Re: MD: Mini DV Cam/md-l-mimedigest V2 #461

1999-12-21 Thread Christopher Spalding


Wait a minute, Christopher Spalding, genius, excellent person, etc. You
were the one who initially said the PC100 was the 3CCD DV Cam version of
the TRV900. I and several others on this list then pointed out the
DCR-PC100 is not the DV Cam 3CCD version of the TRV900. The DSR-PD-100
is the 3CCD DV Cam version of the TRV900. The DCR-PC100, which you have
been reading the manual of, of course, doesn't mention a 3CCD because it
is, in fact, a single chip Mini DV Camera. You just got the model
numbers wrong, they are really similar. DSR-PD-100 is the 3CCD DV Cam
version of the TRV900, the DCR-PC-100 is the 1070k single chip multi CCD
Mini DV Cam that has since been revealed by Graham Baker to actually be
a 680k CCD for video, exactly the same as the TRV10.

Yes, thankyou, I already admitted my mistake, but in actual fact it was the 
model letters that i got mixed up, purely because the PC100 has not been 
released here yet AFAIK.


Christopher Spalding
Genius, generally excellent and gifted person. - even if he's occasionally 
wrong.

__
Get Your Private, Free Email at http://www.hotmail.com

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Re: MD: Mini DV

1999-12-20 Thread Graham Baker


Hi Rodney,
I understand what you are saying but if you consider the price and size of
the TRV900 it really is an excellent cam.
It is regarded within the TV industry as 'broadcast standard' - but only
just.
To get real broadcast quality you have to spend megabucks on similar MiniDV
or DV format or other digital format cams but with lenses costing anything
from $10K upwards, to give a few dB extra in video s/n...
The TRV900 has upset a lot of the industry - imagine the guys with $20K +
cameras being shown video that is very very close in quality from a $4000
cam (Aus dollars)
FWIW, the images from my (PAL) TRV900 look very close in quality to most of
what I see on TV or even DVD, viewed on a Sony professional 27" monitor...
I do not see the grain you describe, except when shooting under low light
conditions with 'gain up', or shooting ruby red colours - the TRV900 cannot
focus well on reds and the red does come out quite a different shade...
But you do need to get away from the '900's 'auto' mode and set white
balance/iris etc manually to get the best of it

GB
- Original Message -
From: Rodney Peterson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, 18 December 1999 11:34
Subject: Re: MD: Mini DV



 Oh, no! That's not what I was saying at all! I watch DVD's through
 component video and they're excellent. What I'm talking about is Mini DV
 tape I shoot on the Sony TRV900 3CCD Mini DV camcorder then play back on
 TV. It never looks as good as even an average DVD. It always has at
 least some graininess-and this is the very best consumer camcorder Sony
 makes. To get really professional results, I guess a person would have
 to invest in much more expensive professional equipment, editing bays
 and so on. Tape shot on the TRV900 comes across looking like good live
 cable at its best (shown on a really topnotch TV)-it's actually pretty
 good but you do see a lot of graininess. Quite frankly, I don't see all
 that much dfference on playback than tapes shot with a one chip Mini DV.
 But I guess I'm asking a lot of the format. Really, it's more than fine
 for traditional consumer camcording-what I'm saying is it is never, ever
 perfect-the colors are not 100% accurate like on a good DVD. If you
 compare the film to the subject you just shot, this is apparent.
 Especially with reds. Playing back tapes on the 3" swivel monitor look
 fantastic, but then again that is LCD and not a CRT. By the time you
 play it back on your CRT television, it adds quite a bit of
 graininess-like all analog TV does. It really is a wonderful format and
 a wonderful camera, but it is not perfect. Or even close. Although you
 occassionally see things like "The Blair Witch Project" that were shot
 on far inferior equipment as films. And a lot of Mini DV and DV Cam
 footage is used in television, especially by news field reporters.

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Re: MD: Mini DV compared to DVD (=film). sligtly out of this grops topic...

