[LUTE] Tiorbino

2020-08-05 Thread Stefan Olof Lundgren
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Dear Lutenetters,
a costumer wrote to me and asked if my transcription of Bachs Cellosuites
could be played on a tiorbino. "Do you think your transcription is suitable
for a Tiorbino tuned like a Theorbo (in A but an octave higher)? It has 14
strings with the 3rd string tuned highest (re-entrant).  String length is
51cm to the first pegbox and 90 cm to the second.  Enclosed was this photo,
with a link to the maker:  http://www.luthier.org/.

[image: tiorbino_copy.jpg]
I made a short search on the internet and found these links:
https://home.cs.dartmouth.edu/~lsa/links/Tiorbino/PlanDim.jpg
[image: PlanDim.jpg]

http://www.claviantica.com/Publications_files/The_Tiorbino/The_tiorbino.htm
"As far as is known to the author the collection of music in the *Capricci
a due stromenti cioe Tiorba e Tiorbino*, (Modena: 1622) by Bellerofonte
Castaldi (1580-1649) is the only example of printed music which mentions
this instrument specifically"  Francesco Nocerino
[image: capricci_tablature.jpg]


The costumer also included a link to a you tube video:
Hiéronymus Kapsberger (1580-1651) - Corrente Prima. Performed by Albane
Imbs - tiorbino
https://m.youtube.com/watch?v=aBxMFE5Sg3g

Has someone of you out there any ideas about the instrument Tiorbino?

Best wishes
Stefan



Lundgren Edition
www.luteonline.se

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Dear 
Lutenetters,a costumer 
wrote to me and asked if my transcription of Bachs Cellosuites could be played 
on a tiorbino. "Do
 you think your transcription is suitable for a Tiorbino tuned like a Theorbo 
(in A but an octave higher)? It
 has 14 strings with the 3rd string tuned highest (re-entrant).  String length 
is 51cm to the first pegbox and 90 cm to the second.Â
 Â Enclosed was this photo, with a link to the maker:  http://www.luthier.org/"; 
target="_blank" 
style="font-family:Arial,Helvetica,sans-serif;font-size:small">http://www.luthier.org/.Â
 Â Â
 I made a short search on the internet and found 
these links:https://home.cs.dartmouth.edu/~lsa/links/Tiorbino/PlanDim.jpg"; 
target="_blank">https://home.cs.dartmouth.edu/~lsa/links/Tiorbino/PlanDim.jpgÂ
 http://www.claviantica.com/Publications_files/The_Tiorbino/The_tiorbino.htm";
 
target="_blank">http://www.claviantica.com/Publications_files/The_Tiorbino/The_tiorbino.htm"As far as 
is known to the author the collection of music in the Capricci a due 
stromenti cioe Tiorba e Tiorbino, (Modena: 
1622) by Bellerofonte Castaldi (1580-1649) is the!
  only example of printed music which mentions this instrument 
specifically"  Francesco NocerinoÂ
 Â The costumer 
also included a link to a you tube video:Hiéronymus 
Kapsberger (1580-1651) - Corrente Prima. Performed !
 by  Albane Imbs - tiorbino  https://m.youtube.com/watch?v=aBxMFE5Sg3g"; 
style="font-family:Arial,Helvetica,sans-serif;font-size:small" 
target="_blank">https://m.youtube.com/watch?v=aBxMFE5Sg3g  Has 
someone of you out there any ideas about the instrument Tiorbino?Best 
wishesStefanLundgren Editionhttp://www.luteonline.se"; 
target="_blank">www.luteonline.se

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[LUTE] Tiorbino

2020-06-18 Thread Davide Rebuffa



> Il giorno 18 giu 2020, alle ore 11:16, Davide Rebuffa 
>  ha scritto:
> 
> Dear all,
> 
> The instrument in Cleveland could be a a very rare example of a 14-course 
> small archlute 
> (not a "liuto attiorbato" because it has single bourdons)
> or a 14-course tiorbino in G. 
> The brand of the unknown manufacturer is present on the external countercap 
> and bears the initials R. E. 
> The string lengths are 523 mm and 882 mm.
> Since the string length is a bit long for a tiorbino, the third course could 
> be tuned at the higher octave
> only if the instrument is tuned in G, not in A.
> It was converted  into a 12-course instrument (2x1; 6x2; 4x2) by Sebastian 
> Schelle in 1742. 
> Ray Nurse restored it in 1988 bringing it back to 6x2; 8x1 as we may assume 
> it was in the 17th century. The bridge was also rebuilt.
> The two extra pegs added in the 18th century were nor removed from the pegbox.
> 
> Davide
> 
>> Il giorno 18 giu 2020, alle ore 09:27, Martin Shepherd 
>>  ha scritto:
>> 
>> Hi All,
>> 
>> I don't have many details of the Cleveland instrument, but I do have the 
>> poster!  I see 14 pegs for the petit jeu (7x2) and 8 pegs for the grand jeu 
>> (4x2), making it a 12-course liuto attiorbato. I think it was Larry Brown 
>> who had some measurements, if I remember correctly the petit jeu is 61cm.
>> 
>> Martin
>> 
>> On 17/06/2020 22:37, Mathias Rösel wrote:
>>> Dear David, dear Bruno,
>>> thanks to both of you so much!
>>> I agree that the Cleveland instrument, beautiful as it may be, seems more
>>> likely to be a small arciliuto. And I'm grateful for your pointing at MH
>>> Brussels No.1578. I shall try to get pictures and/or plans.
>>> Mathias
>>> 
>>> 
>>> 
>>> To get on or off this list see list information at
>>> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>> 
>> -- 
>> This email has been checked for viruses by Avast antivirus software.
>> https://www.avast.com/antivirus
>> 
>> 
> 





[LUTE] Tiorbino

2020-06-16 Thread Mathias Rösel
   Dear Hive Mind,

   Are there a surviving 17^th century tiorbinos? I poked in your
   archives, but couldn't seem to find hints.

