Re: [MOPO] Oscars -SNOOZEABLE

2008-02-26 Thread aaroncbates
It is a shame that Greenwood's score was denied a nomination on a technicality 
that some of his music (not the Brahms or any other previously recorded music 
by other artists) had been released on other projects.  His score certainly 
played a huge part in the vibe of the film and there wasn't another score out 
there, in my mind, that was more memorable or key to the film's ability to 
work.  
I think the Coens certainly earned their oscar.  It's a shame that TWBB didn't 
show up at previous oscars since there have been so many bad years (in the way 
of nominees).  The fact that TWBB and NCFOM arrived in the same year and were 
both nominated is some kind of miracle.  PTA and the Coens have plenty of films 
left in them.
The academy awards should lay off the clip shows if only to avoid reminding the 
viewers at home how far Hollywood has fallen from the level of class it once 
had and that no matter how bad the stars were behind the scenes they could 
carry themselves in a way that was abmirable in public.  In the same vein I 
agree that John Stewert, while a funny guy in his own right, is not the right 
choice for the Oscars.  But who are we kidding?  The show as a whole is a 
disaster because people don't really hold actors or hollywood in the same 
esteem it once did.  There is a cynical viewpoint these days and the magic and 
allure of Hollywood is, in my opinion, gone and it is the 800 lbs gorilla 
lingering in the room casting a huge shadow over their vain attempt to pretend 
that the world is still mesmorized by their dog & pony-self-love-athon.  How 
many times did we have to hear actors and directors talk about how wonderful 
Hollywood is?  Even tired old Jack Nickolson tried to sell us on this!
  idea and it just sounds so creaky.  There is only a thin thread of integrity 
left in the oscars.

Still lovin the movies (the few good ones anyway)..
Aaron

 Kirby McDaniel <[EMAIL PROTECTED]> wrote: 
> Franc's comments about JONNY GREENWOOD'S score for THERE WILL BE  
> BLOOD are in line with my own.  Fantastic score from him.  Of course,  
> there WAS some
> Brahms in there.  However I thought THERE WILL BE BLOOD was a  
> magnificent movie, the best of PT Anderson's films.  As far as Best  
> Actress I would have chosen Ellen Page or the wonderful Julie  
> Christie.  LA VIE EN ROSE, for me, was jumbled, although her  
> performance was the  best thing about it.
> 
> The big disappointment for me was that HAL HOLBROOK did not win Best  
> Supporting Actor.  He was the absolute light of INTO THE WILD and his  
> role was actually a supporting role,
> which JAVIER BARDEM'S (in NO COUNTRY) was not.  I don't know what the  
> rules are that govern nominations in this category, but I've seen  
> this before.  That role was too central
> to the film - and too big - to be considered supporting.  This says  
> nothing about Bardem's performance, which I thought was great.
> 
> Kirby
> 
> On Feb 25, 2008, at 6:38 PM, Franc wrote:
> 
> > I hated both films. I thought La Vie En Rose was one of the most  
> > inept star-is-born films I’d ever seen. Here’s an example of how  
> > inept that is: just as Piaf is making her big breakthrough, she  
> > opens her mouth to sing and the director actually cuts away from  
> > the vocal track and provides an orchestra-only track with a  
> > montage. You don’t have the pleasure of a) hearing her sing or b)  
> > being finally transformed into a star. The flashbacks at the end of  
> > the film refer to scenes that were apparently cut from the film and  
> > have no reference. You just never understand from this film why  
> > this dreadful, rather plain-looking woman ever became so popular,  
> > especially given that everyone of her songs sound virtually alike.
> >
> > There Will Be Blood was so under-written and stillborn; I never  
> > felt there was any motivation for DDL’s character. His performance  
> > left me with the impression that he was over-acting so badly  
> > because frankly the character didn’t exist anywhere in the script  
> > and he was trying to fill in the blanks.. I did like the scoring to  
> > the film and of course that was totally overlooked by the Oscars.
> >
> > In contrast to the above two films, I thought Atonement was  
> > beautifully written and acted. I especially liked the way multiple  
> > point of views were handled in the film. Needless to say, this film  
> > did not fair particularly well last night either.
> >
> > Franc
> >
> >
> >
> > -Original Message-
> > From: MoPo List [mailto:[EMAIL PROTECTED] On Behalf Of  
> > Bruce Hershenson
> > Sent: Monday, February 25, 2008 7:19 PM
> > To: MoPo-L@LISTSERV.AMERICAN.EDU
> > Subject: Re: [MOPO] Oscars -SNOOZEABLE
> >
> > Franc Martarella wrote, "I though Daniel Day Lewis and Marion  
> > Cotillard gave two of the worst over-the-top, scenery-chewing,  
> > histrionic performances I had seen all year in two very badly  
> > written films"
> >
> > But OTHER THAN the terribly

Re: [MOPO] DVD RECORDERS -- BLUE RAY MGM-HD

2008-03-01 Thread aaroncbates
I am with you Kirby,  MGMHD has been a revelation in regards to their movie 
selections.  They have been running some really great stuff.  I hope they 
continue in their current  style of programming.  If only TCM would get on 
board with HD soon.

