Re: [MOPO] MoviePosterBid: Special Event Auctiom Images Are Up

[JR]

Rich,

You are too be congratulated at having staged one nice group of posters for the 
July 30th event auction at MoviePosterBid.com -- I'll have to start saving now. 

-- JR
 

- Original Message - 
From: "Richard Halegua Comic Art" <[EMAIL PROTECTED]>
To: 
Sent: Monday, July 03, 2006 19:25
Subject: [MOPO] MoviePosterBid: Special Event Auctiom Images Are Up


> Hiya Folks
> 
> all the thumbnail images for the 900+ items in the July 30th Special 
> Event Auction are now online
> 
> http://www.movieposterbid.com/events.html
> 
> some highlights of this auction include
> 
> A Day At the Races 1935 Window card Hirshfeld art
> Woman in the Moon 1929 Swedish 1 sheet
> Charlie Chan's Courage 1935 lobby cards
> White Sister 1931 lobby cards
> Frankenstein 1951 roadshow style Jumbo Window Card
> Nightmare Alley 1950 aussie 1 shet
> Creature From the Black Lagoon 1953 German 1 sheet & 3-d style Belgian
> Dr No 1963 6 sheet
> Saul Bass posters
> Marilyn Monroe posters & Lobby Cards
> Seven Year Itch 1956 Pressbook
> the Enforcer 1977 HS
> Rare Star Wars window banners from Taco Bell
> Force of Evil 1947 3 sheet
> Breakfast at Tiffany's  1961 German 1 sheet INCREDIBLE ART
> 
> plus more than 900 more US & Non-US posters, lobby cards, pressbooks, 
> 1sheet, 3 sheet, 6 sheet from 1910's to 1990's including a section of 
> 150 sci-fi & horror posters in a Five Session Event starting at 12:00 
> Noon pacific time on July 30th
> 
> and to help all of you bidders, we expect that a bid sniper will be 
> available through Paragon Inc will be available to help you all bid.
> Be watching for more news on this soon.
> 
> thanks for looking
> Rich=
> 
> http://www.movieposterbid.com/
> 
>  Visit the MoPo Mailing List Web Site at www.filmfan.com
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> 
>Send a message addressed to: [EMAIL PROTECTED]
> In the BODY of your message type: SIGNOFF MOPO-L
> 
> The author of this message is solely responsible for its content.
> 
> 
> 

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Re: [MOPO] MoviePosterBid: Special Event Auctiom Images Are Up

[Saul H. Chapman, Ph.D]

NIIICEEE!! 
Very, very Nice!!!


Saul

- Original Message - 
From: "Richard Halegua Comic Art" <[EMAIL PROTECTED]>

To: 
Sent: Monday, July 03, 2006 6:25 PM
Subject: [MOPO] MoviePosterBid: Special Event Auctiom Images Are Up



Hiya Folks

all the thumbnail images for the 900+ items in the July 30th Special Event 
Auction are now online


http://www.movieposterbid.com/events.html

some highlights of this auction include

A Day At the Races 1935 Window card Hirshfeld art
Woman in the Moon 1929 Swedish 1 sheet
Charlie Chan's Courage 1935 lobby cards
White Sister 1931 lobby cards
Frankenstein 1951 roadshow style Jumbo Window Card
Nightmare Alley 1950 aussie 1 shet
Creature From the Black Lagoon 1953 German 1 sheet & 3-d style Belgian
Dr No 1963 6 sheet
Saul Bass posters
Marilyn Monroe posters & Lobby Cards
Seven Year Itch 1956 Pressbook
the Enforcer 1977 HS
Rare Star Wars window banners from Taco Bell
Force of Evil 1947 3 sheet
Breakfast at Tiffany's  1961 German 1 sheet INCREDIBLE ART

plus more than 900 more US & Non-US posters, lobby cards, pressbooks, 
1sheet, 3 sheet, 6 sheet from 1910's to 1990's including a section of 150 
sci-fi & horror posters in a Five Session Event starting at 12:00 Noon 
pacific time on July 30th


and to help all of you bidders, we expect that a bid sniper will be 
available through Paragon Inc will be available to help you all bid.

Be watching for more news on this soon.

thanks for looking
Rich=

http://www.movieposterbid.com/

Visit the MoPo Mailing List Web Site at www.filmfan.com
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[EMAIL PROTECTED]

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   The author of this message is solely 
responsible for its content. 


