Re: Question for all LilyPond users (especially power users)

2014-07-15 Thread Abraham Lee

On Mon, Jul 14, 2014 at 4:56 PM, Noeck noeck.marb...@gmx.de wrote:

 Hi Urs,

 it seems like I missed something. How did you create those scores? 
...


 What is the Cadence font?




 Joram,
 
 I can answer for Urs. ...
 
 The Cadence font was the first result of that effort.



Hi Abraham,

thanks! Now I know what I was missing. That's very interesting.
I would like to give some feedback which is clearly very subjective 
and
perhaps your work continued such that some characteristics are 
obsolete.

Anyway, here it is:

I understand the reasoning with the rounded outlines, but I think not
all shortcomings of the traditional technique need to be copied.

I like the treble clef (the roundings are ok, but more for the
straighter downward line). For the bass clef I am not sure which on I
like more.
The inner roundings of accents looks a bit like overdoing to me. The
same for the dash of the forte f. I would say a balanced mixture of
rounded and sharp corners is a valid choice, too.
The arpeggio looks smoother.
Concerning the accidentals, I am undecided. It looks a bit more
'natural' like traditional notation, but also a bit less perfect... 
This
is most visible for the sharp. I prefer the Feta versions of the 
natural
and flat signs. The former because it is narrower and the latter 
because

it has a more consistent line width.

That's perhaps an issue with the font-switching, but the noteheads of
the Candence font are larger than the staff space and thus visible 
below

and above staff lines and overlaps with the stems.

All in all a smaller rounding radius might me a better compromise in 
my

opinion. The treble clef is the biggest improvement in my eyes. As you
said you can't please everybody. I enjoy your work and I am looking
forward to the font switching feature.

Cheers,
Joram

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Joram,

Thank you for your thoughts and comments. I can't say that any design 
choice I made was the right one. The main thing that motivated my 
decisions was that I wanted a classic printed look on modern printing 
technology. With laser printers, things can look so crisp, which is 
very useful, but not quite the look I was going for. Am I the only one 
who likes this look? Maybe. When I show a printed piece that was 
engraved using Cadence to musicians, I have had overwhelmingly positive 
feedback about how good it looks relative to classically engraved 
scores, compared to other computer engraved scores. LilyPond is surely 
partly to blame for this :), but they like how it doesn't look like it 
was done on a computer.


Anyhow, it is what it is. I have made some design changes since that 
topic thread, but going beyond Cadence, I also wanted to make other 
fonts available to LilyPond users because I have had so much fun with 
them. When I do so, I hope you will too!


Regards,
Abraham
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Re: Question for all LilyPond users (especially power users)

2014-07-14 Thread Noeck
 Hi Urs,

 it seems like I missed something. How did you create those scores? ...

 What is the Cadence font?


 Joram,
 
 I can answer for Urs. ...
 
 The Cadence font was the first result of that effort.

Hi Abraham,

thanks! Now I know what I was missing. That's very interesting.
I would like to give some feedback which is clearly very subjective and
perhaps your work continued such that some characteristics are obsolete.
Anyway, here it is:

I understand the reasoning with the rounded outlines, but I think not
all shortcomings of the traditional technique need to be copied.

I like the treble clef (the roundings are ok, but more for the
straighter downward line). For the bass clef I am not sure which on I
like more.
The inner roundings of accents looks a bit like overdoing to me. The
same for the dash of the forte f. I would say a balanced mixture of
rounded and sharp corners is a valid choice, too.
The arpeggio looks smoother.
Concerning the accidentals, I am undecided. It looks a bit more
'natural' like traditional notation, but also a bit less perfect... This
is most visible for the sharp. I prefer the Feta versions of the natural
and flat signs. The former because it is narrower and the latter because
it has a more consistent line width.

That's perhaps an issue with the font-switching, but the noteheads of
the Candence font are larger than the staff space and thus visible below
and above staff lines and overlaps with the stems.

All in all a smaller rounding radius might me a better compromise in my
opinion. The treble clef is the biggest improvement in my eyes. As you
said you can't please everybody. I enjoy your work and I am looking
forward to the font switching feature.

Cheers,
Joram

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Re: Question for all LilyPond users (especially power users)

2014-07-11 Thread Janek Warchoł
2014-07-11 4:50 GMT+02:00 tisimst tisi...@gmail.com:
 Schneidy wrote
 I did that, but I let it unfinished for a couple of weeks now...
 see =
 http://lilypond.1069038.n5.nabble.com/LilyJAZZ-in-v2-18-td162423.html#a162444

 Pierre

 Yes! Thank you, Pierre, for your good work! I had fun making some updates to
 it. I think there are enough people interested in the Jazzy hand-written
 font that we should get this incorporated better. Since it is only available
 in binary font formats, is openlilylib the best place to put it?

 The only thing is, if we want to make the use of LilyJAZZ easier, it really
 needs the patched file that I mentioned in the initial post.

