Re: March PUG - Revised Gallery

2015-03-05 Thread Darren Addy
On Fri, Mar 6, 2015 at 12:28 AM, Brian Walters  wrote:
> The March PUG has been revised to include Christine's and Ken's submissions
> which somehow got lost in space.
>
> They were worth waiting for!!

Indeed they were! Thanks to Brian for making the additions and to Ken
& Christine for their submissions.
Very nice additions to what was already a superb gallery.

I'm interested in knowing more of the backstory to how your image came
to be, Christine. It's not the sort of "prop" to which most of us have
ready access. There must be a story there. :)


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PESO: Galahs In Alice Springs

2015-03-05 Thread David Mann
It wasn't me they were interested in.  The heat was utterly blistering and they 
were eyeing up the water trough that's down underneath this view.  I was 
wishing to have my 100mm lens but was travelling light and not expecting close 
wildlife.

This was taken at the old telegraph station which is well worth a look if 
you're ever in the area.

http://gallery.multi.net.nz/photo/878/#peso

Cheers,
Dave


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PESO: Lake Wanaka At Sunrise

2015-03-05 Thread David Mann
Taken the day after my previous photo.  The sunrise itself wasn't quite as good 
but I liked the sky.

http://gallery.multi.net.nz/photo/877/#peso

Cheers,
Dave


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March PUG - Revised Gallery

2015-03-05 Thread Brian Walters

G'day all

The March PUG has been revised to include Christine's and Ken's  
submissions which somehow got lost in space.


They were worth waiting for!!

http://pug.komkon.org/index.html


--
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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PESO: Whale Belly Flop

2015-03-05 Thread Daniel J. Matyola
A humpback whale off the coast of Maui:
http://photo.net/photodb/photo?photo_id=17980354&size=lg
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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Re: GESO: Girl in a Box

2015-03-05 Thread Daniel J. Matyola
Thanks, Alan!

Where did you take your image?

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Thu, Mar 5, 2015 at 11:27 PM, Alan C  wrote:
> Nice sequence, Dan. Her mate was here, outside the box!
>
> https://www.flickr.com/photos/wisselstroom/16728824621/
>
> Alan C
>
> -Original Message- From: Daniel J. Matyola
> Sent: Thursday, March 05, 2015 3:15 PM
> To: Pentax-Discuss Mail List
> Subject: GESO: Girl in a Box
>
>
> From The Big Apple Circus.
> http://photo.net/photodb/folder?folder_id=1078716
>
> A circus contortionist folds herself into a box shape:
> http://photo.net/photodb/photo?photo_id=17980315&size=lg
>
> Then she slowly wiggles over to a clear box and slide in:
> http://photo.net/photodb/photo?photo_id=17980316&size=lg
>
> Then, when you think that is unbelievable, her assistant joins her in the
> box:
> http://photo.net/photodb/photo?photo_id=17980317&size=lg
>
> Quite an Amazing Performance!
>
> Dan Matyola
> http://www.pentaxphotogallery.com/danieljmatyola
>
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Re: March PUG now available for your viewing pleasure!

2015-03-05 Thread Christine Aguila
No worries, Brian!  Probably just a tech-fluke. Thanks again for all your 
efforts and great work!  Cheers, Christine 

Sent from my iPad

> On Mar 5, 2015, at 11:22 PM, Brian Walters  wrote:
> 
> Christine, Ken
> 
> Quoting Christine Aguila :
> 
>> Hi Brian:  gallery looks great. Thanks for doing this. I thought I submitted 
>> a photo to this gallery but I don't see it. I did get an email stating my 
>> pug submission had been received.
> 
> 
> I'm not sure what happened here.
> 
> The way the system works is that submission emails get forwarded (from 
> Komkon) to my home email address.  The system has never failed before but 
> neither of your submissions came through to me.
> 
> I've just logged on to the Komkon inbox and I found Christine's submission 
> there, so I'll add it to the gallery and upload a revised version.
> 
> Ken - there's no sign of your submission in the Komkon inbox.  Are you sure 
> you submitted?  Did you get the confirmation email?  If you want to re-send, 
> just use the April submission form.
> 
> 
> -- 
> Cheers
> 
> Brian
> 
> ++
> Brian Walters
> Western Sydney Australia
> http://lyons-ryan.org/southernlight/
> 
> 
> 
> -- 
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> the directions.
> 

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Re: March PUG now available for your viewing pleasure!

