Re: 'Tastini' - lack of evidence

2005-04-06 Thread Martyn Hodgson
 Thank you Arto.
 
The 1584 book is paginated running to page no. 182.  Pages 120 through to 175 
contain only tablature with no text other than titles of the pieces: - page 155 
has an intabulation of 'Non ved'il mondo'; - page 162 of 'Caronte' and 'Mentre 
di poggia'.  In short, as you suggest,  there seems to be something rum about 
the page references. 
 
I suppose there's no help but to wade through the original: I don't suppose 
MacClintock gives the original Italian? - that would help in tracing the quotes.
 
rgds
 
Martyn


Arto Wikla [EMAIL PROTECTED] wrote:

Dear Martyn,

 Yes, I would be most grateful for the relevant page numbers in the 
 original edition(s) -1568 and/or 1584.

The MacClintoc translation/edition is of the 1584 version. If I interprete
the listings of contents right, the talk about uneven fret placement and
tastini starts in page 155ff: Unequal frets on Lute and Viola to 
provide for major and minor semitones are an impertinence, and then
page 162: Frets added to the Lute, and their impertinence. What makes
me wonder, is that these page numbers seem to correspond also the pages
of the translation! And for ex. this 155ff is the _lower_ half of the 
modern page 155! Could MacClintock really preserve the original page 
numbering in the translation? Anyhow, please check that Martyn, and let 
us know!

By the way, in the book there is lots of more interesting material of 
these matters than I wrote to the net in my page in 1995! That is only 
kind of teaser, actually... ;-) And in the book there is also very much 
else to be studied! I must put the book in the front of my reading list! 
Thanks for re-activating my interest to Il Fronimo! Perhaps I or others 
will inform the List of other intersting comments of music and lutes 
written by Vincenzo G.!

All the best,

Arto



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Re: 'Tastini' - lack of evidence

2005-04-06 Thread AJN (boston)
Some of you may wish to know that the English translation by Carol
MacClintock of Vincenzo Galilei's _Fronimo (1584),_ American Institute of
Musicology, Musicological Studies and Documents, 39 (1985), is still
available.  My catalogue lists it for $64.  AIM publications are
distributed by A-R Editions  in Middleton, Wisconsin.(www.areditions.com).

Incidentally A-R Editions has just released John Griffiths and Dinko Fabris
_Neapolitan Fantasias_ containing works by Dentice, the Severinos, Cardone,
M. Newsidler et al.  Transcription and separate tablature.  Many of the
works are from Berlin/Cracow, Mus Ms 40032.  

ajn
-
Arto wrote:

Dear Martyn,

 Yes, I would be most grateful for the relevant page numbers in the  
original edition(s) -1568 and/or 1584.

The MacClintoc translation/edition is of the 1584 version. If I interprete
the listings of contents right, the talk about uneven fret placement and
tastini starts in page 155ff: Unequal frets on Lute and Viola to  provide
for major and minor semitones are an impertinence, and then page 162:
Frets added to the Lute, and their impertinence. What makes me wonder, is
that these page numbers seem to correspond also the pages of the
translation! And for ex. this 155ff is the _lower_ half of the  modern page
155! Could MacClintock really preserve the original page  numbering in the
translation?  Anyhow, please check that Martyn, and let  us know!

By the way, in the book there is lots of more interesting material of 
these matters than I wrote to the net in my page in 1995! That is only 
kind of teaser, actually... ;-)  And in the book there is also very much 
else to be studied!  I must put the book in the front of my reading list! 
Thanks for re-activating my interest to Il Fronimo! Perhaps I or others 
will inform the List of other intersting comments of music and lutes 
written by Vincenzo G.!

All the best,

Arto



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Re: 'Tastini' - lack of evidence

2005-04-05 Thread Arto Wikla

Dear Martyn and all

On Tuesday 05 April 2005 12:20, Martyn Hodgson wrote:
 So, as I understand it, the sole piece of HISTORICAL evidence is from
 Vincenzo Galilei's  'Fromino Dialogo' (1568,1584) translated by
 MacClintock (AIM 1985) as: 
 ..Now I come to the matter of 'tastini' which lately some people
 seek to introduce to remove some of the sharpness from the thirds and
 major tenths (as they try to persuade those who are more foolish than
 they)   MacClintock goes on to say that he later  'points out that
 those using 'tastini' do not know much about thoery'. (Incidentally I
 can't find the original Italian quotes in my copy of the 1584 book -
 have you any source page numbers?) 