Putting binary files in openlilylib may not be the best possible
option (btw, how big they are and how muhc they are expected to
change?) but it would be way better than the current situation
(i.e. with the LilyJazz stuff scattered all over the mailing list,
which is a sure way to hinder its acceptance and make our lives
difficult).

I don't have time to handle this issue myself, but i'll wholeheartedly
welcome anyone doing something about it.

cheers,
Janek

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Re: Question for all LilyPond users (especially power users)

2014-07-11 Thread Urs Liska

Am 11.07.2014 08:20, schrieb Janek Warchoł:

2014-07-11 4:50 GMT+02:00 tisimst tisi...@gmail.com:

Schneidy wrote

I did that, but I let it unfinished for a couple of weeks now...
see =
http://lilypond.1069038.n5.nabble.com/LilyJAZZ-in-v2-18-td162423.html#a162444

Pierre


Yes! Thank you, Pierre, for your good work! I had fun making some updates to
it. I think there are enough people interested in the Jazzy hand-written
font that we should get this incorporated better. Since it is only available
in binary font formats, is openlilylib the best place to put it?

The only thing is, if we want to make the use of LilyJAZZ easier, it really
needs the patched file that I mentioned in the initial post.


Putting binary files in openlilylib may not be the best possible
option (btw, how big they are and how muhc they are expected to
change?) but it would be way better than the current situation
(i.e. with the LilyJazz stuff scattered all over the mailing list,
which is a sure way to hinder its acceptance and make our lives
difficult).



I would also say the actual openlilylib/openlilylib repository might not 
be ideal, but I think we could open a dedicated repository like 
openlilylib/alternative-fonts.


I think the cleanest way with the least hassles (and maybe discussion) 
would be to integrate into LilyPond the _possibility_ to switch fonts 
(e.g. Abraham's functions) and provide the fonts independently. While it 
would be of course the nicest thing to have them all readily available 
that seems like a reasonable burden for the user. Actually, if you want 
to change fonts in other programs it's also the natural way that you 
have to get and install them separately.



I don't have time to handle this issue myself, but i'll wholeheartedly
welcome anyone doing something about it.


I don't really have time either but I can take care of stuff that is 
related to the openlilylib organization.


Urs



cheers,
Janek

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Re: Question for all LilyPond users (especially power users)

2014-07-11 Thread David Kastrup
Urs Liska u...@openlilylib.org writes:

 I think the cleanest way with the least hassles (and maybe
 discussion) would be to integrate into LilyPond the _possibility_ to
 switch fonts (e.g. Abraham's functions) and provide the fonts
 independently.

I think the salient point is to provide the infrastructure where you can
install a font by dropping a number of files in directories, and then
have a standard way of accessing them.

The drop a number of files in directories part can ultimately be done
by using GUILEv2 functionality for downloading content via HTTP.  As
long as that is not in place, just unarchiving a font tar or zip file in
the right place would work, possibly helped with some scripts based on
wget or similar.

-- 
David Kastrup

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Re: Question for all LilyPond users (especially power users)

2014-07-11 Thread Urs Liska

Am 11.07.2014 09:10, schrieb David Kastrup:

Urs Liska u...@openlilylib.org writes:


I think the cleanest way with the least hassles (and maybe
discussion) would be to integrate into LilyPond the _possibility_ to
switch fonts (e.g. Abraham's functions) and provide the fonts
independently.


I think the salient point is to provide the infrastructure where you can
install a font by dropping a number of files in directories, and then
have a standard way of accessing them.

The drop a number of files in directories part can ultimately be done
by using GUILEv2 functionality for downloading content via HTTP.  As
long as that is not in place, just unarchiving a font tar or zip file in
the right place would work, possibly helped with some scripts based on
wget or similar.



I'm not really sure what you mean.
Does that mean you suggest incorporating that in the LilyPond installer?

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Re: Question for all LilyPond users (especially power users)

2014-07-11 Thread David Kastrup
Urs Liska u...@openlilylib.org writes:

 Am 11.07.2014 09:10, schrieb David Kastrup:
 Urs Liska u...@openlilylib.org writes:

 I think the cleanest way with the least hassles (and maybe
 discussion) would be to integrate into LilyPond the _possibility_ to
 switch fonts (e.g. Abraham's functions) and provide the fonts
 independently.

 I think the salient point is to provide the infrastructure where you can
 install a font by dropping a number of files in directories, and then
 have a standard way of accessing them.

 The drop a number of files in directories part can ultimately be done
 by using GUILEv2 functionality for downloading content via HTTP.  As
 long as that is not in place, just unarchiving a font tar or zip file in
 the right place would work, possibly helped with some scripts based on
 wget or similar.


 I'm not really sure what you mean.
 Does that mean you suggest incorporating that in the LilyPond installer?

No.