2015-03-05 Thread Brian Walters

Christine, Ken

Quoting Christine Aguila :

Hi Brian:  gallery looks great. Thanks for doing this. I thought I  
submitted a photo to this gallery but I don't see it. I did get an  
email stating my pug submission had been received.



I'm not sure what happened here.

The way the system works is that submission emails get forwarded (from  
Komkon) to my home email address.  The system has never failed before  
but neither of your submissions came through to me.


I've just logged on to the Komkon inbox and I found Christine's  
submission there, so I'll add it to the gallery and upload a revised  
version.


Ken - there's no sign of your submission in the Komkon inbox.  Are you  
sure you submitted?  Did you get the confirmation email?  If you want  
to re-send, just use the April submission form.



--
Cheers

Brian

++
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Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: March PUG now available for your viewing pleasure!

2015-03-05 Thread Ken Waller

I thought I did also.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: "Christine Aguila" 

Subject: Re: March PUG now available for your viewing pleasure!


Hi Brian:  gallery looks great. Thanks for doing this. I thought I 
submitted a photo to this gallery but I don't see it. I did get an email 
stating my pug submission had been received.


Cheers, Christine

Sent from my iPad

On Mar 5, 2015, at 3:15 PM, Brian Walters  
wrote:


G'day all

After a slow start a final rush saw submissions reach 20.  Very good!

Ann's 'Unfurnished', Mark's 'Yellow Curves' and Carl's 'Wild Oat' are 
probably my favourites.  And Rick's "Straight and Curved" and Bruce's 
"Grainy" and...and just a lot of good stuff.


As usual, you'll find the gallery here:

http://pug.komkon.org/

(you may need to refresh your browser if you see the previous gallery 
there).


Note: The automated submission process usually works well but it's not 
infallible.  So, if you made a submission and you don't see it in the 
gallery, let me know.


+

Next up is 'Panorama'.

We have modified submission conditions to cater for the pano theme - I 
posted those conditions to the list yesterday but you'll also find them 
on the 'Submissions Guidelines' page:


http://pug.komkon.org/general/autosubmit.html

You can submit here:

http://pug.komkon.org/submit/

Nominal closing date is 31 March.


--
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: March PUG now available for your viewing pleasure!

2015-03-05 Thread Darren Addy
Again, a very high quality gallery.
Dario's image is a stunner. Loved the colors in the water in Jan's
"Afternoon Nap". Ted Bielby's "Skipping Through the Air" demonstrates
the Golden Mean to an absurd degree. Those were my three favs, but
there were about a dozen that tied for fourth. :)

On Thu, Mar 5, 2015 at 10:20 PM, Alan C  wrote:
> A very interesting, varied gallery. Can't imagine why they would build such
> a beautiful dome for a shopping centre. Makes me realise how little
> imagination I have.
>
> Alan C
>
> -Original Message- From: Brian Walters
> Sent: Thursday, March 05, 2015 11:15 PM
> To: Pentax-Discuss Mail List
> Subject: March PUG now available for your viewing pleasure!
>
> G'day all
>
> After a slow start a final rush saw submissions reach 20.  Very good!
>
> Ann's 'Unfurnished', Mark's 'Yellow Curves' and Carl's 'Wild Oat' are
> probably my favourites.  And Rick's "Straight and Curved" and Bruce's
> "Grainy" and...and just a lot of good stuff.
>
> As usual, you'll find the gallery here:
>
> http://pug.komkon.org/
>
> (you may need to refresh your browser if you see the previous gallery
> there).
>
> Note: The automated submission process usually works well but it's not
> infallible.  So, if you made a submission and you don't see it in the
> gallery, let me know.
>
> +
>
> Next up is 'Panorama'.
>
> We have modified submission conditions to cater for the pano theme - I
> posted those conditions to the list yesterday but you'll also find
> them on the 'Submissions Guidelines' page:
>
> http://pug.komkon.org/general/autosubmit.html
>
> You can submit here:
>
> http://pug.komkon.org/submit/
>
> Nominal closing date is 31 March.
>
>
> --
> Cheers
>
> Brian
>
> ++
> Brian Walters
> Western Sydney Australia
> http://lyons-ryan.org/southernlight/
>
>
> --
> PDML Pentax-Discuss Mail List
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> to UNSUBSCRIBE from the PDML, please visit the link directly above and
> follow the directions.
>
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> http://www.avast.com
>
>
>
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Re: GESO: Girl in a Box

