Re: OT: Mozart for guitar

2005-08-04 Thread Mathias Rösel
Roman Turovsky [EMAIL PROTECTED] schrieb:
   So it's a mistake to try to write profound music for the lute?
   Only if it is a lute in in a or higher.
  
  Are we assuming A=440 for these purposes?  If so, is it OK to write 
  profound music for lute in A if we're at A=392?
 Let me put it this way: there should be a set minimum string length,
 something like 59-60 cm, with severe legal penalties otherwise.

may I play my little descant sweety (44 cm), nevertheless, if I close
the doors?

Cheers,

Mathias
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Fw: OT: Mozart for guitar

2005-08-04 Thread Roman Turovsky

   Let me put it this way: there should be a set minimum string length,
   something like 59-60 cm, with severe legal penalties otherwise.
  
  Have we told the violinists?
We are NOT violinists, thankfully.
RT



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Re: OT: Mozart for guitar

2005-08-04 Thread Roman Turovsky
So it's a mistake to try to write profound music for the lute?
Only if it is a lute in in a or higher.
   
   Are we assuming A=440 for these purposes?  If so, is it OK to write 
   profound music for lute in A if we're at A=392?
  Let me put it this way: there should be a set minimum string length,
  something like 59-60 cm, with severe legal penalties otherwise.
 
 may I play my little descant sweety (44 cm), nevertheless, if I close
 the doors?
No. Use it on the Tochterchen trhough.
RT

 
 Cheers,
 
 Mathias
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Re: OT: Mozart for guitar

2005-08-04 Thread Sal Salvaggio
'THE ZONK OF THE LUTE IS OUT OFA' TUNA HALFA DA TIMEA'


SORRY - I COULDN'T HELP IT

ss



Salvatore Salvaggio 
http://www.Salvaggio.50megs.com 






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Re: OT: Mozart for guitar

2005-08-04 Thread Mathias Rösel
Roman Turovsky [EMAIL PROTECTED] schrieb:
 So it's a mistake to try to write profound music for the lute?

 Only if it is a lute in in a or higher.

 Are we assuming A=440 for these purposes?  If so, is it OK to write
profound music for lute in A if we're at A=392?

 Let me put it this way: there should be a set minimum string length,
something like 59-60 cm, with severe legal penalties otherwise.

 may I play my little descant sweety (44 cm), nevertheless, if I close
the doors?

 No. Use it on the Tochterchen trhough.

would encouraging non-adults (children) to play descant lutes _in
public_ qualify as an offence of the under-59-cm act? Would lack of
other players than my seven-year-old daughter save me from getting
filed? Howard?

Cheers,

Mathias
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Lute Player Needed in Philadelphia Area!!!

2005-08-04 Thread bill kilpatrick
the following was posted to the yahoo fretted friends
list:

Hello,
 
My name is Jeff McNeill. I am an artist who
specializes in combining Hip-Hop with Classical Music
by recording and performing with classically trained
musicians. Most notably, in 2002 I became the first
Hip-Hop artist to perform at Philadelphia's
prestigious Kimmel Center with musical accompaniment
from members of the world-renowned Philadelphia
Orchestra and the Chamber Orchestra of Philadelphia. I
have incorporated a Lute Suite into one of my songs
and I may re-record the piece with live
instrumentation. I may also perform the piece very
soon with a lutenist. I feel it suffice to forewarn
any prospective musicians that the piece contains
profanity. So anyone who may find that audacious and
sacreligious please disregard this post. Feel free to
contact me at:

[EMAIL PROTECTED] 

You can also find a snippet of the recording on:

www.myspace.com/theephantom. 

It's the second track.
 
Thank you for your time.
 
 Jeff Mcneill
 Thee Phantom
 
 
 
 
 
  

 



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Re: OT: Mozart for guitar

2005-08-04 Thread Marcus Merrin
Excellently said!

I once participated in a masterclass with Robert Spencer.  My lute had
just travelled 100 Km in Nova Scotian winter conditions and I had just
changed to my first set of gut strings.   Needless to say  tuning was a
misery, and I suffered the embarassment of wasting considerable time
tuning my 10 course in front of an audience of about 80 guitarists and
singers.  My singer looked like he might need a change of pants at any
minute. Robert, ever the gentleman,  made light of my difficulties as
follows:
Lutenists need to live twice as long as  ordinary people, because they 
have to spend a lifetime tuning.
It is a sad irony that he had such a short life himself.

