[no subject]

[Philippe ZELLER]

Dear lilypond fellow users,
it sometimes occurs in barock music that only every other barline is
visible, (see e.g. Haendel's Salomo, choir at the end of Act II ) or that
every other barline is printed in reduced size.(see e.g. Bach Mass in
H-moll, nr 27 "dona nobis pacem" ).
Is there a way to get this result in lilypond ?

I first tried
\set Score.barLineVisibility = #(every-nth-bar-number-visible 2)
that I made up after an equivalent syntax for barNumber, but to no avail.
Maybe I didn't put it in the right context ?

Finally I used a rather complicated procedure based on
global = {
  \repeat unfold 24 { s2. \once \override Staff.BarLine.transparent =
##t  s2. \once \override Staff.BarLine.transparent = ##f }
}
which works but is not fully compatible, for example it does not work with
multiMeasureRests.

Many thanks in advance for your suggestions !

[no subject]

[Andrew Bernard]

get index hpschd96
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[no subject]

[Urs Liska]

Is there any reason why the slrus in the attached example come out the way they 
do (i.e. so horizontal, with the left edge being so far away from the notehead)?

What would be the best way to deal with that? Of course I could \shape them 
individually, but there's a lot of them in the scores, so I'd prefer a 
*setting* to be applied.

Thanks
Urs
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[no subject]

[Stefan Thomas]

Dear community,
the following code is very old, written by Rune Zedeler, but it is very
useful.
It allows You define a motive like:
\motiv #'Stefan {c'8 d' c' d' e2}
and later it can be used like this:
\Stefan {e f g }
and You will get
{e8 f e f g2 }
it can save a lot of typing.
Unfortunately it doesn't seem to work with lilypond 2.20.0
Has someone an idea, how I can get it working with lilypond 2.20.0?
Thanks in advance for any hint!
Here is the definition, that works with 2.18.2.:
motiv =
#(define-music-function (name pattern)
  (symbol? ly:music?)
  (letrec ((trans-rec
   (lambda (pitches)
(lambda (music)
 (let* ((es (ly:music-property music 'elements))
(e (ly:music-property music 'element))
(p (ly:music-property music 'pitch)))

  (if (pair? es)
(ly:music-set-property!
music 'elements
(map (trans-rec pitches) es)))

  (if (ly:music? e)
(ly:music-set-property!
music 'element
((trans-rec pitches) e)))

  (if (ly:pitch? p)
(let* ((o (ly:pitch-octave p))
  (n (ly:pitch-notename p))
  (i (+ (* 7 o) n))
  (pes (ly:music-property (list-ref pitches i) 'elements))
  (pnew (ly:music-property (car pes) 'pitch))
)
(ly:music-set-property! music 'pitch pnew)
  ))
  music)
   (primitive-eval
`(define ,name
  (define-music-function (parserb locationb pitchseq)
   (ly:music?)
   (let* ((pitches (ly:music-property pitchseq 'elements))
 (n   (ly:music-property pitchseq 'name)))
(if (not (equal? n 'SequentialMusic))
(ly:warning "2nd arg of transform must be SequentialMusic, got ~a" n)
((,trans-rec (map event-chord-wrap! pitches))
  (ly:music-deep-copy ,pattern)))
   (make-music 'SequentialMusic 'void #t)))

[no subject]

[ming tsang]

Starting lilypond-windows.exe 2.21.4 [the-conflict-of-the-ages.ly]...

Processing `C:/Users/yming
tsang/Documents/CHOIR_2020/the-conflict-of-the-ages/
the-conflict-of-the-ages.ly'

Parsing...

Interpreting music...

Preprocessing graphical objects...

Interpreting music...

fatal error: cannot create temp file: the-conflict-of-the-ages.mid. 2365:
Invalid argument

Exited with return code 1.


Hi, lilyponders:

How to resolve the above error message? I did not find any .mid file in my
pc.

Thanks for the help.

Ming.



-- 
ming (lyndon) tsang

[no subject]

[Craig Dabelstein]

Hi everyone,

Has anyone encountered this error in Terminal before? I'm on a Mac (latest
OS) and invoking Lilypond on about 30 parts. This error came up on about
the 25th part.

warning: g_spawn_sync failed (0): gs: Too many open files




All the best,


CRaig





-- 
[image: photograph]
*Craig Dabelstein*
Owner
email: cr...@maximesmusic.com.au
Maxime's Music, QLD, Australia
[image: facebook icon]  [image:
twitter icon]  [image: youtube icon]
 [image: instagram icon]
  maximesmusic.com.au
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[Лысов Дмитрий]

Как определить в define-scheme-function аргументы "lyricup" и "lyricdown", чтобы их значения брались из данных \makeScore? При этом у верхней и нижней строк текста должны быть заданы разные шрифты. \version "2.22.1"   \header {   title = "Сборник мелодических формул знаменного распева"   composer= "Штейнберг Б."  poet = "Москва, 2017"} \paper {  #(set-paper-size "a4")  tagline=##f  ragged-right = ##t  myStaffSize = #21  #(define fonts (make-pango-font-tree                  "Ponomar Unicode"                  "Ponomar Unicode"                  "Ponomar Unicode"                  (/ myStaffSize 21)))} \layout {  indent = 0.0   \context {    \Lyrics     \override LyricText #'font-size = #4     \override LyricText #'font-name = #"Ponomar Unicode"     \override LyricSpace.minimum-distance = #0.8   }   \context {     \Score     \override SpacingSpanner.spacing-increment = 0.5  }  \context {     \KievanVoice     \stemDown     fontSize = 1.0  }}  \midi {   \context {     \Score     tempoWholesPerMinute = #(ly:make-moment 110 2)   }   \context {     \Staff     \remove Staff_performer   }   \context {     \Voice     \remove Staff_performer   }} makeScore =#(define-scheme-function (mark notes lyricup lyricdown) (markup? ly:music? markup? markup?)    #{      \score {        \header {piece = \markup { Название }}        <<          \new KievanStaff  = slavonic           <<          \new KievanVoice = "melody"             \relative c' {              \cadenzaOn              \mark #mark              #notes              \bar "|"            }          >>                  \new Lyrics         \lyricsto "melody"         {а п р ц} %lyricup                 \new Lyrics \with {alignAboveContext = slavonic}         \lyricsto "melody"         {b b b b} %lyricdown                 >>         \layout { }        %\midi { }      }    #}) \markup { \fill-line \huge { "Глас 1" }}\markup { \fill-line \huge { "Начальные" }}\makeScore "Удра" {e4 c d f e d c d e d e1} "mi do re fa" "E C D F"\markup { \fill-line \huge { "Конечные" }} \makeScore "Удра" {e4 c d f e d c d e d e1} "mi do re fa" "E C D F"\markup { \fill-line \huge { "Срединные" }}\makeScore "Дербица или скорпица" {e4 f g a a g2.} "mi fa sol la" "E F G A"

[no subject]

[Volodymyr Prokopyuk]

Hello,


*Problem*

I have got an extra treble clef on the second Staff when using a PianoStaff
with two \clef bass staves. See the example below

*Example*

\version "2.23.14"

\score {
  \new PianoStaff = bayan {
<<
  \new Staff = rightHand {
\tempo Lento
\clef bass
\key c \minor
\time 2/4
\relative {
  \acciaccatura { g=16 a b } c='2->\mp |
}
  }
  \new Staff = leftHand {
\clef bass
\key c \minor
\relative { c=2 | }
  }
>>
  }
}

[image: image.png]
However, when the \acciaccatura is removed, the treble clef disappears,
producing the desired result. Why does the \acciaccatura add the extra
unwanted treble clef? What can be done to have the \acciaccatura and
continue with two bass cleves?

Thank you,
Vlad

[no subject]

[Gian Paolo Renello]

Hi, I am new to lilypond, using Frescobaldi.I read manuals and other stuff but i am not able to repduce with lilypond such a score: There are 8 voices plus the oktavist.The lirycs are above the soprano, for voice 1 and under soprano for voice 2. The same happens for Alto and Tenor voices (when the are 2). The basso voices have the same vocal part so it is placed between the 2 basso's starves. Moreover I should have to add a transliteration under each line in russian.Can you just show me how to write these fragments so that eventually I can understand and arrange all the score?? Thanks all a lot

[no subject]

[Gian Paolo Renello]

Hi, i have a question:ho can i add a 5th voice (for soprano) in a SATB choral work. The 4 voices are all under the staff. I need the fifth one to be over the Soprano staff while the second soprano voices sings the part under the staff. See attached image. Thank you. Gian Paolo  

[no subject]

[me here]

hey for partial after first one in statement use

 % part bars

\set Score.measureLength = #(ly:make-moment 1 8)

% done

a'' -4\f |

% set back

\set Score.measureLength = #(ly:make-moment 4 8)

% done
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[no subject]

[Stephen MacNeil]

I understand that however you still can not control what note it goes to.

\slashedGrace b8_( 4 )


How would I indicate to have the slur attach to the 'a' note?


>And, until there is a
>better solution, you may have to tweak the shape of the slur to go to
>the correct note (say you wanted to go the "a" in the chord).

which is the same solution I have already done with the previous examples.


\version "2.18.2"


\relative c'{

\time 6/8

<<{ \voiceOne \stemUp <\tweak Flag.transparent ##t e g>8}\\{\voiceTwo
\slurDown \stemUp \shape #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur
\override Slur.positions = #'(0 . 0) \acciaccatura d'8 c  }>> |


}

\relative c'{

\time 6/8

8

\stemUp \slurDown \shape #'((1 . 1.8) (0.7 . 2.2) (-0.1 . 2.05) (-0.1 .
2.0)) Slur \override Slur.positions = #'(0 . 0)

16 (a) 8

}


Thanks
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[no subject]

[Stephen MacNeil]

i thought i sent you something showing how to move it

anyway not sure where you want it, but do it like this


HTH
Stephen


VS.ly
Description: Binary data
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[no subject]

[B~M]

Dear All, here is perhaps a silly little question.
I am trying to get a slur from a crotchet "into" one of the voices in a
polyphonic voicing. In measure 1 the third blue note should have a
slur connecting it to the next blue note, which is in the polyphonic part.
I tried ( ) and \( \) with no success, so something special is perhaps
required ?