2015-03-05 Thread Alan C

Nice sequence, Dan. Her mate was here, outside the box!

https://www.flickr.com/photos/wisselstroom/16728824621/

Alan C

-Original Message- 
From: Daniel J. Matyola

Sent: Thursday, March 05, 2015 3:15 PM
To: Pentax-Discuss Mail List
Subject: GESO: Girl in a Box


From The Big Apple Circus.

http://photo.net/photodb/folder?folder_id=1078716

A circus contortionist folds herself into a box shape:
http://photo.net/photodb/photo?photo_id=17980315&size=lg

Then she slowly wiggles over to a clear box and slide in:
http://photo.net/photodb/photo?photo_id=17980316&size=lg

Then, when you think that is unbelievable, her assistant joins her in the 
box:

http://photo.net/photodb/photo?photo_id=17980317&size=lg

Quite an Amazing Performance!

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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Re: Ridiculous Macro with a Q7

2015-03-05 Thread David Mann
On Mar 6, 2015, at 8:24 am, james  wrote:

> 
> On 5/03/2015 11:09 AM, Mark Roberts wrote:
>> Bruce Walker wrote:
>> 
>>> Whoa. You should be able to view individual atoms with that. You
>>> should even be able to read the manufacturer's warning labels on those
>>> atoms.
>> Just curious. What do the warning labels on atoms say?
>>  
> If you can read this, you are allowed to remove this quantum partical label.

If you can read this, you don't know my momentum.

Cheers,
Dave



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Re: Lightroom CC question: business & personal photography

2015-03-05 Thread Darren Addy
Good info. Thanks for sharing. I appreciate it.

On Thu, Mar 5, 2015 at 12:19 PM, steve harley  wrote:
> On 2015-03-05 11:04 , P.J. Alling wrote:
>>
>> On 3/5/2015 11:51 AM, steve harley wrote:
>>>
>>> external hard drives are really cheap these days (5GB for < $150); i
>>> would
>>> get a couple and be careful with backups, because schlepping hard drives
>>> increases the risk of failure or loss
>>
>>
>> One can obtain a TB of external Disk storage for under $100
>
>
> that was a typo - i meant 5 TB for < $150; here's one you can combine with a
> photo purchase (though i'm not so fond of Seagate these days)
>
> 
>
>
>
>> Their server doesn't know you don't own the computer one copy is on, and
>> if
>> your employer lets you go, takes back your work computer and photos and
>> doesn't uninstall your Adobe software you could find it impossible to
>> install a new second copy.
>
>
> it's not hard, really:
>
> "Don't have access to your previous computer? Did you upgrade your
> computer's hardware, replace a hard drive, upgrade your operating system, or
> format your computer before deactivating your software? Ask Adobe Support to
> help you deactivate from a machine you cannot access."
>
> 
>
> Adobe has a decent reputation for sorting out activation problems; i just
> had a pretty straightforward chat session with Adobe to get past an balky
> activation with Acrobat XI on my second machine
>
>
>
> --
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Re: March PUG now available for your viewing pleasure!

2015-03-05 Thread Alan C
A very interesting, varied gallery. Can't imagine why they would build such 
a beautiful dome for a shopping centre. Makes me realise how little 
imagination I have.


Alan C

-Original Message- 
From: Brian Walters

Sent: Thursday, March 05, 2015 11:15 PM
To: Pentax-Discuss Mail List
Subject: March PUG now available for your viewing pleasure!

G'day all

After a slow start a final rush saw submissions reach 20.  Very good!

Ann's 'Unfurnished', Mark's 'Yellow Curves' and Carl's 'Wild Oat' are
probably my favourites.  And Rick's "Straight and Curved" and Bruce's
"Grainy" and...and just a lot of good stuff.

As usual, you'll find the gallery here:

http://pug.komkon.org/

(you may need to refresh your browser if you see the previous gallery 
there).


Note: The automated submission process usually works well but it's not
infallible.  So, if you made a submission and you don't see it in the
gallery, let me know.

+

Next up is 'Panorama'.

We have modified submission conditions to cater for the pano theme - I
posted those conditions to the list yesterday but you'll also find
them on the 'Submissions Guidelines' page:

http://pug.komkon.org/general/autosubmit.html

You can submit here:

http://pug.komkon.org/submit/

Nominal closing date is 31 March.


--
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/


--
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Re: March PUG now available for your viewing pleasure!

