[LUTE] Keep in touch.

2010-08-17 Thread S W
   Keep in touch.
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   Best wishes!

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References

   1. http://www.satisfactvs.com/


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[LUTE] Anyone else who can't get to the tab files?

2010-08-17 Thread James Parker
   I keep getting the "internal server error" message.  I'm guessing the
   server is down?



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[LUTE] Re: Francesco and flat back lute?

2010-08-17 Thread Eugene C. Braig IV
Not quite Italian, but here is as affordable a rebuild of an odd German-made
vihuela from a few decades ago incorporating a slightly curved pegbox:
http://www.neallutes.com/2009/09/vihuela-for-eugene-eugene-brought-me.html

I keep the bass courses in octave to be a little more "Italianate."

Enjoy,
Eugene



> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of wikla
> Sent: Tuesday, August 17, 2010 4:04 PM
> To: lute@cs.dartmouth.edu
> Subject: [LUTE] Re: Francesco and flat back lute?
> 
> Thanks Daniel and Edward,
> 
> I know that only very few Spanish vihuelas exists today. Did any Italian
> version manage to survive? And has any modern luthier tried to recreate
> those Italian "hand violas"?
> 
> Arto
> 
> 
> On Tue, 17 Aug 2010 14:54:31 -0500, Edward Martin 
> wrote:
> > Arto,
> >
> > The 1536 edition of Farancesco's works state that the pieces in this
> > book are for liuto or viola.  The reference to viola is viola da
> > mano, which is essentially a vihuela da mano.  There is a
> > Raimondi  engraving of a player of the viola da mano, in which the
> > instrument resembles a vihuela da mano, with exception that the peg
> > head was of the sickle design.  It is standard thought these days
> > that the Italian version may have had the sickle design.  Otherwise,
> > the viola in reference is one and the same as our concept of the
> vihuela.
> >
> > ed
> >
> >
> >
> > At 02:20 PM 8/17/2010, wikla wrote:
> >>Dear lutenists,
> >>
> >>didn't Francesco da Milano play also a flat back lute, "viola" or
> >>something
> >>like that. Perhaps the Neapolitian tabulature was connected to that
> >>instrument?
> >>
> >>Years ago there was some discussion also here, if memory serves..., not
> >>often does, though... ;-)
> >>
> >>But what is the latest "educated guess" (=science) of his flat back
> lute?
> >>Any recent analysis?
> >>
> >>Arto
> >>
> >>
> >>
> >>To get on or off this list see list information at
> >>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> >
> >
> >
> > Edward Martin
> > 2817 East 2nd Street
> > Duluth, Minnesota  55812
> > e-mail:  e...@gamutstrings.com
> > voice:  (218) 728-1202
> > http://www.facebook.com/profile.php?id=1660298871&ref=name
> > http://www.myspace.com/edslute





[LUTE] Re: Francesco and flat back lute?

2010-08-17 Thread Stuart Walsh

wikla wrote:

Thanks Daniel and Edward,

I know that only very few Spanish vihuelas exists today. Did any Italian
version manage to survive? And has any modern luthier tried to recreate
those Italian "hand violas"?

Arto

  

Alexander Batov has.

http://www.vihuelademano.com/index.html


And here also:
http://www.anselmus.ch/fr/guitares/guitare_general.htm#signet_01

The violas with deeply incurved sides look very attractive I think.


Stuart





On Tue, 17 Aug 2010 14:54:31 -0500, Edward Martin 
wrote:
  

Arto,

The 1536 edition of Farancesco's works state that the pieces in this 
book are for liuto or viola.  The reference to viola is viola da 
mano, which is essentially a vihuela da mano.  There is a 
Raimondi  engraving of a player of the viola da mano, in which the 
instrument resembles a vihuela da mano, with exception that the peg 
head was of the sickle design.  It is standard thought these days 
that the Italian version may have had the sickle design.  Otherwise, 
the viola in reference is one and the same as our concept of the vihuela.


ed



At 02:20 PM 8/17/2010, wikla wrote:


Dear lutenists,

didn't Francesco da Milano play also a flat back lute, "viola" or
something
like that. Perhaps the Neapolitian tabulature was connected to that
instrument?