Also, to avoid continually inserting \tweak #'color #blue
I wrote a function

BN =
#(define-music-function (parser location)()
   #{
 \tweak #'color #blue
   #})

But this won't work in a chord < \BN > or a part with two voices <<{\BN }
\\  {}>> etc.
Is it possible to use a function for this purpose or must the change of
color
be written out each time ?

Kind regards Paul


Snippet.ly
Description: Binary data


Snippet.pdf
Description: Adobe PDF document
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[no subject]

[Mátyás Seress]

Hi guys,

I just downloaded the Lilypond Notation Reference pdf for version 2.19.38
from here:
http://www.lilypond.org/doc/v2.19/Documentation/notation.pdf

and I noticed that in the Table of Contents the page numbers next to the
entries are not clickable hyperrefs like in previous verisons.

Do you know who could fix this? because it'd facilitate the navigation a
great deal.

Thank you! :)

Mat

Ezt az e-mailt egy Avast védelemmel rendelkező, vírusmentes számítógépről
küldték.
www.avast.com

<#DDB4FAA8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
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[no subject]

[bblochl]

I am a new user of lilypond and tried the (unchanged) example 
Defining predefined fretboards for other instruments
from
http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Fretted-strings#Fretted-strings

To my regret I cannot compile it with version "2.14.2"
I get an error list starting with 

fretneu2:19:24: Fehler: syntax error, unexpected MUSIC_IDENTIFIER
\storePredefinedDiagram 
\dSix
...

followed by all the other chords in the example
and ending with  

...
Interpretation der Musik...ERROR: In procedure ly:pitch-semitones:
ERROR: Wrong type argument in position 1 (expecting Pitch): 11

Could anyone please check the example if there is something wrong with it or is 
it me?

Regards


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[no subject]

[Helge Kruse]

Hello,
I start typesetting some songs. I know how to add the lyrics. But the
one song has a short chorus in front of the verses. This looks similar
like this

when I come home
I like the cho - rous {  when I sleep at night
but can't live a - lone.

Okay, the text is nonsense. The melody is unimportant. But the first
words ("chorus") should appear only once. Than follow 4 verses. This
is hard to describe with ASCII-style art. I would like to write a
large opening brace from the fist line to the last line, if this is
possible with little effort.

Can you point me to the documentation, I think this should be
documentation in the NR. But I failed to find it.

Regards
Helge

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[no subject]

[ghe]

Is it possible, with LilyPond, to have something like the "\hfill" effect 
in TeX, that is, "fill the rest of the staff with blank space"?


If I type:

{ a b c d \break a b c d \bar "|." }

the layout is ugly because the notes are spread over the whole staff.  I 
know that:


\layout {
  ragged-right = ##t
  ragged-last = ##t
}

will give a better output, but then the staffs are only one measure long. 
What I would like to have is something like:


{
a b c d
\repeat unfold 14 { s1 } \break
a4 b c d \bar "|."
\repeat unfold 16 { s1 } \break
}

but without the added measure bars.

Thanks in advance,

--ghe

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[Christopher Reed]

hello can someone please help me export my file to lilypond it will not do
it for some reason :(
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[no subject]

[Tommaso Gordini]

Hello to all,
here's a minimal code:

%%

\version "2.16.2"



\relative c {

\clef "bass"

\key c \major

\cadenzaOn

c,2

^\markup { \tiny { Serie armonica del fa (+: crescente; -: calante) } }

^\markup {\small { Corno in Fa } }

c' \clef "treble" g' c e g \stemUp bes4-- \stemDown c2 d e f4-+ g2 a4--
bes-+ b2 c

\cadenzaOff \bar "||"

}

\layout {

\context {

\Staff \remove "Time_signature_engraver"

}

}
%%

The quarter notes marked with '-' are waning, quarter notes marked with ''
are increasing. What is the correct way to indicate it? I tried to draw the
arrows, but I could not do it.
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[no subject]

[Tommaso Gordini]

Hello to all. I quote from the file usage.pdf in the section about
lilypond-book:

"Each snippet will call the Following macros if they have been defined by
the user:
\preLilyPondExample [...]
\postLilyPondExample [...]
\betweenLilyPondSystem [...]
»

A few pages after this point, there is a concrete example of use of the
\betweenLilyPondSystem command:

\newcommand {\betweenLilyPondSystem}[1]{\vspace{<*length*>}\linebreak}

This command inserts a vertical space equal to <*length*> between a system
of staves and the next one. And it works well in my document

I tried to use in the same way also the commands \pre- and
\postLilyPondSystem, but I did not see any results after compilation of my
document. What should these two commands exactly? Maybe insert space before
and after the example of music? How they must be used?

I'm writing a .tex document compiled with XeLaTeX tex in which use
lilypond-book for musical snippets. Before and after

\begin {lilypond[<*options*>]
...
\end {lilypond}

I use explicit spacing commands such as \smallskip, \medskip and \bigskip,
but I know that this is not the correct way. Looking at the name '
\preLilyPondExample' I thought that this command automatically put a space
before each lilypond environment. An alternative is to put in turn
lilypondenvironments inside a
center environmen:

\begin{center}
   \begin{lilypond}[<*options*>]
   ...
   \end{lilypond}
\end{center}

What would you do in this situation?

Here is my preamble (I work on Mac OS X 10.6.8):

% !TEX encoding = UTF-8 Unicode
% !TEX TS-program = LilyPond-Book
% !LILYPOND tex = xelatex

\documentclass[%
   documentstructure=book,%
   style=elements,%
   captionstyle=italic,%
   tocstyle=ragged,
   crop=false%
   ]{suftesi}
% pacchetti specifici di xetex
\usepackage{ifxetex}
\ifxetex
\usepackage[T1]{fontenc}
\usepackage{fontspec}
\setmainfont[Ligatures=TeX,Numbers=OldStyle]{Garamond Premier Pro}
\setsansfont[Scale=MatchLowercase]{Iwona}
\usepackage{polyglossia}
\setmainlanguage{italian}
\setotherlanguages{english,french,german}
\usepackage{lilyglyphs}
\else
\fi
% pacchetti comuni a xetex e pdftex
\usepackage{graphicx}
\graphicspath{{immagini/}}
\captionsetup{font={rm,it,small},justification=centering}
\usepackage{subfig}
\usepackage[italian]{varioref}
\usepackage[output-decimal-marker={,},detect-all]{siunitx}
\usepackage[hidelinks]{hyperref}

% nuovi comandi
\newcommand{\bemolle}{\ifxetex\,\lilyGlyph[scale=1.3,raise=0.5]{accidentals.flat}\else\fi}
\newcommand{\diesis}{\ifxetex\,\lilyGlyph[scale=1.1,raise=0.6]{accidentals.sharp}\else\fi}
\newcommand{\naturale}{\ifxetex\,\lilyGlyph[scale=1.2,raise=0.6]{accidentals.natural}\else\fi}
\newcommand{\ditoi}[1]{\ifxetex\lilyText[scale=1,raise=-0.05]{#1}\else\fi}
\newcommand{\ditoii}[2]{\ifxetex\lilyText[scale=1,raise=-0.05]{#1}-\lilyText[scale=1,raise=-0.05]{#2}\else\fi}
\newcommand{\ditoiii}[3]{\ifxetex\lilyText[scale=1,raise=-0.05]{#1}-\lilyText[scale=1,raise=-0.05]{#2}-\lilyText[scale=1,raise=-0.05]{#3}\else\fi}
\newcommand{\betweenLilyPondSystem}[1]{\vspace{5mm}\linebreak}

% comincia il documento
\begin{document}

Ciao e grazie
Tommaso
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[no subject]

[Paul Thompson]

  I am having an error in using lilypond 2.13.38Here is my input file:\book {  \bookOutputName
 "Romanze"    a a a}\book {  \bookOutputName "Menuetto"\score{   a a a}}I am getting a persistent error:testa.ly:3:4: error: syntax error, unexpected NOTENAME_PITCH I am inexperienced, but have gone thru the manual.Paul ThompsonO: 605-312-6462M: 618-974-0473H: 605-332-1587F: 605-328-0401909 N. Charleston CircleSioux Falls, SD 57110605-332-1587
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[no subject]

[rob]

hi!

i have a definition that takes a list as an argument

\include "bezier.ly"
beza = {
  \bezier #'( 0.1  1.0 0.15  1.0 0.5 )
}

i would like to be able to assign one of the elements of the list with a
variable like this

beza #0.4

feeding into something like this

beza =  #(define-music-function (parser location thickness) (number?)
   #{
\bezier #'( 0.1  1.0 0.15  1.0 $number )
}


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[no subject]

[MING TSANG]

I compile the .ly file in v2.15.14, there is a programming error and a 
warming.  The generated output .pdf file seems OK.
Questions:
1.  what is a programming error?  Where can I find explaination in NR?  -- red 
text below.

2.  what is the warning complain about (no line # reference given - don't know 
where to look)? what is (#). -- blue text below  



> %lilypond %args 
> "C:\Users\Tsang\Dropbox\Lyndon\LiLy\god-has-reigned\god-has-reigned_SA-TB.ly"
Processing 
`C:/Users/Tsang/Dropbox/Lyndon/LiLy/god-has-reigned/god-has-reigned_SA-TB.ly'
Parsing...
programming error: file name not normalized: d:\lily_pond\include_paper-X3.ly
continuing, cross fingers
warning: Spurious garbage following chord: (#)
Interpreting music... [8][16][24][32][40][48][56][64][72][80][88]


 
Blessing in+,
Ming
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[no subject]

[Stefan Thomas]

Dear community,
I have the following problem, which is more a problem with rumor and linux
than with lilypond.
When I type

> rumor --oss
>
I get

Can not open /dev/sequencer

When I just type rumor
I get

> ALSA port connection error; do it manually using `aconnect'
>
and it doesn't react von midi-input.
What can I do now to get it working?
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[no subject]

[MING TSANG]

LP users,

I encounter compile error from init.ly. Can anyone experience this before?



Detail of the error .

Starting lilypond-windows.exe 2.14.2 [definities-1159.ly]...
Processing `D:/mingtsang-2/lied-1159/definities-1159.ly'
Parsing...
C:/Program Files (x86)/LilyPond/usr/share/lilypond/current/ly/init.ly:37:0: 
error: syntax error, unexpected SCM_TOKEN
#(if (and (ly:get-option 'old-relative)
error: failed files: "D:/mingtsang-2/lied-1159/definities-1159.ly"
Exited with return code 1.
 
