Re: [MCN-L] Collection sharing software

2016-04-26 Thread Kate Blanch
pace
* User modelling and adaptation
* Personalization and recommendation

Contributions may include findings from completed empirical studies or 
work-in-progress, as well as position papers inviting discussions of emerging 
and future developments.

==Submissions==
Authors are invited to submit original, unpublished academic research, industry 
papers and position papers related to the topics listed above. We invite papers 
in 3 formats:

* full papers (8 pages)
* short papers (4 pages)
* posters (2 pages)

Full papers will report on completed work, or work that has reached a level of 
maturity or important milestone. Short papers and posters will report on 
work-in-progress, or work that can be presented in a more concise form.
Position papers are welcome in either full or short paper format.

Full and short papers will be presented in the main the workshop track, and 
posters will be presented in a dedicated session. All paper types are welcome 
from both academics and practitioners. Accepted papers will be published in the 
workshop proceedings. Proceedings will be published immediately prior to the 
workshop via CEUR Workshop Proceedings.

All papers should be written in English, prepared anonymously in the ACM 
Proceedings  template, and submitted in PDF format, via the workshop EasyChair 
submission page: https://easychair.org/conferences/?conf=achs20160
.

==Important dates==

* Paper submissions - 2 May 2016
* Notifications - 16 May 2016
* Camera-ready copy - 31 May 2016
* Proceedings published - 7 June 2016
* Workshop (at JCDL) - 22-23 June 2016 (2x half days)

==Organising Committee==

* Paul Clough (University of Sheffield, UK)
* Paula Goodale (University of Sheffield, UK)
* Maristella Agosti (University of Padua, Italy)
* S?amus Lawless (Trinity College, Dublin, Ireland)

==Contact==

Enquiries should be made via:
Paula Goodale p dot goodale at sheffield.ac.uk


--
Paula Goodale
Teaching Associate
Information Retrieval Research Group

Please note: My working pattern for Jan-June 2016 is usually Monday, Thursday, 
Friday

Information School, The University of Sheffield, Room 318, Regent Court,
211 Portobello, Sheffield, S1 4DP

@PaulaGoodale <https://twitter.com/PaulaGoodale>
www.sheffield.ac.uk/is

Keep it green: do you need to print this email?
Visiting the university? Try to travel sustainably:
www.sheffield.ac.uk/visitors/mapsandtravel

--
Paula Goodale
Teaching Associate
Information Retrieval Research Group

Please note: My working pattern for Jan-June 2016 is usually Monday, Thursday, 
Friday

Information School, The University of Sheffield, Room 318, Regent Court,
211 Portobello, Sheffield, S1 4DP

@PaulaGoodale <https://twitter.com/PaulaGoodale>
www.sheffield.ac.uk/is

Keep it green: do you need to print this email?
Visiting the university? Try to travel sustainably:
www.sheffield.ac.uk/visitors/mapsandtravel

--

Message: 2
Date: Mon, 25 Apr 2016 22:16:44 -0400
From: Suzanne Quigley <squi...@panix.com>
To: MCN-L <mcn-l@mcn.edu>
Subject: [MCN-L] Collection sharing software
Message-ID: <ca7a9816-6d69-4e96-a6b1-fd497ed50...@panix.com>
Content-Type: text/plain;   charset=us-ascii

I have a client who wants to share collection items with interested parties. 
Rich data and hi resolution images are managed by a database. The client wishes 
to share only selected works and selected data  with selected curators and 
scholars.
Can anyone recommend a vehicle for doing this without spending thousands? 
Perhaps with a password that can be divulged for access?  Important that Google 
or other search engines can't access the data. 

I look forward to your thoughts, with thanks, Suzanne

Suzanne Quigley
917 676 9039
ArtAndArtifactServices.com






--

Message: 3
Date: Mon, 25 Apr 2016 21:30:59 -0500
From: Douglas Hegley <dheg...@artsmia.org>
To: Museum Computer Network Listserv <mcn-l@mcn.edu>
Subject: Re: [MCN-L] Collection sharing software
Message-ID:

Re: [MCN-L] Collection sharing software

2016-04-26 Thread Mike Ellis
Hi Suzanne

Take a look at http://cultureobject.co.uk/ - an open source WordPress plugin 
which we built to suck in museum collection data from a variety of sources. I 
don’t know what your database is, but CSV is supported, so that could work. 
Once stuff is in WordPress, you can then lock it down - password, membership, 
etc etc.

