RE:Slur and acciaccatura in chords

2014-10-27 Thread Stephen MacNeil
well I think this is the best I can do

\version "2.18.2"


\relative c'{

\time 6/8

<<{ \voiceOne \stemUp <\tweak Flag.transparent ##t e g>8}\\{\voiceTwo
\slurDown \stemUp \shape #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur
\override Slur.positions = #'(0 . 0) \acciaccatura d'8 c  }>> |


}

\relative c'{

\time 6/8

8

\stemUp \slurDown \shape #'((1 . 1.8) (0.7 . 2.2) (-0.1 . 2.05) (-0.1 .
2.0)) Slur \override Slur.positions = #'(0 . 0)

16 (a) 8

}
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RE:Slur and acciaccatura in chords

2014-10-27 Thread tisimst
This is an interesting problem... It begs the question, "Can slurs be 
made to start/end on arbitrary chord notes?" It appears that they 
cannot, but can they be made to do so? I don't think I'd personally 
have too much use for the functionality, but it appears that it might 
be useful.

Regards,
Abraham

On Mon, Oct 27, 2014 at 2:02 PM, me here [via Lilypond] 
 wrote:
> well I think this is the best I can do
> 
> \version "2.18.2"
> 
> \relative c'{
> \time 6/8
> <<{ \voiceOne \stemUp <\tweak Flag.transparent ##t e g>8}\\{\voiceTwo 
> \slurDown \stemUp \shape #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur 
> \override Slur.positions = #'(0 . 0) \acciaccatura d'8 c   g c>}>> |
> 
> }
> \relative c'{
> \time 6/8
> 8
> \stemUp \slurDown \shape #'((1 . 1.8) (0.7 . 2.2) (-0.1 . 2.05) (-0.1 
> . 2.0)) Slur \override Slur.positions = #'(0 . 0)
> 16 (a) 8
> }
> 
> 
> 
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Re:Slur and acciaccatura in chords

2014-10-28 Thread Stephen MacNeil
Hi Abraham and Rale, thanks for the reply. As a classical guitarist I can
say the function that Abraham mentions (Can slurs be
made to start/end on arbitrary chord notes?), would be ideal. perhaps a
work around on the tie function. Something like this would also work. I
think.

\acciaccatura d'8 c 

As for your comment Rale, I am confused by your comment as your "Tag" seems
to indicate you are a guitarist. Anyway, on the guitar when playing
multiple voices (in classical  rock jazz flamenco etc.). I it is common to
have one voice slur (pulloff or hammeron) to other notes while the
remaining voices move or stay. You can think of each chord as separate
voices only instead of scoring it across many different staffs we use just
one.

a couple examples.

http://www.delcamp.net/pdf/jose_ferrer_souvenir_du_quinze_aout.pdf

No 2 acciaccatura ex.

http://boije.statensmusikverk.se/ebibliotek/boije/pdf/Boije%20148.pdf

slur in a chord

http://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/1906086_02.jpg

http://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/1906086_03.jpg

last one in the center

https://www.google.ca/search?q=say+it+ain%27t+so+score+pdf&biw=1280&bih=668&source=lnms&tbm=isch&sa=X&ei=D7NPVL-7Gov1yAT02IHIAw&ved=0CAcQ_AUoAg#tbm=isch&q=chord+slur&facrc=_&imgdii=_&imgrc=7Cb6wal8Jb2bJM%253A%3BV__KZoAQPQYhjM%3Bhttp%253A%252F%252Fwww.arkkra.com%252Fdoc%252Fuguide%252Fmugex23.gif%3Bhttp%253A%252F%252Fwww.arkkra.com%252Fdoc%252Fuguide%252Fichdattr.html%3B300%3B93

I know I know crazy guitarists :)

thanks again


>This is an interesting problem... It begs the question, "Can slurs be
>made to start/end on arbitrary chord notes?" It appears that they
>cannot, but can they be made to do so? I don't think I'd personally
>have too much use for the functionality, but it appears that it might
>be useful.

>Regards,
>Abraham

>Since a legatura (slur) to one note is a legatura to all on the
>same stem, I don't see how it could be useful. Regards, Rale

--
Guitar teaching materials and original music for all styles and
levels. Site: http://www.openguitar.com (()) eMail:
d.raleigh.arn...@gmail.com Contact:
http://www.openguitar.com/contact.html

On Mon, Oct 27, 2014 at 2:02 PM, me here [via Lilypond]
 wrote:
> well I think this is the best I can do
>
> \version "2.18.2"
>
> \relative c'{
> \time 6/8
> <<{ \voiceOne \stemUp <\tweak Flag.transparent ##t e g>8}\\{\voiceTwo
> \slurDown \stemUp \shape #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur
> \override Slur.positions = #'(0 . 0) \acciaccatura d'8 c   g c>}>> |
>
> }
> \relative c'{
> \time 6/8
> 8
> \stemUp \slurDown \shape #'((1 . 1.8) (0.7 . 2.2) (-0.1 . 2.05) (-0.1
> . 2.0)) Slur \override Slur.positions = #'(0 . 0)
> 16 (a) 8
> }
>
>
>
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RE:Slur and acciaccatura in chords

2014-10-29 Thread Stephen MacNeil
Hi Abraham,

Thanks for all the help. I do like your code it works really nice. As for
the voices

>And just so you know, the << { ... }\\{ ... } >> implicitly applies
>\voiceOne and \voiceTwo, so those are unnecessary.