1999-12-20 Thread Johan Jonsson


At 16:34 1999-12-17 -0800, you wrote:

Oh, no! That's not what I was saying at all! I watch DVD's through
component video and they're excellent. What I'm talking about is Mini DV
tape I shoot on the Sony TRV900 3CCD Mini DV camcorder then play back on
TV. It never looks as good as even an average DVD. It always has at
least some graininess-and this is the very best consumer camcorder Sony
makes. To get really professional results, I guess a person would have
to invest in much more expensive professional equipment, editing bays
and so on. Tape shot on the TRV900 comes across looking like good live
cable at its best (shown on a really topnotch TV)-it's actually pretty
good but you do see a lot of graininess. Quite frankly, I don't see all
that much dfference on playback than tapes shot with a one chip Mini DV.
But I guess I'm asking a lot of the format. Really, it's more than fine
for traditional consumer camcording-what I'm saying is it is never, ever
perfect-the colors are not 100% accurate like on a good DVD. If you
compare the film to the subject you just shot, this is apparent.
Especially with reds. Playing back tapes on the 3" swivel monitor look
fantastic, but then again that is LCD and not a CRT. By the time you
play it back on your CRT television, it adds quite a bit of
graininess-like all analog TV does. It really is a wonderful format and
a wonderful camera, but it is not perfect. Or even close. Although you
occassionally see things like "The Blair Witch Project" that were shot
on far inferior equipment as films. And a lot of Mini DV and DV Cam
footage is used in television, especially by news field reporters.

To see graininess You must use it in auto mode (or do it by Yourself) and
let it
gain the exposure up to something between 6-18db, or else it´s impossible to
see grain with a Trv900. But i hope You don't use component video instead of 
a s-video connector together with a decent TV, in that case i understand
that You are 
unsatisfied with the results.

The colors this camera produce is outstanding, but off course You have to
know 
how to do a manually white balance, or else it´s like any other cheap
miniDV. But it´s
 true that red can be a problem, but the only reason its better on a DVD
playback is
 that the source is film. So if You think You can compare DV to DVD You
cant because
 what You do is compare it to film.

It doesn´t matter what kind of video camera You buy, film is 24frames a
second - Video(NTSC) 30.
 Film has a bigger resolution, even 16mm, and 35mm has four times more
resolution than 16mm...


The picture from the Trv900 is as good as it can be for the moment, and
even if 
you use a better (more expensive) editing bay You only going to save times
these days, 
it´s all about ones and zeros...The quality is all the same.

So, all video looks like video unless You take care and use short deep of
field (large aperture) 
and a shutter speed around 1/30 (often impossible with an expensive ENG
camera...). 
To do this You often have to use ND filter. Many times You have to soften
the images a 
little, using a light softfilter and/or some other warmup filters. Another
thing that is significant
for film and the work with it is the proper use of light and shadows. Film
has a broader exposure range
than video, so that is one thing to think of and work after. Using a video
camera with progressive 
scan is another tips.

That´s the only way to make video look more like film.

Then if you for some reason want to transfer it to DVD it´s going to look a
lot better than regular DV or video compared to film...


JJ

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Re: MD: Mini DV

1999-12-20 Thread Rodney Peterson


Oh, no! That's not what I was saying at all! I watch DVD's through
component video and they're excellent. What I'm talking about is Mini DV
tape I shoot on the Sony TRV900 3CCD Mini DV camcorder then play back on
TV. It never looks as good as even an average DVD. It always has at
least some graininess-and this is the very best consumer camcorder Sony
makes. To get really professional results, I guess a person would have
to invest in much more expensive professional equipment, editing bays
and so on. Tape shot on the TRV900 comes across looking like good live
cable at its best (shown on a really topnotch TV)-it's actually pretty
good but you do see a lot of graininess. Quite frankly, I don't see all
that much dfference on playback than tapes shot with a one chip Mini DV.
But I guess I'm asking a lot of the format. Really, it's more than fine
for traditional consumer camcording-what I'm saying is it is never, ever
perfect-the colors are not 100% accurate like on a good DVD. If you
compare the film to the subject you just shot, this is apparent.
Especially with reds. Playing back tapes on the 3" swivel monitor look
fantastic, but then again that is LCD and not a CRT. By the time you
play it back on your CRT television, it adds quite a bit of
graininess-like all analog TV does. It really is a wonderful format and
a wonderful camera, but it is not perfect. Or even close. Although you
occassionally see things like "The Blair Witch Project" that were shot
on far inferior equipment as films. And a lot of Mini DV and DV Cam
footage is used in television, especially by news field reporters.