Blessing in+,
Ming.
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[no subject]

[MING TSANG]

 
Blessing in+,___
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[no subject]

[ed stuckems]

What's special about the \clef command in the following:

According to section 2.2.1 of the manual:

"To determine the number of staves in a piece, LilyPond looks at the
beginning of the first expression. If there is a single note, there is
one staff; if there is a simultaneous expression, there is more than
one staff."

This would appear to be the case in the following:

<<
 { f a c e }
 { e g b d }
>>

However, if a \clef is specified, the statement doesn't appear to
hold.  For example, the following doesn't produce multiple staves
despite the fact that the beginning of the first expression starts
with simultaneous expression like the example above:

<<
 { f a c e }
 { \clef "bass" e g b d }
>>

In this case, both expressions are placed on one staff beginning with
a bass clef.  I infer that there something special about the use of
\clef that causes lilypond to re-examine the multiple staves vs single
staff assessment. When I looked up the \clef command, there was
nothing that indicates the command has side effects.

In order to get the two staves, you must prefix each expression with a
\new Staff as in the following:

<<
 \new Staff { f a c e }
 \new Staff { \clef "bass" e g b d }
>>

So my question is "why does adding the \clef also require adding the
"\new Staff" when section 2.2.1 suggests otherwise?"  What have I
missed?

regards,
eds

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[Stefan Thomas]

Dear Sandeep,
Yes, there is an solution, hope You can use it:
#(define  (naturalize-pitch p)
  (let* ((o (ly:pitch-octave p))
 (a (* 4 (ly:pitch-alteration p)))
; alteration, a, in quarter tone steps, for historical reasons
 (n (ly:pitch-notename p)))
(cond
 ((and (> a 1) (or (eq? n 6) (eq? n 2)))
  (set! a (- a 2))
  (set! n (+ n 1)))
 ((and (< a -1) (or (eq? n 0) (eq? n 3)))
  (set! a (+ a 2))
  (set! n (- n 1
(cond
 ((> a 2) (set! a (- a 4)) (set! n (+ n 1)))
 ((< a -2) (set! a (+ a 4)) (set! n (- n 1
(if (< n 0) (begin (set! o (- o 1)) (set! n (+ n 7
(if (> n 6) (begin (set! o (+ o 1)) (set! n (- n 7
(ly:make-pitch o n (/ a 4

#(define (naturalize music)
  (let* ((es (ly:music-property music 'elements))
 (e (ly:music-property music 'element))
 (p (ly:music-property music 'pitch)))
(if (pair? es)
(ly:music-set-property!
 music 'elements
 (map (lambda (x) (naturalize x)) es)))
(if (ly:music? e)
(ly:music-set-property!
 music 'element
 (naturalize e)))
(if (ly:pitch? p)
(begin
  (set! p (naturalize-pitch p))
  (ly:music-set-property! music 'pitch p)))
music))

naturalizeMusic =
#(define-music-function (parser location m)
(ly:music?)
(naturalize m))
#(define vereinfachs naturalizeMusic)
%Enharmonische Verwechslung
%Nur Kreuze zeigen
kreuze = #(define-music-function (parser location x) (ly:music?)
 #{
  \transpose  ges fis  $x
 #})
%nur Bes zeigen
bees = #(define-music-function (parser location x) (ly:music?)
 #{
  \transpose  fis ges  $x
 #})
meistkreuze = #(define-music-function (parser location x) (ly:music?)
 #{
  \vereinfachs  \transpose  ges fis  $x
 #})
meistbees = #(define-music-function (parser location x) (ly:music?)
 #{
  \vereinfachs  \transpose  fis ges  $x
 #})
You can use it like:
\new Staff { \transpose c, c { \kreuze ges1 \bees fis \meistkreuze {c d es e
fis g a b }   }}
Note, that it doesn't not work in relative mode.
I usually use the possbilitie to expand abbreviations in Frescobaldi.
I type s then   and then I get "\kreuze"

> Hi list,
>
> Is there a scheme snippet that will reprint a sharp as the enharmonic
> flat if it appears after a flat, reprint a flat as the enharmonic
> sharp if it appears after a sharp, and leave a note alone if it
> appears after a natural?  Better yet would be if it always left fis
> and bes alone.
>
> Thanks very much,
> Sandeep
>
>
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[no subject]

[David Raleigh Arnold]

In
/v2.6/Documentation/topdocs/NEWS.html:
The SVG backend is now a fully functional backend.

Please, can this be fixed this in 2.12?  It is hardly a new feature.
Hasn't it been out of commission long enough?  TAI.  Regards, daveA


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[Carlos R Martinez]

Hello,

Is it possible to use lily pond online from a server so I can use it on
my chromebook!
thanks

cr
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[Rob Torop]

I'm finding that when I use a TabStaff and also set some properties (either
or both of minimumFret and restrainOpenStrings), my first line has an extra
TabStaff!  What can I do to get rid of it? Thanks!

Here's what it looks like:

[image: Screen Shot 2017-03-26 at 4.46.59 PM.png]

And here's the code that generated this:

\version "2.19"
\language "english"

solo = \relative c' {

% Either of both of the two settings will cause an extra "TAB" staff to
be rendered
 \set TabStaff.minimumFret=#1
 \set TabStaff.restrainOpenStrings = ##t

 c8   f e ef df c bf af
}

\score {
  <<
 \new Staff\solo
 \new TabStaff  \solo
   >>
}
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[Mirosław Doroszewski]

Only telling the Truth sincerely, frankly, is powerful, helpful, hopeful.
Who is telling the Truth sincerely, frankly, is powerful, helpful,
hopeful — even when is telling about his/her false, powerless,
helpless, hopeless, desperate — is paradoxically powerful, helpful,
hopeful, and is begging mercy.

So: Telling false is powerless, helpless, hopeless, desperate.
Who is telling false, is powerless, helpless, hopeless, desperate.
And when see his/her powerless, helpless, hopeless, desperate — may
tell about it truly and sincerely, frankly, or may not tell about it
and think false about himself/herself, giving false ideas telling
others that are true.

What about somebody who cannot tell the Truth?
Let him/her do like a linker only trying: in a whisper, with little
voice, sincerely, being quite frank: "I cannot tell the Truth. I
cannot live with the Truth".
If the somebody is telling this, paradoxically is at once, now telling
the Truth about himself/herself — and at once, now: is powerful,
helpful, hopeful, and is sorry, regrets, begging mercy.

If I can do something, I can tell this.

If I cannot do something, let me do not tell that I can.

If the world would not pay 100,000,000,000 dollars or euro every month
for bulbs (=electric lights) in computers and computer peripherals,
even loud-speakers — i.e. Musescore and LilyPond would be in version 2
a long time ago.

Conclusions:
1) "Be good, if you are able" (Saint Philippe Neri).
2) And mercy for these, whoever wants asking or begging as long as has
chance, till death...

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[Ben Big Noise]

Dear LilyPond fellows, 

who has some experience in creating PNG files on MacOSX? 

The problem is that conversion from EPS to PNG fails: 
--- 
 Processing `OOoLilyPond.ly' 
Parsing... 
Interpreting music... 
Preprocessing graphical objects... 
Calculating line breaks... 
Drawing systems... 
Layout output to `OOoLilyPond.eps'... 
Converting to PNG...dyld: Library not loaded: ./bin/../sobin/libgs.8.70.dylib 
Referenced from: /Applications/LilyPond.app/Contents/Resources/bin/../bin/gs 
Reason: no suitable image found. Did find: 
/usr/local/lib/libgs.8.70.dylib: stat() failed with errno=13 

fatal error: GS exited with status: 5 
--- 

Can anyone help? 

Cheers, 
Klaus 
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[Peter Gentry]

Message: 2
Date: Thu, 5 Dec 2013 18:34:53 +0100
From: Janek Warcho? 
To: Jacques Menu 
Cc: "lilypond-user@gnu.org discuss" 
Subject: Re: improving LilyPond useability
Message-ID:

Content-Type: text/plain; charset=UTF-8

2013/12/4 Jacques Menu 
> My recent experience creating choir scores for the first time, one of 
> them with difference words a given stanza in a repeated part (see 
> attachments), makes me think it would help to have off-the-shelf *commented* 
> samples of some size and complexity, as a complement
to the existing snippets.

>>Sounds like a good idea.  I could add some real-life score examples of my own.
>>Where would you place such material?  A new manual, or in an existing one?

>>Janek

This is an excellent suggestion, examples of small ensembles of various genres 
suitably authorised by the keepers of the runes would
be invaluable to the beginner.

These should be as free as possible of "tweaks" as these will confuse and 
de-motivate the uninitiated.

As much as is possible instructions should be intuitive - you cannot really say 
that for most Lily tweaks though.

regards
Peter Gentry 



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[Jens Gyldenkærne Clausen]

Hi. In a large choral score I'd like to write a ritardando that appears
only in the top of the entire system (together with \tempo markings) -
without having to define the ritardando in the topmost staff. The voices in
the top staffgroup have no music (just a long series of rests) where the
ritardando is to be placed.

Is it possible to define a spanner in one voice and then move the text to
be positioned above the top staff?
In the example below I'd like to have "rit _ _ _ _ _ _al  Lento" in the top
of the system.


Here's my attempt at a tiny example:


\version "2.16.2"

 soprano = \relative c' {

\repeat unfold 2 { c8 e g }

\override TextSpanner #'(bound-details left text) = "rit."

\override TextSpanner #'(bound-details right text) = "al"

\override TextSpanner #'(bound-details right attach-dir) = #LEFT

 d4\startTextSpan

\repeat unfold 2 { c8 e g }

c d \stopTextSpan

\tempo Lento

e2 d

}

alto = \relative c'' {

\repeat unfold 4 { g4 e g }

}

 \score {

<<

\new Staff { R1*3 }

 \new ChoirStaff <<

\new Staff

\new Voice \soprano

\new Staff

\new Voice \alto

>>

 >>

}
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[Scott Lawrence]

So I downloaded lilypond... All I get when I start the application is the 
following message: "%{
Welcome to LilyPond
===

Congratulations, LilyPond has been installed successfully.

Now to take it for the first test run.

  1. Save this file

  2. Select

   Compile > Typeset file

  from the menu.

  The file is processed, and

  3.  The PDF viewer will pop up. Click one of the noteheads.


That's it.  For more information, visit http://lilypond.org .

