[LUTE] Re: To repeat or not to repeat

2019-02-25 Thread Andrea Damiani
   Dear Rainer
   it is Fantasia 34, I checked Chiesa and Schrade editions. I forgot to
   say that in the triple time section (look at bar 72) the repetition
   lacks the divisions found at the beginning, so it is not easily
   recognizable. The music anyway is basically the same.
   Best,
   andrea

   Il giorno lun 25 feb 2019 alle ore 17:15 Rainer
   <[1]rads.bera_g...@t-online.de> ha scritto:

 Dear Andrea,
 On 24.02.2019 23:03, Andrea Damiani wrote:
 > Dear Rainer
 >
 > I play this piece since many years and I never realized it could
 be a mistake, perhaps because this fantasia sounds for me like a
 âbattle' piece and the repetition allows to make some different
 dynamic effects.
 >
 > Anyway I found an other occurrence of repetition in MIlan, albeit
 a bit more hidden: in the fantasia 34 the first 25 measures are
 repeated, in proporcion de tres semibreves, from bar 76. Difficult
 to say if he is asking for a different accentuation.
 >
 Which piece do you call fantasia 34?
 According to Jacobs and Chieasa it is the piece on O1r. However, it
 does not match you description?!?
 Best wishes,
 Rainer
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[LUTE] Re: To repeat or not to repeat

2019-02-24 Thread Andrea Damiani
   Dear Rainer

   I play this piece since many years and I never realized it could be a
   mistake, perhaps because this fantasia sounds for me like a âbattle'
   piece and the repetition allows to make some different dynamic effects.

   Anyway I found an other occurrence of repetition in MIlan, albeit a bit
   more hidden: in the fantasia 34 the first 25 measures are repeated, in
   proporcion de tres semibreves, from bar 76. Difficult to say if he is
   asking for a different accentuation.

   Best whishes

   Andrea

   Il giorno sab 23 feb 2019 alle ore 11:45 Rainer
   <[1]rads.bera_g...@t-online.de> ha scritto:

 Dear lute netters,
 I think I posted this already 20 years ago - I cannot remember.
 In Milan's fantasia 22 (Maestro, G2r-G3v) bars 107-167 are (apart
 from s a single misprinted note)
 an exact copy of bars 41-101.
 I wonder if this is really intended.
 Of course, as we know from the errata list at the end of the book,
 Milan obviously checked the whole book for errors and why should he
 have missed such an error.
 On the other hand 60 repeated   bars...
 I am not aware of a similar case in other fantasias.
 Any opinions?
 Best wishes,
 Rainer
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[LUTE] Re: Obbligato lute and theorbo

2015-02-03 Thread Andrea Damiani
   Dear Diego
   I can add:
   F. Gasparini: L'oracolo del fato (Garland facsimile)
   T. Albinoni: Il nascimento dell'Aurora (unfortunately I have not the
   music, I played it many years ago, the ms. should be in Wien)
   G.B. Pergolesi: La morte di San Giovanni (I haven't this any more...)
   F.B. Conti: David (I can find this out but need some time...)
   Andrea

   2015-02-03 10:57 GMT+01:00 Diego Cantalupi [1]tio...@gmail.com:

 Dear friends,
 For a project in the Conservatorio where I teach I'm collecting some
 arias with obbligato lute and theorbo.
 At the moment I have all the Bach music, all the HACURndel, some
 Vivaldi, a cantata by Ferrandini and (the funny) Zandonai.
 Do you have any other suggestions?
 What I'm looking for is not lute as an obbligato continuo
 instrument, but as a solo instrument (like Bach's Johannespassion).
 Greetings,
 Diego
 Inviato da iPad
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[LUTE] Re: free places

2013-08-09 Thread Andrea Damiani
   In any case this is the correct
   link:  [1]http://www.conservatoriosantacecilia.it/ammissioni-ed-iscrizi
   oni,1208.html
   Unfortunately there is not any information in English.
   The bachelor's degree course is three years long and an upper school
   degree s needed for admission.
   The master is two years long and a music bachelor degree or any other
   university degree is needed for admission.
   Deadline for application: 5th september
   Admission examination: 28th september
   best, Andrea

   2013/8/8 Andrea Damiani [2]andreadelli...@gmail.com

  Hello everybody,
  I would like to inform that there are some free places in my lute
   class
  at Conservatorio Santa Cecilia, Rome
  Here the details.
  Andrea


 [1][3]http://www.conservatoriosantacecilia.it/ammissioni-ed-iscrizio
 ni,120
8.html
--
 References
1.
 [4]http://www.conservatoriosantacecilia.it/ammissioni-ed-iscrizioni,
 1208.html
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   1. http://www.conservatoriosantacecilia.it/ammissioni-ed-iscrizioni,1208.html
   2. mailto:andreadelli...@gmail.com
   3. http://www.conservatoriosantacecilia.it/ammissioni-ed-iscrizioni,120
   4. http://www.conservatoriosantacecilia.it/ammissioni-ed-iscrizioni,1208.html
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] free places