-Aaron

 Kirby McDaniel <[EMAIL PROTECTED]> wrote: 
> Michael and all:
> 
> I have been watching older films in HI-DEF on the MGM-HD
> channel (255) on DirecTV.  Films like:
> REBEL IN TOWN
> TOPKAPI
> RED RIVER
> REAR WINDOW
> PSYCHO
> THE INDIAN FIGHTER
> THE MAN WHO KNEW TOO MUCH
> 
> The schedule for today includes hi-def masters of DIE MONSTER DIE and  
> THE
> LAST MAN ON EARTH.
> 
> After watching these older films in HI-DEF, I would
> not invest in any kind of older DVD technology because
> the difference in the viewing experience just in the photography alone
> is enormous.
> 
> CHECK IT OUT:
> 
> http://www.mgmhd.com/
> 
> 
> Kirby McDaniel
> www.movieart.net
> 
> 
> On Mar 1, 2008, at 10:07 AM, Michael B wrote:
> 
> > i want to buy a DVD recorder.  my first.
> >
> > they are cheaper than 100.00 BUT the Blue Ray technology is closer  
> > to 700.00
> >
> > since i would be recording primarily the classics of the 40s and  
> > 50s off TMC channel etc.. is the extra blue technology worth  
> > it
> >
> > of course, i really do want that HI DEF and GREAT SURROUND when i  
> > record the habdful of current stuff.
> > my bose surround system is awesome...you can hear the sound  
> > effects in china when i watch surround sound effects  
> > programming.  it would be a shame to stifle that system!!!
> >
> > COMMENTS  ???  RECOMMENDATION 
> >
> >
> >
> > michael
> >
> >
> >
> >
> >
> >
> > Delicious ideas to please the pickiest eaters. Watch the video on  
> > AOL Living.
> > Visit the MoPo Mailing List Web Site at www.filmfan.com
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Re: [MOPO] STAR WARS Poster Question CAN SOMEONE IDENTIFY THIS POSTER???

2007-08-28 Thread aaroncbates
That poster is a comercial poster sold in 77.  I bought one at a Super-X 
drugstore in late 1977.  
There are always a few on ebay.  Here's one
http://cgi.ebay.com/1977-STAR-WARS-Poster-by-Hildebrandt_W0QQitemZ200145083787QQihZ010QQcategoryZ37887QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

 [EMAIL PROTECTED] wrote: 
> Hi, Everyone,
>  
>   I just came across a poster that I've had rolled in a tube with a  lot of 
> other posters for the past 12 to 15 years.  It is a rolled US  poster, 
> measuring approx 20" x 28".  It has artwork similar, but I don't  believe the 
> same as 
> the US Style A Star Wars one sheet.  Its artwork is  signed by Hildebrandt.  
> The only writing on the poster are the words STAR  WARS, written in letters 
> outlined in white against a black background near  bottom of poster.  Along 
> the 
> bottom right is printed " c  TWENTIETH  CENTURY FOX FILM CORP."---Along the 
> left bottom of the poster is printed  "FACTORS, ETC,INC., BEAR, DEL. U.S.A. 
> IMAGE 
> FACTORY INC, HOLLYWOOD,  CALIF."   I'm sure it's not a reproduction.  I was 
> wondering if  some Star Wars expert out there might be able to give me some 
> insight as to  what I have.  Any help would be greatly appreciated.
>   Thanks very much,
> Rick
> 
> 
> 
> ** Get a sneak peek of the all-new AOL at 
> http://discover.aol.com/memed/aolcom30tour
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[MOPO] FA:original release Mad,Mad,Mad World japanese poster

2004-10-16 Thread aaroncbates



Thanks for looking
 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3846621540&indexURL=0&photoDisplayType=2#ebayphotohosting
 
Aaron Bates
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[MOPO] Hammer Frankenstein lot offer or trade

2009-04-27 Thread aaroncbates
I tried (twice) to sell a 6 insert lot for the 6 Hammer Frankenstein films that 
starred Peter Cushing.  I had 20 people watching the auction and 100 unique 
views but no takers.  My last "buy it now" price was $375.  If someone wants to 
make an offer I am all ears.  I would also be willing to trade this lot for an 
original release "It's A Mad, Mad, Mad, Mad World" 40x60 or 3-sheet or a Star 
Wars 77 three-sheet.
Let me know.  
Many thanks
Aaron Bates 