%}

\header{
  title = "A scale in LilyPond"
}

\relative {
  c d e f g a b c
}


\version "2.18.2"  % necessary for upgrading to future LilyPond versions."

I saved it like it said but I see no musical things

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[B~M]

Dear All, I would like to add an up bow symbol to the
middle of a tie between two notes. The file seg.pdf is a snippet
of the problem. In the second tie I would like to place a V to denote
up bow. However, the up bow and down bow symbols are attached
to notes in the lilypond file.
Is there some way I can arbitrarily place a V over the tie with x y
co-ordinates ?
This is useful for trills over long notes where one runs out of bow.

paul


Seg.pdf
Description: Adobe PDF document


Seg.ly
Description: Binary data
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[Paulo Rios Filho]

Cvc VP ___
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[no subject]

[Mark Stephen Mrotek]

Thiago,

 

The parentheses are not needed in the tempo marking.

\tempo Andante

 

Mark

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[Mirosław Doroszewski]

Exporting to image file in LilyPond version 2.18.2.

1. Command line help tells that lilypond can export prints not only to
pdf but also to png format.
2. Command line help does not tell how set resolution for image
format. I have found the setting in Learning help file. The setting
is: "lilypond --png -dresolution=300".
3. I have used lilypond a few years ago and I remember that it is
possible to export not only into separate pages but also each system
into separate image files.
4. How one can do that in command line?

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[Ole Schmidt]

Dear all,

I want to have both of the first two notes tied -the d and the f- 
sharp. How do I achieve that?

Thanks for a hint

ole

%%%

\version "2.10.15"

 \new Staff {
 \time 3/4

 \relative c' {

r4 2| \voiceOne

<< { fis8. d'16 }  \new Voice = "1" { \voiceTwo d,4  }  >> \oneVoice  
r2 |


 } }

%%


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[muzikar . petr]

Hello.

In the following example I need all the stems to be up.

<<{c1} \\ {c8 f a d e d a f}>>

How could I do it? I tried to put \stemUp anywhere but it didn't work.
I'm sorry if my question is stupid. I'm a newbie.

Thank you for any answers.

Petr Muzikar



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[Kieren MacMillan]

Hey Graham (et al.):

I'm back out of my rabbit hole for a while...  =)

What can I do to help the docs project? At one point, we were talking  
about me doing some "large scale", "real world" examples — putting  
together a real tutorial on chord name changes, revamping the  
examples on stylesheets, trying to develop comprehensive transposing- 
part guidelines, etc. — and that's still fine by me, if that's the  
best use of my skills and time.


Best wishes,
Kieren.

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[Ralph Palmer]

Greetings -

I'm running LilyPond 2.11.53 under WinXP SP2.

I'm trying to add ossia to a traditional Nova Scotian fiddle tune, and
I can't figure out how to get rid of the initial clef in the ossia
staff. I've tried using explicitClefVisibility, but I can't get it to
work. Anyone have any suggestions? I can't seem to connect to the
Snippet Repository; has it moved, or is this intermittent?

I'm including the whole file, since it's not long anyway.

Peace,

Ralph

% BEGIN SNIPPET  %

% Created on Mon Aug 11 17:53:13 EDT 2008
\version "2.11.53"

\header {
title = "The Night We had the Goats"
meter = "reel"
arranger = "traditional (Cape Breton)"
}

\include "english.ly"
%\include "definitions.ly"


staffViolin =   {
%{
\time 2/2
\set Staff.instrumentName="Violin"
%   \set Staff.midiInstrument="violin"
\key e \minor
\clef treble
\relative c'' { 
%}
<<  

\new Staff \with
{
% No time signature in the ossia staff
\remove "Time_signature_engraver"
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
\override StaffSymbol #'thickness = #(magstep -3)
firstClef = ##f
}
\relative c''
{
\stopStaff
\partial 8 s8 |
s1 |
\startStaff
e8^"variation" fs g fs e d b e |
\stopStaff
s1*3 |
\startStaff
e8^"variation" fs g fs e d b e |
\stopStaff
s1*10
}
\new Staff \relative c'' {
\time 2/2
\set Staff.midiInstrument="violin"
\key e \minor
\clef treble
\partial 8 b8 \mark \markup { \musicglyph #"scripts.segno" } |
d8[ g,] g16[ g g8] b8 g b d |
e4\trill e8 g d b a b |
d8 g, g16 g g8 b g b d |
d8 g d b a4 a8 b |
\break
d8 g, g16 g g8 b g b d |
e4\trill g\trill d8 b a b |

 \relative c''
 {
d8 g, g16 g g8 b g b d |
e8 g d b a4
\bar "||"
\break
% Part B
b8 d |
e4 e8 g d b b d |
e4\trill e8 g d e g4\trill |
\times 2/3 { a8( g fs) } g e d b b d |
e8 g d b a4 b8 d |
\break
e4 e8 g d b b d |
e4\trill e8 g d e g a |
b8 a g e d b b d |
e8 g d b a4 a8 b_\markup { \italic {"D.S."}} |
 \bar "|."
 }
}
>>
}




\score {
<<
\staffViolin
>>

\midi {
}

\layout  {
indent = 0
\context { \Score \remove "Bar_number_engraver" }
}
}

\paper {
}

%% END SNIPPET %



-- 
Ralph Palmer
Greenfield, MA
USA
[EMAIL PROTECTED]


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[Luca Rossi]

Hi.

Given these three bars:

{c c c c | c c c c | c c c c}

with the following output:



1) I would like to change the spacing of the second bar in  



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[fa070232]

How to make an easy installation on vista ? I have very little it background.

Best regards 

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[Stefan Thomas]

Dear Patrick,
Yes, why not using latex and vector-graphic, but I also don't know how to do!
But I guess, that everything, that we need can be done by lilypond itself.
Cheers
Stefan

Dear Stefan,
>
> thanks for your snippet. That's about what I was looking for. I like your
> idea
> of jointly building a library of functional/degree theory symbols. I will
> experiment with your code. In my attachment I produced the symbols with the
>
> LaTeX package ÂharmonyÂ. Maybe it is possible to use LaTeX-Code in
> ly-files?!
> It might be even easier to produce the symbols with Inkscape as Hugo
> Ribiero
> proposed yesterday. It is probably the faster way. But I have no idea how
> to
> include vector graphics in ly-files.
>
> This could also be an idea for a future LilyPond function: some sort of
> harmonic mode in which chords are analysed in their functional context and
> marked with a symbol (just like the chord mode does for chord names). It
> would
> be brilliant if one could also type in functional symbols and thus produce
> a
> chord progression without e.g. octave parallels. â
>
> Cheers
> Patrick
>


 Original-Nachricht 
>* Datum: Mon, 15 Jun 2009 16:04:32 +0200*
>* Von: Stefan Thomas *
>* An: addr...@hidden, lilypond-user *
>* Betreff: Re: Subject: functional/degree theory ? symbols*

>* Dear Patrick,*
>* Yes, it is possible to get these symbols. See this snippet:*
>* \version "2.13.0"*
>* % Inspired by slashed-digit from scm/define-markup.scm:*
>* #(define-markup-command (slashed-char layout props ch) (char?) "A*
>* character,*
>* with slash."*
>* (let**
>* ((mag (magstep (chain-assoc-get 'font-size props 0)))*
>* (thickness*
>* (* mag*
>* (ly:output-def-lookup layout 'line-thickness)*
>* (chain-assoc-get 'thickness props 1.6)))*
>* (char-stencil (interpret-markup layout props ch))*
>* (num-x (interval-widen (ly:stencil-extent char-stencil X)*
>* (* mag 0.1)))*
>* (num-y (ly:stencil-extent char-stencil Y))*
>* (is-sane (and (interval-sane? num-x) (interval-sane? num-y)))*
>* (slash-stencil*
>* (if is-sane*
>* (ly:make-stencil*
>* `(draw-line*
>* ,thickness*
>* ,(car num-x) ,(car num-y)*
>* ,(cdr num-x) ,(cdr num-y))*
>* num-x num-y)*
>* #f)))*
>* (ly:stencil-add char-stencil slash-stencil)))*
>* *
>*  Dsiebenfuenfverkuerzt = \markup {  \slashed-char #"D" \super 7   \hspace*
>* #-3 \sub 5  }*
>*  verkuerzter= #(define-music-function (parser location x) (ly:music?)*
>* #{*
>*\context Voice <<$x { \once \override TextScript #'extra-offset*
>* =*
>* #'(0 . 2.1)  s1*0_\Dsiebenfuenfverkuerzt} >> }*
>* #})*
>* % um die Funktionen auf eine hÃhe zu kriegen:*
>* % \override TextScript #'staff-padding = #3.0*
>* % erst mal die Hauptfunktionen*
>* Tonika = \markup {T}*
>* T = #(define-music-function (parser location x) (ly:music?)*
>* #{*
>*\context Voice <<$x { \once \override TextScript #'extra-offset*
>* =*
>* #'(0 . 2.1)  s1*0_\Tonika} >> }*
>* #})*
>* Dominantterzquart = \markup {D { \hspace #-2 \sub 5   \hspace #-1.75*
>* \super*
>* \small 7  } }*
>* Dsiebenfuenf = #(define-music-function (parser location x) (ly:music?)*
>* #{*
>*\context Voice <<$x { \once \override TextScript #'extra-offset*
>* =*
>* #'(0 . 3.1)  s1*0_\Dominantterzquart} >> }*
>* #})*
>* *
>* *
>* *
>* *
>* \new Staff { \clef bass \T c1  \verkuerzter f \Dsiebenfuenf b,  }*
>* \layout{*
>*   \context { \Staff  \override TextScript #'staff-padding = #4.0 }  }*
>* *
>* It makes sense, to define a library with all these definitions.*
>* I've already started with it, but im not finished with it. Would You like*
>* to*
>* work together with me, to biuld a library with all symbols, that one could*
>* need for german-class "Harmonielehre"?*
>* One question to the community:*
>* When I compile this file I get the message:*
>* :3:1: error: syntax error, unexpected '}'*
>* I don't know why!*
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[running . tostandstill]

Greetings,
 
I attach a minimal example of my problem. I have some tweaking to do of slurs,
by overriding control-points. I have hit a problem when I try to do this
across a line-break; as can be seen in the attached file.
 
Is there any way of doing this over line-breaks? Is this a bug, or could
it be a sponsored feature to make this work?
 
