[LUTE] Re: two new videos
That's perfectly clear now! Miles On 7-Mar-09, at 1:30 AM, David van Ooijen wrote: On Sat, Mar 7, 2009 at 12:40 AM, Miles Dempster miles.demps...@globetrotter.net wrote: David, The g# on the 4th fret an octave higher...? Does that mean that your second course is not re-entrant? Did I writet that?? One cannot be clear enough: Open 4th string g is one octave higher than open 7th string G. We're playing Monteverdi, so it's 1/4 comma meantone. This means 1st fret 4th string is an a-flat, not that I need one, but I didn't use a tastino here and the fret is set high, so it certainly is not a g#. In stead, when I need a g# in this octave, I play it on the 4th fret on string 2. That makes this a double re-entrant theorbo in a, unless I'm mixing things up even more. ;-) David -- *** David van Ooijen davidvanooi...@gmail.com www.davidvanooijen.nl *** To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: two new videos
On 3/6/2009, David van Ooijen davidvanooi...@gmail.com wrote: From Monteverdi's Maria Vespers. It's from a concert in 2006. Pulchra es: http://www.youtube.com/watch?v=55n1n6vNScM (note the glaringly obvious tastini on the theorbo) Beautiful performances (and singers! ;-). Thanks David! But I found just only one tastino for the F sharp on the 4th string 1st fret, not a number of tastini... (singular/plural message...;-) Once upon a time I used also a tastino for the E flat on 3rd string 4th fret - the real 4th fret on 3rd string - below the tastino - gave me the D sharp. And that happened In the Poppea, where some songs are in c-minor and some in e-minor. There your 3rd string 4th fret really has two roles... ;-) Arto To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: two new videos
Oops, you never should play continuo by more than one instrument! When I was talking of the 4th string, I had a lute/archlute in G in mind. And when I was talking of the 3rd string, I had a theorbo in A in my mind! Sorry! ;-) And BTW this mixing of an instrument in G or in A happens also in the real life while playing the continuo! And the result is modern harmonies... ;-) Arto On 3/7/2009, wi...@cs.helsinki.fi wi...@cs.helsinki.fi wrote: On 3/6/2009, David van Ooijen davidvanooi...@gmail.com wrote: From Monteverdi's Maria Vespers. It's from a concert in 2006. Pulchra es: http://www.youtube.com/watch?v=55n1n6vNScM (note the glaringly obvious tastini on the theorbo) Beautiful performances (and singers! ;-). Thanks David! But I found just only one tastino for the F sharp on the 4th string 1st fret, not a number of tastini... (singular/plural message...;-) Once upon a time I used also a tastino for the E flat on 3rd string 4th fret - the real 4th fret on 3rd string - below the tastino - gave me the D sharp. And that happened In the Poppea, where some songs are in c-minor and some in e-minor. There your 3rd string 4th fret really has two roles... ;-) Arto To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: two new videos
David, The g# on the 4th fret an octave higher...? Does that mean that your second course is not re-entrant? A toy theorbo indeed. Miles Dempster On 6-Mar-09, at 5:11 PM, David van Ooijen wrote: On Fri, Mar 6, 2009 at 11:05 PM, wi...@cs.helsinki.fi wrote: On 3/6/2009, David van Ooijen davidvanooi...@gmail.com wrote: From Monteverdi's Maria Vespers. It's from a concert in 2006. Pulchra es: http://www.youtube.com/watch?v=55n1n6vNScM (note the glaringly obvious tastini on the theorbo) Beautiful performances (and singers! ;-). Thanks David! But I found just only one tastino for the F sharp on the 4th string 1st fret, not a number of tastini... (singular/plural message...;-) Ah, glaringly obvious Italian mistake by me, sorry. One tastino, singular, first fret strings 7 (still on the fingerboard in those days) to have a pure G# (toy-theorbo in a). The g# one octave higher I play on te fourth fret, second string, _not_ on the first fret fourth string. David -- *** David van Ooijen davidvanooi...@gmail.com www.davidvanooijen.nl *** To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: two new videos
On Sat, Mar 7, 2009 at 12:40 AM, Miles Dempster miles.demps...@globetrotter.net wrote: David, The g# on the 4th fret an octave higher...? Does that mean that your second course is not re-entrant? Did I writet that?? One cannot be clear enough: Open 4th string g is one octave higher than open 7th string G. We're playing Monteverdi, so it's 1/4 comma meantone. This means 1st fret 4th string is an a-flat, not that I need one, but I didn't use a tastino here and the fret is set high, so it certainly is not a g#. In stead, when I need a g# in this octave, I play it on the 4th fret on string 2. That makes this a double re-entrant theorbo in a, unless I'm mixing things up even more. ;-) David -- *** David van Ooijen davidvanooi...@gmail.com www.davidvanooijen.nl *** To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html