-- 
David Kastrup

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Re: [SPAM] Re: Question for all LilyPond users (especially power users)

2014-07-11 Thread Urs Liska

Am 11.07.2014 09:20, schrieb David Kastrup:

Urs Liska u...@openlilylib.org writes:


Am 11.07.2014 09:10, schrieb David Kastrup:

Urs Liska u...@openlilylib.org writes:


I think the cleanest way with the least hassles (and maybe
discussion) would be to integrate into LilyPond the _possibility_ to
switch fonts (e.g. Abraham's functions) and provide the fonts
independently.


I think the salient point is to provide the infrastructure where you can
install a font by dropping a number of files in directories, and then
have a standard way of accessing them.

The drop a number of files in directories part can ultimately be done
by using GUILEv2 functionality for downloading content via HTTP.  As
long as that is not in place, just unarchiving a font tar or zip file in
the right place would work, possibly helped with some scripts based on
wget or similar.



I'm not really sure what you mean.
Does that mean you suggest incorporating that in the LilyPond installer?


No.



I would have wondered...
But what are you implying then?

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Re: [SPAM] Re: Question for all LilyPond users (especially power users)

2014-07-11 Thread David Kastrup
Urs Liska u...@openlilylib.org writes:

 Am 11.07.2014 09:20, schrieb David Kastrup:
 Urs Liska u...@openlilylib.org writes:

 Am 11.07.2014 09:10, schrieb David Kastrup:
 Urs Liska u...@openlilylib.org writes:

 I think the cleanest way with the least hassles (and maybe
 discussion) would be to integrate into LilyPond the _possibility_ to
 switch fonts (e.g. Abraham's functions) and provide the fonts
 independently.

 I think the salient point is to provide the infrastructure where you can
 install a font by dropping a number of files in directories, and then
 have a standard way of accessing them.

 The drop a number of files in directories part can ultimately be done
 by using GUILEv2 functionality for downloading content via HTTP.  As
 long as that is not in place, just unarchiving a font tar or zip file in
 the right place would work, possibly helped with some scripts based on
 wget or similar.


 I'm not really sure what you mean.
 Does that mean you suggest incorporating that in the LilyPond installer?

 No.


 I would have wondered...
 But what are you implying then?

I am not implying anything beyond what I wrote.  If you don't understand
some particular sentence I wrote, please point out what problem you have
interpreting it.  I don't see a point in rewriting my entire posting in
different ways until the problem magically goes away.

-- 
David Kastrup

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Re: Question for all LilyPond users (especially power users)

2014-07-11 Thread Urs Liska

Am 11.07.2014 09:29, schrieb David Kastrup:

Urs Liska u...@openlilylib.org writes:


Am 11.07.2014 09:20, schrieb David Kastrup:

Urs Liska u...@openlilylib.org writes:


Am 11.07.2014 09:10, schrieb David Kastrup:

Urs Liska u...@openlilylib.org writes:


I think the cleanest way with the least hassles (and maybe
discussion) would be to integrate into LilyPond the _possibility_ to
switch fonts (e.g. Abraham's functions) and provide the fonts
independently.


I think the salient point is to provide the infrastructure where you can
install a font by dropping a number of files in directories, and then
have a standard way of accessing them.

The drop a number of files in directories part can ultimately be done
by using GUILEv2 functionality for downloading content via HTTP.  As
long as that is not in place, just unarchiving a font tar or zip file in
the right place would work, possibly helped with some scripts based on
wget or similar.



I'm not really sure what you mean.
Does that mean you suggest incorporating that in the LilyPond installer?


No.



I would have wondered...
But what are you implying then?


I am not implying anything beyond what I wrote.  If you don't understand
some particular sentence I wrote, please point out what problem you have
interpreting it.  I don't see a point in rewriting my entire posting in
different ways until the problem magically goes away.



You make clear what would be necessary to provide a convenient way to 
get and install additional fonts to be used by LilyPond (provided 
Abraham's function has been integrated to LilyPond).
What I don't get is what your opinion is about to what extent this 
should actually be integrated into LilyPond's downloads/installation 
routines. I see several options (without claiming to have a complete list):

- let LilyPond try to download and install fonts on LilyPond installation
- provide a script in LilyPond's download that can do that on request
- add information on usage and installation of alternate fonts to 
LilyPond's documentation
- add information of usage and a reference to a to-be-decided location 
where additional fonts can be got from.


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Re: Question for all LilyPond users (especially power users)

2014-07-11 Thread David Kastrup
Urs Liska u...@openlilylib.org writes:

 Am 11.07.2014 09:29, schrieb David Kastrup:
 Urs Liska u...@openlilylib.org writes:

 Am 11.07.2014 09:20, schrieb David Kastrup:
 Urs Liska u...@openlilylib.org writes:

 Am 11.07.2014 09:10, schrieb David Kastrup:
 Urs Liska u...@openlilylib.org writes:

 I think the cleanest way with the least hassles (and maybe
 discussion) would be to integrate into LilyPond the _possibility_ to
 switch fonts (e.g. Abraham's functions) and provide the fonts
 independently.

 I think the salient point is to provide the infrastructure where you can
 install a font by dropping a number of files in directories, and then
 have a standard way of accessing them.