2013-08-08 Thread Andrea Damiani
   Hello everybody,
   I would like to inform that there are some free places in my lute class
   at Conservatorio Santa Cecilia, Rome
   Here the details.
   Andrea

   [1]http://www.conservatoriosantacecilia.it/ammissioni-ed-iscrizioni,120
   8.html

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References

   1. http://www.conservatoriosantacecilia.it/ammissioni-ed-iscrizioni,1208.html


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[BAROQUE-LUTE] Lutenist proud

2012-08-29 Thread Andrea Damiani
Dear friends,
I seem to remember having read somewhere a story about a French lutenist (Vieux 
Gautier perhaps) playing before some king: the king praises his playing but 
adds something like “It is a pity he doesn’t play the guitar” provoking the 
lutenist’s anger. 
Does anybody can help me finding the quotation (if didn’t dream about this 
story)?
Thank you in advance
Andrea


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[BAROQUE-LUTE] Re: Lutenist proud

2012-08-29 Thread Andrea Damiani
Thank you Mathias: this helps me in remembering that the source could perhaps 
be found in:
Lionel de La Laurencie, Le Luthiste Jacques Gaultier, (Revue Musicale, January 
1904)
I think I had this article but can't find it anymore
Andrea


Il giorno 29/ago/2012, alle ore 18.59, Jorge Torres ha scritto:

 It figures that it would be a Spanish king!  =)
 
 Would anyone have a source for this fact?  
 
 Jorge
 
 On Aug 29, 2012, at 12:30 PM, Mathias Rösel wrote:
 
 Dear friends,
 I seem to remember having read somewhere a story about a French lutenist
 (Vieux Gautier perhaps) playing before some king: the king praises his
 playing but
 adds something like “It is a pity he doesn’t play the guitar” provoking
 the
 lutenist’s anger.
 Does anybody can help me finding the quotation (if didn’t dream about this
 story)?
 
 That is about Jacques Gaultier, playing before the Spanish king in 1630.
 
 Mathias
 
 
 
 
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[BAROQUE-LUTE] Re: Baron concerto for lute and recorder

2011-06-13 Thread Andrea Damiani

Thans to everybody for the information!
Andrea




Il giorno 12/giu/11, alle ore 22:43, henk...@matuka.nl ha scritto:


Hey Andrea,

I suppose that would be the Brussels Manuscript


http://www.alamirefoundation.org/en/publications/ernst-gottlieb-baron-sylvius-leopold-weiss-music-lute-%E2%80%A6-brussel-koninklijke-bibliotheek

http://jdf.luth.pagesperso-orange.fr/Musiques/Les_compositeurs/Ernst_Gottlieb_Baron/Baron.htm

Regards,

Henk-Jan de Jong


On Sun, 12 Jun 2011 21:31:03 +0200, Andrea Damiani wrote:

Dear friends
do you know anything about the source of the Baron d minor Concerto
for lute and recorder published by Seicento Ed? No information is
available in this edition and the lute part sounds very much as if it
were Weiss.
Any help?
Thanks a lot
Andrea



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[BAROQUE-LUTE] Baron concerto for lute and recorder

2011-06-12 Thread Andrea Damiani

Dear friends
do you know anything about the source of the Baron d minor Concerto  
for lute and recorder published by Seicento Ed? No information is  
available in this edition and the lute part sounds very much as if it  
were Weiss.

Any help?
Thanks a lot
Andrea



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[BAROQUE-LUTE] Re: Bloody French

2008-05-06 Thread Andrea Damiani

Hello, some clarification from Italy:

Gia molti anni sono che in Bologna, si faceuano liuti di bonta molto
eccelenti o FOSSE [not sosie] l'esser fatti di forma lunga à  
similitudine di pera, o

fosse l'hauer le coste larghe, che l'vno fa dolce, e l'altro armonioso;

fosse... fosse... in this case should not be meant in really  
dubitative sense, can be translated as BOTH... AND...
L'UNO is referred to the pear shape, L'ALTRO to the large ribs: the  
former makes [the sound] sweet, the latter harmonious


Best, Andrea


Il giorno 02/mag/08, alle ore 00:33, Benjamin Narvey ha scritto:


Dear Gernot and Duncan,

Thank you both SO MUCH for your help; I was able to get the gist of  
it, but
I really wanted to know more precisely what was being said - or  
rather, more
precisely what it was that I was misunderstanding   
Unfortunately, in the
LS journal translation by Stanley Buetens, this particular section  
is left
out since it is somehow considered to be outside the scope of this  
article

(p. 15).  Aaaargh.

You're brilliant!!! (;

Big THANKS again!

