Was Wire Welder, Now Gelatin Silver look on Inkjet

2011-02-16 Thread Paul Stenquist
Epson Exhibition Fiber paper has the look of a gelatin silver fiber-based paper 
with slight texture and mild lustre. Some other inkjet papers are very close 
copies of darkroom papers as well. Of course all modern BW darkroom printing 
paper is gelatin silver. That's the chemistry not the paper look. 

I think Christine is right that the depth one feels in looking at a print 
from a large format neg is partly due to the format. Large format provides 
incredible detail in the focal range but minimal depth of field, even with 
relatively wide lenses. That translates to perceived depth.
Paul

On Feb 15, 2011, at 11:48 PM, Christine Aguila wrote:

 I wish I could help, Bruce, but I don't know enough about the variety of 
 inkjet papers to know which comes closes to gelatin silver prints.  Nor do I 
 know a lot about gelatin silver prints. Maybe one day the Karsh exhibit will 
 come to Chicago, and I'll be able to see what you're talking about.  I wonder 
 if the depth you mention has more to do with using a large format camera 
 than the paper and chemical printing process.  Just thinking out loud here.  
 Would love to see the Karsh exhibit you reference here.  Thanks for posting.  
 Really enjoyed seeing the work.  Cheers, Christine
 
 
 - Original Message - From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Tuesday, February 15, 2011 7:08 PM
 Subject: Re: PESO: The Wire Welder
 
 
 I'm at a serious disadvantage trying to discuss photo paper as I pretty much 
 bypassed all the chemical stuff. (After dabbling with BW developing, I quit 
 shooting in the early 1980's and publicly stated that I wouldn't try 
 photography again until they invented digital cameras and LCD displays.)
 
 But I've recently seen some outstanding industrial work, large format shots 
 taken in operating steel works and auto assembly lines, printed at sizes 
 around 2 by 3 feet. These were in an exhibition of commercial work by Karsh 
 that's currently touring.
 
 http://www.karsh.org/#/the_work/on_assignment/atlas_steel/
 http://www.karsh.org/#/the_work/on_assignment/ford_canada/
 
 Of course you can't tell from the screen, but these gelatin silver prints 
 have a quietly impressive depth and lustre. I'd love to be able to print on 
 some paper that even came half-way to matching the look he got from this 
 stuff.  Can ink-jet approximate this, or is it only possible with trad 
 photo-paper?
 
 I guess that at this point the analog film buffs are rolling their eyes and 
 would say, *this* is why we still shoot film.
 
 -bmw
 
 
 On 11-02-15 7:08 PM, Christine Aguila wrote:
 Love the bw square crop.  I'd actually vote for a nicely textured mat print 
 for this picture.  But glossy would probably be nice, but it would have to 
 be some high end glossy--something like the Epson Exhibition Fiber paper. 
 To my eye, sometimes basic glossy  paper looks kind of cheap.  Nice job, 
 Darren.  Cheers, Christine
 
 
 
 - Original Message - From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Tuesday, February 15, 2011 2:31 PM
 Subject: Re: PESO: The Wire Welder
 
 
 On 11-02-15 2:23 PM, Darren Addy wrote:
 Thanks for the additional comments.
 By popular demand:
 : )
 
 Cropped square in BW: 
 http://www.flickr.com/photos/pixelsmithy/5448318025/
 
 Cropped square in color: 
 http://www.flickr.com/photos/pixelsmithy/5448927542/
 
 Both excellent, Darren. I think the bw serves this subject better. Wants 
 to be printed really glossy too.
 
 -bmw
 
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Re: PESO: The Wire Welder

2011-02-16 Thread John Sessoms

From: Darren Addy

That's one hell of an eye you've got there John!
http://www.dpnebraska.com/images/thinblacks.png
;)


Pull the left input level up to about 5 ought to do the trick. I hold 
down the alt key and pull the slider to the right until it starts to 
show it blocking up.



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Re: PESO: The Wire Welder

2011-02-15 Thread Boris Liberman
Looks to me that Paul Steady Stenquist may have just acquired a good 
competition here...