 The drop a number of files in directories part can ultimately be done
 by using GUILEv2 functionality for downloading content via HTTP.  As
 long as that is not in place, just unarchiving a font tar or zip file in
 the right place would work, possibly helped with some scripts based on
 wget or similar.


 I'm not really sure what you mean.
 Does that mean you suggest incorporating that in the LilyPond installer?

 No.

 I would have wondered...
 But what are you implying then?

 I am not implying anything beyond what I wrote.  If you don't understand
 some particular sentence I wrote, please point out what problem you have
 interpreting it.  I don't see a point in rewriting my entire posting in
 different ways until the problem magically goes away.


 You make clear what would be necessary to provide a convenient way to
 get and install additional fonts to be used by LilyPond (provided
 Abraham's function has been integrated to LilyPond).

Not at all.  A convenient way is a matter of user interface, but the
underlying mechanism can be arbitrarily complex.  But I was not talking
about user interfaces.  I _was_ rather talking about the design of the
underlying mechanism which should be so simple that putting a user
interface on it (even if that means leaving this to installing packages
for a distribution) is not requiring anything beyond creating said user
interface and/or packaging.

 What I don't get is what your opinion is about to what extent this
 should actually be integrated into LilyPond's downloads/installation
 routines.

I did not express such an opinion.  Once font installation consists only
of dropping files in a directory hierarchy, it is pretty much arbitrary
how one does it.  I pointed out that GUILEv2 would make it reasonably
easy to make some sort of automated process for it, to the degree where
fonts (or other resources) can conceivably be fetched and installed
on-demand during a LilyPond run.  But that does not mean that such an
interface is necessary.

The salient point is to create a situation where one can just drop fonts
as files into LilyPond's file hierarchy (the installed one and/or a
user-specific one) and have them accessible.

The mechanism with which those files are dropped can be later improved
or augmented from the basic unpack an archive manually.

-- 
David Kastrup

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Re: Question for all LilyPond users (especially power users)

2014-07-11 Thread Noeck
Hi Urs,

it seems like I missed something. How did you create those scores? Using
Abrahams proposed tools? Are they public? Or did you do that with your
own magic?
I would also be interested to test these features.

I have clear preferences when I look at the fonts you compared here. It
is also interesting how tiny differences in some glyphs affect the
overall impression.

What is the Cadence font?

Cheers,
Joram

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Re: Question for all LilyPond users (especially power users)

2014-07-11 Thread tisimst
Noeck wrote
 Hi Urs,
 
 it seems like I missed something. How did you create those scores? Using
 Abrahams proposed tools? Are they public? Or did you do that with your
 own magic?
 I would also be interested to test these features.
 
 I have clear preferences when I look at the fonts you compared here. It
 is also interesting how tiny differences in some glyphs affect the
 overall impression.
 
 What is the Cadence font?
 
 Cheers,
 Joram

Joram,

I can answer for Urs. I started another topic to the Dev list a few months
ago asking for some help with  customizing the default music font
http://lilypond.1069038.n5.nabble.com/Question-about-customizing-emmentaler-font-td161702.html
 
. Towards the end of that series of messages, I passed some of my files to
Urs because he wanted to test them out for himself. That's how the Haydn
score with the different fonts came to be. 

The Cadence font was the first result of that effort. I felt like some
features were not quite right with Emmentaler, so I made some adjustments in
FontForge, did a bunch of research to figure out everything that goes into a
compatible font, then got that working. I then had a hayday with getting
other music fonts to work (LilyJAZZ, Profondo, etc.). At that point, I
realized that there is no way that a single music font will please
EVERYBODY, so making more available would be a good thing! As a result of
this whole process, developing a font creation/build process, making custom
fonts doesn't take me that much effort (i.e., if someone wants to compile
the glyphs they like using FontForge and send them to me, I'd happily create
a LilyPond compatible font for them :)

I'm not sure if all the hyperlinks to files still work in the above thread
(sorry, you'll have to go through quite a few messages to find them), but
anyone is welcome to try them out! On the other hand, some of the fonts have
matured a bit since then (like making SVG versions, adding glyphs, adjusting
positions, etc.), so it may be preferable to wait for the time being until
we get a solid set of files to distribute just to make sure the frustration
is kept to a minimum and the enjoyment is maximized!

Regards,
Abraham





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Re: Question for all LilyPond users (especially power users)

2014-07-10 Thread Marc Hohl

Am 09.07.2014 07:43, schrieb tisimst:

Greetings, All!

I have worked out a very nice way to switch between notation fonts in
LilyPond, both on a global document level and a local usage level. Up until
now, there were only a couple of music fonts available that were really
usable on a professional level: /Emmentaler/ (the default, built-in font)
and /Gonville/. There are also /LilyJAZZ/ and /Bravura/ (a SMuFL-compliant
font), but they require some serious hacks to make them work and they have
trouble with even some basic notation elements (like tempo markings,
arpeggios, etc.).