Best wishes,
Benjamin

2008/5/1 Duncan Midwinter [EMAIL PROTECTED]:


More or less this is what it says...



It has already been a long time since excellent lutes were built in
Bologna, and maybe for their long shape similar to a pear that  
make them
sweet, maybe for their wide ribs? that make them harmonious,  
anyway, for
their goodness they were kept in high esteem and in particular by  
the

French
that came to Bologna on purpose to bring them to France paying  
for them

any
amount they were asked. In this way now you can find a very small  
number

of
them. And also very big lutes were built and they were much  
valued in

Bologna to play passiemezi, arias,  other similar pieces in concert

with

other small lutes.




Duncan Midwinter


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[LUTE] Re: Piccinini notation query

2007-12-02 Thread Andrea Damiani
I think the dot on the left of the crotchet means that it takes some  
value from the preceding tactus. It could be: minim - 3semiquavers -  
1semiquaver tied to the crotchet.  or: minim - semiquavers triplet -  
dotted crotchet. The first seems to sound more natural.


Il giorno 02/dic/07, alle ore 15:25, Rob ha scritto:


What do you think Piccinini is indicating here?
http://www.rmguitar.info/temp.htm



Bar 2 and similar: minim.triplet semiquavers.crotchet?



Rob MacKillop

www.rmguitar.info








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[LUTE] Re: Denss facsimile

2007-10-28 Thread Andrea Damiani

Thanks to everybody who gave advise about Denss!
Andrea
Il giorno 28/ott/07, alle ore 11:48, wolfgang wiehe ha scritto:


Hello,
you can order it via seicento
http://www.seicentomusic.de/
3623  Denss, AdrianFlorilegium omnis...(1594)   48,00 €
Greetings
wolfgang






-Ursprüngliche Nachricht-
Von: Richard Corran [mailto:[EMAIL PROTECTED]
Gesendet: Sonntag, 28. Oktober 2007 09:17
An: Andrea Damiani; Lute Net
Betreff: [LUTE] Re: Denss facsimile


I have a facsimile published by Dr. Bernd Chr. Becker, Koln, 1994.
It wasn't expensive - in fact really very cheap, but is clear and
based on the copy in the Stadt- und Universitatsbibliothek Koln, 1an
WC II 3.What I can't find, quickly, is his address.   Can anyone
else help?

Richard Corran

On 27 Oct 2007, at 16:14, Andrea Damiani wrote:


Hello,
I am trying to find a complete facsimile of Adrian Denss
Florilegium (I have the selection from TREE ed). Anybody can help me?
Thanks, Andrea



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[LUTE] Denss facsimile

2007-10-27 Thread Andrea Damiani

Hello,
I am trying to find a complete facsimile of Adrian Denss Florilegium  
(I have the selection from TREE ed). Anybody can help me?

Thanks, Andrea



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[LUTE] Re: Gorzanis 1570

2007-03-30 Thread Andrea Damiani
Hello, try to order the book from:
http://www.lastanzadellamusica.com/
they should be able to find it.
Andrea

Il giorno 28/mar/07, alle ore 05:43, Alfonso Marin ha scritto:

 Dear All,

 I am looking for a facsimile edition of the following book by
 Gorzanis, Giacomo: Il primo libro di napolitane che si cantano et
 sonano in leuto published in 1570. It is for voice and lute.
 The original is in the Biblioteca Nazionale Centrale di Firenze but
 they don't offer reproduction services. However in their website they
 have listed what appears to be a modern edition and facsimile of the
 book. This is the reference:


 Gorzanis, Giacomo
 Il primo libro di napolitane che si cantano et sonano in leuto /
 Iacomo Gorzanis ; trascrizione in notazione moderna di Giuliano
 Balestra
 Roma : [s. n.], 2001 (Roma. : Aurelia 72).
 [28] c. ; 32 cm
 Con la ripr. facs. dell'ed. del 1570. - In testa al front.: Ministero
 per i beni e le
 attivit=E0 culturali; Centro culturale Fernando Sor

 I have researched for the book on the internet and found no matches.

 Could anyone help me to locate this book?

 Thanks very much in advance,

 Best wishes to all,

 Alfonso Marin



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Re: Gianoncelli ornaments 1650

2005-01-17 Thread Andrea Damiani
Mathias  Roesel wrote:
So, I'd say that combinations of trills or mordents with appogiature
from above or below were European, not only French. BTW in French
baroque lute music, mordents or trills do _not_ always start from upper
notes. Have a look into Jacques Gallot's table of ornaments (1670). 
--
Best wishes,


Dear Mathias,
I have here my Minkoff copy of Gallot's Pieces de luth but I can'find 
any clue to main note trills. Can you please show me where it is? I 
can just find common ornaments like tremblement, martellement (this 
is obviously from the main note) and chute.
Thank you, Andrea
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