2015-03-05 Thread Christine Aguila
Hi Brian:  gallery looks great. Thanks for doing this. I thought I submitted a 
photo to this gallery but I don't see it. I did get an email stating my pug 
submission had been received. 

Cheers, Christine 

Sent from my iPad

> On Mar 5, 2015, at 3:15 PM, Brian Walters  wrote:
> 
> G'day all
> 
> After a slow start a final rush saw submissions reach 20.  Very good!
> 
> Ann's 'Unfurnished', Mark's 'Yellow Curves' and Carl's 'Wild Oat' are 
> probably my favourites.  And Rick's "Straight and Curved" and Bruce's 
> "Grainy" and...and just a lot of good stuff.
> 
> As usual, you'll find the gallery here:
> 
> http://pug.komkon.org/
> 
> (you may need to refresh your browser if you see the previous gallery there).
> 
> Note: The automated submission process usually works well but it's not 
> infallible.  So, if you made a submission and you don't see it in the 
> gallery, let me know.
> 
> +
> 
> Next up is 'Panorama'.
> 
> We have modified submission conditions to cater for the pano theme - I posted 
> those conditions to the list yesterday but you'll also find them on the 
> 'Submissions Guidelines' page:
> 
> http://pug.komkon.org/general/autosubmit.html
> 
> You can submit here:
> 
> http://pug.komkon.org/submit/
> 
> Nominal closing date is 31 March.
> 
> 
> -- 
> Cheers
> 
> Brian
> 
> ++
> Brian Walters
> Western Sydney Australia
> http://lyons-ryan.org/southernlight/
> 
> 
> -- 
> PDML Pentax-Discuss Mail List
> PDML@pdml.net
> http://pdml.net/mailman/listinfo/pdml_pdml.net
> to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
> the directions.
> 

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Re: March PUG now available for your viewing pleasure!

2015-03-05 Thread Jack Davis
All fine example's of the "Curved" theme, but Bulent's example is my stand out 
choice.

Jack

- Original Message -
From: "Brian Walters" 
To: "Pentax-Discuss Mail List" 
Sent: Thursday, March 5, 2015 1:15:10 PM
Subject: March PUG now available for your viewing pleasure!

G'day all

After a slow start a final rush saw submissions reach 20.  Very good!

Ann's 'Unfurnished', Mark's 'Yellow Curves' and Carl's 'Wild Oat' are  
probably my favourites.  And Rick's "Straight and Curved" and Bruce's  
"Grainy" and...and just a lot of good stuff.

As usual, you'll find the gallery here:

http://pug.komkon.org/

(you may need to refresh your browser if you see the previous gallery there).

Note: The automated submission process usually works well but it's not  
infallible.  So, if you made a submission and you don't see it in the  
gallery, let me know.

+

Next up is 'Panorama'.

We have modified submission conditions to cater for the pano theme - I  
posted those conditions to the list yesterday but you'll also find  
them on the 'Submissions Guidelines' page:

http://pug.komkon.org/general/autosubmit.html

You can submit here:

http://pug.komkon.org/submit/

Nominal closing date is 31 March.


-- 
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/


-- 
PDML Pentax-Discuss Mail List
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to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
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March PUG now available for your viewing pleasure!

2015-03-05 Thread Brian Walters

G'day all

After a slow start a final rush saw submissions reach 20.  Very good!

Ann's 'Unfurnished', Mark's 'Yellow Curves' and Carl's 'Wild Oat' are  
probably my favourites.  And Rick's "Straight and Curved" and Bruce's  
"Grainy" and...and just a lot of good stuff.


As usual, you'll find the gallery here:

http://pug.komkon.org/

(you may need to refresh your browser if you see the previous gallery there).

Note: The automated submission process usually works well but it's not  
infallible.  So, if you made a submission and you don't see it in the  
gallery, let me know.


+

Next up is 'Panorama'.

We have modified submission conditions to cater for the pano theme - I  
posted those conditions to the list yesterday but you'll also find  
them on the 'Submissions Guidelines' page:


http://pug.komkon.org/general/autosubmit.html

You can submit here:

http://pug.komkon.org/submit/

Nominal closing date is 31 March.


--
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/


--
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Re: Ridiculous Macro with a Q7

2015-03-05 Thread Ken Waller

You left out -

May cause cancer

Do not try thois at home !