I am pleased to announce that I have several new music fonts, both in OTF
and SVG formats, that I'd like people to be able to use, but this requires a
patch to a single file, so anyone wanting to patch the file can do it with
little effort. It makes using other fonts as easy as putting a single
\include statement at the top of a .ly file. I use them all the time, but
I really want to share with the community that has shared so much with me.

*My question is this: /Is anyone interested in this?/*


Of course, count me in!

Marc


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Re: Question for all LilyPond users (especially power users)

2014-07-10 Thread Pierre Perol-Schneider
2014-07-09 22:40 GMT+02:00 tisimst tisi...@gmail.com:


 Recently, a user (I forget the name...) made some updates to
 the LilyJAZZ ensemble by introducing a font specifically designed for
 chords, which includes both lower and uppercase letters and shortcuts to
 the
 sharp, flat, etc. symbols.


I did that, but I let it unfinished for a couple of weeks now...
see =
http://lilypond.1069038.n5.nabble.com/LilyJAZZ-in-v2-18-td162423.html#a162444

Pierre
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Re: Question for all LilyPond users (especially power users)

2014-07-10 Thread Urs Liska

I had answered this but it seems my mobile had trashed the message ...

As we've been discussing earlier I still think this a tremenduous 
achievement. I don't know whether this reflects the latest state but I 
very much enjoyed engraving a score with five different fonts. See

https://dl.dropboxusercontent.com/u/49478835/lilypond-fonts/lilypond-fonts-haydn-cadenza.tar.gz
(this is a non-permanent link and may be removed any time).

If you haven't gone other ways in the meantime I still think that 
openlilylib would be a suitable place for that, particularly after the 
current reorganization has completed. Incorporating into LilyPond itself 
will impose a number of issues, e.g. how to distribute the fonts? They 
aren't produced from sources and can't easily be built together with 
LilyPond.


Best
Urs

Am 09.07.2014 13:56, schrieb SoundsFromSound:

tisimst wrote

Greetings, All!

I have worked out a very nice way to switch between notation fonts in
LilyPond, both on a global document level and a local usage level. Up
until now, there were only a couple of music fonts available that were
really usable on a professional level:

/

Emmentaler

/

  (the default, built-in font) and

/

Gonville

/

. There are also

/

LilyJAZZ

/

  and

/

Bravura

/

  (a SMuFL-compliant font), but they require some serious hacks to make
them work and they have trouble with even some basic notation elements
(like tempo markings, arpeggios, etc.).

I am pleased to announce that I have several new music fonts, both in OTF
and SVG formats, that I'd like people to be able to use, but this requires
a patch to a single file, so anyone wanting to patch the file can do it
with little effort. It makes using other fonts as easy as putting a single
\include statement at the top of a .ly file. I use them all the time,
but I really want to share with the community that has shared so much with
me.

*

My question is this:

/

Is anyone interested in this?

/*


I know that the notation font is a small part of the way a score looks,
but I think we can all recall a time when a score just didn't look that
good and it was because of the notation elements, not just the score
layout.

And, just so you know, I have LilyJAZZ (including all the latest and
greatest efforts for chords and a bunch of missing articulations,
characters, etc.) and Bravura (my version is called

/

Profondo

/

, for OFL licensing reasons) working perfectly as alternate music fonts.
In addition, these all provide access to all the ancient notation glyphs
as well, so nothing is lost (except for Gonville, which I haven't taken
the time to update at all).

I eagerly await your responses!

Happily Engraving,
Abraham


I'm certainly interested in hearing more about this!



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composer | sound designer
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Re: Question for all LilyPond users (especially power users)

2014-07-10 Thread Kieren MacMillan
Hi all,

 I still think this a tremenduous achievement.

+1

 https://dl.dropboxusercontent.com/u/49478835/lilypond-fonts/lilypond-fonts-haydn-cadenza.tar.gz

Amazing!

Each font has its compelling points, doesn’t it?
In any case, *choice* is a great thing.

Thanks [to all],
Kieren.
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Re: Question for all LilyPond users (especially power users)

2014-07-10 Thread Urs Liska
We'd already started to discuss this, and I'd be happy to continue on that 
track (for all: it was awesome to engrave a score with five different fonts).

If you haven't worked in a different direction in the meantime I'd still say 
that openlilylib is the suitable place for that. Even more after the current 
reorganization has been completed.

Best
Urs

On 9. Juli 2014 13:56:48 MESZ, SoundsFromSound soundsfromso...@gmail.com 
wrote:
tisimst wrote
 Greetings, All!
 
 I have worked out a very nice way to switch between notation fonts in
 LilyPond, both on a global document level and a local usage level. Up
 until now, there were only a couple of music fonts available that
were
 really usable on a professional level: 
/
 Emmentaler
/
  (the default, built-in font) and 
/
 Gonville
/
 . There are also 
/
 LilyJAZZ
/
  and 
/
 Bravura
/
  (a SMuFL-compliant font), but they require some serious hacks to
make
 them work and they have trouble with even some basic notation
elements
 (like tempo markings, arpeggios, etc.).
 
