Fret-diagram custom mark-ups - only placing 1 dot on fretboard
Ryan wrote:
when I type 1-0 within the fret-diagram string, it bars across the whole
1st fret,
in addition to putting an open dot on A string.
Please create a tiny example and send it to bug-lilyp...@gnu.org, as
described at
http://www.lilypond.org/bug-reports.html
I believe that this is a bug -- the barre indicator should not be placed
there.
But I think there may be some misunderstanding on your part; we don't
place a dot for an open string in our fret diagrams; we use an open
indicator (by default a circle above the string on the fret diagram).
In order to only place an indicator on one string, you will need to use
the fret-diagram-verbose form of the markup:
{
\clef G_8
a,^\markup {
\fret-diagram-verbose #'(
(open 5)
)
}
}
The fret-diagram and fret-diagram-terse forms both expect to have all of
the strings defined as either open, mute, or fingered.
Thanks,
Carl
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Fret-diagram custom mark-ups - only placing 1 dot on fretboard
I am doing some worksheets for my students, and would like to use single dots on a fretboard to show them where single particular notes are located. When I try to to place a single dot on the a string for example, let's say open string A, when I type 1-0 within the fret-diagram string, it bars across the whole 1st fret, in addition to putting an open dot on A string. Ryan ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Fret-diagram custom mark-ups - only placing 1 dot on fretboard
2015-01-29 0:55 GMT+01:00 Ryan Clarin ryancla...@gmail.com:
I am doing some worksheets for my students, and would like to use single
dots on a fretboard to show them where single particular notes are located.
When I try to to place a single dot on the a string for example, let's say
open string A, when I type 1-0 within the fret-diagram string, it bars
across the whole 1st fret, in addition to putting an open dot on A string.
Ryan
Try:
{
\clef G_8
%\override TextScript.fret-diagram-details.finger-code = #'in-dot
%\override TextScript.fret-diagram-details.dot-color = #'white
d'^\markup {
\fret-diagram-verbose #'(
()
()
()
()
(place-fret 2 3 3)
()
)
}_d'
}
Cheers,
Harm
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mark-ups
Greetings Michael,
I find this worked in one of my transcriptions - v2.13.?? - adjust
bracketted values as necessary...
\once\override TextScript #'extra-offset = #'(-5 . 2) g'2^\markup {
\bold All }
hope this helps
Bill
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Re: mark-ups
On 22 January 2011 06:21, Michael Dykes thedoctor81...@gmail.com wrote:
I think I figured out my mark-up problem, but I still would like for the
markup to begin at the beginning of the measure. Is that possible? Thanks.
RehearsalMark are aligned on the bar line (i.e. at the beginning of the
measure). If you self-align them #LEFT then you should get what you
want. Drawback: RehearsalMark are printed only once and on the top
staff of your score but this does not seem to be a problem here.
This time the \mark \markup ... should be placed before the first note
of the measure.
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\mark \markup { \italic \small The blessing of the Lord ... }
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\mark \markup { \italic \small Glory to Thee, O Christ God ... }
\once \override Score.RehearsalMark #'direction = #DOWN
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\mark \markup { \italic \small May Christ our true God ... }
Cheers,
Xavier
--
Xavier Scheuer x.sche...@gmail.com
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Re: mark-ups
Hello,
-Original Message-
From: Xavier Scheuer x.sche...@gmail.com
Date: Sat, 22 Jan 2011 11:19:20 +0100
To: Michael Dykes thedoctor81...@gmail.com
Cc: lilypond-user@gnu.org lilypond-user@gnu.org
Subject: Re: mark-ups
On 22 January 2011 06:21, Michael Dykes thedoctor81...@gmail.com wrote:
I think I figured out my mark-up problem, but I still would like for the
markup to begin at the beginning of the measure. Is that possible?
Thanks.
RehearsalMark are aligned on the bar line (i.e. at the beginning of the
measure). If you self-align them #LEFT then you should get what you
want. Drawback: RehearsalMark are printed only once and on the top
staff of your score but this does not seem to be a problem here.
This time the \mark \markup ... should be placed before the first note
of the measure.