Thanks,
Stewart

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\relative
{
	\time 4/4
	\once \override Slur #'control-points = #'((0 . 0) (5 . 5) (10 . 5) (15 . 0))
	c4 ( d e f | \break
	g a b c ) |
}
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[running . tostandstill]

Right, that looks like an excellent start. I don't know much scheme; could
I 
pass variables into that? Thing is, as it stands, i'll have to define 
multiple versions of the same thing, with different coordinates for 
control-points.

Ideally, I'd have a... function?... into which I can pass two lists of 
coordinates.

Thanks,
Stewart

- Original Message - 
From: "Kieren MacMillan" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: 
Sent: Tuesday, September 19, 2006 6:40 PM
Subject: Re: [slur tweaks over line breaks]


> Hi, Stewart:
>
>> Is there any way of doing this over line-breaks? Is this a bug, or  could
>> it be a sponsored feature to make this work?
>
> See  Difficult-tweaks.html#Difficult-tweaks> for a similar example  regarding

> Tie.
>
> Good luck!
> Kieren. 


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[no subject]

[Monk Panteleimon]

In trying to use the OOoffice LP macro, I get:

Parsing..ERROR: unbound variable: ly:parser-print-score

I suppose this is because the templates are designed for LP 2.6 and I'm using 
2.8. but I don't know what to change in the templates to make them work.
Can someone tell me?
Many thanks, especially to Samuel Hartmann. 

Fr. P


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[libros]

Good morning!

Today I downloaded LilyPond, gave it a first try, and liked it a lot.  
So I will see if I can get to learn the how-to. I have started with  
my string quartet ( I still prefer to write with my own hands, but it  
is a nice way to practise) and with some didactical work for my  
pupils. I got some useful advise from Mats and now this little new  
path in life lays all spread in front of me...


Of course, I find an enormous quantity of things that somehow don't  
work as they should just yet, but I have started reading that pdf  
user manual. I will post, if it is all right in this place, some  
questions as they arise and I don't find the answer in the documents.


But something aesthetic comes to mind: do people refer to LilyPond as  
"Lily"? That gives the work a nice female name. But maybe one should  
not first-name her before getting well acquainted.


Nice to meet you all,

Manuel


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[Ole Schmidt]

Dear all,

I use Trillspanners without the "tr" at the beginning (left side) for  
"vibrato ampio"

Yesterday Night I downloaded the last version of LP (2.11.15-1).
Now my tweak below does not work any more but I'am not sure if this  
is the reason


\override Voice.TrillSpanner #'edge-text = #'("" . "")

I put it into the \newStaff {

Thank you for help

ole


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[no subject]

[lala lala]

Hi ! I try to use markup text and \with-url. That works fine if I authorized 
point-and-click. But if I run lilypond with the -dno-point-and-click option I 
don't have link in my PDF. Is it a known issue ? If not to reproduce it I 
enclose a test file.If you run lilypond test.ly. The pdf file contains links to 
lilypond.org and gnu.org.If you run lilypond -dno-point-and-click. The pdf file 
doesn't link to them.Any way to solve this ? I really need links to site in my 
document but no point and click.Thanks a lot !Lasconic
_
Essayez Live.com, votre nouvelle page d'accueil ! Personnalisez-la en quelques 
clics pour retrouver tout ce qui vous intéresse au même endroit.
http://www.live.com/getstarted\version "2.10.17"
 \header{
  title = "title "
  tagline=\markup {Music engraving by \with-url #"http://www.lilypond.org"; {Lilypond} }
  copyright = \markup { \with-url #"http://www.gnu.org"; {GNU}}
}


 
 sopranoMusic = \relative c' {
   \clef treble
   \key c \major
   \time 4/4
 
   a4 b c d 
 }
 
 sopranoLyrics = \lyricmode {
   Aaa Bee Cee Dee
 }
 
 celloMusic = \relative c {
   \clef bass
   \key c \major
   \time 4/4
 
   d4 g fis8 e d4
 }

 \score{
   <<
 <<
   \new Voice = "one" {
 \autoBeamOff
 \sopranoMusic
   }
   \new Lyrics \lyricsto "one" \sopranoLyrics
 >>
 \new Staff \celloMusic
   >>
   \layout { }
   \midi { \tempo 4=60 }
 }
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[no subject]

[Tao Cumplido]

And yet another problem.
In the following code bar 23 is only 7 instead of 8 16ths long.
I marked the part in the code.
I can't figure out what's wrong, maybe someone can help me here.
Thanks in advance.

Tao


{
\time 2/4
\key d \minor
\partial4
\relative c''
{
r16 f8 cis16 |
\repeat volta 2
{
16 d8 a16 c8 bes | 
8. 16 r a16( b cis) | 
d16( cis d e f e f g) |
8. 16 r f8 cis16 | 
16 d8 gis,16 a8 b | 
c16( e, a c e c' b a) |
gis16( f e d c b a gis) |
16( a g cis,) r f'8 cis16 |
16 d8 a16 c8 bes | 
8. 16 r a16( b cis) | 
d16( cis d e f e f g) |
8. 16 r bes16( a g) |
fis16( es d c bes a g fis) |
g16( d g bes d g a bes) |
a16( gis a f') e( g, a e') |
}
\alternative
{
{ 4 r16 f,8 cis16}
{ 4 r16 c,8 d16 }
} \bar "||"

<< { e8. e16 g8. g16 } \\ { bes,8. bes16~ bes4 } >> |
<< { d8. d16 r c8 d16 } \\ { a8. a16~ a4 } >> |
e'16( c8 d16 e f g gis) |
a8. a16 r 8 fis16 |
8.( 16) r 8 e |
8.( 16) r e8 d16 |  % <- bar 23 is cut by a 16
c16( e, a c) b( d, e b') |
8. 16 r c8 d16 |
<< { e8. e16 g8. g16 } \\ { bes,8. bes16~ bes4 } >> |
<< { d8. d16 r c8 d16 } \\ { a8. a16~ a4 } >> |
e'16( c8 d16 e f g gis) |
a8. a16 r 8 fis16 |
8.( 16) r 8 b16 |
8.( 16) r cis( d a) |
c!16( bes d, dis e c a' g) |
}
}
-- 
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Ideal für Modem und ISDN: http://www.gmx.net/de/go/smartsurfer


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[no subject]

[Joseph Haig]

I am trying to get an "ossia" section like the example in section
6.4.8 of the user guide, but for a voice within a ChoirStaff.
Attached is my attempt at modifying the example but a clef and time
signature appear at the start of the line (also, a key signature would
appear if there were one).  Is there a way to get round this?  I want
to use this in a score with several lines it should appear next to a
specific line rather than in a separate staff.

Thanks,

Joe


test3.ly
Description: Binary data


test3.pdf
Description: Adobe PDF document
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[no subject]

[Stefan Kägi]

[EMAIL PROTECTED]



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[smacnay]

Hi,

Thanks for the suggestion on altering the spacing for key signatures.  I
tried playing with the settings but nothing was altered.  I am attaching
two .jpg's (or giving links to see them) of how things look right now.
As well, I will add, below, snippets of my code maybe there is a
really simple reason this is happening.

http://smacnay.dyndns.org/~smacnay/crowded-keysig.jpg
http://smacnay.dyndns.org/~smacnay/crowded-keysig2.jpg

Thanks again,

Sterling MacNay

#(set-default-paper-size "letter" 'landscape)   
   
\include "english.ly"   
   
\version "2.4.5"
   
\header {   
   
  title = "Habe\~nera"  
   
  composer = "Regan MacNay b. 1979" 
   
  copyright = "Copyright - Regan MacNay - June 2005"
   
  footer = "Engraved with Gnu Linux and Lilypond ver. 2.4.5"
   
  } 
   
\paper {
   
%  hsize = 27.9 \cm 
   
%  vsize = 21.6\cm  
   
%  betweensystemspace = 25\mm   
   
%  topmargin = 1\cm 
   
%  bottommargin = 1\cm  
   
%  leftmargin = 3.0\cm  
   
%  rightmargin = 1\cm   
   
%  raggedlastbottom = ##t   
   
%  linewidth = 20\cm
   
  } 
   

   
global = {  
   
  \time 4/4 
   
  } 
   

   

   
%- Empty staves 
   

   
partOne = { 
   
  \key cs \minor
   
  s1*14 
   
  \set Staff.printKeyCancellat

[no subject]

[Sean Reed]

hi,

i changed the duration of a note in a score today and got this error  
and a file that failed to compile:


Layout output to `ariaTbAddVox1.ps'...
Converting to `ariaTbAddVox1.pdf'...sh: fork: Resource temporarily  
unavailable


`gs -q  -dSAFER  -dCompatibilityLevel=1.4  -sPAPERSIZE="a4" -dNOPAUSE  
-dBATCH -r1200  -sDEVICE=pdfwrite -sOutputFile="ariaTbAddVox1.pdf" - 
c .setpdfwrite -f "ariaTbAddVox1.ps"' failed (32768)



any hints?

thanks,
sean




Sean Reed
Hamburg, Germany
Web: www.seanreed.de



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[Joel Barbosa]

Dear lilypond´s users,
 
I have been using lilypond for three months and I am enjoying it a lot.
 
I would appreciate if anybody could help me with two problems to which I haven´t found any solution in the manual and at the webpage:
 
1 - How to substitute a notehead of an eigthnote to a notehead of a halfnote?
 
2 - How to obtain a key signature that have, simultaneously, the notes b-flat a f-sharp?
 
Thanks a lot for any help!!!
 
Joel Barbosa
 



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[Luke Sharkey]

Hello

Whenever I start lilypond in shell, I get this message:

 

/usr/share/guile/1.6/srfi/srfi-13.scm:159:1: In
procedure dynamic-link in _expression_ (load-extension
"libguile-srfi-srfi-13-14-v-1" "scm_init_srfi_13"):

/usr/share/guile/1.6/srfi/srfi-13.scm:159:1: file:
"libguile-srfi-srfi-13-14-v-1", message: "libguile-srfi-srfi-13-14-v-1.so:
cannot open shared object file: No such file or directory"

 

 

 

Any idea what it means / what to do about it?