Shout if you need help implementing - m...@thirty8.co.uk 

cheers

Mike

_

Mike Ellis 

Thirty8 Digital: a small but perfectly formed digital agency: 
http://thirty8.co.uk  

* My book: http://heritageweb.co.uk *
* New: Workshops, courses and free downloads: http://trainingdigital.co.uk/ *

On 26 April 2016 at 03:16:53, Suzanne Quigley (squi...@panix.com) wrote:

I have a client who wants to share collection items with interested parties. 
Rich data and hi resolution images are managed by a database. The client wishes 
to share only selected works and selected data with selected curators and 
scholars.  
Can anyone recommend a vehicle for doing this without spending thousands? 
Perhaps with a password that can be divulged for access? Important that Google 
or other search engines can't access the data.  

I look forward to your thoughts, with thanks,  
Suzanne  
  
Suzanne Quigley  
917 676 9039  
ArtAndArtifactServices.com  




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Re: [MCN-L] Collection sharing software

2016-04-25 Thread Douglas Hegley
Suzanne - I suggest you contact ARTStor and see what they might offer. See:
http://www.artstor.org/sharedshelf
All the best,
Douglas

On Mon, Apr 25, 2016 at 9:16 PM, Suzanne Quigley  wrote:

> I have a client who wants to share collection items with interested
> parties. Rich data and hi resolution images are managed by a database. The
> client wishes to share only selected works and selected data  with selected
> curators and scholars.
> Can anyone recommend a vehicle for doing this without spending thousands?
> Perhaps with a password that can be divulged for access?  Important that
> Google or other search engines can't access the data.
>
> I look forward to your thoughts, with thanks,
> Suzanne
> 
> Suzanne Quigley
> 917 676 9039
> ArtAndArtifactServices.com
>
>
>
>
> ___
> You are currently subscribed to mcn-l, the listserv of the Museum Computer
> Network (http://www.mcn.edu)
>
> To post to this list, send messages to: mcn-l@mcn.edu
>
> To unsubscribe or change mcn-l delivery options visit:
> http://mcn.edu/mailman/listinfo/mcn-l
>
> The MCN-L archives can be found at:
> http://www.mail-archive.com/mcn-l@mcn.edu/
>



-- 
Douglas Hegley
Director of Media and Technology
Minneapolis Institute of Art
2400 Third Avenue South
Minneapolis, MN 55404
(612) 870-3072 | dheg...@artsmia.org | www.artsmia.org
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[MCN-L] Collection sharing software

2016-04-25 Thread Suzanne Quigley
I have a client who wants to share collection items with interested parties. 
Rich data and hi resolution images are managed by a database. The client wishes 
to share only selected works and selected data  with selected curators and 
scholars.
Can anyone recommend a vehicle for doing this without spending thousands? 
Perhaps with a password that can be divulged for access?  Important that Google 
or other search engines can't access the data. 

I look forward to your thoughts, with thanks,
Suzanne

Suzanne Quigley
917 676 9039
ArtAndArtifactServices.com




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Re: [MCN-L] Collection % cataloguing benchmarks

2015-01-20 Thread Nick Poole
Dear Adrian,

Thanks for raising this. In the UK, we tend not to have captured information 
about specific proportions of collections catalogued, and to what extent. 
Instead, we have developed a set of Performance Indicators for Collections 
Management which focus on outputs such as access to and use of collections and 
availability of expert knowledge in support of them. 

The Performance Indicators are freely available at 
http://www.collectionstrust.org.uk/collections-skills/collections-management-performance-indicators
 in case they are useful.

It will be really interesting to see how other larger collections respond - in 
my experience, it tends to be a moving target. At the Collections Trust, we 
strongly emphasise putting in place appropriate procedures for accession (to 
stop the problem from getting worse) and then a managed and prioritised plan 
for retrospective documentation, at least to inventory level.

We also find that projects, particularly aggregation projects like Europeana, 
have a positive effect in driving improvements in the quality of the recorded 
information, and the application of standards for things like terminology and 
rights clearance.

I look forward to hearing how people respond!

All best,

Nick

Nick Poole
Chief Executive
Collections Trust

Tel: 020 7942 6080
n...@collectionstrust.org.uk



LinkedIn
Join CT's Collections Management Group

Visit Collections Trust online
www.collectionstrust.org.uk 
www.collectionslink.org.uk
www.culturegrid.org.uk

Company Registration No: 1300565 Registered Charity No: 273984
Registered Office: Collections Trust, WC 209, Natural History Museum,
Cromwell Road, London, SW7 5BD

 On 21 Jan 2015, at 07:19, Adrian Kingston adri...@tepapa.govt.nz wrote:
 
 Hi all.
 