 I am pleased to announce that I have several new music fonts, both in
OTF
 and SVG formats, that I'd like people to be able to use, but this
requires
 a patch to a single file, so anyone wanting to patch the file can do
it
 with little effort. It makes using other fonts as easy as putting a
single
 \include statement at the top of a .ly file. I use them all the
time,
 but I really want to share with the community that has shared so much
with
 me.
*
 My question is this: 
/
 Is anyone interested in this?
/*
 
 I know that the notation font is a small part of the way a score
looks,
 but I think we can all recall a time when a score just didn't look
that
 good and it was because of the notation elements, not just the score
 layout.
 
 And, just so you know, I have LilyJAZZ (including all the latest and
 greatest efforts for chords and a bunch of missing articulations,
 characters, etc.) and Bravura (my version is called 
/
 Profondo
/
 , for OFL licensing reasons) working perfectly as alternate music
fonts.
 In addition, these all provide access to all the ancient notation
glyphs
 as well, so nothing is lost (except for Gonville, which I haven't
taken
 the time to update at all).
 
 I eagerly await your responses!
 
 Happily Engraving,
 Abraham

I'm certainly interested in hearing more about this!



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Re: Question for all LilyPond users (especially power users)

2014-07-10 Thread tisimst
Schneidy wrote
 I did that, but I let it unfinished for a couple of weeks now...
 see =
 http://lilypond.1069038.n5.nabble.com/LilyJAZZ-in-v2-18-td162423.html#a162444
 
 Pierre

Yes! Thank you, Pierre, for your good work! I had fun making some updates to
it. I think there are enough people interested in the Jazzy hand-written
font that we should get this incorporated better. Since it is only available
in binary font formats, is openlilylib the best place to put it?

The only thing is, if we want to make the use of LilyJAZZ easier, it really
needs the patched file that I mentioned in the initial post. That allows
LilyPond to put all the LilyJAZZ glyphs (or any other music font) into use
without a lot of manual labor with the potential of things getting missed
and not looking right.

-Abraham



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Question for all LilyPond users (especially power users)

2014-07-09 Thread tisimst
Greetings, All!

I have worked out a very nice way to switch between notation fonts in
LilyPond, both on a global document level and a local usage level. Up until
now, there were only a couple of music fonts available that were really
usable on a professional level: /Emmentaler/ (the default, built-in font)
and /Gonville/. There are also /LilyJAZZ/ and /Bravura/ (a SMuFL-compliant
font), but they require some serious hacks to make them work and they have
trouble with even some basic notation elements (like tempo markings,
arpeggios, etc.).

I am pleased to announce that I have several new music fonts, both in OTF
and SVG formats, that I'd like people to be able to use, but this requires a
patch to a single file, so anyone wanting to patch the file can do it with
little effort. It makes using other fonts as easy as putting a single
\include statement at the top of a .ly file. I use them all the time, but
I really want to share with the community that has shared so much with me.

*My question is this: /Is anyone interested in this?/*

I know that the notation font is a small part of the way a score looks, but
I think we can all recall a time when a score just didn't look that good and
it was because of the notation elements, not just the score layout.

And, just so you know, I have LilyJAZZ (including all the latest and
greatest efforts for chords and a bunch of missing articulations,
characters, etc.) and Bravura (my version is called /Profondo/, for OFL
licensing reasons) working perfectly as alternate music fonts. In addition,
these all provide access to all the ancient notation glyphs as well, so
nothing is lost (except for Gonville, which I haven't taken the time to
update at all).

I eagerly await your responses!

Happily Engraving,
Abraham



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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread Pierre Perol-Schneider
Hi Abraham,

2014-07-09 7:43 GMT+02:00 tisimst tisi...@gmail.com:


 *My question is this: /Is anyone interested in this?/*


That's great news.
Yes I'm interested.
Pierre
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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread SoundsFromSound
tisimst wrote
 Greetings, All!
 
 I have worked out a very nice way to switch between notation fonts in
 LilyPond, both on a global document level and a local usage level. Up
 until now, there were only a couple of music fonts available that were
 really usable on a professional level: 
/
 Emmentaler
/
  (the default, built-in font) and 
/
 Gonville
/
 . There are also 
/
 LilyJAZZ
/
  and 
/
 Bravura
/
  (a SMuFL-compliant font), but they require some serious hacks to make
 them work and they have trouble with even some basic notation elements
 (like tempo markings, arpeggios, etc.).
 
 I am pleased to announce that I have several new music fonts, both in OTF
 and SVG formats, that I'd like people to be able to use, but this requires
 a patch to a single file, so anyone wanting to patch the file can do it
 with little effort. It makes using other fonts as easy as putting a single
 \include statement at the top of a .ly file. I use them all the time,
 but I really want to share with the community that has shared so much with
 me.
*
 My question is this: 
/
 Is anyone interested in this?
/*
 
 I know that the notation font is a small part of the way a score looks,
 but I think we can all recall a time when a score just didn't look that
 good and it was because of the notation elements, not just the score
 layout.
 