   A tiorbino is mentioned on Steven Barber's and Sandi Harris's homepage
   as "one of the best and most convincing surviving examples of a
   tiorbino" (Hieber / Pfanzelt, Geneva, Musée d'art et d'histoire, Nr
   IM80).

   It says "one of the best"—are there other surviving tiorbinos? What are
   their string lengths? What are their dispositions (6:8, 7:7, 8:6)?
   Where are they being preserved?

   Mathias

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[LUTE] Tiorbino

2019-11-17 Thread yuval . dvoran

Hello all,

I was offered a Tiorbino, and I'm wondering what one can do with it 
(except of playing Bellerofonte-Castaldi): Are there any proofs that it 
was used for playing solo instead of a big theorbo or for playing 
continuo?
And is there any literature about it apart from the article by Nocerino 
(2005)?


Thanks and regards a usual :-)
Yuval



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[LUTE] Tiorbino

2017-06-05 Thread Anthony Hart
   A question about tiobino. The Cleveland Tiorbino on Wayne's site shows
   6 +8. The bases are single strung. What is the opinion of this set up?
   If the basses are double should they be unison or octaves?

   There was a question earlier of the thiness of the 'b' (3rd). If the
   tension is reduced then this becomes  a standard thickness. I have
   calculated on 20/25 N, this was the tension recommended by Martin
   Shepherd for Liuto  attiobato, which is the same size instrument.

   Any suggestions welcome.

   Thanks and best wishes

   Anthony Hart

   [1]anthony.hart1...@gmail.com

   --

   __
   Anthony Hart  MSc, LLCM,ALCM.
   Musicologist  and  Independent  Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Mob: +356 9944 9552.
   e-mail:  [2]resea...@antoninoreggio.com; web:
   [3]www.monsignor-reggio.com
   NEW  Publications:  EDIZIONE  ANTONINO  REGGIO
   -  [4]www.edizionear.com
   for information and special offer

   --

References

   1. mailto:anthony.hart1...@gmail.com
   2. mailto:resea...@antoninoreggio.com
   3. http://www.monsignor-reggio.com/
   4. http://www.edizionear.com/


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[LUTE] tiorbino

2014-02-26 Thread Bruno Fournier
dear collective wisdom,

I am thinking of stringing my Colin Everette small archlute as a
tiorbino.  As some of you might know, Colin built many renaissance
lutes on the tiorbino model, with 13 or 14 courses but was stringing
it as regular Renaissance tuning with the diapasons in the same
tessitura as the bass strings of a renaissance.,

has there ever been a concensus on how the tiorbino was strung? pitch
? I seem to remember some discussion on this, whereas the first 3
courses where at standard renaissane pitch in A, and  starting from
4th course down, the pitch was up an octave.



thank you



-- 

Bruno Cognyl-Fournier

www.estavel.org



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[LUTE] Tiorbino

2012-05-19 Thread sterling price
   Hi all-
   Many years ago I strung my attiorbato as a tiorbino and it worked quite
   well. I only kept it that way for a while though as I wanted to try
   other things. Anyway I was thinking of doing it again and I have a few
   questions about tiorbinos. Were they always single strung or ever
   double? Mine was single, but I think double would be interesting and I
   could do that. I think the only known music that specifies tiorbino is
   the theorbo/tiorbino duets of Castaldi, but I have no one to play these
   with so I would be playing solo music. By the way my attiorbato is
   57/85cm and I know that real tiorbinos are smaller.
   Any thoughts on string type/material?

   --Sterling

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[LUTE] Tiorbino - surprising new evidence

2008-02-05 Thread Rob Lute
I had a very pleasant evening on Saturday with my harpsichord-making friend,
Grant O'Brien, and his friends, including a short recital on one of his
harpsichords by Lucy Carolan, a first-rate player. Grant and I got to
talking about lute and harpsichord making in Italy, and he revealed a couple
of interesting points:

1. all Italian harpsichords had fir soundboards, not spruce, as found north
of the Alps. Did I know of any fir-soundboarded lutes? Well, I didn't. Can
anyone contribute something here?

2. the tiorbino: here is a fascinating article from Grant's website,
discussing a keyboard instrument called the tiorbino, apparently gut-strung,
like the lautenclavier:
http://www.claviantica.com/Publications_files/The_Tiorbino/The_tiorbino.htm -
I love the part where a buyer asks the maker to build another one if the
first one goes out of tune! A great idea, albeit somewhat expensive...

Although these are keyboard topics, I'm sure they will be of interest to
some here.

Rob MacKillop

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