Visit the MoPo Mailing List Web Site at www.filmfan.com
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[MOPO] MoviePosterBid: Special Event Auctiom Images Are Up

[Richard Halegua Comic Art]

Hiya Folks

all the thumbnail images for the 900+ items in the July 30th Special 
Event Auction are now online


http://www.movieposterbid.com/events.html

some highlights of this auction include

A Day At the Races 1935 Window card Hirshfeld art
Woman in the Moon 1929 Swedish 1 sheet
Charlie Chan's Courage 1935 lobby cards
White Sister 1931 lobby cards
Frankenstein 1951 roadshow style Jumbo Window Card
Nightmare Alley 1950 aussie 1 shet
Creature From the Black Lagoon 1953 German 1 sheet & 3-d style Belgian
Dr No 1963 6 sheet
Saul Bass posters
Marilyn Monroe posters & Lobby Cards
Seven Year Itch 1956 Pressbook
the Enforcer 1977 HS
Rare Star Wars window banners from Taco Bell
Force of Evil 1947 3 sheet
Breakfast at Tiffany's  1961 German 1 sheet INCREDIBLE ART

plus more than 900 more US & Non-US posters, lobby cards, pressbooks, 
1sheet, 3 sheet, 6 sheet from 1910's to 1990's including a section of 
150 sci-fi & horror posters in a Five Session Event starting at 12:00 
Noon pacific time on July 30th


and to help all of you bidders, we expect that a bid sniper will be 
available through Paragon Inc will be available to help you all bid.

Be watching for more news on this soon.

thanks for looking
Rich=

http://www.movieposterbid.com/

Visit the MoPo Mailing List Web Site at www.filmfan.com
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[MOPO] FS: Posteropolis Update - Horror, Sci-Fi, Rock 'n' Roll!

[Dave Rosen]

Hi:
 
I've just updated my site for 
July with about three dozen more posters and lobby cards, 
including a number of very sought-after and hard-to-find 
items!
 

You can see all these great 
items on my What's New page: http://posteropolis.com/ennew.html
 
Among the titles are:

  Creepshow 
  The Day the Earth Stood Still 
  Donovan's Brain 
  Female Jungle 
  Five Easy Pieces 
  Forbidden Planet 
  Giant From the Unknown 
  Glen or Glenda (I Led 2 Lives) 
  Isle of the Dead 
  The Killers 
  King Creole 
  King Dinosaur 
  Man of a Thousand Faces 
  Mister Rock and Roll 
  Pickup Alley 
  Riot on Sunset Strip 
  Rosie the Riveter 
  Satellite in the Sky 
  The Secret Code 
  Teenage Monster 
  Tom and Jerry Festival of Fun 
  The Toxic Avenger
...and more!!
 


As always, I offer choice items, solid 
packing, quick delivery and secure, convenient online shopping. 
 
Enjoy!
 
Dave Rosen
Posteropolis Vintage Movie Posters
www.posteropolis.com
 
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[MOPO] belgian high noon in hershenson auction

[Alan Heimann]

bruce added info that this is a reiisue which i believe is correct...i have
never seen the belgian original...is it the same poster without kelly in
credits or different image...if any body can send me the image or direct me
to a picture i would appreciate it..happy holiday to all mopo...Alan

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[MOPO] FA CLOSING! OldMan&Sea,MyraBreckinridge,HauntedPalace,JackTheRipperMORE REDUCED!

[Rixposterz]

Hi, Everyone,
 
  I have over 20 Auctions closing within 8 TO 9 HOURS, all at opening 
bids ALMOST CUT IN HALF--some true CLASSIC TITLES! Please take a look! Link all 
auctions & partial list is below:  Thanks very much, Rick
  http://search.ebay.com/_W0QQsassZrixposterzQQhtZ-1
THE OLD MAN AND THE SEA (Spencer Tracy,1958) Orig US Insert GREAT 
ART!  $24.99!!
OLD OVERLAND TRAIL (Rex Allen, 1952) Orig US 3 Sheet LOOK!!! $19.99!!
JACK THE RIPPER (HORROR, 1960) Orig US One Sheet $14.99!!
TOKYO FILE 212 (Vintage FILM NOIR, 1951) Orig Poster GREAT ART!! 
$14.99!!
MYRA BRECKINRIDGE (Raquel Welch, Mae West,1970) Orig US LC Set NM SEXY! 
$19.99
HAUNTED PALACE (Lon Chaney, Vincent Price,1963) Orig US LC GREAT SCENE 
$14.99!!
GOODBYE MR. CHIPS (Garson, Donat) US 1/2 Sheet MINT!! 1939 ART!! 
$14.99!!
THE SCALPHUNTERS (Lancaster,Sturges,1968) Orig Style B US OS MINT 
$19.99!!
VALACHI PAPERS (Bronson, MAFIA,1972) Orig US One Sheet BEST STYLE!! 
$14.99!!
THE PSYCHOPATH (Hammer Horror,1966) Orig US One Sheet CREEPIEST ART! 

$14.99!!
   These 
are only about HALF of my auctions closing TONIGHT!!
    
Thanks again for looking, Rick
http://search.ebay.com/_W0QQsassZrixposterzQQhtZ-1
 
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Re: [MOPO] "Prada" dents "Superman Returns" box office.