Performed by professional drivers on a closed course.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: "John" 

Subject: Re: Ridiculous Macro with a Q7



On 3/4/2015 8:09 PM, Mark Roberts wrote:

Bruce Walker wrote:


Whoa. You should be able to view individual atoms with that. You
should even be able to read the manufacturer's warning labels on those
atoms.


Just curious. What do the warning labels on atoms say?




Standard Disclaimer Applies:

This product is meant for educational purposes only. Any resemblance to 
real persons, living or dead is purely coincidental. This is a work in 
progress and subject to change. Void where prohibited. Some assembly 
required. List each check separately by bank number. Batteries not 
included. Contents may settle during shipment. Use only as directed. 
COUNT YOUR CHANGE. No other warranty expressed or implied. Do not use 
while operating a motor vehicle or heavy equipment. Postage will be paid 
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sell securities.


Apply only to affected area. May be too intense for some viewers. Do not 
stamp. Use other side for additional listings. For recreational use 
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Reproduction strictly prohibited. No solicitors. Shake well before 
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Re: Ridiculous Macro with a Q7

2015-03-05 Thread james


On 5/03/2015 11:09 AM, Mark Roberts wrote:

Bruce Walker wrote:


Whoa. You should be able to view individual atoms with that. You
should even be able to read the manufacturer's warning labels on those
atoms.

Just curious. What do the warning labels on atoms say?
  

If you can read this, you are allowed to remove this quantum partical label.

James

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Re: Lightroom CC question: business & personal photography

2015-03-05 Thread steve harley

On 2015-03-05 11:04 , P.J. Alling wrote:

On 3/5/2015 11:51 AM, steve harley wrote:

external hard drives are really cheap these days (5GB for < $150); i would
get a couple and be careful with backups, because schlepping hard drives
increases the risk of failure or loss


One can obtain a TB of external Disk storage for under $100


that was a typo - i meant 5 TB for < $150; here's one you can combine with a 
photo purchase (though i'm not so fond of Seagate these days)







Their server doesn't know you don't own the computer one copy is on, and if
your employer lets you go, takes back your work computer and photos and
doesn't uninstall your Adobe software you could find it impossible to
install a new second copy.


it's not hard, really:

"Don't have access to your previous computer? Did you upgrade your 
computer's hardware, replace a hard drive, upgrade your operating system, or 
format your computer before deactivating your software? Ask Adobe Support to 
help you deactivate from a machine you cannot access."




Adobe has a decent reputation for sorting out activation problems; i just 
had a pretty straightforward chat session with Adobe to get past an balky 
activation with Acrobat XI on my second machine



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Re: Grandfather Mountain

2015-03-05 Thread P.J. Alling

And yet that still seems subtropical compared to Mt. Washington.

https://www.mountwashington.org/experience-the-weather/current-summit-conditions.aspx

On 3/5/2015 11:27 AM, John wrote:

Weather at Grandfather Mountain set 5 new records in February.

http://www.wral.com/frigid-february-sets-five-records-on-grandfather-mountain/14490410/ 






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Re: Lightroom CC question: business & personal photography

2015-03-05 Thread P.J. Alling

On 3/5/2015 11:51 AM, steve harley wrote:

On 2015-03-05 7:39 , Darren Addy wrote:

But I use the same equipment for my personal photography. I
like the idea of using my work computer for the catalog, because of
the automated backups, and the massive amount of HD space I have here
as opposed to home. If I purchase the photographer's Lightroom CC for
photographers ($9.99/mo) and put the catalog on my work computer, can
I still edit images in the catalog from home?


i could be wrong, but to me the "cloud" features in Lightroom don't 
seem quite ready for a "store once, edit anywhere" workflow, so i 
think sneakernet is would be the simplest way to accomplish this; 
Stanley outlined how to work with portions of your catalog, but i'd be 
inclined to just transport the whole thing (images plus catalog)


external hard drives are really cheap these days (5GB for < $150); i 
would get a couple and be careful with backups, because schlepping 
hard drives increases the risk of failure or loss


One can obtain a TB of external Disk storage for under $100 with prices 
falling per TB as the size of the drive increases.  Then there's the 
MyCloud network enabled drives from WD which promises personal cloud 
storage emanating from one's home network.  I wouldn't store any 
personal photos permanently on a work computer ever, nor would I install 
personally paid for software with any kind of limited EULA, such as 
Adobe's two computer limit.  Their server doesn't know you don't own the 
computer one copy is on, and if your employer lets you go, takes back 
your work computer and photos and doesn't uninstall your Adobe software 
you could find it impossible to install a new second copy.