 I know there are lots of hooks around what qualifies as cataloguing, what a 
 record is versus an object and even how to measure the size of a 
 collection, but can anyone point be to some recent 
 benchmarks/surveys/comparisons of percentage of collections databased (jeebus 
 I hate that word). Asking for a friend. Well, actually, asking for our 
 Assurance and Risk Committee.
 
 Museums Aotearoa include it in their annual survey 
 http://www.museumsaotearoa.org.nz/research#SectorSurvey, but I'm looking for 
 other institutions that are similar to Te Papa in terms of collections size 
 (eg circa 2-3 million items) and/or similar collections scope (we have the 
 full gamut: the national art collections, as well as, natural science, human 
 history, archives, photography etc)
 
 Any help would be great!
 
 Cheers
 
 Adrian Kingston
 Digital Collections Senior Analyst
 Museum of New Zealand Te Papa Tongarewa
 
 
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 directly or indirectly by a virus arising from the use of this message
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[MCN-L] Collection % cataloguing benchmarks

2015-01-20 Thread Adrian Kingston
Hi all.

I know there are lots of hooks around what qualifies as cataloguing, what a 
record is versus an object and even how to measure the size of a 
collection, but can anyone point be to some recent 
benchmarks/surveys/comparisons of percentage of collections databased (jeebus I 
hate that word). Asking for a friend. Well, actually, asking for our Assurance 
and Risk Committee.

Museums Aotearoa include it in their annual survey 
http://www.museumsaotearoa.org.nz/research#SectorSurvey, but I'm looking for 
other institutions that are similar to Te Papa in terms of collections size (eg 
circa 2-3 million items) and/or similar collections scope (we have the full 
gamut: the national art collections, as well as, natural science, human 
history, archives, photography etc)

Any help would be great!

Cheers

Adrian Kingston
Digital Collections Senior Analyst
Museum of New Zealand Te Papa Tongarewa


+++
Visit the Te Papa website http://www.tepapa.govt.nz
The email message together with the accompanying attachments may be
CONFIDENTIAL. If you have received this message in error, please notify
http://www.tepapa.govt.nz/onlineforms/enquiryform.aspx immediately and 
delete the original message. The views expressed in this message are 
those of the individual sender, except where the sender specifically 
states them to be views of Te Papa. Te Papa employs strict virus 
checking measures and accepts no liability for any loss caused either
directly or indirectly by a virus arising from the use of this message
or any attached file.
+++

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[MCN-L] Collection Database Administrator position / Deadline for submissions is next Wednesday

2011-10-27 Thread Alston, Leesha
Phoenix Art Museum seeks a Collection Database Administrator to
coordinate the conversion and migration of data from ARGUS to The Museum
System (TMS).  Post-conversion, the Collection Database Administrator
will be responsible for the day-to-day management of the database
including implementing and maintaining protocols, training and assisting
users, developing and writing customized reports and providing ongoing
database support.

Job Duties Include:
1.  Oversee the conversion and migration of existing data from ARGUS
to TMS.  Act as the liaison between the Museum and Gallery Systems
during the migration process;
2.  Responsible for day-to-day management of database;
3.  Customize TMS for use by various departments including creating
department-specific Crystal Reports and forms;
4.  Establish standards and protocols for data entry;
5.  Work with registration and curatorial staff to establish
cataloguing and lexicon standards for each department;
6.  Input new data, update and correct existing data and ensure
consistency of information in database;
7.  Develop procedures manual and train Museum staff in use of TMS;
8.  Provide museum-wide support to users;
9.  Tag digital images with appropriate metadata and populate
database with images from the Museum's DAM (digital asset management
system);
10. Run data updates and system backups;
11. Work with the Information Systems Manager to maintain network
standards;
12. Assist with special projects as needed (including digital and
website initiatives)

Minimum Qualifications: 
1.  Bachelor's degree in information technology, art history, museum
studies, or library sciences.  
2.  Minimum two years client/server relational database systems
experience or equivalent combination of education, training and
experience.  
3.  Experience with Crystal Reports and SQL required.  
4.  Previous experience in museum registration or collections
management preferred; experience with TMS strongly preferred.
Knowledge of:
1.  Crystal reports and SQL;
2.  Digital imaging standards and best practices.
Skill and ability to:
1.  Be highly organized with close attention to detail;
2.  Multitask on several assignments with the ability to meet
deadlines and work with minimal supervision;
3.  Maintain effective working relationships with a wide variety of
museum staff members as well as software/hardware vendors

