Fw: three polyphonic voices on three systems and (at the same time) on PianoStaff
Which is the most convenient (possilby automatic) way to change the beaming
of triplets in a allabreve-piece without changing the beaming
of "normal" eighth notes (quavers)?
See the example (or if more convenient, the attachment):
%%% BEGIN Triplet-Beaming EXAMPLE
\version "2.10.33"
\paper{ ragged-right=##t }
\score {
{
\time 2/2
\relative c' {
c4 d8 e f g a b |
c8 d16 c \set tupletSpannerDuration = #(ly:make-moment 1 4) \times 2/3 {
b8 c a g a f e f d } |
c1
}
}
}
\markup {
The result is as expected.
}
\markup {
But I would prefer the following default beaming,
}
\markup {
without being forced to manually enforce it, even in Alla Breve:
}
\score {
{
\time 2/2
\relative c' {
c4 d8 e f g a b |
c8 d16 c \set tupletSpannerDuration = #(ly:make-moment 1 4) \times 2/3 {
b8[ c a] g[ a f] e[ f d] } |
c1
}
}
}
\markup {
By the way: Why do the brackets disappear? Is this behaviour intented?
}
%%% END Triplet-Beaming EXAMPLE
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\paper{ ragged-right=##t }
\score {
{
\time 2/2
\relative c' {
c4 d8 e f g a b |
c8 d16 c \set tupletSpannerDuration = #(ly:make-moment 1 4) \times 2/3 { b8 c a g a f e f d } |
c1
}
}
}
\markup {
The result is as expected.
}
\markup {
But I would prefer the following default beaming,
}
\markup {
without being forced to manually enforce it, even in Alla Breve:
}
\score {
{
\time 2/2
\relative c' {
c4 d8 e f g a b |
c8 d16 c \set tupletSpannerDuration = #(ly:make-moment 1 4) \times 2/3 { b8[ c a] g[ a f] e[ f d] } |
c1
}
}
}
\markup {
By the way: Why do the brackets disappear? Is this behaviour intented?
}
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three polyphonic voices on three systems and (at the same time) on PianoStaff
Hello everybody,
I am addicted to LilyPond since only a few days.
So first let me say big Thank you to those who invented this powerful program
with beautiful output!
I want to type a three-part fugue in two ways:
first as a tree-staff score,
and then as piano-score.
For convenience I want to type the voices only once.
I thought I could apply the Autochange-feature.
But it does not work as I expected. (I know. It would be a miracle.)
So, if it can be done, how can it be done?
See the example:
%%% BEGIN 3-part-Polyphony with AutoChange EXAMPLE
\version "2.10.33"
global = {
\key c \minor
\time 2/2
}
firstvoice = {
\global
\relative c' {
es2 f |
g as |
bes c |
bes2. a4 |
bes1
}
}
secondvoice = {
\global
\relative c' {
g4 c bes as |
g es' d c |
bes g' f es |
d g8 f es2 |
d1
}
}
bassvoice = {
\global
\relative c {
c2 d |
es f |
g as |
bes c |
bes1
}
}
\header {
title = "Autochange Staff"
subtitle = "applied on polyphonic piece"
}
\score {
<<
\new Staff \new Voice { \clef treble \firstvoice }
\new Staff \new Voice { \clef alto \secondvoice }
\new Staff \new Voice { \clef bass \bassvoice }
>>
\header {
opus = "This works fine"
}
}
\score {
<<
\new PianoStaff
<<
\autochange {
\override Staff.NoteCollision #'merge-differently-headed = ##t
\override Staff.NoteCollision #'merge-differently-dotted = ##t
\secondvoice
}
\context Staff = "up" \new Voice { \firstvoice }
\context Staff = "down" \new Voice { \bassvoice }
>>
>>
\header{
breakbefore = ##t
opus = "Can this be made working in an automatic way?"
}
}
%%% END 3-part-Polyphony with AutoChange EXAMPLE
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