How would you recommend
setting things up to differentiate between my personal and work
images?


sounds like you would want to create separate catalogs; i suggest your 
personal photography should be on a external drive that you bring to 
and from work




What happens if I do this and ever leave my place of employment?


i wouldn't mingle the photos — keep separate catalogs from the start




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Re: Lightroom CC question: business & personal photography

2015-03-05 Thread steve harley

On 2015-03-05 7:39 , Darren Addy wrote:

But I use the same equipment for my personal photography. I
like the idea of using my work computer for the catalog, because of
the automated backups, and the massive amount of HD space I have here
as opposed to home. If I purchase the photographer's Lightroom CC for
photographers ($9.99/mo) and put the catalog on my work computer, can
I still edit images in the catalog from home?


i could be wrong, but to me the "cloud" features in Lightroom don't seem 
quite ready for a "store once, edit anywhere" workflow, so i think 
sneakernet is would be the simplest way to accomplish this; Stanley outlined 
how to work with portions of your catalog, but i'd be inclined to just 
transport the whole thing (images plus catalog)


external hard drives are really cheap these days (5GB for < $150); i would 
get a couple and be careful with backups, because schlepping hard drives 
increases the risk of failure or loss




How would you recommend
setting things up to differentiate between my personal and work
images?


sounds like you would want to create separate catalogs; i suggest your 
personal photography should be on a external drive that you bring to and 
from work




What happens if I do this and ever leave my place of employment?


i wouldn't mingle the photos — keep separate catalogs from the start

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Re: Lightroom CC question: business & personal photography

2015-03-05 Thread Stanley Halpin

On Mar 5, 2015, at 9:39 AM, Darren Addy  wrote:

> I've got a question. I've never used Lightroom but right now would be
> a good time for me to start (i've got a big internal HD that I can
> basically dedicate to it's use). I want it for the organizational
> aspects as much as anything, although as I learn its features it
> sounds like I will need to use Photoshop less and less. But since I
> know next-to-nothing about Lightroom's "ways" I have a couple of
> questions:
> 
> I use my cameras at my work for work stuff (product photography
> mostly). But I use the same equipment for my personal photography. I
> like the idea of using my work computer for the catalog, because of
> the automated backups, and the massive amount of HD space I have here
> as opposed to home. If I purchase the photographer's Lightroom CC for
> photographers ($9.99/mo) and put the catalog on my work computer, can
> I still edit images in the catalog from home? How would you recommend
> setting things up to differentiate between my personal and work
> images?
> 
> What happens if I do this and ever leave my place of employment? Do I
> basically have to take that internal HD with my catalog with me in
> order to keep my images? Confused on how to handle this.
> 
> Appreciate any words of wisdom anyone might share.

If you are looking for wisdom, you came to the right place!

1. With a normal purchase of LR, you can install a second copy on e.g. a laptop 
so that you can continue work when away from home. I would assume that the 
subscription version also allows dual installation so that you shouldn’t have 
to pay twice.
2. Given a 2nd copy of LR at home, yes you can edit at home those images on 
your main catalog sitting back at work.
a. you can generate a Smart Preview which is intended for this purpose.
b. Or you can Export portions of your main catalog, including original 
files, then work at home on those images and, maybe if you want to, sometime 
later synchronize your edits back to the main catalog.
c. Working in two locations adds the nuisance of moving files back and 
forth. Thumb drives, external hard drives, Dropbox etc. are all viable options. 
I personally find it to be a royal pain and have struggled to find a really 
smooth workflow for merging photos from my travel laptop into my main catalog 
on my main computer. I personally would avoid situations where I thought I 
would be going back and forth from one system to the other as you imply. But 
the tools are there and with a bit of thought I am sure that a simple workflow 
could be established to fit your planned distribution of work.