[Toochis Morin]

I'm going to see DWP tonight and I'm sure Meryl will be stellar.  I saw SUPERMAN last night.  It was a full house at the Egyptian.  What bothered me about the film is they gave Routh nothing to do.  I don't think the actor should get the brunt especially when the whole cast was pretty stilted as well.  While it's okay to go for the Messiah myth, it would have been nice to give him some depth...dare I say, humanity.  There was no character development.  I felt the filmmakers took themselves too seriously.And they did not use Eva Marie Saint enough.  I met her just after she finished filming Superman and she was so delighted and enjoyed the entire workinig experience.That said, this audience went along for the ride.  They enjoyed it and clapped after it was over.  People were in the mood for this film and even though it underdelivered, the audience took it to the finish line.ToochisKirby
 McDaniel <[EMAIL PROTECTED]> wrote: I saw this too yesterday.  RECOMMENDED!K.On Jul 3, 2006, at 4:09 AM, David Kusumoto wrote:> In this morning's WSJ, see bottom of this note.>> ** Meanwhile, caught a "Prada" late showing.  Channing was right;  > it is more enjoyable than "Superman Returns" but not in ways I  > expected.>> ** "The Devil Wears Prada" is a wisp of a movie with a linear rags  > to riches Cinderella structure w/the obligatory princess being  > forced to choose between an upscale career and shallow boyfriend  > vs. a down-home and more "pure" career with a different boyfriend.>> ** But it's beautifully cast in ways that makes one forgive  > simplistic formulas; Streep is magificent and Hathaway is radiant  > -- it's
 great to see Streep re-capture the glamour for which she's  > always been capable, but not seen rarely in recent films; her looks  > are flamboyant but her performance is not; this is minimalist  > Streep and she's marvelous.>> ** The film has been altered from the book to give Streep's  > character a dose of humanity/insecurity and is the better for it;  > it's a great, fact-based story, though gussied-up and "MTV'd" a bit  > too much to cater to women, which represents the bulk of this  > film's audience.  Note that more men made "Superman Returns" the  > champ this weekend; women tend to be less enthusiastic or are being  > dragged along by their boyfriends.>> ** But Streep commands "Prada" like a true star.  The film has a  > very smug and satisfying ending; you end up hating and rooting for  > her character at the same time; I don't think Streep would have 
 > taken the role otherwise.  It's a defining role in her stellar  > career.  I hope Oscar voters remember this performance, but I doubt  > they will.>> ** And Anne Hathaway has made me forgive her horrible performance  > in "Brokeback Mountain."  She has the perfect look and persona to  > pull off her tranformation from wide-eyed innocent to New York  > designer label babe without making you wince.  And New York and  > Paris have never looked more glamorous and romantic.>> ** BTW, back to "Superman Returns."  One thing I keep forgetting to  > mention is it was shot almost entirely in Australia.  Yet another  > US-financed picture shot in Sydney!  What is going on that has made  > the land "down under" the optimum venue to shoot blockbuster  > films?  It's gotta be more than just cost.  Any of our Aussie  > friends on MoPo have ideas?  20th Century Fox goes to
 Mexico to  > shoot its sea-faring films and then to Australia to have it stand  > in for New York.>> -koose.>> ===>> Monday, July 3, 2006> WALL STREET JOURNAL> 'Superman' Performs Solidly,> But 'Prada' Dents Take> By KATE KELLY>> "Superman Returns," Warner Bros. Entertainment's reinvention of the  > Man of Steel franchise, sold $52.2 million in tickets in U.S.  > theaters during its opening weekend, as the fashion-industry satire  > "The Devil Wears Prada" siphoned off many female moviegoers.>> That estimated three-day performance for "Superman" placed it  > firmly within the top five Independence Day film releases, and the  > film has taken in $84.2 million since its release late Tuesday night.>> But it couldn't top last year's "War of the Worlds" or 2004's  > "Spider-Man II." Moreover,
 "Superman" next weekend faces Walt  > Disney Co.'s "Pirates of the Caribbean: Dead Man's Chest," which is  > performing extremely well in pre-release audience polls.>> Executives at Warner Bros., a unit of Time Warner Inc., said they  > were pleased with the performance of "Superman." Dan Fellman,  > Warner's president of domestic distribution, said the five-day  > performance was a record for the studio and predicted the film  > would take in about $110 million during its first full week.>> "Any time you do $100 million in seven days, you're in good shape,"  > he said.>> Overseas, the film took in an estimated $19.8 million in 11  > territories that included Australia and parts of Asia.>> "Superman Returns" was a labor of love for Warner Bros. The studio  > spent more than 10 years tinke

[MOPO] FA: Please take a look at this Rarity!

[Smith, Grey - 367]

  
  

  Lonesome Ghosts Come to 
  Heritage!
  
