Re: Fermata on final double bar
Mats Bengtsson mats.bengtsson at ee.kth.se writes: One possible trick is to move the mark engraver from the score level to each stave and then include the ordinary rehearsal marks as well as the fermata above the system only in the top stave of the score and the downwards fermata only in the bottom stave of the score. Example: Terrific! Thanks so much, and thanks for the very clear example. It took me a while, but once I noticed the second \override was on Staff.RehearsalMark things went along much faster. For anyone else reading this I also used: \once \override Staff.RehearsalMark #'padding = #-5 to get the fermata the right distance on the bottom (there are some leger lines on that staff and I think that must be what is pushing the fermata down). Thanks to everyone for your help... I like the final solution - I think it's pretty elegant... J ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fermata on final double bar
One possible trick is to move the mark engraver from the score level to each
stave and then include the ordinary rehearsal marks as well as the
fermata above
the system only in the top stave of the score and the downwards fermata
only in
the bottom stave of the score. Example:
\version 2.10.0
\layout{
\context{
\Staff
\consists Mark_engraver
}
\context{
\Score
\remove Mark_engraver
}
}
\new StaffGroup
\new Staff {
c1
\once \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
\mark \fermataMarkup
}
\new Staff { c1 }
\new Staff {
c1
\once \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
\override Staff.RehearsalMark #'direction = #DOWN
\mark \markup { \musicglyph #scripts.dfermata }
}
/Mats
Thomas Frank wrote:
Fermatas over and under the last bar in a (conductors-) score have kind of the
opposite meaning of 'attacca' in the scores where I have seen it. At least it
marks the end of a logical musical theme/temper, typically at the end of a
movement.
My solution looks like this:
endFermata =
#(define-music-function (parser location align)
(number?)
#{
\once \override Score.RehearsalMark #'extra-offset = #(cons $align 0)
\once \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
\once \override Score.RehearsalMark #'X-extent = #'(0 . 0)
\mark \fermataMarkup
#})
and then say '\endFermata #0.5' after the last bar. The number defines an
x-shift to place it properly over the last bar-line.
Sad enough, it seems, there is no way to put this over AND under the last bar,
because you can not place more than one mark-command at the same position.
(right??)
hope this helps
Thomas
I am trying to typeset a piece of music that has a fermata above and below
the final double barline. I have come across the \mark command in the
manual, but am having difficulty getting it to work when there are no notes
after it. Does anyone have any hints on how to typeset this? Does anyone
have any idea what this means musically, i.e. maybe I'll just typeset the
fermata over the final note!
Thanks in advance
Jonathan
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Re: Fermata on final double bar
Fermatas over and under the last bar in a (conductors-) score have kind of the
opposite meaning of 'attacca' in the scores where I have seen it. At least it
marks the end of a logical musical theme/temper, typically at the end of a
movement.
My solution looks like this:
endFermata =
#(define-music-function (parser location align)
(number?)
#{
\once \override Score.RehearsalMark #'extra-offset = #(cons $align 0)
\once \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
\once \override Score.RehearsalMark #'X-extent = #'(0 . 0)
\mark \fermataMarkup
#})
and then say '\endFermata #0.5' after the last bar. The number defines an
x-shift to place it properly over the last bar-line.
Sad enough, it seems, there is no way to put this over AND under the last bar,
because you can not place more than one mark-command at the same position.
(right??)
hope this helps
Thomas
I am trying to typeset a piece of music that has a fermata above and below
the final double barline. I have come across the \mark command in the
manual, but am having difficulty getting it to work when there are no notes
after it. Does anyone have any hints on how to typeset this? Does anyone
have any idea what this means musically, i.e. maybe I'll just typeset the
fermata over the final note!
Thanks in advance
Jonathan
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lilypond-user@gnu.org
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___
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lilypond-user@gnu.org
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Fermata on final double bar
I am trying to typeset a piece of music that has a fermata above and below the final double barline. I have come across the \mark command in the manual, but am having difficulty getting it to work when there are no notes after it. Does anyone have any hints on how to typeset this? Does anyone have any idea what this means musically, i.e. maybe I'll just typeset the fermata over the final note! Thanks in advance Jonathan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fermata on final double bar
Jonathan Henkelman wrote: I am trying to typeset a piece of music that has a fermata above and below the final double barline. I have come across the \mark command in the manual, but am having difficulty getting it to work when there are no notes after it. Does anyone have any hints on how to typeset this? Does anyone have any idea what this means musically, i.e. maybe I'll just typeset the fermata over the final note! Please read section 8.1.3 Text marks. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fermata on final double bar
Graham Percival gpermus at gmail.com writes: Please read section 8.1.3 Text marks. Cheers, - Graham Thanks Graham - sorry to have missed that. The section does not deal with the issue of getting the second fermata under the last double bar though. Jonathan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
