth.se/~mabe
Editorial Annotation
Hello everyone!
I am searching for a possibility to put a trill-sign as an editorial
annotation within parentheses, i.e. (tr)
I used the following expression:
roundTr = \markup {\center-align \concat { \bold { ( } \musicglyph
#scripts.trill \bold { ) } } }
but when I'm using it in the code as f.i. ^\roundTr, the trill-symbol and
the leading parenthese are printed one upon the other; the trailing
parenthese is printed correct;
Could someone, please, help me with this task?
Thanks in advance!
Regards, Christian
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Re: Editorial Annotation
Hi James,
thanks for reply, you're right, without the center-align, it works; - as
for I am a newbee, I copied these lines form the notation reference manual
(I adapted the esample form the parenthesised dynamics).
regards, christian
James E. Bailey-3 wrote:
El 24.02.2009, a las 16:17, grisu_76 escribió:
Hello everyone!
I am searching for a possibility to put a trill-sign as an editorial
annotation within parentheses, i.e. (tr)
I used the following expression:
roundTr = \markup {\center-align \concat { \bold { ( } \musicglyph
#scripts.trill \bold { ) } } }
but when I'm using it in the code as f.i. ^\roundTr, the trill-
symbol and
the leading parenthese are printed one upon the other; the trailing
parenthese is printed correct;
Could someone, please, help me with this task?
What are you expecting from \center-align? Unless I'm
misunderstanding, you should get what you want without it.
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Ossia in String Quartet
Hello to all! I have got a problem with the addition of an ossia in a string quartet; I work with the file structure explained in the snippets manual (p.230 f). All works out very well - all parts are printed out properly, but if I want to add an ossia in the viola-part in the score.ly, the examples form the learning-manual an from the notation-reference manual do not work; I guess it is because the score.ly uses the piece.ly to collect the information from there (=from the example in the snippets manual: There it is recommended, to put in a \new Staff = ...) The ossia is printed out, but below the cello-line; it could not be manipulated with the alignAboveContext-command; does someone has got an idea? Many thanks in advance! Regards, Christian -- View this message in context: http://www.nabble.com/Ossia-in-String-Quartet-tp22208289p22208289.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Ossia in String Quartet
Dear James,
my score is set up in the following way (see below): the first is a file
called piece.ly, there I write the piece; if I compile the file score.ly
(see below), the ossia stands below the cello-line, not above the violin1.
regards, Christian
%%file piece.ly
\version 2.12.2
\include deutsch.ly
global = {
\time 2/2
\key c \minor
}
ViolineEins = \new Voice {\relative c'{
\set Staff.instrumentName = #Violino primo
\set Staff.midiInstrument = #violin
g8 \p[(b g b)] {g[(b g b )]}
\new Staff \with {
\remove Time_signature_engraver
alignAboveContext = #ViolineEins
fontSize = #-3
\override StaffSymbol #'staff-space =
#(magstep -3)
\override StaffSymbol #'thickness =
#(magstep -3)
firstClef = ##f
}
{as8[(b as b)]}
\bar |.
}}
%ViolineZwei, Viola, Cello in the same way
music = {
\tag #'score \tag #' vn1 \new Staff { \global \ViolineEins }
\tag #'score \tag #' vn2 \new Staff { \global \ViolineZwei }
\tag #'score \tag #' vla \new Staff { \global \Viola }
\tag #'score \tag #' vlc \new Staff { \global \Cello }
}
END OF FILE
This file produces the full score of the quartet:
file score.ly
\include piece.ly
# (set-global-staff-size 14)
\score {
\new StaffGroup \keepWithTag #'score \music
\layout {}
\midi {}
}
%%% END OF FILE
James E. Bailey-3 wrote:
El 25.02.2009, a las 19:01, grisu_76 escribió:
Hello to all!
I have got a problem with the addition of an ossia in a string
quartet;
I work with the file structure explained in the snippets manual (p.
230 f).
All works out very well - all parts are printed out properly, but
if I want
to add an ossia in the viola-part in the score.ly, the examples
form the
learning-manual an from the notation-reference manual do not work;
I guess
it is because the score.ly uses the piece.ly to collect the
information from there (=from the example in the snippets manual:
There it
is recommended, to put in a \new Staff = ...)
The ossia is printed out, but below the cello-line; it could not be
manipulated with the alignAboveContext-command; does someone has
got an
I don't know exactly how your score is set up, but alignAboveContext
needs a named Staff context in order to work, so \new Staff = cello
\celloMusic \new Staff \with { alignAboveContext = cello } \ossiaStaff.
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