  
  Before Carl Kolchak kept the world safe from 
  supernatural beasties, before Bill Murray and the Ghostbusters first got 
  slimed, even before Scooby Doo and the gang first fired up the Mystery 
  Machine, there was another who kept the world safe from ectoplasmic 
  entities. His name was Mickey Mouse.
  By 1937, Mickey had almost a decade of experience 
  under his animated belt. Originally a solo star, Disney execs had started 
  teaming Mickey with Donald Duck and Goofy with increasing regularity 
  beginning in 1935. The results were some of the funniest cartoons of 
  Mickey's career.
  Lonesome Ghosts (1937) was by no means 
  Mickey's first encounter with the supernatural; that honor would go to 
  Haunted House (1929). It was, however, his first outing as a 
  "Ghostbuster" with Donald and Goofy, and is fondly remembered as one of 
  the best Disney cartoons of the 1930s.
  When Disney signed with distributor RKO in 1937, they 
  ceased producing one sheets for their shorts, a practice that would 
  continue until late 1938. In the 
  meantime, they created strikingly beautiful - and exceedingly rare - 30" x 
  40" silkscreen posters to promote their films. The oversized sheets (one 
  sheets typically measure 27" x 41") have proven quite popular with 
  collectors on the infrequent occasions that they are offered.
  Making this particular poster even more desirable, is that this is the only known copy of 
  the 30" x 40" for Lonesome Ghosts, all the rest having been lost 
  to the ravages of time. Paperbacked and in lovely condition, this 
  exquisite poster is sure be one of the stars of our upcoming 
  auction.
  Rare Disney material has proven quite popular in our 
  last few Signature auctions. Earlier 
  this year, in our March 2006 auction, we sold the one sheet to The Mad 
  Doctor for an impressive $138,000. That same auction saw the one 
  sheet to Mickey's Nightmare fetch $54,625. As our offering of 
  Lonesome Ghosts is the only copy known to exist, I'm anxious to 
  see the bidding frenzy that this poster will create.
  The Lonesome Ghosts (RKO, 1937) Poster (30" X 
  40") will be offered in Heritage Auction Galleries' upcoming Vintage Movie 
  Poster Signature Auction, to be held July 12 & 13, 2006 in Dallas, 
  Texas. For more information, or to bid online, please visit www.HeritageAuctions.com/MoviePosters.
  Lonesome Ghosts (RKO, 1937) Poster (30" X 
  40")Estimate: $25,000 - 
  $45,000
  For more information about Heritage's auctions, and a 
  complete record of prices realized, along with full-color, enlargeable 
  photos of each lot, please visit www.HeritageAuctions.com.
  Prospective consignors and sellers of vintage movie 
  posters and related material should contact Grey Smith at 1-800-872-6467, 
  ext. 367, or 214-252-4367, or email [EMAIL PROTECTED].
  To reserve your copy of any Heritage auction catalog, 
  please contact Nicole Jewell at 1-800-872-6467, ext. 272, or visit 
  www.HeritageAuctions.com to order 
  by 
email.
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[MOPO] FA Triffids, Point Blank, Thos Crown, Elvis, SciFi, Spielberg, Hitchcock CLOSING

[OneSheet]

I currently have 19 listings on eBay, 8 of which will close this evening.
 
A DAY OF THE TRIFFIDS 1-sheet is at $68.  A rare DUEL 1-sheet, from Spielberg's first feature is at $31.  An original ELVIS PRESLEY 1-sheet from 1965, is at $56.  A DRACULA'S DOG 1-sheet with great graphics is still at .99 cents!  Lots of bargains to be had!
 
Aren't you tired of bidding on listings that fail to sell because the reserve has not been reached?  All my listings have opening bids of .99 cents, with NO RESERVES!  Each and every listing WILL SELL.  
 
Among my listings are the following items:
 


DAY OF THE TRIFFIDS, orig 1962 1-sheet, HORROR Classic!

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170002718096&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $68.00
 



THE DAY THE EARTH FROZE, orig mint 1963 1-sheet, SCI-FI
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170002718643&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1





Current Bid $22.50
 

THE DAY THE EARTH CAUGHT FIRE, orig 1962 SCI-FI 1-sheet

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=008&item=180002404628&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $2.22
 



STEVE McQUEEN, orig'l 1968 3-sheet, THOMAS CROWN AFFAIR
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170001236147&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1

Current Bid $335.00
 




POINT BLANK, orig 1967 1-sheet, Lee Marvin CULT CLASSIC
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=008&item=180001197602&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $179.50
 


STEVEN SPIELBERG, rare orig MINT 1st Film 1-sheet, DUEL
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170001237084&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $31.00
 

DRACULA VS FRANKENSTEIN, original 1971 1-sheet, HORROR!
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170002723392&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1

Current Bid $13.33
 




DRACULA'S DOG, orig 1978 1-sheet, Great Graphic Image!
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170002725575&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $0.99
 







DUNWICH HORROR, original mint 1970 1-sheet, SANDRA DEE
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=008&item=180002407395&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1

Current Bid $13.44
 
DEAD ZONE, orig 1983 1-sheet, CRONENBERG & STEPHEN KING
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=008&item=180002407892&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1

Current Bid $0.99
 

DR TERRORS HOUSE OF HORROR, '65 1-sheet CUSHING & LEE
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=008&item=180002408664&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $10.50
 

THE DEAD ARE ALIVE, orig 1972 1-sheet STRIKING GRAPHICS





http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170002730372&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $5.05
 



DR. PHIBES RISES AGAIN, original 1972 1-sheet, V. PRICE
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170002733258&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $6.66
 
DR GOLDFOOT & THE GIRL BOMBS, orig '66 1-sheet, V PRICE

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=008&item=180002411554&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $6.66












 








ALFRED HITCHCOCK, original 1966 1-sheet, TORN CURTAIN





http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170001237351&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $28.00
 
TRUE ROMANCE original mint 1993 1-sheet, cult TARANTINO

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=008&item=180001198352&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $15.55
 
CLINT EASTWOOD, original mint 1984 1-sheet, TIGHTROPE

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=008&item=180001198452&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $3.08
 




TO SIR WITH LOVE, original 1967 1-sheet, SIDNEY POITIER

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170001237861&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $5.05
 




ELVIS PRESLEY & Girls, original 1965 1-sheet, TICKLE ME
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=007&item=170001238094&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1
Current Bid $53.69
 






All with NO RESERVE!  Everything will sell!
 