Well done!

On 2/9/2011 11:55 PM, Darren Addy wrote:

Received my Priority Mail package in only 10 days (from Ohio to
Nebraska). Whoo-Hoo!
This is a high-ISO K-x shot taken through the new-to-me Tamron SP 52BB
500mm f/8 adaptall2. (Thanks Collin!)
http://www.pixelsmithy.com/the-welder-test-of-tamron-sp-52bb-500mm-f8-ad

Comments welcome.




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Re: PESO: The Wire Welder

2011-02-15 Thread frank theriault
On Wed, Feb 9, 2011 at 4:55 PM, Darren Addy pixelsmi...@gmail.com wrote:
 Received my Priority Mail package in only 10 days (from Ohio to
 Nebraska). Whoo-Hoo!
 This is a high-ISO K-x shot taken through the new-to-me Tamron SP 52BB
 500mm f/8 adaptall2. (Thanks Collin!)
 http://www.pixelsmithy.com/the-welder-test-of-tamron-sp-52bb-500mm-f8-ad

I love this one!!

Would you consider a square crop to get rid of that orange mass on the
right?  Just a thought...

cheers,
frank


-- 
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Re: PESO: The Wire Welder

2011-02-15 Thread Darren Addy
Thanks for the additional comments.
By popular demand:
: )

Cropped square in BW: http://www.flickr.com/photos/pixelsmithy/5448318025/

Cropped square in color: http://www.flickr.com/photos/pixelsmithy/5448927542/

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Re: PESO: The Wire Welder

2011-02-15 Thread John Sessoms

From: Darren Addy

Thanks for the additional comments.
By popular demand:
: )

Cropped square in BW: http://www.flickr.com/photos/pixelsmithy/5448318025/

Cropped square in color: http://www.flickr.com/photos/pixelsmithy/5448927542/


The blacks in the BW seem kind of thin to me.


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Re: PESO: The Wire Welder

2011-02-15 Thread Darren Addy
That's one hell of an eye you've got there John!
http://www.dpnebraska.com/images/thinblacks.png
;)



On Tue, Feb 15, 2011 at 1:59 PM, John Sessoms jsessoms...@nc.rr.com wrote:
 From: Darren Addy

 Thanks for the additional comments.
 By popular demand:
 : )

 Cropped square in BW:
 http://www.flickr.com/photos/pixelsmithy/5448318025/

 Cropped square in color:
 http://www.flickr.com/photos/pixelsmithy/5448927542/

 The blacks in the BW seem kind of thin to me.


 -
 No virus found in this message.
 Checked by AVG - www.avg.com
 Version: 10.0.1204 / Virus Database: 1435/3444 - Release Date: 02/14/11


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Re: PESO: The Wire Welder

2011-02-15 Thread Bruce Walker

On 11-02-15 2:23 PM, Darren Addy wrote:

Thanks for the additional comments.
By popular demand:
: )

Cropped square in BW: http://www.flickr.com/photos/pixelsmithy/5448318025/

Cropped square in color: http://www.flickr.com/photos/pixelsmithy/5448927542/


Both excellent, Darren. I think the bw serves this subject better.  
Wants to be printed really glossy too.


-bmw

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Re: PESO: The Wire Welder

2011-02-15 Thread Christine Aguila
Love the bw square crop.  I'd actually vote for a nicely textured mat print 
for this picture.  But glossy would probably be nice, but it would have to 
be some high end glossy--something like the Epson Exhibition Fiber paper. 
To my eye, sometimes basic glossy  paper looks kind of cheap.  Nice job, 
Darren.  Cheers, Christine




- Original Message - 
From: Bruce Walker bruce.wal...@gmail.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, February 15, 2011 2:31 PM
Subject: Re: PESO: The Wire Welder



On 11-02-15 2:23 PM, Darren Addy wrote:

Thanks for the additional comments.
By popular demand:
: )

Cropped square in BW: 
http://www.flickr.com/photos/pixelsmithy/5448318025/


Cropped square in color: 
http://www.flickr.com/photos/pixelsmithy/5448927542/


Both excellent, Darren. I think the bw serves this subject better.  Wants 
to be printed really glossy too.


