RE: jammed me super and list question

2002-07-12 Thread Dale Leeper

Because you  have already indicated you have pulled the mirror down, I am
assuming you don't mind  doing what I have done in the past.  Keep in mind
the shutter is fragile, and it could be damaged, but I have been able to do
this a couple of times, without damage.

I have purchased 2 ME Super's this way, and after GENTLY lifting the shutter
from the back with my fingernail, they snapped back into place and have had
no problems since.  I'm sure that it would be best if they had been
professionally CLA'ed, but seem to work for my needs.

Hope this helps.



-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Butch Black
Sent: Friday, July 12, 2002 4:09 PM
To: Pentax discussion group
Subject: jammed me super and list question


 Hi;

My ME Super has jammed. The mirror is in the up position, the advance lever
feels cocked. The take up reel and the sprocket wheel turn freely. I have
tried to manually put the mirror down but it won't stay and I've replaced
the batteries. Any suggestions before I send it out for repair.

Also I re subscribed and I seem to be getting everybody's submissions, not
just the digest. What did I do wrong?

BUTCH

Each man had only one genuine vocation - to find the way to himself
Hermann Hesse (Demian)
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RE: Pentax Macro Rail Review

2001-05-31 Thread Dale Leeper

Thanks for the review.  I have one in my bag that has only been used once or
twice partly because it was a pain to use on the tripod.  I don't have a
manual for it, and never thought about the rear part moving instead of
moving the tripod. (Head banging against the wall)  Will have to get it out
again soon, as I have enjoyed the macro shots in the PUG Gallery.  By the
way, anyone got the manual for these things on the net somewhere, to learn
of more things that would be obvious to someone smarter than I?


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of aimcompute
 Sent: Wednesday, May 30, 2001 6:11 PM
 To: [EMAIL PROTECTED]
 Subject: Pentax Macro Rail Review


 Pentax Macro Rail Review

 After having used the macro rail on several outings, here are my comments:

 I like it and it makes a big difference in ease of composition and
 positioning.  As opposed to minutely repositioning the tripod to
 adjust for
 the shallow DOF with macro shots, which is hard to do, you simply use the
 adjustment on the macro rail to move your camera/lens closer to or further
 away from the subject.  To be effective however, one must remember to
 reposition the macro rail at mid-point of its travel range prior
 to setting
 up the tripod, otherwise there's a 50/50 chance the macro rail is already
 cranked to a position that is close to one end of it's range of travel
 (meaning you still must move the tripod).  I found myself frequently
 forgetting this obvious fact.

 When the macro rail is adjusted forward, meaning the camera/lens is closer
 to the subject, the rail that is behind the camera (between you and the
 camera) tends to get in the way of your chin.  I found this annoying at
 first, but became accustomed to it and it's not a problem.

 I generally use the Bogen Grip Ball Head and found when shooting
 other than
 in a landscape orientation, that the combined weight of the macro
 rail and a
 PZ-1p were enough to overcome the friction of the ball head grip.  The
 ballhead would allow the camera to slip downwards very slowly, especially
 when the macro rail was at the long end of it's range (camera
 further away).
 Physics 101. This may be my #1 complaint, though it's not a result of the
 macro rail, but because I was using the wrong, albeit most convenient,
 tripod head.   I have a preference for ball heads over other types and may
 invest in a heftier non-grip style ball head, that I can lock
 more tightly.

 It makes sense to purchase a second quick release plate to keep
 on the macro
 rail.  The macro rail will attach to the tripod with the quick release
 plate.  The camera body attaches via its tripod screw plate to a screw on
 the macro rail.  You'll need to remove the camera's quick release plate to
 use it with macro rail, but at least you'll have two quick release plates
 and won't ever need to remove the one from the macro rail.

 I have read on the list where some macro rails allow travel along two axes
 instead of just one.  I can see where this type of macro rail would be
 potentially twice as useful as one that travels along just one axis.

 Tom C.


 - Original Message -
 From: Dan Scott [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Wednesday, May 09, 2001 7:50 PM
 Subject: Re: Macro Rail  Extension Tubes


  That's great! Is it Pentax? Could you write up your thoughts on the pros
  and cons of using one in the field after you shoot with it for a little
  while? I've been considering one myself for quite awhile, since macro
  wildflower shots are 9/10 of what I shoot.
 