Marcus

Sal Salvaggio wrote:

'THE ZONK OF THE LUTE IS OUT OFA' TUNA HALFA DA TIMEA'


SORRY - I COULDN'T HELP IT

ss



Salvatore Salvaggio 
http://www.Salvaggio.50megs.com 





   
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Re: Lute Player Needed in Philadelphia Area!!!

2005-08-04 Thread Daniel F Heiman
Note that in the Internet Lute Society version of the posting, it
specifies Bach's
Lute Suite #1-Bourree.

No BWV number is supplied!

 
On Thu, 4 Aug 2005 14:38:47 +0100 (BST) bill kilpatrick
[EMAIL PROTECTED] writes:
 the following was posted to the yahoo fretted friends
 list:
 
 Hello,
  
 My name is Jeff McNeill. I am an artist who
 specializes in combining Hip-Hop with Classical Music
 by recording and performing with classically trained
 musicians. Most notably, in 2002 I became the first
 Hip-Hop artist to perform at Philadelphia's
 prestigious Kimmel Center with musical accompaniment
 from members of the world-renowned Philadelphia
 Orchestra and the Chamber Orchestra of Philadelphia. I
 have incorporated a Lute Suite into one of my songs
 and I may re-record the piece with live
 instrumentation. I may also perform the piece very
 soon with a lutenist. I feel it suffice to forewarn
 any prospective musicians that the piece contains
 profanity. So anyone who may find that audacious and
 sacreligious please disregard this post. Feel free to
 contact me at:
 
 [EMAIL PROTECTED] 
 
 You can also find a snippet of the recording on:
 
 www.myspace.com/theephantom. 
 
 It's the second track.
  
 Thank you for your time.
  
  Jeff Mcneill
  Thee Phantom
  
  
  
  
  
   
 
  
 
 
 
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Re: OT: Mozart for guitar

2005-08-04 Thread Howard Posner
Mathias Rösel wrote:

 would encouraging non-adults (children) to play descant lutes _in
 public_ qualify as an offence of the under-59-cm act? Would lack of
 other players than my seven-year-old daughter save me from getting
 filed? Howard?

To be fair, Roman's prohibition (far less sweeping than is usual with 
him) was only against playing profound music.  So you and your daughter 
can play any instrument you want, so long as you inspect it to certify 
it free of profundity, or, if you find any, do a complete profundectomy 
on it.

H




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Re: OT: Mozart for guitar

2005-08-04 Thread Roman Turovsky
  would encouraging non-adults (children) to play descant lutes _in
  public_ qualify as an offence of the under-59-cm act? Would lack of
  other players than my seven-year-old daughter save me from getting
  filed? Howard?
 
 To be fair, Roman's prohibition (far less sweeping than is usual with 
 him) was only against playing profound music.  So you and your daughter 
 can play any instrument you want, so long as you inspect it to certify 
 it free of profundity, or, if you find any, do a complete profundectomy 
 on it.
 
 H
I think I'll seek a second opinion from Dan Shoskes, before offering any
such procedure, whether with epidural or general anesthesia..
RT



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RE: OT: Mozart for guitar

2005-08-04 Thread Stuart LeBlanc

The passage from Segovia's autobiography which I vaguely remember goes something
like:

You play the guitar to woo your lover.  When you are betrayed by your lover,
you play the cello to tell your sorrows to your friend.  When you are betrayed
by your friend, you play the organ to tell your sorrows to God.


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, August 03, 2005 9:09 PM
To: [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Subject: Re: OT: Mozart for guitar


In a message dated 8/3/2005 2:36:16 PM Pacific Daylight Time,
[EMAIL PROTECTED] writes:
Segovia also said:
The song of the piano is a discourse.
The song of the 'cello is an elegy.
But the song of the guitar is a song.

(Actually, to be more correct, he said The zonk of the guitar is a
zonk, but I have translated/transliterated)

But what is the song of the lute?

The song of the lute is transcendental.

James

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Re: Lute Player Needed in Philadelphia Area!!!

2005-08-04 Thread Jon Murphy
If anyone among you knows Philadelphia it is the home of many tracks. The
process of riding a train from NYC to Washington involves getting through
about twenty tracks, and sub tracks, in Philadelphia. Thirtieth St. Station,
Broad Street, and a number of others. And they all wind and mix at low
speed.

Whether the third track leads to Bach is not of concern to me, but I'm
interested in how one can combine Hip-Hop with classical. The Swingle
Singers did a great job of combining scat with classical, and I think old
Joe Bach might have enjoyed their Brandenburgs.