-bmw

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Re: PESO: The Wire Welder

2011-02-15 Thread Steven Desjardins
Both crops are very good.  Much stronger images without that
distraction on the right.  I may be the odd man out here, but I prefer
the color shot.  I like the sparks with a tinge of red.  Maybe
experiment with desaturating the color image a bit.

On Tue, Feb 15, 2011 at 7:08 PM, Christine  Aguila
cagu...@earthlink.net wrote:
 Love the bw square crop.  I'd actually vote for a nicely textured mat print
 for this picture.  But glossy would probably be nice, but it would have to
 be some high end glossy--something like the Epson Exhibition Fiber paper. To
 my eye, sometimes basic glossy  paper looks kind of cheap.  Nice job,
 Darren.  Cheers, Christine



 - Original Message - From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Tuesday, February 15, 2011 2:31 PM
 Subject: Re: PESO: The Wire Welder


 On 11-02-15 2:23 PM, Darren Addy wrote:

 Thanks for the additional comments.
 By popular demand:
 : )

 Cropped square in BW:
 http://www.flickr.com/photos/pixelsmithy/5448318025/

 Cropped square in color:
 http://www.flickr.com/photos/pixelsmithy/5448927542/

 Both excellent, Darren. I think the bw serves this subject better.  Wants
 to be printed really glossy too.

 -bmw

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Re: PESO: The Wire Welder

2011-02-15 Thread Larry Colen

On Feb 15, 2011, at 4:24 PM, Steven Desjardins wrote:

 Both crops are very good.  Much stronger images without that
 distraction on the right.  I may be the odd man out here, but I prefer
 the color shot.  I like the sparks with a tinge of red.  Maybe
 experiment with desaturating the color image a bit.

The square crop is a lot better.  I too, prefer the color.


 
 On Tue, Feb 15, 2011 at 7:08 PM, Christine  Aguila
 cagu...@earthlink.net wrote:
 Love the bw square crop.  I'd actually vote for a nicely textured mat print
 for this picture.  But glossy would probably be nice, but it would have to
 be some high end glossy--something like the Epson Exhibition Fiber paper. To
 my eye, sometimes basic glossy  paper looks kind of cheap.  Nice job,
 Darren.  Cheers, Christine
 
 
 
 - Original Message - From: Bruce Walker bruce.wal...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Tuesday, February 15, 2011 2:31 PM
 Subject: Re: PESO: The Wire Welder
 
 
 On 11-02-15 2:23 PM, Darren Addy wrote:
 
 Thanks for the additional comments.
 By popular demand:
 : )
 
 Cropped square in BW:
 http://www.flickr.com/photos/pixelsmithy/5448318025/
 
 Cropped square in color:
 http://www.flickr.com/photos/pixelsmithy/5448927542/
 
 Both excellent, Darren. I think the bw serves this subject better.  Wants
 to be printed really glossy too.
 
 -bmw
 
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RE: PESO: The Wire Welder

2011-02-15 Thread Jeffery Johnson
I go with the BW as the smoke / haze is less noticeable than it is in the
color version. 

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Darren Addy
Sent: Tuesday, February 15, 2011 1:24 PM
To: Pentax-Discuss Mail List
Subject: Re: PESO: The Wire Welder

Thanks for the additional comments.
By popular demand:
: )

Cropped square in BW: http://www.flickr.com/photos/pixelsmithy/5448318025/

Cropped square in color:
http://www.flickr.com/photos/pixelsmithy/5448927542/

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Re: PESO: The Wire Welder

2011-02-15 Thread Bruce Walker
I'm at a serious disadvantage trying to discuss photo paper as I pretty 
much bypassed all the chemical stuff. (After dabbling with BW 
developing, I quit shooting in the early 1980's and publicly stated that 
I wouldn't try photography again until they invented digital cameras and 
LCD displays.)