Years ago there was some discussion also here, if memory serves..., not
often does, though... ;-)

But what is the latest "educated guess" (=science) of his flat back lute?
Any recent analysis?

Arto



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  


Edward Martin
2817 East 2nd Street
Duluth, Minnesota  55812
e-mail:  e...@gamutstrings.com
voice:  (218) 728-1202
http://www.facebook.com/profile.php?id=1660298871&ref=name
http://www.myspace.com/edslute





  





[LUTE] Re: Francesco and flat back lute?

2010-08-17 Thread Denys Stephens
Dear Arto,
I have never heard of a surviving example of a viola da mano, but
Stephen Barber & Sandi Harris make a very convincing recreation of the
viola da mano based on the Raimondi engraving. What struck me most about
playing one of these instruments was its remarkable clarity of sound -
in some ways better than a lute for playing polyphony because of the
evenness of colour across its range. If the historical originals
sounded that way I can understand why Francesco would have liked them.

Best wishes,

Denys




-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of 
wikla
Sent: 17 August 2010 21:04
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: Francesco and flat back lute?

Thanks Daniel and Edward,

I know that only very few Spanish vihuelas exists today. Did any Italian
version manage to survive? And has any modern luthier tried to recreate
those Italian "hand violas"?

Arto


On Tue, 17 Aug 2010 14:54:31 -0500, Edward Martin 
wrote:
> Arto,
> 
> The 1536 edition of Farancesco's works state that the pieces in this 
> book are for liuto or viola.  The reference to viola is viola da 
> mano, which is essentially a vihuela da mano.  There is a 
> Raimondi  engraving of a player of the viola da mano, in which the 
> instrument resembles a vihuela da mano, with exception that the peg 
> head was of the sickle design.  It is standard thought these days 
> that the Italian version may have had the sickle design.  Otherwise, 
> the viola in reference is one and the same as our concept of the vihuela.
> 
> ed
> 
> 
> 
> At 02:20 PM 8/17/2010, wikla wrote:
>>Dear lutenists,
>>
>>didn't Francesco da Milano play also a flat back lute, "viola" or
>>something
>>like that. Perhaps the Neapolitian tabulature was connected to that
>>instrument?
>>
>>Years ago there was some discussion also here, if memory serves..., not
>>often does, though... ;-)
>>
>>But what is the latest "educated guess" (=science) of his flat back lute?
>>Any recent analysis?
>>
>>Arto
>>
>>
>>
>>To get on or off this list see list information at
>>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 
> 
> 
> Edward Martin
> 2817 East 2nd Street
> Duluth, Minnesota  55812
> e-mail:  e...@gamutstrings.com
> voice:  (218) 728-1202
> http://www.facebook.com/profile.php?id=1660298871&ref=name
> http://www.myspace.com/edslute








[LUTE] Re: Francesco and flat back lute?

2010-08-17 Thread wikla
Thanks Daniel and Edward,

I know that only very few Spanish vihuelas exists today. Did any Italian
version manage to survive? And has any modern luthier tried to recreate
those Italian "hand violas"?

Arto


On Tue, 17 Aug 2010 14:54:31 -0500, Edward Martin 
wrote:
> Arto,
> 
> The 1536 edition of Farancesco's works state that the pieces in this 
> book are for liuto or viola.  The reference to viola is viola da 
> mano, which is essentially a vihuela da mano.  There is a 
> Raimondi  engraving of a player of the viola da mano, in which the 
> instrument resembles a vihuela da mano, with exception that the peg 
> head was of the sickle design.  It is standard thought these days 
> that the Italian version may have had the sickle design.  Otherwise, 
> the viola in reference is one and the same as our concept of the vihuela.
> 
> ed
> 
> 
> 
> At 02:20 PM 8/17/2010, wikla wrote:
>>Dear lutenists,
>>
>>didn't Francesco da Milano play also a flat back lute, "viola" or
>>something
>>like that. Perhaps the Neapolitian tabulature was connected to that
>>instrument?
>>
>>Years ago there was some discussion also here, if memory serves..., not
>>often does, though... ;-)
>>
>>But what is the latest "educated guess" (=science) of his flat back lute?
>>Any recent analysis?
>>
>>Arto
>>
>>
>>
>>To get on or off this list see list information at
>>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 
> 
> 
> Edward Martin
> 2817 East 2nd Street
> Duluth, Minnesota  55812
> e-mail:  e...@gamutstrings.com
> voice:  (218) 728-1202
> http://www.facebook.com/profile.php?id=1660298871&ref=name
> http://www.myspace.com/edslute




[LUTE] Re: Francesco and flat back lute?