Just a small correction, if you have used as source my page
  http://www.cs.helsinki.fi/u/wikla/mus/fronimo.html

There the comments in brackets [ ] are mine, not MacClintock's!
So you should not blame him of my text: 
 [Then he points out that those using the tastini do not know much about 
theory, they just want to hear 'marvels'.] 

The comments in paranthesis should be Galilei's. 

I think you should find MacClintock's translation in a good music 
library. I do not remember, did he give the page numbers of the 
original book. I can check it in the evening at home.

By the way, every lutenist, in the MacClintock's edition all the 
tabulatures are in facsimile! An easy source of important lute music!

Arto



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Re: 'Tastini' - lack of evidence

2005-04-05 Thread Daniel Shoskes

 - hardly, I suggest, a convincing case for 
their adoption in modern times.  

No, the case for their adoption in modern times is getting an F# instead
of a Gb and a C# instead of a Db in meantone tuning! For that, I am
willing to have Gallilei's ghost stare dissaprovingly at me.



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Fwd: Re: 'Tastini' - lack of evidence

2005-04-05 Thread Martyn Hodgson


 
No Daniel, it's not just G I'm afraid but on the basis of historical evidence, 
or rather lack of it, most other early lutenists. If we are serious about 
period performance it is important we pay proper regard to what they wld have 
expected based on the evidence and not our personal preferences.
 
rgds
 
Martyn

Daniel Shoskes [EMAIL PROTECTED] wrote:

 - hardly, I suggest, a convincing case for 
their adoption in modern times. 

No, the case for their adoption in modern times is getting an F# instead
of a Gb and a C# instead of a Db in meantone tuning! For that, I am
willing to have Gallilei's ghost stare dissaprovingly at me.



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Re: 'Tastini' - lack of evidence

2005-04-05 Thread Caroline Usher
At 06:48 AM 4/5/2005, Daniel Shoskes wrote:

 - hardly, I suggest, a convincing case for 
their adoption in modern times.  

No, the case for their adoption in modern times is getting an F# instead
of a Gb and a C# instead of a Db in meantone tuning! For that, I am
willing to have Gallilei's ghost stare dissaprovingly at me.

Precisely.  Galilei was advocating the use of equal temperament and disparaging 
lutenists who used tastini to avoid some of the sharpness from the thirds and 
major tenths, using typical 16th-century invective.  Actually rather mild by 
their standards.
Caroline 
Caroline Usher
DCMB Administrative Coordinator
613-8155, Box 91000
B343 LSRC



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Re: 'Tastini' - lack of evidence

2005-04-05 Thread Arto Wikla

Dear Martyn,

 Yes, I would be most grateful for the relevant page numbers in the 
 original edition(s) -1568 and/or 1584.

The MacClintoc translation/edition is of the 1584 version. If I interprete
the listings of contents right, the talk about uneven fret placement and
tastini starts in page 155ff: Unequal frets on Lute and Viola to 
provide for major and minor semitones are an impertinence, and then
page 162: Frets added to the Lute, and their impertinence. What makes
me wonder, is that these page numbers seem to correspond also the pages
of the translation! And for ex. this 155ff is the _lower_ half of the 
modern page 155! Could MacClintock really preserve the original page 
numbering in the translation?  Anyhow, please check that Martyn, and let 
us know!

By the way, in the book there is lots of more interesting material of 
these matters than I wrote to the net in my page in 1995! That is only 
kind of teaser, actually... ;-)  And in the book there is also very much 
else to be studied!  I must put the book in the front of my reading list! 
Thanks for re-activating my interest to Il Fronimo! Perhaps I or others 
will inform the List of other intersting comments of music and lutes 
written by Vincenzo G.!

All the best,

Arto



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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html