Re: [linux-audio-dev]

2001-08-22 Thread Scott McNab

Wa Ditti wrote:
> 
> Hello All
> 
> I'm in the middle of just such a project as described below [DAW c/w Linux]
> and have just ordered a C-Port DSP 2000, after discovering Hoontech, a
> Korean company who manufacture audio cards using the same chipsets as the
> Delta 44/66/1010, the difference being the Hoontech AudioDSP24 offers 10
> channels of 24bit-96kHz for the same price as the Delta folks give you six.
> The gear is being marketed as C-Port in N. America. Check out
> www.staudio.com  www.pcrecording.com/hoontech.htm  or www.hoontech.com for
> further details
> 
> The Delta cards have Linux drivers, the Hoontech/C-Port do not. My Question
> is  what is involved in writing a driver for this device considering a
> driver exists for a device using the same chipset? Am I asking for the moon
> here? Is this something only the manufacturer can do? I'm new to the Linux &
> DAW worlds so please use small words and short sentances in you reply :<)

The Hoontech AudioDSP card and C-Port ARE supported under Linux using
the
ALSA drivers already. Just use the standard ice1712 driver and
envy24control
program.

I have the big brother to the C-Port (the one with separate external DAC
and
ADC racks with mic-preamps on each input) and have no problems playing
back
multi-channel stuff under Linux. I havn't tried multi-channel recording
with
it yet (under Linux anyway), although I'm sure it should work with no
problems.

Scott



[linux-audio-dev]

2001-08-22 Thread Wa Ditti

Hello All

I'm in the middle of just such a project as described below [DAW c/w Linux]
and have just ordered a C-Port DSP 2000, after discovering Hoontech, a
Korean company who manufacture audio cards using the same chipsets as the
Delta 44/66/1010, the difference being the Hoontech AudioDSP24 offers 10
channels of 24bit-96kHz for the same price as the Delta folks give you six.
The gear is being marketed as C-Port in N. America. Check out
www.staudio.com  www.pcrecording.com/hoontech.htm  or www.hoontech.com for
further details

The Delta cards have Linux drivers, the Hoontech/C-Port do not. My Question
is  what is involved in writing a driver for this device considering a
driver exists for a device using the same chipset? Am I asking for the moon
here? Is this something only the manufacturer can do? I'm new to the Linux &
DAW worlds so please use small words and short sentances in you reply :<)

Thank you,

Blair,
Toronto



Patrick Shirkey wrote:


> workstations running entirely on linux. Hopefully that is only one of
> many ideas that will come to fruition in regards to Linux Audio.
>
> Another thing is that our primary business is in importing Korean
> computer products. For those who are interested we may be able to get
> some extreemely good deals on specific hardware.
> So I look forward to your comments and hope that if I do start making an
> impact it will be to the advantage of Linux Audio.







[linux-audio-dev] [OT] Linux soundapps site updated

2001-08-22 Thread Dave Phillips

Greetings:

  The subject says it all. You can find the site at these fine Internet
establishments:

http://sound.condorow.net (USA)

http://www.linuxsound.at (Europe)

http://www.ymo.org/linuxsound/ (Japan)

Best regards,

== Dave Phillips

The Book Of Linux Music & Sound at http://www.nostarch.com/lms.htm
The Linux Soundapps Site at http://sound.condorow.net



[linux-audio-dev] Announce: 3D audio in Mustajuuri 0.2.0

2001-08-22 Thread Tommi Ilmonen

[It seems my first message did not get thru, this is a resend]

Hi.

This is the announcement for Mustajuuri 0.2.0.

Important additions:

- 3D audio panner plugin for multi-loudspeaker setups.
- Sound sample triggering (the new synth plugin)
- Remote control API for the above plugins - "Auralization Control
  API"
- New framework for real-time priority allocation (no root provileges
  required) with the givertcap
- Better sound file read/write threading
- New limiters and compressors
- Better technical documentation (especially in the web)
- Now much more stable
- More low-level DSP classes

The home page:
http://www.tml.hut.fi/~tilmonen/mustajuuri/


Tommi Ilmonen





[linux-audio-dev] Announce: GIVERTCAP - capability handler (fwd)

2001-08-22 Thread Tommi Ilmonen

[This is a resend, it seems my first attemp did not get there]

Hello.

GIVERTCAP is a small Linux application that is used to give other
application real-time capabilities. With the aid of givertcap you can
run real-time applications (audio and video -processing apps for
example) with high priority without running the application as
root. Your application does get a collection capabilities that allow
it to run at very high priority.

Givertcap was created to overcome the lack of capability support in
Linux file systems. Once the Linux file systems start to have the
necessary functions themselves, this apps becomes unnecessary.

To use this app you need to compile it and make it setuid-root. After
this other applications can use this mini-app to gain capabilities
that are necessary for real-time operation.

