[BAROQUE-LUTE] Re: D# Minor Suite

2011-10-30 Thread arebh
Hi all!

 I may be misremembering but I'm fairly sure I recollect a talk at the UK
 Lute Society many years ago given by a (then) young Scandinavian about
 some Baroque lute music in a very unusual key. As I recall he was
 adamant that the key was not  Eb but D#. Perhaps he was the person who
 wrote the article. Maybe Chris Goodwin of the UK Lute Society could help?

Yes, I read a dissertation by a Swedish guy about this manuscript. It also
contains a suite in G# major/Ab major, recorded by Thomas Schall, and an
intabulation of an opera aria by an italian who lived in Sweden in the mid
18th century. The Ab major suite sounds like it might have been composed
by a less talented follower of Weiss...

I seem to recall the author claiming that D.A. Smith first thought the
suite in Eb minor to be by Weiss, but that he later changed his mind. So
maybe it was Falckenhagen? Or Lauffensteiner? Or...?


Are



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[LUTE] diatessaron/diapente

2011-10-30 Thread Jerzy Zak
Dear friends,

In the Supplement to LUTE NEWS 99 there is a second part of Bach Suite bwv1006a 
intabulated by Wilfred Foxe. It is presented here in a key of D major, quite 
unusually. In the Critical Commentary Wilfred Foxe explains:

The tonality of the original suite is E major, and this has been transposed by 
a major second to D major. The Weiss Sonata 18 in D Major provides a useful 
structural example since the work makes use of the diatessaron above the 
diapente for a work with a high tessitura. In other of Weiss's sonatas with a 
high tessitura, such as Le fameaux corsaire -- Sonata 22 in F Major, the 
diatessaron is not employed. The fact that the same exists in BWV 1006a is the 
principal reason for adopting D major in preference to F major.

I understand what means diatessaron and diapente in Greek, as applied to 
historical music theory, but still I understand nothing from Wilfred's 
explanation. Can someone enlighten me on this?

Jurek
---




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[LUTE] Re: diatessaron/diapente

2011-10-30 Thread Rob MacKillop
   I was going to ask the same thing!

   But never mind Greek. What does 'diatessaron above the diapente' mean
   in English?

   Rob
   On 30 October 2011 15:26, Jerzy Zak [1]jurek...@gmail.com wrote:

 Dear friends,
 In the Supplement to LUTE NEWS 99 there is a second part of Bach
 Suite bwv1006a intabulated by Wilfred Foxe. It is presented here in
 a key of D major, quite unusually. In the Critical Commentary
 Wilfred Foxe explains:
 The tonality of the original suite is E major, and this has been
 transposed by a major second to D major. The Weiss Sonata 18 in D
 Major provides a useful structural example since the work makes use
 of the diatessaron above the diapente for a work with a high
 tessitura. In other of Weiss's sonatas with a high tessitura, such
 as Le fameaux corsaire -- Sonata 22 in F Major, the diatessaron is
 not employed. The fact that the same exists in BWV 1006a is the
 principal reason for adopting D major in preference to F major.
 I understand what means diatessaron and diapente in Greek, as
 applied to historical music theory, but still I understand nothing
 from Wilfred's explanation. Can someone enlighten me on this?
 Jurek
 ---
 To get on or off this list see list information at
 [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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References

   1. mailto:jurek...@gmail.com
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[LUTE] Re: diatessaron/diapente

2011-10-30 Thread Stephen Fryer

On 30/10/2011 10:11 AM, Rob MacKillop wrote:

I was going to ask the same thing!

But never mind Greek. What does 'diatessaron above the diapente' mean
in English?


Literally a fourth above a fifth.  It doesn't make much sense to me 
either - wouldn't that be an octave?


stephen



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[LUTE] Re: diatessaron/diapente

2011-10-30 Thread Monica Hall
As I have an e-mail address for Wilfred and was at a meeting with him 
yesterday I have forwarded this message to him and asked him if he can 
explain a bit more.


I am curious too because I used to play this suite on the violin.  (sounds 
much better like that too).


I will let you all know if he replies.

Monica

- Original Message - 
From: Rob MacKillop robmackil...@gmail.com

To: Jerzy Zak jurek...@gmail.com
Cc: Lutelist lute@cs.dartmouth.edu
Sent: Sunday, October 30, 2011 5:11 PM
Subject: [LUTE] Re: diatessaron/diapente



  I was going to ask the same thing!

  But never mind Greek. What does 'diatessaron above the diapente' mean
  in English?

  Rob
  On 30 October 2011 15:26, Jerzy Zak [1]jurek...@gmail.com wrote:

Dear friends,
In the Supplement to LUTE NEWS 99 there is a second part of Bach
Suite bwv1006a intabulated by Wilfred Foxe. It is presented here in
a key of D major, quite unusually. In the Critical Commentary
Wilfred Foxe explains:
The tonality of the original suite is E major, and this has been
transposed by a major second to D major. The Weiss Sonata 18 in D
Major provides a useful structural example since the work makes use
of the diatessaron above the diapente for a work with a high
tessitura. In other of Weiss's sonatas with a high tessitura, such
as Le fameaux corsaire -- Sonata 22 in F Major, the diatessaron is
not employed. The fact that the same exists in BWV 1006a is the
principal reason for adopting D major in preference to F major.
I understand what means diatessaron and diapente in Greek, as
applied to historical music theory, but still I understand nothing
from Wilfred's explanation. Can someone enlighten me on this?
Jurek
---
To get on or off this list see list information at
[2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

  --

References

  1. mailto:jurek...@gmail.com
  2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html






[LUTE] Ballo Ruteno XVIII

2011-10-30 Thread Roman Turovsky

http://torban.org/balli/images/balloR18.mp3
http://torban.org/balli/images/balloR18.pdf

RT




http://torban.org/balli/images/ballo351.mp3
http://torban.org/balli/images/ballo351.pdf

RT


http://torban.org/balli/images/ballo350.mp3
http://torban.org/balli/images/ballo350.pdf
Enjoy.
AmitiƩs,
RT
http://torban.org/balli/




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