I'm sure the lad McNeill is of good will, but there is a problem with a
traditional lute and the Hip-Hop, the latter being highly amplified and the
former a rather more subltle music. I am reminded of Resphighi's (sp?)
Antique Airs and Dances for Lute - from Oscar Chilosotti (a favorite of mine
in undergraduate days over fifty years ago). An orchestration of the sense
and sound of the early lute dances, but an orchestration that lost the
subtlety of the singular lute. No objection, it brought many people to the
listening to older music.

Best, Jon

- Original Message - 
From: Ed Durbrow [EMAIL PROTECTED]
To: bill kilpatrick [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Thursday, August 04, 2005 12:53 PM
Subject: Re: Lute Player Needed in Philadelphia Area!!!


 He mixed up the tracks. It's the THIRD track and uses the famous
 Bouree from Bach's lute suite.

 On Aug 4, 2005, at 10:38 PM, bill kilpatrick wrote:

  the following was posted to the yahoo fretted friends
  list:
 
  Hello,
 
  My name is Jeff McNeill. I am an artist who
  specializes in combining Hip-Hop with Classical Music
  by recording and performing with classically trained
  musicians. Most notably, in 2002 I became the first
  Hip-Hop artist to perform at Philadelphia's
  prestigious Kimmel Center with musical accompaniment
  from members of the world-renowned Philadelphia
  Orchestra and the Chamber Orchestra of Philadelphia. I
  have incorporated a Lute Suite into one of my songs
  and I may re-record the piece with live
  instrumentation. I may also perform the piece very
  soon with a lutenist. I feel it suffice to forewarn
  any prospective musicians that the piece contains
  profanity. So anyone who may find that audacious and
  sacreligious please disregard this post. Feel free to
  contact me at:
 
  [EMAIL PROTECTED]
 
  You can also find a snippet of the recording on:
 
  www.myspace.com/theephantom.
 
  It's the second track.
 
  Thank you for your time.
 
   Jeff Mcneill
   Thee Phantom
 
 
 
 
 
 
 
 
 
 
 
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  To help you stay safe and secure online, we've developed the all
  new Yahoo! Security Centre. http://uk.security.yahoo.com
 
 
 
  To get on or off this list see list information at
  http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 

 Ed Durbrow
 Saitama, Japan
 [EMAIL PROTECTED]
 http://www9.plala.or.jp/edurbrow/









Re: OT: Mozart for guitar

2005-08-04 Thread Jon Murphy
Stuart,

 The passage from Segovia's autobiography which I vaguely remember goes
something
 like:

 You play the guitar to woo your lover.  When you are betrayed by your
lover,
 you play the cello to tell your sorrows to your friend.  When you are
betrayed
 by your friend, you play the organ to tell your sorrows to God.

My lady of thirty years has always wondered why I insist on playing other
instruments when she was wooed by my guitar - but it was my guitar so much
as my singing with it in a traditional folk form - I was never skilled on
the classical guitar. But I am interested by the quote from Segovia, whom I
always thought of as a great mechanic on the guitar, but one lacking a bit
in the soul of the instrument. I liked the passion of Montoya (admittedly
Flamenco) and in the more Spanish Sabicas. But seeing this quote I think I
understand Segovia better. I'll adjust my opinion.

How well said, substitute the lute for the guitar - or for we ethics play
the airs on the D whistle to your love, and play them on the low whistle to
the moon. But the double betrayal deserves the power of anguish. Nothing
better than the organ to send all your music into space, and simultaneously.
The pipe organ can bring down the walls, or sing to the corners. But it is
yet for the small clear voice of the lute to fill the cathedral when the
echoes of the organ stop. Or the guitar, or the whistle, or any small
instrument. My own preference is for small music, but I can enjoy the
large if followed by the small, and then filled out again.

Best, Jon



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Re: Fw: Byrd

2005-08-04 Thread Antonio Corona
An unlikely combination, unless you wish them to kill
each other...

--- Roman Turovsky [EMAIL PROTECTED] wrote:

 VILLA, ZAPATA, CARRANZA  HUERTA.
 RT
 
   The vihuela quartet is forming. does
 anyone
   have a good idea for a
   name for a vihuela quartet?  Please, do not call
 it
   the vihuela quartet.
  
   ed
 
  los charangos...?
 
  and thus i made...a small vihuela from the shell
 of a creepy crawly... -
 Don Gonzalo de Guerrero (1512), Historias de la
 Conquista del Mayab by Fra
 Joseph of San Buenaventura.  go to:
 http://www.charango.cl/paginas/quieninvento.htm
 
 
 
 
 
 

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 Transfer
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