Submit cover letter, resume and salary history to job code PAM-CDA:

Email:  HR at phxart.orgFax:(602) 257-2127

Mail:   Human Resources Department
Phoenix Art Museum 
1625 N. Central Avenue
Phoenix, AZ  85004-1685

Deadline for submissions: November 2, 2011

Job Status: Regular, full-time, exempt
EOE

Phoenix Art Museum is the Southwest's premier destination for
world-class visual arts.  Popular international exhibitions are shown
along side the Museum's outstanding collection of more than 18,000 works
of American, Asian, European, Latin American, Western American, modern
and contemporary art, and fashion design.  A vibrant destination for
over fifty years, Phoenix Art Museum presents festivals, live
performances, independent art films and educational programs that
enlighten, entertain and stimulate.  For more information, visit
PhxArt.org.







[MCN-L] collection

2010-01-14 Thread Annamaria Poma-Swank
To art history librarians, curators, art museums staff,

I am  working on four seventeen hundred manuscripts by Luigi Lanzi (
http://www.luigilanzi2010.it/)
Since Lanzi mentions many collectors of 1700 Florence...I am also writing
a proposal for a book on
the Collezionismo privato del 1700 a Firenze, sponsored by the Plolo
Museale Fiorentino and the University of Florence.
While I am doing my projects I have had the chance to meet a lot of
Italian private collectors.
So far I met an antiquarian/collector who told me about a work by Leonardo
that is for sale
(expertise by Carlo Pedretti, free to leave the country)
Please if  museums curators and others are interested,  write to me in
private.
My best regards and Buon Anno
Annamaria Poma Swank, PhD.



[MCN-L] collection management system

2008-11-09 Thread Pomaswank
Dear All,
I would like to announce that my report on Museums Collection Management 
Systems
has been published online.
http://documenti.rinascimento-digitale.info/Collection_Management_Systems
The report was intended primary for Italian audience, however I think that 
it is also a modest but useful contribution to the state of the art (as of 
April 2008)of the use and development of new museums technoligies.
Annamaria Poma Swank, Ph.D.
pomaswank at rinascimento-digitale.it
 

--
Ospitato da: Netcom srl - http://www.ntc.it




[MCN-L] Collection Management System

2006-10-03 Thread Eisenhardt, Chuck
Macromedia 'Contribute' passed our evaluation with flying
colors. As Mike Rippy suggests, having a organizational
model that enables broad content participation while
preserving controls can be an elusive objective. This
software seems to let you tailor permissions quite finely,
putting control points just about wherever you'd want them.

Alas, here we still march on with a single code-person 
performing design and coding on off-line content. 

Contribute is $150 per, possibly less with edu discount 
if your should qualify. It wants to work with Dreamweaver.

Come visit us at www.bostonkids.org

Chuck Eisenhardt
Boston Children's Museum

-Original Message-
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf Of
Mike Rippy
Sent: Friday, September 29, 2006 12:02 PM
To: mcn-l at mcn.edu
Subject: Re: [MCN-L] Collection Management System

You can find a variety of very good CMS for a good price.  The larger
issue is finding the right person to implement and manage it.  It seems,
too many, that because its digital its going to be easy and do
everything for you.  And that one professionals skillset in technology
will easily crossover to another.  Make sure you have someone that knows
how to use and has a strategy for implementing and maintaining your
system PROPERLY.

Mike Rippy
IMA Photographer
mrippy at ima.museum
(317)920-2662 ext.191

IMA
4000 Michigan Road
Indianapolis, IN, USA  46208-3326
www.ima.museum
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[MCN-L] Collection Management System

2006-09-29 Thread Mike Rippy
You can find a variety of very good CMS for a good price.  The larger issue is 
finding the right person to implement and manage it.  It seems, too many, that 
because its digital its going to be easy and do everything for you.  And that 
one professionals skillset in technology will easily crossover to another.  
Make sure you have someone that knows how to use and has a strategy for 
implementing and maintaining your system PROPERLY.

Mike Rippy
IMA Photographer
mrippy at ima.museum
(317)920-2662 ext.191

IMA
4000 Michigan Road
Indianapolis, IN, USA  46208-3326
www.ima.museum