Re: MD: recompressing (was MiniDisc Your Music)

2001-02-21 Thread Timothy Stockman


I have several MDs of assorted jazz that were downloaded from MP3.com as 128K MP3's.  
I've used CoolEdit 2000 to decompress and play them via S/PDIF (TOSlink) to the MDS-PC 
recorder.   I've noticed very few artifacts that I can attribute to the MDs ATRAC 
encoding.  The biggest problem with 128K MP3 in general seems to be in the treble; it 
sometimes it sounds 
almost like a recording made with a cheap microphone.   This sound is there when I 
play the file directly from the computer and the MD faithfully reproduces this 
problem.  MDs made from CDs 
or LPs do not exhibit this.  My opinion is that the additional audible damage incured 
when recording from 128K MP3s to MD is miniscule. Factors such as choice of MP3 
decoder and type of 
connection between the PC and MD probably have far more of an audible effect than the 
ATRAC artifacts..



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MD: recompressing (was MiniDisc Your Music)

2001-02-20 Thread David W. Tamkin


Don Capps asked,

| This is the kind of thing I just don't understand.  ...  If you take
| an MP3, RA, WM, LA, or any OTHER type of compressed audio file you care to
| name, and record that file to minidisc, it has just been compressed again.
| Data has been lost not once but twice. This simply HAS to have deleterious
| effects on fidelity.

Someone else brought that up just a couple weeks ago.

You aren't recompressing compressed data; you are compressing the decom-
pressed output of a previous compression.  The various codecs have overlap
in what they consider expendable; they are not orthogonal to one another.

If you record the output of a 12:1 MP3 file to MD at 5:1, the result will be
worse than 12:1, but it won't be as bad as 60:1.  Try it for yourself.

By the same token, re-ATRACking an MD track results in something a little
worse than 5:1, but not in 25:1.

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Re: MD: recompressing (was MiniDisc Your Music)

2001-02-20 Thread John Small


On Tue, 20 Feb 2001 10:50:17 -0600 (CST), "David W. Tamkin" [EMAIL PROTECTED]
wrote:

If you record the output of a 12:1 MP3 file to MD at 5:1, the result will be
worse than 12:1, but it won't be as bad as 60:1.  Try it for yourself.

By the same token, re-ATRACking an MD track results in something a little
worse than 5:1, but not in 25:1.

I have not conducted this test, but I have been told by those that have, that
you can re-record MD in ANALOG about 8x before you will hear audible
degradation.  If so, I don't see the issue the mp3 ... it should sound just fine
(if you liked it to start with).

-jts Arlington, TX
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Re: MD: recompressing (was MiniDisc Your Music)

2001-02-20 Thread Stainless Steel Rat


* "David W. Tamkin" [EMAIL PROTECTED]  on Tue, 20 Feb 2001
| If you record the output of a 12:1 MP3 file to MD at 5:1, the result will be
| worse than 12:1, but it won't be as bad as 60:1.  Try it for yourself.

And may in fact be undetectable, depending on the MP3 encoder and decoder
used.

| By the same token, re-ATRACking an MD track results in something a little
| worse than 5:1, but not in 25:1.

IIRC it takes five analog generations before degradation becomes noticeable,
and ten or more before audio quality is reduced below acceptable levels (ie,
audio casette).
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Re: MD: recompressing (was MiniDisc Your Music)

2001-02-20 Thread Don Capps


From: "David W. Tamkin" [EMAIL PROTECTED]

 You aren't recompressing compressed data; you are compressing the
decompressed output of a previous compression.  The various codecs have
overlap in what they consider expendable; they are not orthogonal to one
another.

David, I'm not sure exactly what you mean by the statement : "You aren't
recompressing compressed data; you are compressing the decompressed output
of a previous compression." As I understand it, in MP3 compression (as in MD
compression) data is thrown away...ie: lost forever. Hence the term "lossy
compression". The data thrown away in the compression process is gone, never
to be recovered again.

Now, I am aware that converting an MP3 back into a .wav file produces a VERY
large file similar in size, if not exactly the same size as the original
.wav file. But I was under the impression that this was accomplished by use
of an interpolative filter which essentially "guesses" how the file should
look when reconstructed. Am I wrong about this?

Now, as to what degree of compression occurs when that file is then rencoded
to MD, here I will have to confess complete ignorance. But I venture to say
that at least SOME additional data is lost, thereby compromising fidelity
that much further.

Don C.


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Re: MD: recompressing (was MiniDisc Your Music)

2001-02-20 Thread las


Don Capps wrote:

  But I venture to say
 that at least SOME additional data is lost, thereby compromising fidelity
 that much further.


The point that David, Ratman and others have tried to make to you is that yes
this is some additional compression when you record MP3 files on to MD, but the
compression is not a direct multiple of each compression scheme.

The important point is that they have tried to make is that the lose involved is
too small to be audible by the human ear.

The perfect example they gave was making copies of MDs.  The original loss is
the most significant.  After that they (I assume that some of the people making
the statements have actually tried this at home) notice no audible difference
for several generations.

To actually "see" this you would have to be able to "look" at the bits after
decoding the MP3 or MD.  The wave files of a decoded MP3 files is probably a
good example.  You are "putting stuff back" so to speak.

larry

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