Re: Saturation in ISO 400 C-41?

2001-12-24 Thread Frantisek Vlcek

btw, do you use windshields for the flower shots?

Frantisek
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Re: Saturation in ISO 400 C-41?

2001-12-20 Thread Aaron Reynolds

On Wednesday, December 19, 2001, at 10:28  PM, Paul Stenquist wrote:

 When I need a highly saturated, fine grain ISO 400 color negative film,
 I shoot Kodak Portra 400VC. Very good contrast and color when properly
 exposed. But good exposures are a must. It doesn't have the latitude of
 Kodak's (or Fuji's) consumer films.

If you're a fan of Kodak's Portra VC films, give a roll of Fuji NPC a 
try.  Very high saturation, good skin tones, very fine grain.  Same 
drawback, though -- no latitude, so good exposures are called for.

-Aaron
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Re: Saturation in ISO 400 C-41?

2001-12-19 Thread Bruce Dayton

Joe,

I would recommend you also consider Agfa Optima II 400 and Kodak Supra
400.  I believe both are finer grained than those you mentioned and
quite saturated.


Bruce Dayton



Wednesday, December 19, 2001, 9:43:07 AM, you wrote:

JT It was 13 degrees this morning, so my thoughts are turning to warmer
JT weather and the spring flower season. Here in New Mexico, spring is also
JT the windy season, so high shutter speeds make macro work much easier
JT while keeping some DOF. Last spring I shot Provia 400F with some nice
JT results. This coming spring I'd like to try a relatively fine-grained
JT ISO 400 color negative film.

JT My question is: which gives the highest color saturation? Agfa Vista 400
JT and Superia Extra 400 look like possible candidates. Has anyone compared
JT their color saturation? Are there other candidates I should consider?

JT Thanks,

JT Joe
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Re: Saturation in ISO 400 C-41?

2001-12-19 Thread Carlos Royo

Joseph Tainter wrote:
 
 My question is: which gives the highest color saturation? Agfa Vista 400
 and Superia Extra 400 look like possible candidates. Has anyone compared
 their color saturation? Are there other candidates I should consider?
 

I don't shoot colour negative film very often, but my wife does. Once
said this, in the process of getting used to the MZ-S, I have used
several negative films, and I tried the Agfa Vista 400. It is saturated,
but it is also the worst Agfa film I've ever tried, it is grainy, not
sharp at all, and its lack of contrast sucks.
I have also (and my wife has used it a lot in the last pair of years)
used Superia, both in 100 and 400 ISO speeds. The 400 Superia is an
excellent film, it yields very good colour, saturated but not unnatural,
and the grain is not noticeable, even in the enlargments we've had done,
although those are not big (18x24 cm., I think). It also scans very
well.

--
Carlos Royo
[EMAIL PROTECTED]
Zaragoza (Aragon) - Spain
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Re: Saturation in ISO 400 C-41?

2001-12-19 Thread Paul Stenquist

When I need a highly saturated, fine grain ISO 400 color negative film,
I shoot Kodak Portra 400VC. Very good contrast and color when properly
exposed. But good exposures are a must. It doesn't have the latitude of
Kodak's (or Fuji's) consumer films.
Paul

Carlos Royo wrote:
 
 Joseph Tainter wrote:
 
  My question is: which gives the highest color saturation? Agfa Vista 400
  and Superia Extra 400 look like possible candidates. Has anyone compared
  their color saturation? Are there other candidates I should consider?
 
 
 I don't shoot colour negative film very often, but my wife does. Once
 said this, in the process of getting used to the MZ-S, I have used
 several negative films, and I tried the Agfa Vista 400. It is saturated,
 but it is also the worst Agfa film I've ever tried, it is grainy, not
 sharp at all, and its lack of contrast sucks.
 I have also (and my wife has used it a lot in the last pair of years)
 used Superia, both in 100 and 400 ISO speeds. The 400 Superia is an
 excellent film, it yields very good colour, saturated but not unnatural,
 and the grain is not noticeable, even in the enlargments we've had done,
 although those are not big (18x24 cm., I think). It also scans very
 well.
 
 --
 Carlos Royo
 [EMAIL PROTECTED]
 Zaragoza (Aragon) - Spain
 --
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