But I've recently seen some outstanding industrial work, large format 
shots taken in operating steel works and auto assembly lines, printed at 
sizes around 2 by 3 feet. These were in an exhibition of commercial work 
by Karsh that's currently touring.


http://www.karsh.org/#/the_work/on_assignment/atlas_steel/
http://www.karsh.org/#/the_work/on_assignment/ford_canada/

Of course you can't tell from the screen, but these gelatin silver 
prints have a quietly impressive depth and lustre. I'd love to be able 
to print on some paper that even came half-way to matching the look he 
got from this stuff.  Can ink-jet approximate this, or is it only 
possible with trad photo-paper?


I guess that at this point the analog film buffs are rolling their eyes 
and would say, *this* is why we still shoot film.


-bmw


On 11-02-15 7:08 PM, Christine Aguila wrote:
Love the bw square crop.  I'd actually vote for a nicely textured mat 
print for this picture.  But glossy would probably be nice, but it 
would have to be some high end glossy--something like the Epson 
Exhibition Fiber paper. To my eye, sometimes basic glossy  paper looks 
kind of cheap.  Nice job, Darren.  Cheers, Christine




- Original Message - From: Bruce Walker 
bruce.wal...@gmail.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, February 15, 2011 2:31 PM
Subject: Re: PESO: The Wire Welder



On 11-02-15 2:23 PM, Darren Addy wrote:

Thanks for the additional comments.
By popular demand:
: )

Cropped square in BW: 
http://www.flickr.com/photos/pixelsmithy/5448318025/


Cropped square in color: 
http://www.flickr.com/photos/pixelsmithy/5448927542/


Both excellent, Darren. I think the bw serves this subject better.  
Wants to be printed really glossy too.


-bmw

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Re: PESO: The Wire Welder

2011-02-15 Thread Ann Sanfedele



Bruce Walker wrote:


On 11-02-15 2:23 PM, Darren Addy wrote:


Thanks for the additional comments.
By popular demand:
: )

Cropped square in BW: 
http://www.flickr.com/photos/pixelsmithy/5448318025/


Cropped square in color: 
http://www.flickr.com/photos/pixelsmithy/5448927542/



Both excellent, Darren. I think the bw serves this subject better.  
Wants to be printed really glossy too.


-bmw


I like the color shot... see it in some sort of industrial magazine ad .

ann


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Re: PESO: The Wire Welder

2011-02-15 Thread Rob Studdert
On 16 February 2011 06:23, Darren Addy pixelsmi...@gmail.com wrote:
 Thanks for the additional comments.
 By popular demand:
 : )

 Cropped square in BW: http://www.flickr.com/photos/pixelsmithy/5448318025/

 Cropped square in color: http://www.flickr.com/photos/pixelsmithy/5448927542/

Great crops but I'll buck the trend ands say that I still like the
original. The red I don't find so distracting, to me it makes me feel
like I'm viewing the scene from a distance, I wouldn't expect to be up
close unless I was the one doing the work.

Cheers,

-- 
Rob Studdert (Digital  Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: PESO: The Wire Welder

2011-02-15 Thread Christine Aguila
I wish I could help, Bruce, but I don't know enough about the variety of 
inkjet papers to know which comes closes to gelatin silver prints.  Nor do I 
know a lot about gelatin silver prints. Maybe one day the Karsh exhibit will 
come to Chicago, and I'll be able to see what you're talking about.  I 
wonder if the depth you mention has more to do with using a large format 
camera than the paper and chemical printing process.  Just thinking out loud 
here.  Would love to see the Karsh exhibit you reference here.  Thanks for 
posting.  Really enjoyed seeing the work.  Cheers, Christine



- Original Message - 
From: Bruce Walker bruce.wal...@gmail.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, February 15, 2011 7:08 PM
Subject: Re: PESO: The Wire Welder


I'm at a serious disadvantage trying to discuss photo paper as I pretty 
much bypassed all the chemical stuff. (After dabbling with BW developing, 
I quit shooting in the early 1980's and publicly stated that I wouldn't 
try photography again until they invented digital cameras and LCD 
displays.)