 And, just so you know, I have LilyJAZZ (including all the latest and
 greatest efforts for chords and a bunch of missing articulations,
 characters, etc.) and Bravura (my version is called 
/
 Profondo
/
 , for OFL licensing reasons) working perfectly as alternate music fonts.
 In addition, these all provide access to all the ancient notation glyphs
 as well, so nothing is lost (except for Gonville, which I haven't taken
 the time to update at all).
 
 I eagerly await your responses!
 
 Happily Engraving,
 Abraham

I'm certainly interested in hearing more about this!



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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread Noeck
I would also be interested.

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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread Paul Morris
I'm interested as well.

-Paul



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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread Xavier Scheuer
On 9 July 2014 07:43, tisimst tisi...@gmail.com wrote:

 Greetings, All!

 I have worked out a very nice way to switch between notation fonts in
 LilyPond […]

 *My question is this: /Is anyone interested in this?/*

Hi,

This is wonderful news, thank you! I am totally interested.
And I guess people who starred issue #870 would be also.
https://code.google.com/p/lilypond/issues/detail?id=870

Cheers,
Xavier

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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread tisimst
Hi, All!

I just wanted to thank those who have responded so far. Keep 'em comin'!

I also wanted to remind everyone responding via email to Reply to All so
the responses make it back to this forum thread.

Thanks!
- Abraham



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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread tisimst
On Wed, Jul 9, 2014 at 11:26 AM, tisimst [via Lilypond] 
ml-node+s1069038n164192...@n5.nabble.com wrote:
 Hi, All! 
 
 I just wanted to thank those who have responded so far. Keep 'em 
 comin'! 
 
 I also wanted to remind everyone responding via email to Reply to 
 All so the responses make it back to this forum thread. 
 
 Thanks! 
 - Abraham 
 
 If you reply to this email, your message will be added to the 
 discussion below:
 http://lilypond.1069038.n5.nabble.com/Question-for-all-LilyPond-users-especially-power-users-tp164178p164192.html
 To unsubscribe from Question for all LilyPond users (especially power 
 users), click here.
 NAML
 
Oh, and if anyone has a music font that they've started (or finished, 
or wanted to do), but couldn't get to work with LilyPond, I can help 
you with that if you'd like. :)

I like the idea of LilyPond being the most decorated 
engraving/notation software out there!

Regards,
Abraham




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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread Jim Long
On Wed, Jul 09, 2014 at 11:01:46AM -0700, tisimst wrote:
 Oh, and if anyone has a music font that they've started (or finished, 
 or wanted to do), but couldn't get to work with LilyPond, I can help 
 you with that if you'd like. :)

LilyJAZZ might be more useful if it included lowercase
characters.  While an all-caps font might be okay for tempo
markings, and other text annotations, it isn't really suitable
for chordnames.

Does anyone know what font is used for the chordnames in Pat
Metheny's anthology songbook, published by Hal Leonard?

Here is a sample image linked from a seller's website:

http://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/2958319_03.jpg

http://www.sheetmusicplus.com/title/Pat-Metheny-Songbook-sheet-music/2958319

I'd appreciate having a font like the one used for the Chordnames
in that edition.

Jim

 
 I like the idea of LilyPond being the most decorated 
 engraving/notation software out there!
 
 Regards,
 Abraham
 
 
 
 
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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread Nathan Ho
On Wed, Jul 9, 2014 at 1:01 PM, Jim Long lilyp...@umpquanet.com wrote:
 Does anyone know what font is used for the chordnames in Pat
 Metheny's anthology songbook, published by Hal Leonard?

 Here is a sample image linked from a seller's website:

 http://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/2958319_03.jpg

 http://www.sheetmusicplus.com/title/Pat-Metheny-Songbook-sheet-music/2958319

Looks like Comic Sans. Personally, I would prefer a chordname font
resembling the one in the Hal Leonard Real Books or the Chuck Sher New
Real Book; this all serves to highlight how varied jazz lead sheets
can be.

Regards,
Nathan

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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread Janek Warchoł
Hi Abraham,

2014-07-09 7:43 GMT+02:00 tisimst tisi...@gmail.com:
 I am pleased to announce that I have several new music fonts, both in OTF
 and SVG formats, that I'd like people to be able to use, but this requires a
 patch to a single file, so anyone wanting to patch the file can do it with
 little effort. It makes using other fonts as easy as putting a single
 \include statement at the top of a .ly file. I use them all the time, but
 I really want to share with the community that has shared so much with me.

Sounds great!  I'm definitely interested, but unfortunately i'm too
busy for the next few weeks to get involved.  I hope that others will
chime in :)

Janek

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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread tisimst
Jim Long wrote
 LilyJAZZ might be more useful if it included lowercase
 characters.  While an all-caps font might be okay for tempo
 markings, and other text annotations, it isn't really suitable
 for chordnames.
 