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\mark \markup { \italic \small The blessing of the Lord ... }
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\mark \markup { \italic \small Glory to Thee, O Christ God ... }
\once \override Score.RehearsalMark #'direction = #DOWN
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\mark \markup { \italic \small May Christ our true God ... }
Just to add to this, the section of how to align Markups is here
http://lilypond.org/doc/v2.13/Documentation/notation/writing-text
Scroll down to the section 'Aligning marks with various notation objects'.
This gives you more options.
While Xavier states drawbacks, if you use the above information along with
the LSR these drawbacks are no longer.
http://lsr.dsi.unimi.it/LSR/Item?id=402
(print below the staff)
http://lsr.dsi.unimi.it/LSR/Item?id=735
(print above and below - method 1)
http://lsr.dsi.unimi.it/LSR/Item?id=736
(print above and below - method 2)
http://lsr.dsi.unimi.it/LSR/Item?id=575
(simultaneous)
Have fun!
James
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mark-ups
I have a piece that I need to use the markups for, but currently it is
stretching the measures way too much, and I am not sure what to do about
it. Any help would be appreciated.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Horologion ~ The Divine Liturgy
subtitle = The Dismissal
poet = Common Court Chant Variant
}
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
f,2
^\markup {\italic \tiny The blessing of the Lord ... }
f1 \finalis
f4
^\markup {\italic \tiny Glory to Thee, O Christ God ... }
f f g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2 c2 f1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
f,2 f1 \finalis
f4 f f g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
bass = \relative c {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2 c2 f1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
A -- men.
Glor -- y to the Fa -- ther, and to the Son, and to the
Ho -- ly Spir -- it;
now and ev -- er, and un -- to a -- ges
\override LyricHyphen #'minimum-distance = #1.6
of a -- ges. A -- men.
Lord, have mer -- cy.
Lord, have mer -- cy.
Lord, have mer -- cy.
O Lord, bless!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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mark-ups
I think I figured out my mark-up problem, but I still would like for the
markup to begin at the beginning of the measure. Is that possible? Thanks.
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
\header {
title = Horologion ~ The Divine Liturgy
subtitle = The Dismissal
poet = Common Court Chant Variant
}
global = {
\key f \major
\override Staff.TimeSignature #'stencil = ##f
\override Staff.BarLine #'stencil = ##f
\override Score.SpacingSpanner #'packed-spacing = ##f
\override TextScript #'staff-padding = #4
}
move = { \bar \break }
soprano = \relative c'' {
\global
% Music follows here.
f,2
^\markup {\italic \small The blessing of the Lord ... }
f1 \finalis
f4 f f
^\markup {\italic \small Glory to Thee, O Christ God ... }
g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
alto = \relative c' {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2 c2 f1 \finalis
}
tenor = \relative c' {
\global
% Music follows here.
f,2 f1 \finalis
f4 f f g a a a a a a a a a a a a a \divisioMinima
a4 a a a a a a a a g a2 a4 a a2 \divisioMaior
f4 g a a a a a a a g a2 a1 \divisioMaxima
bf2 a4(g) f1 \finalis
}
bass = \relative c {
\global
% Music follows here.
f2 f1 \finalis
f4 f f e f f f f f f f f f f f f f \divisioMinima
f4 f f f f f f f f e f2 f4 f f2 \divisioMaior
f4 e f f f f f f f c f2 f1 \divisioMaxima
bf,2
_\markup {\italic \small May Christ our true God ... }
c2 f1 \finalis
}
verse = \lyricmode {
% Lyrics follow here.
A -- men.
\override LyricHyphen #'minimum-distance = #2.4
Glor -- y to the Fa -- ther, and to the Son, and to the
Ho -- ly Spir -- it;
now and ev -- er, and un -- to a -- ges
\override LyricHyphen #'minimum-distance = #1.6
of a -- ges. A -- men.
Lord, have mer -- cy.
Lord, have mer -- cy.
Lord, have mer -- cy.
Fa -- ther,__ bless!
}
\score {
\new ChoirStaff
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { S A }
}
\new Voice = soprano { \voiceOne \soprano }
\new Voice = alto { \voiceTwo \alto }
\new Lyrics \lyricsto soprano \verse
\new Staff \with {
midiInstrument = string ensemble 1
instrumentName = \markup \center-column { T B }
}
\clef bass
\new Voice = tenor { \voiceOne \tenor }
\new Voice = bass { \voiceTwo \bass }
\layout { ragged-last=##f }
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 120 4)
}
}
}
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