But I've recently seen some outstanding industrial work, large format 
shots taken in operating steel works and auto assembly lines, printed at 
sizes around 2 by 3 feet. These were in an exhibition of commercial work 
by Karsh that's currently touring.


http://www.karsh.org/#/the_work/on_assignment/atlas_steel/
http://www.karsh.org/#/the_work/on_assignment/ford_canada/

Of course you can't tell from the screen, but these gelatin silver prints 
have a quietly impressive depth and lustre. I'd love to be able to print 
on some paper that even came half-way to matching the look he got from 
this stuff.  Can ink-jet approximate this, or is it only possible with 
trad photo-paper?


I guess that at this point the analog film buffs are rolling their eyes 
and would say, *this* is why we still shoot film.


-bmw


On 11-02-15 7:08 PM, Christine Aguila wrote:
Love the bw square crop.  I'd actually vote for a nicely textured mat 
print for this picture.  But glossy would probably be nice, but it would 
have to be some high end glossy--something like the Epson Exhibition 
Fiber paper. To my eye, sometimes basic glossy  paper looks kind of 
cheap.  Nice job, Darren.  Cheers, Christine




- Original Message - From: Bruce Walker 
bruce.wal...@gmail.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, February 15, 2011 2:31 PM
Subject: Re: PESO: The Wire Welder



On 11-02-15 2:23 PM, Darren Addy wrote:

Thanks for the additional comments.
By popular demand:
: )

Cropped square in BW: 
http://www.flickr.com/photos/pixelsmithy/5448318025/


Cropped square in color: 
http://www.flickr.com/photos/pixelsmithy/5448927542/


Both excellent, Darren. I think the bw serves this subject better. 
Wants to be printed really glossy too.


-bmw

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Re: PESO: The Wire Welder

2011-02-15 Thread Boris Liberman

One black and white for me, please ;-).

On 2/15/2011 9:23 PM, Darren Addy wrote:

Thanks for the additional comments.
By popular demand:
: )

Cropped square in BW: http://www.flickr.com/photos/pixelsmithy/5448318025/

Cropped square in color: http://www.flickr.com/photos/pixelsmithy/5448927542/




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Re: The Wire Welder

2011-02-13 Thread Steven Desjardins
That's pretty sharp for a mirror lens. It's a good image, but I agree
about the square crop.  The red is just distracting.

On Fri, Feb 11, 2011 at 11:49 PM, Christine  Aguila
cagu...@earthlink.net wrote:
 Hi Darren:  I like the body position of the welder--really makes the
 shot--as does the spark streams.  Very nice there.  You might consider a
 square crop taking from the right side to eliminate the red.  The square
 crop nicely arranges the body position along the far left third of a square
 crop.  Cheers, Christine


 - Original Message - From: Darren Addy pixelsmi...@gmail.com
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Wednesday, February 09, 2011 3:55 PM
 Subject: PESO: The Wire Welder


 Received my Priority Mail package in only 10 days (from Ohio to
 Nebraska). Whoo-Hoo!
 This is a high-ISO K-x shot taken through the new-to-me Tamron SP 52BB
 500mm f/8 adaptall2. (Thanks Collin!)
 http://www.pixelsmithy.com/the-welder-test-of-tamron-sp-52bb-500mm-f8-ad

 Comments welcome.

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Re: PESO: The Wire Welder

2011-02-11 Thread Rob Studdert
On 10 February 2011 08:55, Darren Addy pixelsmi...@gmail.com wrote:
 Received my Priority Mail package in only 10 days (from Ohio to
 Nebraska). Whoo-Hoo!
 This is a high-ISO K-x shot taken through the new-to-me Tamron SP 52BB
 500mm f/8 adaptall2. (Thanks Collin!)
 http://www.pixelsmithy.com/the-welder-test-of-tamron-sp-52bb-500mm-f8-ad

A very nice industrial shot, you've made the most of the light.