(I have guile-1.6.7-2, which came installed as default on
Fedora Core 4, which I’m using)

 

 

 

Thank you,

Luke Sharkey,  Linux newbie








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[no subject]

[Alex Decker]

Hey

I am trying to connect a tie between voltas. I have this piece of music:

 \repeat volta 2 { c 1~ c4 d, e fis b2 b ~ \break
b4 c, d e a1 ~ }
\alternative { {a4 b, cis dis e1 \break
r4 e fis g} { a4 fis a g e1( e4) r4 dis e} } }

The thing is, that even though I get a tie between the a1 note just  
before the first volta, and the a4 note in the first volta, I don't  
get a tie from the a1 note before the first volta, and the a4 note in  
the SECOND volta (or at least a tie from near the barline and to the  
a4 note in the second volta, indicating it comes from the note before  
the first volta).

Is there a way to fix this, so I get a tie both places?

- Alex


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[no subject]

[Jean Bergeron]

Thanks for the informations.

I just finally understood today the relative.
I don't understand for the way to indicate the bars within the text.
I still have some questions concerning signo and Coda.

If I put the information concerning the coda after break command. It is
not at the beginning of the new line but at the end. and it is not aligned
with the end of the bar but the end of the sheet of paper. What could I
change?

Sorry to bother you.

bes4 f8 g aes f  g4 fis g bes aes f g r4 r4 \bar "||" \break
\override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible
  \once \override Score.RehearsalMark #'self-alignment-X = #RIGHT
  \mark \markup { "4e fois Al coda" \hspace #1 \raise #1 \musicglyph
#"scripts.coda" }
f8 ees d ees f d ees4 c ees d c b c r4 r4 \bar "||"
 \mark \markup { \musicglyph #"scripts.segno" }\break
((and here I want the coda at the beginning of the next staff. On the top
pof the line or before the staff.))
\mark \markup {\hspace #1 \raise #1.8 \musicglyph #"scripts.coda" }
  f8 ees8 d f ees d ees4 r4 ees d8 cis d f ees d c2. \break

TIA
Jean Bergeron



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[Stewart Holmes]

Hi,
 
I'm trying to move some dynamics downards. From 
various places from the internet, I've come up with:
 
   \context Staff = 
violini   <<\property 
Staff.DynamicLineSpanner \override #'direction = 
#-1\global\set 
Staff.instrument = "Violin I"\set Staff.instr = 
"Vln. 
I"\violini\override 
Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-5 . 
5)   >>
However, I get some kind of error about \property. 
(The dynamics I refer to by the way are attached to the notes in 
\violini.
 
Cheers,
Stewart
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[no subject]

[Father Panteleimon]

Geoff said:
Every now and then, assigning durations to syllables really is easier than
\lyricsto. I was trying it with long-duration notes and ran into a
problem--\breve is not interpreted as a duration in Lyrics context.

Fr. P says:
I think you can do this: { word1*4 } That's the same duration as breve,
right?



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[no subject]

[Ezequiel Sierra]

Im having problems with this file

http://www.ezequielsierra.com/1.txt

Lyrics Jumping to next staff
Removing Staff Numbering
Adding repeat to the end of the song


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[Marcus Bowers]

Hi,

I am trying to download lilypond but when I try to test it all I get is this text 
% This file has ledger lines and a slur

\score { \notes { c4-(  c4-) } }
 I'm not sure what is happening but I would love some guidance.  ThanksMarcus
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[Christian Datzko]

Dear List,

I have a problem with pdflatex. With the example file from the website 
(also attached) I am not able to generate pdf files using pdflatex. 
ilypond-book and latex as well as dvips and dvipdf run without problems as 
you can see in the listing below, but pdflatex has some error. Since the 
pdf files created with pdflatex are of higher quality since you can search 
them for text using Acrobat Reader I would like to create the files using 
pdflatex. Can someone help me to find the error?

Thanks in advance,

Christian.

$ lilypond-book 1.lytex
lilypond-book (GNU LilyPond) 2.0.1
Reading `/tmp/1/1.lytex'
Running latex...
Running usr...
Now processing: `lily-1192095933.ly'
Parsing...
Interpreting music...[3]
Preprocessing graphical objects...
Calculating line breaks...
paper output to `lily-1192095933.tex'...
Now processing: `lily-626573667.ly'
Parsing...
Interpreting music...[1]
Preprocessing graphical objects...
Calculating line breaks... [2]
paper output to `lily-626573667.tex'...
Now processing: `lily-1228813048.ly'
Parsing...
Interpreting music...[2]
Preprocessing graphical objects...
Calculating line breaks... [2]
paper output to `lily-1228813048.tex'...
Writing `1.latex'

Christian [EMAIL PROTECTED] /tmp/1
$ latex 1.latex
This is TeXk, Version 3.14159 (Web2C 7.4.5)
 %&-line parsing enabled.
(./1.latex
LaTeX2e <2001/06/01>
Babel  and hyphenation patterns for american, french, german, 
ngerman, n
ohyphenation, loaded.
(/usr/share/texmf/tex/latex/base/article.cls
Document Class: article 2001/04/21 v1.4e Standard LaTeX document class
(/usr/share/texmf/tex/latex/base/size10.clo))
(/usr/share/texmf/tex/latex/graphics/graphics.sty
(/usr/share/texmf/tex/latex/graphics/trig.sty)
(/usr/share/texmf/tex/latex/config/graphics.cfg)
(/usr/share/texmf/tex/latex/graphics/dvips.def))
No file 1.aux.
(./lily-1192095933.tex (/usr/share/lilypond/2.0.1/tex/lilyponddefs.tex
(/usr/share/lilypond/2.0.1/tex/feta20.tex)
(/usr/share/lilypond/2.0.1/tex/lily-ps-defs.tex))
Overfull \hbox (19.44315pt too wide) in paragraph at lines 7--79
\OT1/cmr/m/n/10 ple: [][][][]
) (./lily-626573667.tex) (./lily-1228813048.tex) [1] (./1.aux) )
(see the transcript file for additional information)
Output written on 1.dvi (1 page, 3740 bytes).
Transcript written on 1.log.

Christian [EMAIL PROTECTED] /tmp/1
$ dvips 1.dvi
This is dvips(k) 5.92b Copyright 2002 Radical Eye Software 
(www.radicaleye.com)
' TeX output 2004.03.22:1749' -> 1.ps
<74afc74c.enc>
<09fbbfac.enc>. 
[1]

Christian [EMAIL PROTECTED] /tmp/1
$ dvipdf 1.dvi
Christian [EMAIL PROTECTED] /tmp/1
$ pdflatex 1.latex
This is pdfTeXk, Version 3.14159-1.10b (Web2C 7.4.5)
 %&-line parsing enabled.
(./1.latex{/usr/share/texmf/pdftex/config/pdftex.cfg}
LaTeX2e <2001/06/01>
Babel  and hyphenation patterns for american, french, german, 
ngerman, n
ohyphenation, loaded.
(/usr/share/texmf/tex/latex/base/article.cls
Document Class: article 2001/04/21 v1.4e Standard LaTeX document class
(/usr/share/texmf/tex/latex/base/size10.clo))
(/usr/share/texmf/tex/latex/graphics/graphics.sty
(/usr/share/texmf/tex/latex/graphics/trig.sty)
(/usr/share/texmf/tex/latex/config/graphics.cfg)
(/usr/share/texmf/tex/latex/graphics/pdftex.def)) (./1.aux)
(/usr/share/texmf/tex/context/base/supp-pdf.tex
(/usr/share/texmf/tex/context/base/supp-mis.tex
loading : Context Support Macros / Missing
)
loading : Context Support Macros / PDF
) (./lily-1192095933.tex (/usr/share/lilypond/2.0.1/tex/lilyponddefs.tex
(/usr/share/lilypond/2.0.1/tex/feta20.tex)
(/usr/share/lilypond/2.0.1/tex/lily-pdf-defs.tex))
! Undefined control sequence.
 ...n  54.6881 \outputscale \embeddedps
  { -0.0687 4.5803 0.4800 
dr...
l.78 }
  %
? x
No pages of output.
Transcript written on 1.log.

\documentclass[a4paper]{article}
\begin{document}

In a lilypond-book document, you can freely mix music and text. For
example:
\begin{lilypond}
\score { \notes \relative c' {
c2 g'2 \times 2/3 { f8 e d } c'2 g4
} }
\end{lilypond}
Notice that the music line length matches the margin settings of the
document.

If you have no \verb+\score+ block in the fragment,
\texttt{lilypond-book} will supply one:

\begin{lilypond}
c'4
\end{lilypond}

In the example you see here, two things happened: a
\verb+\score+ block was added, and the line width was set to natural
length. You can specify many more options using  \LaTeX style options
in brackets:

\begin[verbatim,11pt,singleline,
fragment,relative,intertext="hi there!"]{lilypond}
c'4 f bes es
\end{lilypond}

\texttt{verbatim} prints the LilyPond code in addition to the
graphical score,
\texttt{11pt} selects the default music size,
\texttt{fragment} adds a score block,
\texttt{relative} uses relative mode for the fragment, and
\texttt{intertext} specifies what to print between the
\texttt{verbatim} code and the music.

If you want to include large examples into the text, it may be more
convenient to put the example in a separate file:

% \lilypondfile[printfilename]{s

[no subject]

[Brian Prunka]

When trying to use Lilypond the first time, i went through your test 
page and get the following error when I try to run the test file:

[Brian-Prunkas-Computer:~] brianprunka% lilypond test
GNU LilyPond 1.6.9ERROR: In procedure primitive-load-path:
ERROR: Unable to find file "ice-9/boot-9.scm" in load path
Can you tell me how to get it working?  Thanks for your help.

Brian Prunka



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[no subject]

[Han-Wen Nienhuys]

Subject: cross-staff arpeggios
In-Reply-To: <[EMAIL PROTECTED]>
References: <[EMAIL PROTECTED]>
X-Mailer: VM 7.14 under Emacs 21.3.1
Reply-To: [EMAIL PROTECTED]
FCC: ~/persoonlijk/Mail/sent


[CC to doc editor]

[EMAIL PROTECTED] writes:
>  From the manual (v2.2.0/1):
> It is not possible to mix connected arpeggios and unconnected arpeggios 
> in one PianoStaff at the same time.
> 
> Has anyone found a workaround? A piece I am setting has quite a 
> mixture...

They have these at the exact same time in the music?  It's possible to
mix them in a piece, but not on chords that happen at the X position.



