Re: Built-in action?

2005-06-30 Thread Jon Murphy
Michael,

Andy has come up with a wonderful quote, and quite relevant to this
discussion (in which I'm a total amateur). But you do raise the point as to
why our modern scholars didn't bring this up at the beginning of the
thread.

There I separate from you, you seem to believe there are scholars. With
all due respect for the academy, and the study involved, there is yet the
matter of practicality. The scholar isn't necessarily the antiquarian, he
also should be the student of the modern materials (and the one who
understands why the old boys picked, and used, what they had to work with).

The real scholar understands the time and place and purpose, the historian
may (but not always, if he is good) a descriptor of the past. We made it to
the moon on a space ship using the laws of physics as proposed by Newton,
but the materials that were developed more recently. Newton's laws have been
shown to be inaccurate at very high speeds, as in Einsteinian relativity,
and the further work of Bohr, Hawkins and others. But they were quite
adequate for the trip to the moon. In a similar sense the lutenists of many
years ago might have been quite happy to have the technology of finely
defined gut fret levels that are available to us today. I've always felt
that Columbus would have preferred a steamship to the old galleon, had he
had the availability.

Would the old lutenists really have faught the pegs, had they had tuning
machines. I'm not sure, and the lute I'm making will have pegs. But perhaps
we worship a past that would have been more practical had they the
opportunity.

Best, Jon



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d on 87 cm

2005-06-30 Thread Thomas Schall
Hi folks,

would it be possible to tune a d' on an instrument with 87 cm vibrating string 
length? What must be the diameter? .38?

Thanks for your help! 
-- 
Thomas Schall
Niederhofheimer Weg 3
D-65843 Sulzbach
06196/74519
[EMAIL PROTECTED]

http://www.lautenist.de
http://www.lautenist.de/bduo/
http://www.lautenist.de/gitarre/
http://www.tslaute.de/weiss/



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Re: d on 87 cm

2005-06-30 Thread Edward Martin
Thomas,

Assuming it is a single string instead of a double course,

If it is at a =415 tuning, at 4 Kg of tension, a 0.40 gut will work.

If you want it at 440, at 4 Kg of tension. a 0.38 gut will work.

ed

PS.  This is assuming you want gut.  I hope this helps!




At 06:59 PM 6/30/2005 +0200, you wrote:
Hi folks,

would it be possible to tune a d' on an instrument with 87 cm vibrating 
string
length? What must be the diameter? .38?

Thanks for your help!
--
Thomas Schall
Niederhofheimer Weg 3
D-65843 Sulzbach
06196/74519
[EMAIL PROTECTED]

http://www.lautenist.de
http://www.lautenist.de/bduo/
http://www.lautenist.de/gitarre/
http://www.tslaute.de/weiss/



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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



Edward Martin
2817 East 2nd Street
Duluth, Minnesota  55812
e-mail:  [EMAIL PROTECTED]
voice:  (218) 728-1202





Re: one more cool picture

2005-06-30 Thread Arthur Ness
I tried this link and it didn't work.  My request to Mr. Blumberg was 
retuned with a questionairrefrom his spam blocker.  I also tried it with 
dotjpg.  Still didn't work.
- Original Message - 
From: Roger E. Blumberg [EMAIL PROTECTED]
To: LUTE-LIST lute@cs.dartmouth.edu; Roger E. Blumberg 
[EMAIL PROTECTED]
Sent: Wednesday, June 29, 2005 11:54 PM
Subject: one more cool picture


 This one seems too rare to let it slip between the cracks.

 This is colonial Chile, South America, 1660-70, with plucked guitar, bowed
 guitar, and lute (sopranno? or maybe mandolino?) in one picture.
 Franciscan order Convent, Santiago Chile. Alegoría, painted by Taller de
 Basilio de Santa Cruz.

 http://www.thecipher.com/viol_guitar_lute_Chile_1670-80_Franciscan-convent.j
 pg  [catch any trailing characters in the url please]

 This small viol truly looks colonial i.e. antique, as if it came off the
 boat 120 years earlier. Something about this picture seems to capture or
 retain the true essence of the original thing -- paired as it is with this
 guitar, same relative sizes, same playing postures, side-by-side, mates,
 etc.

 There was one other picture with a similar vibe, if you didn't catch it
 earlier. This one is 1604, three guitars: one plucked, two bowed. Fresco, 
 by
 Vasco Pereira Lusitano, Coronation of the Virgin, Sao Miguel island, 
 Azores,
 Portugal [Originally from the Church of the Jesuit college of Ponta
 Delgada].
 http://www.thecipher.com/braccio_3guitars_VascoPereiraLusitano_1604_Coronati
 onVirgin_V2det.jpg
 [again, catch any trailing characters in the url please]


 thanks
 Roger




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Re: one more cool picture

2005-06-30 Thread Roger E. Blumberg

- Original Message -
From: Arthur Ness [EMAIL PROTECTED]
To: Roger E. Blumberg [EMAIL PROTECTED]; LUTE-LIST
lute@cs.dartmouth.edu
Sent: Thursday, June 30, 2005 12:00 PM
Subject: Re: one more cool picture


 I tried this link and it didn't work.  My request to Mr. Blumberg was
 retuned with a questionairrefrom his spam blocker.  I also tried it with
 dotjpg.  Still didn't work.


Hi Arthur;

Here's some shorter file names:
http://www.thecipher.com/viol_guitar_lute_Chile_1670-80.jpg
http://www.thecipher.com/3guitars_VascoLusitano_1604_V2det.jpg


Sorry about Earthlink's Spam Blocker. I basically have two settings; full
on, or full off. You're on the ok to recieve list now.

Thanks
Roger



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creating a personalized lute book

2005-06-30 Thread Christopher Schaub
I'm interested in starting a personalized lute book to collect pieces that I
like and my own variations and divisions. I know I could just get a 3-ring
binder but I'd like to do something a bit nicer. I'd like to keep adding and
changing it over the course of my life. Does anyone know how the old lute books
were put together? Were the pages just loose? I'm thinking of a nice leather
cover with some very minimal binding of loose pages that can be easily changed.
Any thoughts are appreciated.

Chris Schaub



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Re: creating a personalized lute book

2005-06-30 Thread demery
Christopher Schaub [EMAIL PROTECTED] said:

 I'm thinking of a nice leather
 cover with some very minimal binding of loose pages that 
 can be easily changed.

You mightt try this in two stages - A 'working' book of seperate sheets 
with a few edge holes, the lot tied by ribbons.  When a piece proves 
itself, promote it to another more permanet book, also tied by 
ribbons.  As the second book gets enough pages bind it more permanently 
and traditionally.  Save the leather clad boards for the 'proven' books.

Quality books with sewn bindings can be re-bound, something I have not 
done, so I leave it to you to research this - lots of information 
exists about quality book binding.

-- 
Dana Emery




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