  Dan Scott
  [EMAIL PROTECTED]
  
  So today, I get to purchase brand new unused macro rail and auto-K
 extension
  tube set for less than 50% of the items if I purchased them brand new
 today.
  
  As I was taking macro shots of wildflowers this morning,
 before going to
  work, I had immediately become aware of the desirability of
 macro rails.
  
  Tom C.
  
 
 
 
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RE: Black ME Super

2001-05-23 Thread Dale Leeper

I see them on ebay at times.  I bought a black ME Super for parts, the
description had no picture and didn't mention it was black, so I really
lucked out.  Shutter was stuck, gave it a boost with my finger, and off she
goes.  Works good.  Only problem with it, the shutter release button has to
be depressed really far for it to fire.  I'm sure there is an adjustment
somewhere, but I can't seem to find it.

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of
 [EMAIL PROTECTED]
 Sent: Wednesday, May 23, 2001 8:25 AM
 To: [EMAIL PROTECTED]
 Subject: Black ME Super


 How rare is a black ME Super? Boz's site confirms that it was made, but I
 can't recall seeing an ad for one until now:


 ME-Super (black) c/w 50mm £120 at  London Camera Exchange in
 Farehams second hand stock list.([EMAIL PROTECTED]) or
 http://www.lcegroup.co.uk (though stock is not listed online; you get the
 list by signing up for a weekly email).


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RE: anyone know a cheap source for glass and plexiglass?

2001-04-16 Thread Dale Leeper

I have not cut Plexiglas, but have been told it can be more difficult to
work with than glass.  Worst of which, it is prone to scratches.  Hopefully
someone will help you with sources of glass already cut that will work for
you, however, after I learned how to cut glass correctly, I was amazed at
how easy it is.  Also keep in mind that a broken piece of glass is not
always wasted, but can be used for smaller pictures.  I hope the following
suggestions might help.

Assuming you are cutting straight edges, glass cutting is easier than
cutting the mats in my opinion.  Make sure you are using a good (doesn't
have to be expensive, I use a Fletcher scoremaster I.) cutter, use a little
bit of light oil on the roller, and a straight edge to guide it.  Make one
continuos "score" across the glass, do not lift the cutter from the glass or
start another cut, as that is when the problems start.  Make sure you start
and end on the edge of each end of the glass.  You do not need to put much
pressure on the glass with the cutter, but need to make one continuous
straight line.  Then tap the score with the other end of the cutter all the
way along the score to "deepen" the score. This doesn't have to be hard
either, but will help the glass cut run the length of the score.  Then put
your cut line over a edge of the table so that you have support along the
score, and snap the glass that is off the table down, and you should have a
nice clean cut.  It is much easier to do than to describe with words.

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Sid Barras
 Sent: Thursday, April 12, 2001 8:20 PM
 To: [EMAIL PROTECTED]
 Subject: OT: anyone know a cheap source for glass and plexiglass?


 Hi all,
 I am putting together an exhibition of my work, and with a shoestring
 budget, I am doing all the matting and framing myself. I have put
 together some good matting equipment for not a lot of money, and I'm
 using molding found at the home depot, painted black (or white) as my
 framing stock.
 The one thing I lack though, is a cheap source of glass. I have
 contacted some of the window contractors here in town, and for them to
 cut 11x14s and larger sizes, even in quantities of 25 or more, they
 still charge more than 4 dollars a peice. Now I know this doesn't sound
 like much, but I am trying to produce quantities of maybe one hundred or
 more, and I have to start out with almost zero dollars, and I've no idea
 how much I'll be able to sell, so I don't want to get in too deep, until
 at least the first showing to see what kind of response and sales I can
 expect.

 Does anyone know where to get cut glass cheap, via an online shop
 perhaps? Or even plexiglass. I have tried cutting larger sheets of
 glass, but I can't seem to get the glass to break where I've scored it
 every time, and a couple of oops, and you've ruined a big sheet of
 glass. Besides, I have too many kids around here to start a glass
 cutting operation.

 How about plexiglass, anyone have experience with it? suitable
 substitute for glass in a fine art framed print?

 Cheers,
 Sid B

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