-- 

 Han-Wen Nienhuys   |   [EMAIL PROTECTED]   |   http://www.xs4all.nl/~hanwen 



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[no subject]

[Hendrik]

Hello,

So, once again my problem:  managed to install Cygwin now, with Lilypond.

Now when I (double) click the test.ly file, bash opens, blinks a while,
flashes some text I don't have the time to read, and disappears.  I don't
get any output, and can't find a .log file anywhere.  What is going wrong?

Thanks for any help,

Hendrik Maryns
Fichtenweg 19 Zi. 9
D-72076 Tübingen
Deutschland/Duitsland
+491753353494 (Deutschland)
+32499342012 (België)

Interessante websites:
www.lieverleven.be(waarom zou ik hier toch naar verwijzen...)
www.fuckforforest.com   Voor de gefrustreerde maar tegelijk idealistische
medemens
www.die-kunst-des-spickens.de   Spicken is inderdaad spieken...



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[Ralph Little]

Hi Wolfgang,
What output (textual) do you get from Lilypond?
Which version?
BTW, I'm bored at work, that's why I'm answering so many questions,
today :)

Regards,
Ralph


Wolfgang wrote:
> I have problem only with one score. Everything was fine, I got PS- and
> PDF-files output after running lilypond. Suddenly - I don't no why - I
> got only tex-files. Any ideas? It would be great!
> 
> Wolfgang

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[Randall J Elzinga]

Hey all,
I have the following contents in a lilypond file
\header{title= "Grace Bug"}
\score{
\notes{
\time 4/4
\relative f' {
\partial 4*1 f4|\partial 4*3 \grace{ g  8} f2. \bar "|."}}}
When I run it through lilypond, it generates an extra bar empty bar after 
the last note.  If I take out the \grace g8 command, then no extra bar is 
generated.  If I replace \grace by any of the other grace variations, the 
extra bar is still there.  In the file that this error came up in, having 
graces in a full measure generated no extra bar, so I think it has 
something to do with grace notes in partial bars.  How can I stop this from 
happening?  Is this a bug?

Randy.

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[Ralph Little]

Hi Bruce,
Many thanks for that.
When you put it like that it makes perfect sense!
I'll give it a try!

Regards,
Ralph



> Hi Ralph. 
>
> This problem was bugging me too. Unfortunately the docs don't explain
> that you have to force the drumvoice to be as long as the piece if you
> want it to be robust...
>
> Change {s1*2} to {s1*n} where n = how many bars you want the drumvoice
> to persist for... 
> 
> Cheers,
> Bruce.

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[Frédéric Bron]

Hi!
Many thanks for this wonderfull piece of software.
I am trying to write a song book and in such case in the refrain, there is
only one line of lyrics and in the couplets there are several. I could do
this only by split the score in two, one for the refrain and one for the
couplets but if the refrain is so small that the couplet should start on the
same line, it is not possible. Could you help?
Thanks in advance,
Frédéric

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[JimmyThePage]

How it doesn't work it?please help me it's very important...
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[David]

Same thing happens... tho there was no \home directory  so i created it so its now 
C:\cygwin\home\David\test.ly and still i get nothing... im sure im missing something 
simple but who knows... 

any help would be greatly appreciated thank you




What happens if you
- copy your test.ly file into C:\cygwin\home\\
- Click on the Cygwin icon to get a bash prompt
- Run the command
lilypond test.ly
- If you get a test.pdf in your C:\cygwin\home\\
   try to view it.

Please followup to the mailing list.

/Mats


David wrote:
> Hello after installing this twice..  just to make sure i didnt miss anything... When 
> i double click test.ly all it does is open the command window and im at the prompt 
> bash-2.05b$  it doesnt generat a test.log file either it does nothing else. I 
> downloaded it twice from two different ftps just to make sure i didnt get a bad 
> package.. IM running windows xp home and im at a loss. Any help would be good 
> 
> thank you 
> 
> David 
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[David]

In my original post i stated that i try and run the test.ly and all it 
does is open the bash shell and nothing eles. The I get nothing was a 
statement back to Matt.  about placing the test.ly into /home/username 
folder. Nothing happend when i ran it except that the bash shell would open. 
nothing eles. I will post the whole msg again Obviouly something happend as 
to where you were only able to read half of it...

My original post

Hello after installing this twice..  just to make sure i didnt miss 
anything... When i double click test.ly all it does is open the command 
window and im at the prompt bash-2.05b$  it doesnt generate a test.log 
file either it does nothing else. I downloaded it twice from two different 
ftps just to make sure i didnt get a bad package.. IM running windows xp 
home and im at a loss. Any help would be good

thank you
David
Mats Reply
What happens if you
- copy your test.ly file into C:\cygwin\home\\
- Click on the Cygwin icon to get a bash prompt
- Run the command
lilypond test.ly
- If you get a test.pdf in your C:\cygwin\home\\
  try to view it.
Please followup to the mailing list.
   /Mats
My reply following that.
when i run lilypond test.ly  I get the error Lilypond: command not found
As i have stated before.. I have installed twice from two different ftps 
just to make sure i didnt get bad package. And it does appear that i Recived 
the whole package

Again.. any help will be appreiated



- Original Message - 
From: "Alois Steindl" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, September 17, 2004 5:28 AM
Subject: Re:


On Freitag, 17. September 2004 03:53, David wrote:
Same thing happens... tho there was no \home directory  so i created it 
so
its now C:\cygwin\home\David\test.ly and still i get nothing... im sure 
im
missing something simple but who knows...

Hello,
with that amount of information it seems quite impossible to give you any
reasonable help.
Normally a home directory is created by cygwin, so there _could_ have been
some problem during the installation of cygwin, but who knows?
Second: What have you _done_ (i.e. typed into the keyboard) and what 
response
did you get?
"I get nothing" is very vague, and I don't believe that.
Maybe you just don't know that lilypond is a tool, which is usually called 
in
a shell, like Mats suggested you to do.
any help would be greatly appreciated thank you
Honestly, I don't believe that. Otherwise you would try hard to make it 
easy
for us to have any idea what the problem might be.
Alois

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[Marcelino Pittman]

Hi again,

Here is Marcelino Pittman. I write to you because we are accepting your mortgage 
application.
Our office confirms you can get a $220.000 loÀn for a $252.00 per month payment.
Approval process will take 1 minute, so please fill out the form on our website:


http://homesick-spectrometer.my-cash.net


Thank you.

Best Regards Marcelino Pittman
First Account Manager


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[Matthias Kilian]

Test


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[Riky VDB]

Hello everybody, 

I would like to give more information about my installation problem I've sent on january the 21st. 
It seems several persons have the same problem but on different platforms. 


Personally, I've tried to run lilypond 2.2 on a windows95 platform. I have followed the installation instructions that, I'm sure you all know, can be found on http://lilypond.org/web/download/windows.html. 


Lukas Giesinger, exactly described the problem in his mail of january 21st. He had the same problem on a windows ME. 
 


Basically, Lilypond has a problem finding the feta20.afm file. But I've checked my directories, this file can be found under : C:\cygwin\usr\share\lilypond\2.4.2\fonts 
 


It also seems that, altough we follow the links and installation procedure to install lilypond 2.2, we in fact are installing lilypond 2.4. That should not be a problem except that, in order to install lilypond 2.4 correctly, it appears you also need to install manually ec*-fonts (and that is not necessary for the 2.2 version).

Now, maybe the solution is only to install these fonts, but it is not very clear to me how this should be done. 
 


Any ideas are welcome. 
 

Thanks

Kind regards


Eric


 De nieuwe Pirelli kalender voor 2005 al gezien? 



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[Ralph Little]

Hi,
I guess that's true.
However, if Aron's \pedal definition contains things other than pedal
markings, then I would think it would be more fiddly to have to go
through and tag all of the pedal markings in \pedal.
In this case, unless I've missed something, attacking the engraver setup
might involve less work.

Cheers,
Ralph


Han-Wen writes..
> [EMAIL PROTECTED] writes:
> > I've been using LilyPond almost since its first version, but I had
no
> > idea that pedal marks made any difference to the MIDI output.
> > You learn something new every day. ;-)
> 
> Well... me too :-)
> 
> I'd use \tag for this purpose. Much easier than mucking about with
> performers and engravers.


--
[EMAIL PROTECTED]
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...or see what I do in my spare time:
www.skelmanthorpeband.org
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[Erik Jensen]

 

I am creating some music using the piano centered dynamics
template from the manual, with lilypond 2.4.2.  It works great for the printed music,
but the MIDI output is unaffected by the
dynamics.  How can I modify the template so that the dynamics will also be used
in the midi output?

 






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[duff]

Hard to see
how this empty document can be of value, but here it is.

I just
downloaded and installed lilypad.  It seems to have take forever and been
consisting of far more than just lilypad…

I experienced
a downloading error on the US
mirror, so tried again at the second listed site, proceeded fine for over an
hour to 98% or so, then 2 errors at end of install.  Pdf test didn’t
work.

Hmmm. 
Will try again from the beginning, I guess.

Can you help?

I’m
running Windows XP on a Dell Latitude C840/with Inspiron 8200 motherboard.

 



 
Pat Duff


 
[EMAIL PROTECTED] 

 



 








test.log
Description: Binary data
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[Han-Wen Nienhuys]

Subject: beam direction problem
In-Reply-To: <[EMAIL PROTECTED]>
References: <[EMAIL PROTECTED]>
X-Mailer: VM 6.92 under Emacs 20.7.1
Reply-To: [EMAIL PROTECTED]
FCC: ~/persoonlijk/Mail/sent


[Followup-To lilypond-devel]

[EMAIL PROTECTED] writes:
> With
> 
> \time 6/8 [ c16 c c c8 c16 ]
> 
> I get
> 
> +--+--+--+---+
> +--+  +- |  -+
> |  |  |  |   |
> |  |  |  |   |
> 
> 
> instead of the desired
> 
> +--+--+--+---+
> +--+--+  |  -+
> |  |  |  |   |

> How do I correct this?

I assume that you know about the manual override. (\property
stem{Left,Right}BeamSomethingICantRemember (see manual) )

By default LilyPond tries to "split" beams at points that have lowest
denomintor (in this case 1/4 gets precedence over 3/8).

A better solution is to have the initial split be tunable to allow
ternary split points.  This should not be a hard hack to do.  Look at
beaming.cc -- the code is not  complicated.