All my listings can be viewed by doing an eBay SELLER SEARCH, using my eBay Screen name, ONESHEET, or by following the link below:
 


Items for Sale by onesheet ( 2847)
 

http://search.ebay.com/_W0QQsassZonesheetQQhtZ-1QQfrppZ200QQfsopZ1QQfsooZ1QQrdZ0
 
I will be listing MANY, MANY more posters, lobby cards, and ephemera in coming weeks. 
 
Everything sold with a no questions asked, unconditional money back guarantee.  100% Positive Feedback in over 10,100 transactions!
 
Thanks for looking!
 
Marty DavisVintage Film Posters43215 N. National TrailAnthem, AZ 85086623/551-6655623/551-6622 fax[EMAIL PROTECTED]OneSheet (eBay Screen Name)www.vintagefilmposters.com
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[MOPO] FA: 107 glass slides

[abe]

This message serves as public announcement for public auction of the vintage glass slides listed below. All lots start at $2.99 without the hindrance of reserve and close Sunday July 9th.  Thanks for looking!-abe
ebay seller id: (abe)direct link: http://stores.ebay.com/abes-vintage-hollywood-store_Glass-Slides_W0QQcolZ4QQdirZ1QQfsubZ16QQftidZ2QQtZkm
260002820209    42nd Street '33 Dick Powell, Una Merkel glass slide250002774483    A Lady's Morals '30 Grace Moore pressbook250002774488    Africa Speaks '30 documentary glass slide260002820229    Alias French Gertie '30 Bebe Daniels pressbook
250002774491    Apache Kid's Escape, The '30 Jack Perrin glass slide250002774492    Check and Double Check '30 Amos 'n' Andy glass slide250002774494    Compassionate Marriage '28 Betty Bronson pressbook250002774496    Dancers, The '30 Lois Moran, Walter Byron glass slide
250002774499    Dancing Vienna '27 Ben Lyon, Lya Mara glass slide250002774506    Danger Lights '30 Louis Wolheim pressbook260002823101    Du Barry Woman of Passion 30 Norma Talmadge glass slide250002774508    Eagle and the Hawk, The '33 Fredric March glass slide
260002820254    Earthworm Tractors '36 Joe E. Brown glass slide250002774512    East Of Borneo '31 Rose Hobart glass slide260002820257    Easy To Love '30 Adolphe Menjou glass slide260002820263    Elmer, The Great '33 Joe E. Brown glass slide
250002774521    Empty Saddles '36 Buck Jones, Louis Brooks glass slide260002820269    End Of The Trail '36 Jack Holt glass slide260002820274    Eskimo '33 Edgar Dearing, Peter Freuchen glass slide260002820281    Every Saturday Night '36 June Lang glass slide
260002820291    Eyes of the World, The '30 Una Merkel glass slide260002820296    Falcon in San Francisco, The '45 Tom Conway glass slide250002774545    Fighting Texans '33 Rex Bell, Luana Walters glass slide
260002820304    First Baby, The '36 Johnny Downs glass slide250002774558    Florodora Girl, The '30 Marion Davies glass slide250002774570    From Headquarters '33 George Brent glass slide250002774602    Frontier Pony Express '39 Roy Rogers glass slide
250002774605    Fugitive Sheriff, The '36 Ken Maynard glass slide260002820356    Gun Law '33 Jack Hoxie glass slide250002774609    Hells Angels '30 Howard Hughes, Jean Harlow glass slide260002820364    Henry Goes Arizona '39 Frank Morgan glass slide
250002774617    Her Unborn Child '30 Adele Ronson glass slide250002774619    Hot for Paris '29 Victor McLaglen glass slide250002774623    Interference '28 William Powell glass slide260002820372    Just Imagine '30 El Brendel glass slide
250002774627    Last of the Duanes '30 George O'Brien glass slide250002774630    Law of the Pampas '39 William Boyd glass slide260002820381    Lightnin' '30 Will Rogers, Louise Dresser glass slide250002774634    Liliom '30 Charles Farrell, Rose Hobart glass slide
250002774638    Lone Star Ranger, The '30 George O'Brien glass slide250002774644    Lottery Bride '30 Jeanette MacDonald glass slide250002774635    Love in the Rough '30 Robert Montgomery glass slide260002820387    Me, Ganster '28 June Collyer, Don Terry glass slide
250002774650    Men on Call '30 Edmund Lowe, Mae Clarke glass slide250002774655    Min and Bill '30 Marie Dressler glass slide250002774659    Mind Reader, The '33 Warren William glass slide260002820413    Nagana '33 Tala Birell, Melvyn Douglas glass slide
250002774672    Near the Trail's End '31 Bob Steele glass slide260002820425    Night Ride '30 Joseph Schildhraut glass slide250002774682    Night Watch '28 Billie Dove glass slide260002820435    North of the Rio Grande '37 William Boyd glass slide
260002820439    Oh, For A Man '30 Jeanette MacDonald glass slide250002774693    Only Angels Have Wings '39 Cary Grant glass slide260002820448    Paid '30 Joan Crawford, Robert Armstrong glass slide260002820453    Paradise Island '30 Kenneth Harlan glass slide
250002774704    Part Time Wife '30 Edmund Lowe, Leila Hyams glass slide260002820391    Passion Flower '30 Kay Francis glass slide260002820399    Pennies Form Heaven '36 Bing Crosby glass slide260002820404    Phantom of the Desert, The '30 Jack Perrin glass slide
260002823111    Princess and the Plumber 30 Charles Farrell glass slide250002774666    Raffles '30 Ronald Colman glass slide250002774671    Range War '39 William Boyd, Russell Hayden glass slide250002774675    Red Canyon '49 Ann Blyth, Howard Duff glass slide
250002774680    Renegade Trail '39 William Boyd glass slide260002820434    Renegades '30 Warner Baxter, Myrna Loy glass slide250002774692    Romance of the Underworld '28 Mary Astor glass slide250002774696    Scotland Yard '30 Joan Bennett, Edmund Lowe glass slide
260002820452    Sea Bat, The '30 Charles Bickford glass slide260002820460    Sea Wolf, The '30 Milton Sills, Jane Keith glass slide250002774714    Slightly Scarlet '30 Evelyn Brent glass slide260002820471    Sorrell and Son '27 
H.B. Warner glass slide260002820402    Storm, The '30 Lupe Velez, Paul Cavanagh glass slide250002774664    S