 Does anyone know what font is used for the chordnames in Pat
 Metheny's anthology songbook, published by Hal Leonard?
 
 Here is a sample image linked from a seller's website:
 
 http://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/2958319_03.jpg
 
 http://www.sheetmusicplus.com/title/Pat-Metheny-Songbook-sheet-music/2958319
 
 I'd appreciate having a font like the one used for the Chordnames
 in that edition.
 
 Jim
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Jim,

Good question. Recently, a user (I forget the name...) made some updates to
the LilyJAZZ ensemble by introducing a font specifically designed for
chords, which includes both lower and uppercase letters and shortcuts to the
sharp, flat, etc. symbols. I've added more characters to it as well just to
make it more useable and its nicely integrated into my jazz files. I've
attached some jazz example files. When the chord is a recognized one, then
it should get formatted quite nicely with the lilyjazzchord font, otherwise
it will revert back to the LilyJAZZ font, but the chord list is pretty big.

Regards,
Abraham

AllOfMe.pdf http://lilypond.1069038.n5.nabble.com/file/n164196/AllOfMe.pdf  
BossaNova.pdf
http://lilypond.1069038.n5.nabble.com/file/n164196/BossaNova.pdf  
JazzChordsDemo.pdf
http://lilypond.1069038.n5.nabble.com/file/n164196/JazzChordsDemo.pdf  
JazzTest.pdf
http://lilypond.1069038.n5.nabble.com/file/n164196/JazzTest.pdf  



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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread tisimst
Well, honestly, it's not like anyone has to really really be involved in 
anything yet. For now, I just wanted to get a concensus on the matter.

Thanks for your input!
-Abraham


Janek Warchoł [via Lilypond] ml-node+s1069038n164197...@n5.nabble.com wrote:



Hi Abraham,

2014-07-09 7:43 GMT+02:00 tisimst tisi...@gmail.com:
 I am pleased to announce that I have several new music fonts, both in OTF
 and SVG formats, that I'd like people to be able to use, but this requires a
 patch to a single file, so anyone wanting to patch the file can do it with
 little effort. It makes using other fonts as easy as putting a single
 \include statement at the top of a .ly file. I use them all the time, but
 I really want to share with the community that has shared so much with me.

Sounds great!  I'm definitely interested, but unfortunately i'm too
busy for the next few weeks to get involved.  I hope that others will
chime in :)

Janek

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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread Nathan Ho
On Wed, Jul 9, 2014 at 1:01 PM, Jim Long lilyp...@umpquanet.com wrote:
 Does anyone know what font is used for the chordnames in Pat
 Metheny's anthology songbook, published by Hal Leonard?

 Here is a sample image linked from a seller's website:

 http://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/2958319_03.jpg

 http://www.sheetmusicplus.com/title/Pat-Metheny-Songbook-sheet-music/2958319

Looks like Comic Sans. Personally, I would prefer a chordname font
resembling the one in the Hal Leonard Real Books or the Chuck Sher New
Real Book; this all serves to highlight how varied jazz lead sheets
can be, typographically.

Regards,
Nathan

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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread Nathan Ho
Oops, sorry about the double email. Connection problems.

Regards,
Nathan


On Wed, Jul 9, 2014 at 2:14 PM, Nathan Ho when.possi...@gmail.com wrote:
 On Wed, Jul 9, 2014 at 1:01 PM, Jim Long lilyp...@umpquanet.com wrote:
 Does anyone know what font is used for the chordnames in Pat
 Metheny's anthology songbook, published by Hal Leonard?

 Here is a sample image linked from a seller's website:

 http://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/2958319_03.jpg

 http://www.sheetmusicplus.com/title/Pat-Metheny-Songbook-sheet-music/2958319

 Looks like Comic Sans. Personally, I would prefer a chordname font
 resembling the one in the Hal Leonard Real Books or the Chuck Sher New
 Real Book; this all serves to highlight how varied jazz lead sheets
 can be, typographically.

 Regards,
 Nathan

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Re: Question for all LilyPond users (especially power users)

2014-07-09 Thread Abraham Lee
Xavier,

That issue is a perfect example of what can be changed easily (i.e., no 
symbolic linking, no fancy naming-renaming, copying-recopying, etc.) All the 
fonts can co-exist, just as we are already used to with text fonts, in what 
I've developed.

Regards,
Abraham

Xavier Scheuer x.sche...@gmail.com wrote:

On 9 July 2014 07:43, tisimst tisi...@gmail.com wrote:

 Greetings, All!

 I have worked out a very nice way to switch between notation fonts in
 LilyPond […]

 *My question is this: /Is anyone interested in this?/*

Hi,

This is wonderful news, thank you! I am totally interested.
And I guess people who starred issue #870 would be also.
https://code.google.com/p/lilypond/issues/detail?id=870

Cheers,
Xavier

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