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Re: PESO: The Wire Welder

2011-02-11 Thread Darren Addy
Thanks to all who have shared comments. I seem to like this particular
image more than The Collective, it seems.

One interesting feature of the mirror lens (that I didn't think
about before getting one) is the way it makes the edges of objects
inside the focal plane semi-transparent. This is due to the central
obstruction in a mirror lens that gives you an almost-stereo effect.
The mirror to the right of the central obstruction is blocked from
seeing the more distant objects while the mirror to the left of the
edge can see a bit more past it. This simultaneous double exposure
results in the semi-transparent edge you see in the red/orange toolbox
to the right.

This is an element that can be used creatively. While I don't care for
the donut bokeh created by the mirror lens, this simply means that
it is best used (if one wishes to avoid them) where there will not be
specular highlights in the background (lower dynamic range scenes,
perhaps?)

I'm having a hard time believing how shallow the depth of field on
this lens is, even when focusing at a great distance. I took an image
of a field full of white tail deer on the way home from work (on a
tripod) and was surprised to find that a narrow strip of cornstalks
about 10 yards in front of the deer was sharply in focus while all
else was not. It is a challenging lens to use through the viewfinder.
I may have to make use of focusing through the live view (something I
have been aware of for a while, but have so far eshewed). Where it is
sharp it is very sharp (for a mirror lens) which surprises me.

I've heard good things about this lens for a while and can see already
that those opinions are justified.

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Re: The Wire Welder

2011-02-11 Thread Christine Aguila
Hi Darren:  I like the body position of the welder--really makes the 
shot--as does the spark streams.  Very nice there.  You might consider a 
square crop taking from the right side to eliminate the red.  The square 
crop nicely arranges the body position along the far left third of a square 
crop.  Cheers, Christine



- Original Message - 
From: Darren Addy pixelsmi...@gmail.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Wednesday, February 09, 2011 3:55 PM
Subject: PESO: The Wire Welder



Received my Priority Mail package in only 10 days (from Ohio to
Nebraska). Whoo-Hoo!
This is a high-ISO K-x shot taken through the new-to-me Tamron SP 52BB
500mm f/8 adaptall2. (Thanks Collin!)
http://www.pixelsmithy.com/the-welder-test-of-tamron-sp-52bb-500mm-f8-ad

Comments welcome.

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PESO: The Wire Welder

2011-02-09 Thread Darren Addy
Received my Priority Mail package in only 10 days (from Ohio to
Nebraska). Whoo-Hoo!
This is a high-ISO K-x shot taken through the new-to-me Tamron SP 52BB
500mm f/8 adaptall2. (Thanks Collin!)
http://www.pixelsmithy.com/the-welder-test-of-tamron-sp-52bb-500mm-f8-ad

Comments welcome.

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Re: PESO: The Wire Welder

2011-02-09 Thread Charles Robinson
On Feb 9, 2011, at 15:55, Darren Addy wrote:

 Received my Priority Mail package in only 10 days (from Ohio to
 Nebraska). Whoo-Hoo!
 This is a high-ISO K-x shot taken through the new-to-me Tamron SP 52BB
 500mm f/8 adaptall2. (Thanks Collin!)
 http://www.pixelsmithy.com/the-welder-test-of-tamron-sp-52bb-500mm-f8-ad
 

Nice.

Thousands of times sharper than my craptastic no-name 500mm mirror.  I should 
just throw mine away.

 -Charles

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Re: PESO: The Wire Welder

2011-02-09 Thread David J Brooks
Nice

Dave

On Wed, Feb 9, 2011 at 4:55 PM, Darren Addy pixelsmi...@gmail.com wrote:
 Received my Priority Mail package in only 10 days (from Ohio to
 Nebraska). Whoo-Hoo!
 This is a high-ISO K-x shot taken through the new-to-me Tamron SP 52BB
 500mm f/8 adaptall2. (Thanks Collin!)
 http://www.pixelsmithy.com/the-welder-test-of-tamron-sp-52bb-500mm-f8-ad

 Comments welcome.

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