Re: [MOPO] "Prada" dents "Superman Returns" box office.

[Kirby McDaniel]

I saw this too yesterday.  RECOMMENDED!

K.


On Jul 3, 2006, at 4:09 AM, David Kusumoto wrote:


In this morning's WSJ, see bottom of this note.

** Meanwhile, caught a "Prada" late showing.  Channing was right;  
it is more enjoyable than "Superman Returns" but not in ways I  
expected.


** "The Devil Wears Prada" is a wisp of a movie with a linear rags  
to riches Cinderella structure w/the obligatory princess being  
forced to choose between an upscale career and shallow boyfriend  
vs. a down-home and more "pure" career with a different boyfriend.


** But it's beautifully cast in ways that makes one forgive  
simplistic formulas; Streep is magificent and Hathaway is radiant  
-- it's great to see Streep re-capture the glamour for which she's  
always been capable, but not seen rarely in recent films; her looks  
are flamboyant but her performance is not; this is minimalist  
Streep and she's marvelous.


** The film has been altered from the book to give Streep's  
character a dose of humanity/insecurity and is the better for it;  
it's a great, fact-based story, though gussied-up and "MTV'd" a bit  
too much to cater to women, which represents the bulk of this  
film's audience.  Note that more men made "Superman Returns" the  
champ this weekend; women tend to be less enthusiastic or are being  
dragged along by their boyfriends.


** But Streep commands "Prada" like a true star.  The film has a  
very smug and satisfying ending; you end up hating and rooting for  
her character at the same time; I don't think Streep would have  
taken the role otherwise.  It's a defining role in her stellar  
career.  I hope Oscar voters remember this performance, but I doubt  
they will.


** And Anne Hathaway has made me forgive her horrible performance  
in "Brokeback Mountain."  She has the perfect look and persona to  
pull off her tranformation from wide-eyed innocent to New York  
designer label babe without making you wince.  And New York and  
Paris have never looked more glamorous and romantic.


** BTW, back to "Superman Returns."  One thing I keep forgetting to  
mention is it was shot almost entirely in Australia.  Yet another  
US-financed picture shot in Sydney!  What is going on that has made  
the land "down under" the optimum venue to shoot blockbuster  
films?  It's gotta be more than just cost.  Any of our Aussie  
friends on MoPo have ideas?  20th Century Fox goes to Mexico to  
shoot its sea-faring films and then to Australia to have it stand  
in for New York.


-koose.

===

Monday, July 3, 2006
WALL STREET JOURNAL
'Superman' Performs Solidly,
But 'Prada' Dents Take
By KATE KELLY

"Superman Returns," Warner Bros. Entertainment's reinvention of the  
Man of Steel franchise, sold $52.2 million in tickets in U.S.  
theaters during its opening weekend, as the fashion-industry satire  
"The Devil Wears Prada" siphoned off many female moviegoers.


That estimated three-day performance for "Superman" placed it  
firmly within the top five Independence Day film releases, and the  
film has taken in $84.2 million since its release late Tuesday night.


But it couldn't top last year's "War of the Worlds" or 2004's  
"Spider-Man II." Moreover, "Superman" next weekend faces Walt  
Disney Co.'s "Pirates of the Caribbean: Dead Man's Chest," which is  
performing extremely well in pre-release audience polls.