3. Some would argue that you should work with two Catalogs; one for work, one 
for personal. Not hard to manage. Only one is open at a time, just be aware 
which is open when you go to import new images. You lose a few seconds every 
time you shut down one catalog to open the other, you gain simplicity in 
organizing.
4. I have one massive catalog for all my images, mostly. But I do have a 
separate catalog for images I’ve scanned. If you chose the one-catalog 
approach, then it is fairly simple to maintain an organization that 
differentiates work vs. personal. 
a. use keywords. 
b. On Import, always, without fail, include Work or Personal as one 
keyword to be applied to the files you are importing.
c. Set up two Smart Collections. One includes all images which have 
keyword=Personal, the other has all files with keyword=Work.
d. If you  have images that fall in both categories, (pictures of an 
office party perhaps) no problem. Keyword(s) = Work and Personal. The images 
will show up in both collections.
5. Careful file naming plus keywording plus LR’s search and sort capabilities 
make it very straightforward to catalog and keep track of and find your images 
no matter their source.

stan


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Grandfather Mountain

2015-03-05 Thread John

Weather at Grandfather Mountain set 5 new records in February.

http://www.wral.com/frigid-february-sets-five-records-on-grandfather-mountain/14490410/

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Re: Question on large format

2015-03-05 Thread Bulent Celasun
Dear All,

Thank you for informative and thoughtful comments. Really appreciated.

I already have 6x7 and 6x8 equipment which I occasionally use.

I will let you know if I start using a large format camera anytime soon.

Bulent

-
http://patoloji.gen.tr
http://celasun.wordpress.com/
http://www.flickr.com/photos/bc_the_path/
http://photo.net/photodb/user?user_id=2226822
http://www.pentaxphotogallery.com/artists/bulentcelasun


2015-03-04 22:12 GMT+02:00 Paul Stenquist :
> Macro is almost impossible due to extremely limited depth of field. If you 
> stick to flat objects you might have some success, but with the bellows 
> extended a great deal, you will have to calculate reprocity failure to get 
> correct exposures.
>
> Large format lends itself best to things like portraiture and landscape 
> photography. Focusing on a ground glass screen isn’t horribly difficult if 
> the scene is bright and you have a good black sheet with which you can cover 
> your head and the focusing screen. Although with that wide angle lens it 
> might be a little tough. I have a 127mm 3.5 lens on my 4x5 speed graphic and 
> focusing can be somewhat difficult in all but the best circumstances.
>
> Paul
>> On Mar 4, 2015, at 8:53 AM, Bulent Celasun  wrote:
>>
>> I may be able to get a 4x5" camera with a 90mm f/8 lens.
>> Price aside (which is another big question mark), I have questions.
>>
>> First, the reasoning:
>> I like macro photography most.
>> I am getting increasingly more able to spend time on photography.
>> I like spending "hours" to get one single beautiful image.
>> I can develop and scan film. I can get a drum scan occasionally if needed.
>> I can make contact prints. (My enlarger supports up to 6x8 cm film).
>>
>>
>> Questions:
>> - How difficult is focusing using the 90 mm f/8 lens?
>> - How difficult is it to find proper film?
>> - Any idea about the cost of a single exposure (film only)?
>> - Further comments?
>>
>> Bulent
>>
>>
>> -
>> http://patoloji.gen.tr
>> http://celasun.wordpress.com/
>> http://www.flickr.com/photos/bc_the_path/
>> http://photo.net/photodb/user?user_id=2226822
>> http://www.pentaxphotogallery.com/artists/bulentcelasun
>>
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Re: Ridiculous Macro with a Q7

2015-03-05 Thread John

On 3/4/2015 8:09 PM, Mark Roberts wrote:

Bruce Walker wrote:


Whoa. You should be able to view individual atoms with that. You
should even be able to read the manufacturer's warning labels on those
atoms.


Just curious. What do the warning labels on atoms say?




Standard Disclaimer Applies:

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For off-road use only. As seen on TV. One size fits all. Many suitcases 
look alike. Contains a substantial amount of non-tobacco ingredients. 
Colors may, in time, fade. We have sent the forms which seem right for 
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American Red Cross. Drop in any mailbox. Edited for television. Keep 
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from any defect, error, or failure to perform.


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This supersedes all p

Re: April PUG - Panorama - Submission Guide

2015-03-05 Thread Ann Sanfedele

Kaching! THAT I understand.

what threw me was the "or -greater_than" given my level of math skills..

My method of producing a pano would be to crop from the top and/or 
bottom of the shape the DNG is in, when what is left looks better than 
the original.  :-)


ann


On 3/5/2015 00:57, Paul wrote:

I think what he's saying is the max size of the long side can be no more
than 1400 pixels and the short side can be no more than 1/2 the size of
the long side.

-p

On 3/4/2015 11:37 PM, Ann Sanfedele wrote:

Got it ... so the frame is 1400 x 700 ...