I did realize that however  i read a post somewhere saying that if you
explicitly reference \voiceOne \voiceTwo the slur may look better. Guess it
was wrong since I did end up using \shape. Anyway I am wondering why when I
add and extra voice using << { ... }\\{ ... } >> (as guitar voices
sometimes are added and subtracted at random, the stem length changes.


\version "2.18.2"

%\include "../fonts/im/improviso.ily"

\relative c'{

\time 6/8

8^"incorrect"  

<<{\stemUp <\tweak Flag.transparent ##t e g>8}\\{\slurDown \stemUp \shape
#'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur \acciaccatura d'8 c 
}>> |

}


\relative c'{

\time 6/8

8^"correct"  

\shape #'((0.2 . 1.1) (0.5 . 1.5) (0.3 . 2.2) (0.1 . 2.8)) Slur

\acciaccatura d'8   

}



This is easily fixed however with


\override Stem.details.beamed-lengths = #'(3.5)


example:


\relative c'{

\time 6/8

8^"incorrect"  

<<{\stemUp <\tweak Flag.transparent ##t e g>8}\\{\slurDown \stemUp \shape
#'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur \override
Stem.details.beamed-lengths = #'(3.5) \acciaccatura d'8 c  }>> |

}


Anyway I was just curious on that.


Oh  I tried the fonts out, I am a big fan of font that looks hand written.
So I really liked

improviso.ily. I have used jazzlily for a long time and was wondering has
it been updated since before?


anyway


Thanks again
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RE:Slur and acciaccatura in chords

2014-10-29 Thread tisimst
Stephen,

On Wed, Oct 29, 2014 at 4:21 PM, Stephen MacNeil [via Lilypond] 
 wrote:
> Hi Abraham,
> 
> Thanks for all the help. I do like your code it works really nice. As 
> for the voices
> 
> >And just so you know, the << { ... }\\{ ... } >> implicitly applies
> >\voiceOne and \voiceTwo, so those are unnecessary.
> 
> I did realize that however  i read a post somewhere saying that if 
> you explicitly reference \voiceOne \voiceTwo the slur may look 
> better. Guess it was wrong since I did end up using \shape. Anyway I 
> am wondering why when I add and extra voice using << { ... }\\{ ... } 
> >> (as guitar voices sometimes are added and subtracted at random), 
> the stem length changes.
> 

Sorry. I'm not sure why that happens. Maybe it's that LP is having some 
difficulty determining "normal" dimensions with the clashing 
NoteColumns?

> 
> \version "2.18.2"
> %\include "../fonts/im/improviso.ily"
> \relative c'{
> \time 6/8
> 8^"incorrect"  
> <<{\stemUp <\tweak Flag.transparent ##t e g>8}\\{\slurDown \stemUp 
> \shape #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur \acciaccatura d'8 
> c  }>> |
> }
> 
> \relative c'{
> \time 6/8
> 8^"correct"  
> \shape #'((0.2 . 1.1) (0.5 . 1.5) (0.3 . 2.2) (0.1 . 2.8)) Slur
> \acciaccatura d'8   
> }
> 
> This is easily fixed however with
> 
> \override Stem.details.beamed-lengths = #'(3.5)
> 
> example:
> 
> \relative c'{
> \time 6/8
> 8^"incorrect"  
> <<{\stemUp <\tweak Flag.transparent ##t e g>8}\\{\slurDown \stemUp 
> \shape #'((0.2 . 0) (0 . 0) (0 . 0) (0 . 0.3)) Slur \override 
> Stem.details.beamed-lengths = #'(3.5) \acciaccatura d'8 c   g c>}>> |
> }
> 
> Anyway I was just curious on that.
> 
> Oh  I tried the fonts out, I am a big fan of font that looks hand 
> written. So I really liked
> improviso.ily. I have used jazzlily for a long time and was wondering 
> has it been updated since before?
> 
> anyway 
> 
> Thanks again 

LilyJAZZ has *definitely* been updated. I've added numerous elements, 
including articulations, microtonal accidentals, scripts, harmonics, 
etc. It's quite complete now. It has also been updated in that it is 
used without any fancy coding hacks :) Just do like you did with 
Improviso and use the LilyJAZZ stylesheet via

\include "LilyJAZZ.ily"

or manually,

\paper {
  #(define fonts
(set-global-fonts
#:music "lilyjazz"
#:brace "lilyjazz"
#:roman "LilyJAZZText"
#:sans "LilyJAZZChords"
#:factor (/ staff-height pt 20)
))
}

in your score and you should be good to go!

Regards,
Abraham




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RE:Slur and acciaccatura in chords

2014-10-31 Thread Stephen MacNeil
Hi Abraham thanks for your help

Stephen
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