Executives at Warner Bros., a unit of Time Warner Inc., said they  
were pleased with the performance of "Superman." Dan Fellman,  
Warner's president of domestic distribution, said the five-day  
performance was a record for the studio and predicted the film  
would take in about $110 million during its first full week.


"Any time you do $100 million in seven days, you're in good shape,"  
he said.


Overseas, the film took in an estimated $19.8 million in 11  
territories that included Australia and parts of Asia.


"Superman Returns" was a labor of love for Warner Bros. The studio  
spent more than 10 years tinkering with ideas, and about $60  
million in costs for new scripts, directors, and other costs were  
written off. Ultimately, the movie cost Warner about $209 million  
to make.


During its first five days, the audience for "Superman Returns" was  
57% men. The balance was mainly women over 25, with younger women  
counting for just 16%.


"The Devil Wears Prada," the Twentieth Century Fox movie about a  
fashion-magazine assistant and her fearsome boss, took in an  
estimated $27 million in its first three days in U.S. theaters,  
driven by an audience that was 72% female.


ATOP THE BOX OFFICE
1. "Superman Returns,'' $52.15 million.
2. "The Devil Wears Prada,'' $27 million.
3. "Click,'' $19.4 million.
4. "Cars,'' $14 million.
5. "Nacho Libre,'' $6.2 million.
6. "The Lake House,'' $4.5 million.
7. "The Fast and the Furious: Tokyo Drift,'' $4.4 million.
8. "Waist Deep,'' $3.3 million.
9. "The Break-Up,' $2.8 million.
10. "The Da Vinci Code," $2.3 million.
Source: Exhibitor

Re: [MOPO] Superman, another opinion

[Phil Edwards Cinema Arts]

I can't wait to see it.
Bryan Singer is one of the most talented and interesting of directors 
working today in big budget films.


Both X-MEN 1 and 2 remain high watermarks in the comics into movies genre.

His USUAL SUSPECTS was and remains an instant classic, and APT PUPIL
tackled a difficult and uncomfortable King story extremely well.

Foxnews minions outing him as being gay (BFD) and trashing the film was 
standard Fox behaviour towards a rival
product in the marketplace. All this claptrap about the X-MEN films 
being code for "gays" is just that - claptrap and again remains no BFD.


I've just started watching the George Reeves TV series sets, and seasons 
1 and 2 (just released here) and they have a surprisingly tough edge 
here and there. I haven't seen them since my childhood (45 years ago!) 
and they are a real treat to savour and a surprising one.


Richard Donner's SUPERMAN 1 and 2 (yes, Dick Lester, etc, etc) are a 
great double feature and work really well when watched as one epic film. 
I haven't been able to watch them since Chris Reeve's tragic accident 
because I'm no good watching films through a veil of tears.


Curious what the Richard Donner SUPERMAN 1 and 2 will reveal.


Phil

Ron Wisberg wrote:

I am a fan of the original Superman films, but I'm confused how anyone 
could call this film a remake. Are there huge similarities, yes, but 
so what? Are there huge similarities one comic to the next? Sure, and 
without complaint.
 
One thing, to be clear, this film takes place 5 years after Superman 
2. Bryan Singer decidedly ignored parts 3 and 4 and that was ok, I 
ignored part 3 only minutes after I saw it (only to be reminded over 
and over again by it's seemingly never ending poster supply on ebay) 
and never saw 4. And to only notice Bryan Singer for his work in the 
X-Men films is insulting. The Usual Suspects remains one of the 
greatest directed films of the 90's, and both X-men and Superman show 
what can happen if you take a very smart director and give them comic 
book material. You get a fun, and enjoyable, and yes, overall 
intelligent and geniuine, though not genuis, film.
 
The cast is fine and the script in a dialogue sense if passable. Bryan 
Singer does share story credit and not screenplay credit. I'm sure 
he's at least somewhat responsible, but fair is fair, he didn't write 
this. And so what if he did? It's not award worthy but it's not poorly 
written. The story is really rather strong, but not without obvious 
large, okay, some huge, but action film plot holes.
 
Superman Returns is pure fun.
 
Why call it remake that the returning hero takes Lois Lane on a late 
nice New York flight again. Have you never gone back to someone you 
left? And if you did did you not attempt to relieve the more magical 
moments of your time together?
 
Well if you did, that makes you a remake. If you and you're exes most 
magical moment was a beautiful wine and cheese picnic on the top of 
your favorite hill and you try to recreate that, you aren't recreating.
 
You're a brainless remake.
 
Give me a break. In this film, and there's no real spoilers in this, 
Superman is trying to rewin Lois from a mortal, but very smart, 
capable, and rich, version of himself. So he recreates some classic 
scenes the two shared. Okay,maybe some very mild spoilers here. My 
real regret was that Lex Luther wasn't a big enough deal, theres a 
humorous moment as people discuss how important it is Superman hasn't 
been news for 5 years, and Luther is discredited beause he hasn't been 
news for 5 years. Of course, researching him at that point might have 
well, spoiled things, but it's a popcorn film, get over it.
 
