Ezequiel
Slurs operate only within a single Voice context, whereas
one of your slurs would need to operate across two different
Voices - Voice 1 before the \\ and Voice 2 after the
\\ - in the way you have written it.
You can achieve the double slur which I think you want by
moving the 'c' from the 'a c' chord into Voice 1, and
putting a slur in each of the two Voices, as follows (see
1.png):
\version 2.8.6
\score {
\relative c''
{ c8( [ d8 ] c4) } \\ { fis4( a) }
}
\layout {ragged-right = ##t}
Putting the 'c' in Voice 1 seems better musically, but if
you really wish to keep the a c as a chord with a single
stem, you need a fiddle - hide the c4 in Voice 1 (leaving
it there to terminate the slur) and put the 'c' back in the
chord in Voice 2 (see 2.png):
\version 2.8.6
\score {
\relative c''
{ c8( [ d8 ] \hideNotes c4) } \\ { fis4( a c) }
}
\layout {ragged-right = ##t}
Double slurs operate only in a single voice, so they don't
help here where the differing rhythms require two Voices.
HTH
Trevor
-Original Message-
{ c8 [ d8 ] } \\ { fis,4 } ( a c )
i want to have a double slur from the c8 and
fis,4 to the chord a
c i have doubleslurs ##t but it only gives one slur
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1.png
Description: PNG image
2.png
Description: PNG image
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