-- 

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[raoul . megelas]

Hello

I try to write blank staves in a score, but I don't know how to do this ...
can you tell me the procedure?
thanks in advance.
raoul
[EMAIL PROTECTED]


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[David Raleigh Arnold]

%Oops.  I'm not used to IMP.

\version "1.4.9"

\header {
  dedication = "Namo Summaambuddhassa"
  title = "Joy to the World"
  composer = "Haendel"
  poet = "allegro"
% poet is not in the same typeface as composer.
  instrument = "Arr. for Solo Guitar by David Raleigh Arnold"
  copyright = "\center \copyright 2001 David Raleigh Arnold"
% don't worry about the copyright, it doesn't work anyway.
}
papersize = "letter"
\include "paper20.ly"
\include "english.ly"

Top = \notes \context Voice = $Top { \voiceOne
\clef "G_8" \time 4/4 \key a \major \stemUp \tieUp

   
  a2.  
 4

   
  ~  r4  a'
 8

 gs'  e'a' 
 gs'  e'
 12

  
 
% 16

a4 a'2   
   a1
\bar "|."
}

Bass = \notes \context Voice = $Bass { \voiceTwo
\stemDown \tieDown

 a,2 d   a,4 a,8 a, a,4 d
 e2 e,  a,4 a, a,2
 4

d2. d4b,2. b,4
a,4 a, a, a, a, a, a,2
 8

a,2 d a,1
a,2 d a,1
 12

a,2 a,a,4 a,4 a,2
e,2 e,e,4 e, e,2
 16

a,2 d a,2. d4
e2 e, a,1 
}

\score {
   \context Staff <
\Top
\Bass 
 >
  \paper {
 stemThickness = \lineThickness % haven't gotten around to it.
 }

  \midi { }  
}

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[amit gupta]

Dear Sir,

When I was on the Net serching for zinc Plates markets & its uses your address has 
been enlisted so I follow to write my points requiring some of the information whic is 

required to know about the products where zinc Plates are used.

Sir, I feel pleasure to introduce ourselves as the leading manufacturers of Engraving 
Metals in copper & Zinc Plates in Various sizes & Thickness.

Thanking you.
Awaiting your response
Regards.
Amit Gupta
Vipin Metal Works
Delhi-Road
Reawri-123 401
Haryana
India
Fax:01274-54377
email:[EMAIL PROTECTED]
 


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[Martijn Vromans]

Dear sir,
 
what's wrong with this file? Why doesn't it 
work?
 
Kind Regards,
 
Martijn P. Vromans


test.ly
Description: Binary data

(no subject)

[Martijn Vromans]

L.S.
 
Is it possible to create a slur that begins at the 
right hand staff, and ends in the left hand staff? How can this be 
done?
 
Kind regards,
 
Martijn P. Vromans

(no subject)

[David Raleigh Arnold]

I really thought you knew. Your rest placement is broken.  At some
 point between 1.2.17 and 1.4.9 the quarter rest in the 3rd measure
 of the Sammartini excerpt in the tutorial migrated from below the
 treble staff, where it belongs, to above.
 
I've been having tons of fun with this. I would appreciate a way
 of disabling automagic rest placement so that I can do it myself.
 
It is ironic that I have been able to put two stems on a 
half note head, which you do not approve of, and which
 guitar players including myself have been asking you
 to facilitate for years, but found it impossible to place
 a rest vertically between two notes in the same column,
 which you apparently, *and erroneously*, think is the only
 correct style.
 
And it looks great! The part that has to be in only
 two parts does not look so great.
 
It is also ironic that the double stem style went out of fashion at
 the same time as the dotted rest, which you love to
 pieces, and the z rest too, which you don't.  All these
 extinctions had a common cause, which had nothing to do
 with good or bad notation.  :-)
 
---bug!!
   gives a collision but 
 has the natural offset to the left even though the
 notes are a sixth apart. I hope that helps to know
 that apparently the natural sign thinks it's in the
 wrong octave sometimes.  :-)
 
 Information is not knowledge.   Belief is not truth.
 Indoctrination is not teaching.   Tradition is not evidence.
  David Raleigh Arnold   [EMAIL PROTECTED]
 

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[Russell Smiley]

Would someone mind explaining to me how to get lilypond to do the
following?:

I have two sets of lyrics - the main verse, and a
harmony/descant. Each of the lyrics have different notes associated
with them. I want to put the staffs in and have the lyrics correctly
associated with each staff.

The lilypond manual explains how to get different voices singing the
same tune (simultaneously), but not how to have different voices
singing different parts simultaneously.

Thanks for your help.

Russell.

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[David Raleigh Arnold]

   =  petals for lilypond  =   petals.txt

petals ver 020113.  (c)2002 David Raleigh Arnold free under GNU etc etc
etc. Needs GNU gawk, bash with a read command that works. 

That's it except lilypond. :-) Be sure to make petals executable, and
put it where your project is for now. It will split your score into
notesfile-pt1.ly, notesfile-pt2.ly, etc. notesfile is where you create
the notes to go in your \notes blocks. A \notes block, after the
boilerplate of your choice and inside the curly brackets, can have
\include "masterpiece-pt1.ly" in it instead of notes. Your .ly file,
unless it is very very short, should not contain any notes.

Have a working .ly file that \includes notes instead, and you can copy
your "masterpiece" score as "excerpt" and generate parts to run as a
finished product, or instead you might put a skip typesetting into one
of your parts, or you might just add semicolons to the first line of
your score. To make dummy files, all you need is more semicolons. For
editing, you might want to have alternative versions of your .ly file
also, \including different parts in a different way, or comparing
certain voices one staff over another, or the same voice using different
macros to hide something or not. If masterpiece.ly contains no notes,
you never have to reconcile these .ly versions, since they contain no
data. Your lilypond file can be prettified and organized and  understood
much more easily if it has no data in it.

;;; this is one measure with 8 voices, including this sentence.

It would be a good idea to define a measure skip in your .ly file:

ms = \skip 4*6

or whatever, to use \ms (or something) for measure skip.  If you prefer,
you can put a skip of 5 measures in one line and leave the next four
lines blank in that field. The point is that each field in the score is
a line in the part, but not necessarily one that contains a measure--or
anything. You can use barchecks, no problem. You could use the editor's
keyboard macros to write blank measures in a part.

\skip 1 ;; \skip 1  ;; \skip 1
\skip 1 ; \skip 2 ; \skip 1 ; dummy ; \skip 1

You don't change how you write parts, and you can more easily write them
one at a time, or two at a time, or all at once, and revise them all at 
once, too.

write this ;;;
and this ;;;
and this ;;;
and this ;;;

write this ; then this ; or go this way... ; to here
and this ; and this;;
and this ; etc.;;
and this ;;;  

The easiest way of suppressing parts temporarily is with semicolons (FS)
added or removed from the first line of your score. The record separator
(RS) is a newline, but it doesn't *have* to be. If you want to have more
than one line of text in a measure, you need to change the RS, the
record separator. The RS should *begin* a line, otherwise it may print.

Use an editor that can do a column copy easily, like cooledit, or try a
program called 'join" which may make it possible for you to combine
parts into a new petals score, to pick up that symphony that got bogged
down.

There is a great opportunity to insert filtration at the redirection
point here, to expand macros not subject to the perusal of lilypond,
ly2dvi, TeX, LaTeX, or scheme. This would make it unnecessary to have so
many of your own personal personal macros that you need includes, and
make it far easier to prepare a small .ly  file for a bug report or
appeal for assistance. It also would make it  possible to have something
like @bm(yournumber) or $bm(yournumber) be able to write in the -ptn.ly:

\property Voice.Beam \set #'staff-position = #(yournumber) 

Can anyone tell me what program to filter with which will use a hash
table to make simple substitutions?

'gawk' is *wonderful*, but it doesn't take bash arguments to choose 
which field to print, so I couldn't figure out how to make a loop to do
it, so brute force was used. To do more than 30 parts, just add lines to
the program. I doubt the wisdom of using names for the parts not based
on the name of the source score, so I gave up on that pretty quick. Of 
course you can rename and save your parts, but don't, except to
construct a new score of course.

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[David Raleigh Arnold]

Thanks anyway, all. sed is the best choice for filter, and the
implementation is simple. I'll get back to this this weekend,
but for those who can't wait. :-)

# create ptfilter.sed first. It can be empty, but
# I think it has to exist.

gawk 'BEGIN {FS=";"}{print $1}' $1 > $1-1.ly
cat  $1-1.ly | sed -f ptfiler.sed > $1-pt1.ly

If it doesn't work, sorry. Something similar will.
No time right now.

s is for substitute, g is for global.
in ptfilter.sed, sed commands. Entries like this:

s/inputString/text to be substituted/g

You have to escape \$ and some other things in your
input string part of the command, but if you know
regular expressions you're in tall cotton.

Thanks Joerg Anders. for the gawk code. (Not this here
but better.)

Point is that everything works.  :-)
 

Information is not knowledge.   Belief is not truth.
Indoctrination is not teaching.   Tradition is not evidence.
 David Raleigh Arnold   [EMAIL PROTECTED]

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[walkon71]

great program
are there any plans to  develop any software 
using shape notes (do re mi)?
do you know of anywhere i could 
look?

(no subject)

[Rune Zedeler]

Is it possible to make (untested)

\score {
 \notes
 <
  \context Staff = sup <
\clef G
\context Voice = vone { a' c'' e'' e'' }
  >
  \context Staff = sdown <
\clef F
\context Voice = vtwo { a a \translator Staff = sup a' a' }
\context Voice = vthree { f f f f, }   
  >
 >
}


typeset as (also untested)

\score {
 \notes
 <
  \context Staff = sup <
\clef G
\context Voice = vone { a' c'' \stemUp e'' e'' }
  >
  \context Staff = sdown <
\clef F
\context Voice = vtwo
  { \stemUp a a \translator Staff = sup \stemDown a' a' }
\context Voice = vthree { \stemDown f f \stemBoth f f, }   
  >
 >
}

without specifying the stemUp, etc, within the score?

Is it possible to make Staff-crossing voices using the voicify-scm-function?

(cc'ing devel because I assume that the answer is "no")



-Rune

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[Mammen John \( Bobby \)]

Sir / Madam ,         
                
                
                
27..03..02
 
 
I am looking for the  staff  
notation  of the  " Theme Song of Titanic " .
 
Can you please help in any  ways  
?
 
Thanks / Regards ,
 
Mammen  
John