Give this film a break ultimately. It's a fun film designed to remind 
people that a man can fly. Is it better than the first? Worse? Equal? 
Who cares! It's fun. I don't regreat watching it, and I feel bad for 
anyone who did and couldn't just enjoy it.
 
Ron
 
 



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[MOPO] "Prada" dents "Superman Returns" box office.

[David Kusumoto]

In this morning's WSJ, see bottom of this note.

** Meanwhile, caught a "Prada" late showing.  Channing was right; it is more 
enjoyable than "Superman Returns" but not in ways I expected.


** "The Devil Wears Prada" is a wisp of a movie with a linear rags to riches 
Cinderella structure w/the obligatory princess being forced to choose 
between an upscale career and shallow boyfriend vs. a down-home and more 
"pure" career with a different boyfriend.


** But it's beautifully cast in ways that makes one forgive simplistic 
formulas; Streep is magificent and Hathaway is radiant -- it's great to see 
Streep re-capture the glamour for which she's always been capable, but not 
seen rarely in recent films; her looks are flamboyant but her performance is 
not; this is minimalist Streep and she's marvelous.


** The film has been altered from the book to give Streep's character a dose 
of humanity/insecurity and is the better for it; it's a great, fact-based 
story, though gussied-up and "MTV'd" a bit too much to cater to women, which 
represents the bulk of this film's audience.  Note that more men made 
"Superman Returns" the champ this weekend; women tend to be less 
enthusiastic or are being dragged along by their boyfriends.


** But Streep commands "Prada" like a true star.  The film has a very smug 
and satisfying ending; you end up hating and rooting for her character at 
the same time; I don't think Streep would have taken the role otherwise.  
It's a defining role in her stellar career.  I hope Oscar voters remember 
this performance, but I doubt they will.


** And Anne Hathaway has made me forgive her horrible performance in 
"Brokeback Mountain."  She has the perfect look and persona to pull off her 
tranformation from wide-eyed innocent to New York designer label babe 
without making you wince.  And New York and Paris have never looked more 
glamorous and romantic.


** BTW, back to "Superman Returns."  One thing I keep forgetting to mention 
is it was shot almost entirely in Australia.  Yet another US-financed 
picture shot in Sydney!  What is going on that has made the land "down 
under" the optimum venue to shoot blockbuster films?  It's gotta be more 
than just cost.  Any of our Aussie friends on MoPo have ideas?  20th Century 
Fox goes to Mexico to shoot its sea-faring films and then to Australia to 
have it stand in for New York.


-koose.

===

Monday, July 3, 2006
WALL STREET JOURNAL
'Superman' Performs Solidly,
But 'Prada' Dents Take
By KATE KELLY

"Superman Returns," Warner Bros. Entertainment's reinvention of the Man of 
Steel franchise, sold $52.2 million in tickets in U.S. theaters during its 
opening weekend, as the fashion-industry satire "The Devil Wears Prada" 
siphoned off many female moviegoers.


That estimated three-day performance for "Superman" placed it firmly within 
the top five Independence Day film releases, and the film has taken in $84.2 
million since its release late Tuesday night.


But it couldn't top last year's "War of the Worlds" or 2004's "Spider-Man 
II." Moreover, "Superman" next weekend faces Walt Disney Co.'s "Pirates of 
the Caribbean: Dead Man's Chest," which is performing extremely well in 
pre-release audience polls.


Executives at Warner Bros., a unit of Time Warner Inc., said they were 
pleased with the performance of "Superman." Dan Fellman, Warner's president 
of domestic distribution, said the five-day performance was a record for the 
studio and predicted the film would take in about $110 million during its 
first full week.


"Any time you do $100 million in seven days, you're in good shape," he said.

Overseas, the film took in an estimated $19.8 million in 11 territories that 
included Australia and parts of Asia.


"Superman Returns" was a labor of love for Warner Bros. The studio spent 
more than 10 years tinkering with ideas, and about $60 million in costs for 
new scripts, directors, and other costs were written off. Ultimately, the 
movie cost Warner about $209 million to make.


During its first five days, the audience for "Superman Returns" was 57% men. 
The balance was mainly women over 25, with younger women counting for just 
16%.


"The Devil Wears Prada," the Twentieth Century Fox movie about a 
fashion-magazine assistant and her fearsome boss, took in an estimated $27 
million in its first three days in U.S. theaters, driven by an audience that 
was 72% female.


ATOP THE BOX OFFICE
1. "Superman Returns,'' $52.15 million.
2. "The Devil Wears Prada,'' $27 million.
3. "Click,'' $19.4 million.
4. "Cars,'' $14 million.
5. "Nacho Libre,'' $6.2 million.
6. "The Lake House,'' $4.5 million.
7. "The Fast and the Furious: Tokyo Drift,'' $4.4 million.
8. "Waist Deep,'' $3.3 million.
9. "The Break-Up,' $2.8 million.
10. "The Da Vinci Code," $2.3 million.
Source: Exhibitor Relations

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