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MD: Mini DV Cam/md-l-mimedigest V2 #461

1999-12-20 Thread Rodney Peterson


Wait a minute, Christopher Spalding, genius, excellent person, etc. You
were the one who initially said the PC100 was the 3CCD DV Cam version of
the TRV900. I and several others on this list then pointed out the
DCR-PC100 is not the DV Cam 3CCD version of the TRV900. The DSR-PD-100
is the 3CCD DV Cam version of the TRV900. The DCR-PC100, which you have
been reading the manual of, of course, doesn't mention a 3CCD because it
is, in fact, a single chip Mini DV Camera. You just got the model
numbers wrong, they are really similar. DSR-PD-100 is the 3CCD DV Cam
version of the TRV900, the DCR-PC-100 is the 1070k single chip multi CCD
Mini DV Cam that has since been revealed by Graham Baker to actually be
a 680k CCD for video, exactly the same as the TRV10. Anyway, while on
the subject, Graham, could you please post an E-Mail address to
subscribe to for those of us interested in joining the DV-L list.
Thanks.

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Re: MD: Mini DV Cam/md-l-mimedigest V2 #461

1999-12-20 Thread Graham Baker


- Original Message -
From: Rodney Peterson [EMAIL PROTECTED]

 Graham, could you please post an E-Mail address to
 subscribe to for those of us interested in joining the DV-L list.
 Thanks.


All about DV-L: http://www.DVCentral.org/thelist.html



There is also a very active TRV900 list:

if you want to subscribe send an empty email to -
mailto:[EMAIL PROTECTED]

and a brilliant TRV900 web page that rivals Ricks MDCP (but not
quite:-)

http://www.bealecorner.com/trv900/index.html


Cheers
GB
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RE: MD: Mini DV

1999-12-19 Thread Rick Pali


From: Rodney Peterson

 video played back on TV comes much closer to looking like
 live news on cable than even an average DVD.

Most DVD source material is film...

Rick.
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Re: MD: Mini DV

1999-12-19 Thread Kevin Williams


I don't know how you watch your DVD's but I watch thru S-Video and it LOOKS
SUPURB. Maybe some of you don't have the ability to do this. Even thru RCA
cables it looks better than regular cable by far. The only thing I would
compare DVD to is Satellite and Laserdisc.
- Original Message -
From: Rick Pali [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, December 17, 1999 2:56 PM
Subject: RE: MD: Mini DV



 From: Rodney Peterson

  video played back on TV comes much closer to looking like
  live news on cable than even an average DVD.

 Most DVD source material is film...

 Rick.
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 [EMAIL PROTECTED]
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MD: Mini DV

1999-12-17 Thread Rodney Peterson


Yes, I have noticed problems with this format as well as all other
consumer grade formats that I doubt the DV Cam could improve much on. No
matter what I do, even with the TRV900, colors are never completely
accurate and video played back on TV comes much closer to looking like
live news on cable than even an average DVD. The TRV900 was the first
video camera I ever owned, and somehow I expected more. The film looked
best on the camera's 3 inch swivel LCD screen, despite the many failings
of LCD. Even then, the colors are not 100% accurate but when I play it
back on a larger screen it's even more evident. It just doesn't get to
the point of looking like really great film, no matter what. Maybe
consumer DVD camcorders can finally change this when they happen.

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