2010-08-17 Thread Edward Martin
Arto,

The 1536 edition of Farancesco's works state that the pieces in this 
book are for liuto or viola.  The reference to viola is viola da 
mano, which is essentially a vihuela da mano.  There is a 
Raimondi  engraving of a player of the viola da mano, in which the 
instrument resembles a vihuela da mano, with exception that the peg 
head was of the sickle design.  It is standard thought these days 
that the Italian version may have had the sickle design.  Otherwise, 
the viola in reference is one and the same as our concept of the vihuela.

ed



At 02:20 PM 8/17/2010, wikla wrote:
>Dear lutenists,
>
>didn't Francesco da Milano play also a flat back lute, "viola" or something
>like that. Perhaps the Neapolitian tabulature was connected to that
>instrument?
>
>Years ago there was some discussion also here, if memory serves..., not
>often does, though... ;-)
>
>But what is the latest "educated guess" (=science) of his flat back lute?
>Any recent analysis?
>
>Arto
>
>
>
>To get on or off this list see list information at
>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



Edward Martin
2817 East 2nd Street
Duluth, Minnesota  55812
e-mail:  e...@gamutstrings.com
voice:  (218) 728-1202
http://www.facebook.com/profile.php?id=1660298871&ref=name
http://www.myspace.com/edslute





[LUTE] Francesco and flat back lute?

2010-08-17 Thread wikla
Dear lutenists,

didn't Francesco da Milano play also a flat back lute, "viola" or something
like that. Perhaps the Neapolitian tabulature was connected to that
instrument?

Years ago there was some discussion also here, if memory serves..., not
often does, though... ;-)

But what is the latest "educated guess" (=science) of his flat back lute?
Any recent analysis?

Arto



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Ms 1511b

2010-08-17 Thread David van Ooijen
On 17 August 2010 20:13, Matteo Turri  wrote:
>   [1]http://digital.library.unt.edu/ark:/67531/metadc4004/
>
>     It doesn't answer your message, but while browsing for 1511b I have
>     found this thesis:


Thanks, Matteo, it does answer my questions, as it has all the music,
and that's good enough for me for now.

David

-- 
***
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davidvanooi...@gmail.com
www.davidvanooijen.nl
***



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[LUTE] [Lute] digital copy of the Vaudry de Saizenay Ms

2010-08-17 Thread Charles Browne
I gather it is possible to get a CD copy of the Saizenay Ms from the Besançon 
Library. I tried but failed miserably. If anyone has succeeded, would they 
please let me know how they did it,please?
thanks
Charles Browne 




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[LUTE] Re: Ms 1511b

2010-08-17 Thread Matteo Turri
   Sorry, here is the link:

   [1]http://digital.library.unt.edu/ark:/67531/metadc4004/

 It doesn't answer your message, but while browsing for 1511b I have
 found this thesis:
   Mus. Ms. 1511b: A Historical Review of a Lute Manuscript in the
   Herwarth
   Collection at the Bavarian Library, Munich
 It can be downloaded by clicking on the image.
 Matteo
 On 17 August 2010 18:26, Suzanne Angevine

 <[1][2]suzanne.angev...@gmail.com> wrote:
   Does anyone know if this manuscript (Ms. 1511b) in the Bavarian
   State Library is available in facsimile, in microfilm, or on line
   somewhere? I have found the modern edition done by Douglas William
   Beasley for a masters thesis at the University of Northern Texas.
   But I would like to see something of the original myself. Thanks.
   Suzanne
   To get on or off this list see list information at

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 References
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References

   Visible links
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   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   4. mailto:suzanne.angev...@gmail.com
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[LUTE] Re: Ms 1511b

2010-08-17 Thread Matteo Turri
   It doesn't answer your message, but while browsing for 1511b I have
   found this thesis:

Mus. Ms. 1511b: A Historical Review of a Lute Manuscript in the Herwarth
Collection at the Bavarian Library, Munich

   It can be downloaded by clicking on the image.