That would mean I could also submit a photo that is 1200 x 600, or 1200
x 700  yes?  or even 1000 x 600  (one person's panorama not the same
proportions as another's, agreed? )

(I'm only talking landscape orientation here)

thanks
ann

On 3/5/2015 00:24, Brian Walters wrote:

Quoting Ann Sanfedele :


When you say 2:1 or "greater" does that mean we can do 1400 x
800/900?   OR 1800 x 700 ?

that is, where is the wiggle room ?




Apologies if two responses to this appear - the first one seems to have
been thrashed by my Webmail.

The two examples you give would not comply. The max width must be no
more than 1400 pixels and the max height no more than 700 pixels.

So the max size of a 2:1 image would be 1400 x 700 pixels, the max size
of a 3:1 image would be 1400 x 467, the max size of a 4:1 image would be
1400 x 350, etc.



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



On 3/4/2015 23:29, Brian Walters wrote:

Hi all

After discussion with Igor, here's the modified submission conditions
for the April PUG.

Theme: Panorama
Aspect ratio: 2:1 or greater
Max pixel dimensions: 1400 x 700
Max file size: 600kB
As usual, camera body or lens must be Pentax
Colour space: none or sRGB

For horizontal panos, the displayed images in the gallery will be
resized to 1100 pixels wide to cater for those who don't like
scrolling
images - the full sized images will be displayed by clicking the
images.

Vertical panos will be a challenge to display but, if you want to
submit
one, go for it!  I'll cope somehow...

Any questions?

I didn't think so.

(oh, all right, ask if you must)













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Lightroom CC question: business & personal photography

2015-03-05 Thread Darren Addy
I've got a question. I've never used Lightroom but right now would be
a good time for me to start (i've got a big internal HD that I can
basically dedicate to it's use). I want it for the organizational
aspects as much as anything, although as I learn its features it
sounds like I will need to use Photoshop less and less. But since I
know next-to-nothing about Lightroom's "ways" I have a couple of
questions:

 I use my cameras at my work for work stuff (product photography
mostly). But I use the same equipment for my personal photography. I
like the idea of using my work computer for the catalog, because of
the automated backups, and the massive amount of HD space I have here
as opposed to home. If I purchase the photographer's Lightroom CC for
photographers ($9.99/mo) and put the catalog on my work computer, can
I still edit images in the catalog from home? How would you recommend
setting things up to differentiate between my personal and work
images?

What happens if I do this and ever leave my place of employment? Do I
basically have to take that internal HD with my catalog with me in
order to keep my images? Confused on how to handle this.

Appreciate any words of wisdom anyone might share.

-- 
Life is too short to put up with bad bokeh.

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Re: April PUG - Panorama - Submission Guide

2015-03-05 Thread Stanley Halpin
Thank you oh Pugmeister for your Solomonic dissection and subsequent cure of 
the panorama issue! Your guidance will help shape my search for some kind of 
suitable panorama to submit for next month… And a nod to Igor as well for his 
ongoing support of the PUG.

stan

On Mar 5, 2015, at 1:05 AM, Brian Walters  wrote:

> Quoting Paul :
> 
>> I think what he's saying is the max size of the long side can be no more 
>> than 1400 pixels and the short side can be no more than 1/2 the size of the 
>> long side.
> 
> 
> Yep - that's sort of what I was trying to say.
> 
> :-)>
> 
> 
> -- 
> Cheers
> 
> Brian
> 
> ++
> Brian Walters
> Western Sydney Australia
> http://lyons-ryan.org/southernlight/
> 
> 
> 
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Re: April PUG - Panorama - Submission Guide

2015-03-05 Thread Ann Sanfedele

Brian - got it now - answerd Paul before I saw this
:-)
ann

On 3/5/2015 01:05, Brian Walters wrote:

Quoting Paul :


I think what he's saying is the max size of the long side can be no
more than 1400 pixels and the short side can be no more than 1/2 the
size of the long side.



Yep - that's sort of what I was trying to say.

:-)>




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GESO: Girl in a Box

2015-03-05 Thread Daniel J. Matyola
>From The Big Apple Circus.
http://photo.net/photodb/folder?folder_id=1078716

A circus contortionist folds herself into a box shape:
http://photo.net/photodb/photo?photo_id=17980315&size=lg

Then she slowly wiggles over to a clear box and slide in:
http://photo.net/photodb/photo?photo_id=17980316&size=lg

Then, when you think that is unbelievable, her assistant joins her in the box:
http://photo.net/photodb/photo?photo_id=17980317&size=lg

Quite an Amazing Performance!

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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