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[MOPO] STARWARS poster values

2009-05-01 Thread aaroncbates
I used to be a HUGE SW collector.  I have since sold everything but a few 
favorites.  I bought my first SW style A back in the mid 80's and I seem to 
remember that it cost me $100 then.  There are sooo many 
variations/printings/etc and yet the value of style A is roughly the same.  
However, some sellers manage to get quite a bit more now and then.  The seller 
Mrs. Miniver has some pretty astronomical prices on various A's that never sell 
and that he continues to relist.  
There are never a shortage of these posters- not even the earliest printings.  
They are everywhere.  I keep a saved search that emails me almost daily with 
star wars posters.  Ever since the arrival of Ebay I have wondered why the 
value of the SW posters hasn't gone down considerably.  There are bunches and 
bunches of these posters.  Even the mylar and birthday posters show up with 
some consistency.  I don't think I have a question in mind.  I just find it 
interesting that the prices are all over the place and when I look at the 
completed auctions- generally the style A goes between $100-$200 (keeping in 
mind: condition-folded rolled etc - although there doesn't seem to be a 
shortage of A's in all of those conditions either). 
Any thoughts?

Aaron Bates

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[MOPO] FA: (seperately now)All six Hammer Frankensteins

2009-05-09 Thread aaroncbates
14x36 inserts for all 6 Hammer-Cushing Frankenstein films.  Low opening bid-no 
reserve.  My seller link below. Thanks!  -Aaron Bates

http://shop.ebay.com/merchant/vistavision

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Re: [MOPO] A couple of questions about YOUR opinion of three-sheets and six-sheets

2009-05-12 Thread aaroncbates
I think a number of poster collectors have dreams of having a giant 3sheet or 
6sheet hanging in their office or family room etc.  I would love to have a 6 
sheet mad mad world framed in my office (i.e. one whole wall).  The cost of 
linenbacking and framing a large format poster is daunting.  I know that when I 
buy a 3-sheet or 6-sheet, I never have immediate plans for it.  I assume that 
somewhere down the line I will linen/frame it and display it.  But I would 
venture to guesss that most people who buy these large posters do nothing with 
them.  They sit in a closet somewhere.


 "Walton wrote: 
The simple answer is yesI will go look at your auctions now :-)   

 

But also yes...just too damn biga one sheet takes less room...even
when it's stored in a cabinet...it's still easier to show friends a one
sheet when it's folded up then to try and find the time and the room to
show them a 6 six.

 



From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of Bruce
Hershenson
Sent: Tuesday, May 12, 2009 10:03 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] A couple of questions about YOUR opinion of three-sheets
and six-sheets

 

I am currently auctioning three-sheets and six-sheets so of course they
are on my mind!

 

Here are my questions:

1) I see a fair number of the three-sheets and six-sheets where they are
currently below the price of the corresponding one-sheet! Is that often
the case, and if so, why do you think this happens?

 

2) I sometimes hear collectors say, "I would buy three-sheets and
six-sheets, EXCEPT they are too big for my walls". But many of these
same collectors have HUNDREDS or THOUSANDS of one-sheets that sit folded
up in boxes, and are never displayed. So, if it is going to sit in a
box, what difference do they make if they are one-sheets, three-sheets
or six-sheets?

 

3) Some ad campaigns have three-sheets and six-sheets where they are
simply "stretched-out" versions of the one-sheets (like Forbidden
Planet), but other times the three-sheets and six-sheets have completely
different images. I think that when the three-sheets and six-sheets have
similar images to the one-sheet they should sell for somewhat more (due
to the greater size and rarity), but if they have superior images they
should sell for a lot more, and when they have inferior images (like in
the case of The Sin of Nora Moran three-sheet, which is nowhere as nice
as the one-sheet) they should sell for a lot less. What do YOU think?