   Matteo

   On 17 August 2010 18:26, Suzanne Angevine
   <[1]suzanne.angev...@gmail.com> wrote:

 Does anyone know if this manuscript (Ms. 1511b) in the Bavarian
 State Library is available in facsimile, in microfilm, or on line
 somewhere? I have found the modern edition done by Douglas William
 Beasley for a masters thesis at the University of Northern Texas.
 But I would like to see something of the original myself. Thanks.
 Suzanne
 To get on or off this list see list information at
 [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:suzanne.angev...@gmail.com
   2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Ms 1511b

2010-08-17 Thread David van Ooijen
What a coincidence. Today I was looking into Gorzanis and wanted to
know exactly the same about Ms. 1511a. But Ms. 1511a at least has a
modern edition.

David

On 17 August 2010 18:26, Suzanne Angevine  wrote:
> Does anyone know if this manuscript (Ms. 1511b) in the Bavarian State
> Library is available in facsimile, in microfilm, or on line somewhere? I
> have found the modern edition done by Douglas William Beasley for a masters
> thesis at the University of Northern Texas.  But I would like to see
> something of the original myself.  Thanks.
>
> Suzanne
>
>
>
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>



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***
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www.davidvanooijen.nl
***




[LUTE] Ms 1511b

2010-08-17 Thread Suzanne Angevine
Does anyone know if this manuscript (Ms. 1511b) in the Bavarian State 
Library is available in facsimile, in microfilm, or on line somewhere? 
I have found the modern edition done by Douglas William Beasley for a 
masters thesis at the University of Northern Texas.  But I would like to 
see something of the original myself.  Thanks.


Suzanne



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[LUTE] anonym (Bay. Staatsbibliothek Mus Ms. 271) - Mamie un jour (Pierre Certon)

2010-08-17 Thread Anton Höger


hi,

I have uploaded a new Lute Duet for 2 equal lutes.

anon (Bay. Staatsbibliothek Mus Ms. 271) - Mamie un jour (Pierre Certon)

hereby  I would like to present my first Intavolation for 2 lutes , where the 
first lute was written original for 2 lutes and the 2nd lute was added by me in 
old lute-intavolation tradition because of the missing original. 

It became a very noble Intavolation and I am pleased to make these accessible 
to the lute players.

Enjoy it.

Listen to the mp3 file-it is a world premiere recording! :-)

Anton




I hope to hear this wunderful music in natura!
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[LUTE] Schmid d. Ä. - Lasso-Bon jour mon cuer

2010-08-17 Thread Anton Höger
Hi,

I have uploaded a new Lute Duet ad Secundam

Schmid d. Ä. - Lasso-Bon jour mon cuer

It is a very fine Intavolation.

Enjoy

Anton





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[LUTE] Re: background music

2010-08-17 Thread Martin Shepherd

Hi David,

I hope you have amplification, unless it's a very small number of 
people.  When they're talking, they're shouting their heads off so they 
can be heard over the general din, and when they're eating, they're 
smashing knives and forks against plates - concerto for stainless steel, 
ceramics and (inaudible) lute.  They might even bang their wine glasses 
together in their enthusiasm.  No wonder Mersenne called one of his 
ornaments "verre casse" (that's an e acute at the end).


Good luck,

Martin

David van Ooijen wrote:

All

Coming Saturday I am to play for two hours during a dinner. The
request was for early-Baroque dance music, but I think that can be
interpreted as anything between 1500 and 1700 of a lively nature. I'll
bring a pile of music, so no fear of silence - and I can improvise
music of a lively nature for hours on end - but could people with some
experience in this sort of thing tell me what they usually play?
Ideally I'd just put one or two books on my music stand and play
through these.

I'll now walk to my music shelves and see with what sort of one-stop
solution I can come up with, but I'm sure some of you will be even
faster. ;-)

David - lively by nature

  




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