The home page:
http://www.tml.hut.fi/~tilmonen/givertcap/

Please comment (!)

Tommi Ilmonen





[linux-audio-dev] Re: [Csnd] [OT] Cool Edit & Snd comparison survey

2001-08-22 Thread Kevin Conder

So, if you're using one or both of those programs, perhaps you
could answer the following few questions: 

1) How do you most typically use Cool Edit, i.e., what routines do you 
most commonly access ? 

I use Cool Edit 96 as my default WAV player and editor when I use
Windows. I use it to "clean up" samples from other people. I use it to
compress (adjust overall level then squash individual spikes), dc bias
adjust, fade in/out, convert sample rates, and convert stereo to mono.

I like to try out effects like reverb and distortion on musical
samples. It's also good for finding loops to import into Acid.

2) What do you consider CE's greatest strength as a soundfile editor ? 

It doesn't consume lots of memory and it handles large WAV files 
well.

3) What do you like most/least about CE ? 

Undo is a life saver. Being able to convert between different
audio formats is a huge plus. The integrated CD player and VU meters are
convenient for grabbing samples.

The weakest part of CE is zooming. It just doesn't make any sense 
doing all of that guessing and typing. I prefer the magnifying glass
buttons in Acid.

4) What would you most like to see in Snd ? 

My waveform. ;-) (see #6)

5) Do you prefer Snd with GTK, Motif, or no GUI at all ? 

Did you forget about QT? GTK is fine. Please use a stable version.

6) What do you like most/least about Snd ? 

I used the snd package from Debian stable. I could play a WAV file 
but my window was empty. There wasn't a display of the waveform. 
Installation by hand is maze of third-party libraries. (Guile? Why not
just use Scheme?)

Why use Guile and Ruby for scripting languages? Why not Perl
or PHP?


=== Kevin Conder, [EMAIL PROTECTED]







Re: [linux-audio-dev] [OT] Cool Edit & Snd comparison survey (brief)

2001-08-22 Thread ljp

At 11:36 8/21/2001 -0400, you wrote:

>1) How do you most typically use Cool Edit, i.e., what routines do you
>most commonly access ?

Noise reduction, DirectX plugins, FET Filter, Amplitude- dynamics, amplify, 
and normalize.


>2) What do you consider CE's greatest strength as a soundfile editor ?

noise reduction, and DirectX plugins.


>3) What do you like most/least about CE ?

Most- Plugins
Least- Doesn't work on linux.


>4) What would you most like to see in Snd ?

Change in gui


>5) Do you prefer Snd with GTK, Motif, or no GUI at all ?

GTK


>6) What do you like most/least about Snd ?

Motif







[linux-audio-dev] Re: [Csnd] [OT] Cool Edit & Snd comparison survey (brief)

2001-08-22 Thread J P Fitch

> "Dave" == Dave Phillips <[EMAIL PROTECTED]> writes:

 Dave> Greetings:

 Dave>   I'm preparing a set of tutorials for Snd, and I'm also working on a
 Dave> new article for O'Reilly Network in which I'll be comparing (nicely) Snd
 Dave> to Cool Edit 2000 (*not* CE Pro). I hope to supply migrating CE users
 Dave> with materials that will ease their way into using Snd.

 Dave>   So, if you're using one or both of those programs, perhaps you could
 Dave> answer the following few questions:

 Dave> 1) How do you most typically use Cool Edit, i.e., what routines do you
 Dave> most commonly access ?

I use 
a) Record
b) Amplify/Normalise
c) De-Noise
d) delete
e) Spectral view

 Dave> 2) What do you consider CE's greatest strength as a soundfile editor ?

I like getting to the sample level, and as it interpolates with sinc I
can move individual samples.  

 Dave> 3) What do you like most/least about CE ?

It runs on Windows and i have to boot specially

 Dave> 4) What would you most like to see in Snd ?

Sample level editing.  Actually I deleted snd from my disk as it did
not do anything useful

 Dave> 5) Do you prefer Snd with GTK, Motif, or no GUI at all ?

No preference; indeed do not understand the question

 Dave> 6) What do you like most/least about Snd ?

When I tried it is plain did not work



Actually Cool Edit is the main reason I run/boot the WIndows machine.
The other is that the CDR is attached to the SCSI bus (it is very old)

I have to boot my main Linux machine into Windows98 in order to
transfer data from my data as I have not managed to understand how to
arrange the ALSA mixer correctly.  That is a major use of CE for me.
I have not found any acceptable Linux/Unix sound editor.  The
soundeditor on Irix4 was reasonable (but no sample level stuff) but
the Irix5 version was much worse.  I have a student looking at writing
a Cool-like frame work (called Luke, and in lukewarm)

==John ffitch