 

Bruce

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Re: [MOPO] FAVORITE FILM THAT YOU HAVE TO DEFEND

2009-07-13 Thread aaroncbates
I am enjoying this discussion.  
I always feel the need to defend War of the Worlds (Spielberg's).  I think it 
is a better and more interesting film than most people give it credit for.  I 
firmly believe that the entire film is a dream (e.g. Invaders from Mars)- Tom 
Cruise's dream.  He falls asleep and then everything starts happening.  The 
entire film is an exaggerated nightmare- his worst nightmare- his parental 
abilities are tested to the extreme.  The very beginning of the film lays out 
the fact that he is a questionable parent at best.  Then, throughout the 
nightmare, he is faced with parents' worst  fears realized (best e.g. is the 
scene where Cruise is simultaneously dealing with strangers trying to take his 
daughter and his son being pulled inexplicably towards the military- both 
primal parental fears).  By film's end he proves his parental prowess and in 
one of the most maligned scenes in the film (the last scene) he hand  delivers 
his children back to his wife safe with his judgmental in-laws ther!
 e to lay witness.  To me this was absolutely Spielberg's intent.  Throughout, 
the film works more in the realm of dream logic (e.g. Cruise's car is the ONLY 
one that works).  
If you are still reading, I also find myself defending Kubrick's Eyes Wide Shut 
for one very specific and unique reason:  I firmly believe that the film is one 
big cosmic joke- a black comedy -that even the critics, as far as I could tell, 
missed entirely.  In the simplest of terms it is a story of a husband who get's 
so jealous about his wife having an imaginary tryst that he spends the rest of 
the film trying to get laid and he CAN'T! Mr.Tom-universal-sex-symbol-Cruise 
cannot get laid!  And the most exaggerated case in point is that he ends up 
going to a super deluxe orgy and he STILL can't get laid.  I think Kubrick 
threw a curve ball at us before he died.  A very funny curve ball.

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Re: [MOPO] FAVORITE FILM THAT YOU HAVE TO DEFEND

2009-07-13 Thread aaroncbates
I agree!  This was a another Spielberg film that critics missed the boat on.  
The critics crabbed about all of the over-the-top scenes (e.g. Jamie touches 
the plane amid a shower of welding sparks and then the pilots salute him) but 
that was exactly the point- the second world war as seen through the eyes of a 
spoiled child who's only coping mechanism was to create fantasy out of reality. 
 A really wonderful film.  One of the last films to have that kind of epic 
scale (before CGI made it more cost effective). So many great big scenes with 
thousands of extras.  Definitely one of Spielberg's most underrated films. 

 Joseph Bonelli  wrote: 
"EMPIRE OF THE SUN" (1987-- Spielberg, directing Christian Bale in possibly the 
greatest performance by a child actor ever!)
  Joe B in NOLA

--- On Sun, 7/12/09, Michael B  wrote:


From: Michael B 
Subject: [MOPO] FAVORITE FILM THAT YOU HAVE TO DEFEND
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Sunday, July 12, 2009, 8:46 AM



most of our favorite films that we watch over and over, again, share tons of 
loyalty by others.  (CASABLANCA, DOUBLE INDEMNITY, VERTIGO, etc. is on 
everyone's list.)
 
BUT, what is a favorite film of your that you need to defend?  that is, what 
film do you believe is GREAT but lacks the enthusiasm of others?
 
my answer is THE PARADINE CASE.
 
 
 
michael



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Re: [MOPO] can these really fool?

2009-08-05 Thread aaroncbates
I have purchased a few of this seller's posters (14x36 and 22x28 size).  The 
fronts of these posters would probably fool a casual observer who knew nothing 
about poster collecting.  However, the backs of the posters are crisp, white 
and 
are a dead giveaway.  Also, the paper is thick card stock paper but whatever it 
is it is not the same as regular inserts and half sheets.  Overall, I think 
even 
if you are new to the hobby but have some knowledge you couldn't be fooled by 
these posters.  They look great framed but any kind of closer inspection would 
reveal their new-ish appearance. 
-Aaron 

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Re: [MOPO] THE MOTHER OF ALL POLLS

2009-01-27 Thread aaroncbates
The actor that I most enjoy is Gene Hackman.  He seems to hold a certain level 
of tension that I love to embrace.  He can be gentle and tough with equal ease. 
 I love his anger more than any other actor.
Bill Murray makes me smile or even laugh when he shows up suddenly in a scene.  
That is rare.  I always feel that Murray can make whatever film he is in better 
than it should be.  

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Re: [MOPO] slides worth more than movie poster - It's a Mad, Mad, Mad, Mad World

2009-04-07 Thread aaroncbates
I have been watching those auctions carefully.  I am a big IAW fan and was 
definitely shocked at the ending prices each time.  There is something to be 
said about that kind of item.  They are totally unique.  It's a captured moment 
in time and I was fascinated by the images.  However, I just couldn't go those 
prices for 5 slides.  
-Aaron Bates

 Roland Lataille  wrote: 
> This guy has been selling these movie slides for It's a Mad, Mad, Mad, Mad 
> World for a few months now (five slides at a time) on Ebay.  He's getting way 
> more for the slides than what a movie poster for the same title would fetch. 
> Amazing.
> 
> http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ssPageName=STRK:MEWAX:IT&item=270366939103
> 
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