Re: [pinhole-discussion] Polaroid Back for Pinhole?

2002-10-27 Thread Mike Vande Bunt
The older Model 500 4x5 sheet film back will not work properly with the 
new (current production) polaroid sheet film.  If you are very carefull, 
you can use the new film in the old back, but it is VERY easy to do it 
wrong -- wasting a sheet of film.  Any Model 545 back should work 
properly (it ia almost fool proof) no matter how old it is.


Mike Vande Bunt


Steve Bell wrote:


Hey everyone,

I've another question. I'm really interested in making a pinhole camera
with a 4x5 polaroid back. does anyone have any information or tips for me?
my main question would be, does it matter how old the 4x5 back is? i've
looked on ebay and found some, but they all say 'this is a very old, but
working product'. will it still take film? 


secondly, i'm assuming the best material to make it out of would be wood?

also, again any tips would be very welcome.

thanks,


--- Steve Bell
--- veracity...@earthlink.net
--- http://www.unbeknownst.org/~insurrective /
http://www.angelfire.com/zine2/insurrection
--- In fact, rock, rather than being an example of how freedom can be
achieved within the capitalist structure, is
an example of how capitalism can, almost without a conscious effort,
deceive those whom it oppresses...So
effective has the rock industry been in encouraging the spirit of
optimistic youth take-over that rock's truly
hard political edge, it's constant exploration of the varieties of
youthful frustration, has been ignored
and softened.  --Michael Lydon



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Re: [pinhole-discussion] Pinhole nude question

2002-10-27 Thread Colin Talcroft
Didn't mean to discourage pinhole at all, just wanted
you to be aware of the problems I had had. Give it a
try, by all means. Just be sure you have a cooperative
model or at least a comfortable one!

Colin

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RE: [pinhole-discussion] authentic space

2002-10-27 Thread Steve Bell
Hmm, well let's see.

i originally began with the idea of places where people go to reclaim the
past. for example, diners. i go to diners all the time, and a friend of
mine started talking to me about the idea of authentic space. like, in the
50's diners were kind of this ideal for the future. all stream lined and
chrome and neon. now diners are this ideal of the past. this space where
people feel like they are part of something authentic. we also talked about
how yuppie artist types get apartments in more urban areas, and nouveau
bourgoise people buy industrial type buildings and turn them into living
spaces so they can feel more conntected to the working class that they've
left behind. this is all architectural theory that she had been reading.

it got me very interested. so i've been shooting authentic space. i started
off just doing diners and thrift stores, but i've now started relying more
on my instincts, shooting whatever feels like authentic space, rather than
defining it by these specific criteria.

so there you have it. more sociological than truth in pinhole relations of
time and space.

cheers,

steve


 [Original Message]
 From: ethereal art ethereal...@mindspring.com
 To: pinhole-discussion@p at ???
  Date: 10/27/2002 6:27:58 PM
 Subject: [pinhole-discussion] authentic space

  From: Steve Bell veracity...@earthlink.net
 so after almost a year on this list, i finally made a pinhole camera.
 it was absolutely necessary for this project i am doing (authentic space)
 
 So Steve, define your term authentic space. Inter-dimensional
photography?
 Truth in pinhole relations of time and space? Reality check through a
 pinhole?  ;-)
 Rosanne
 
 
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 Post to the list as PLAIN TEXT only - no HTML 
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 http://www.???/discussion/


--- Steve Bell
--- veracity...@earthlink.net
--- http://www.unbeknownst.org/~insurrective /
http://www.angelfire.com/zine2/insurrection
--- In fact, rock, rather than being an example of how freedom can be
achieved within the capitalist structure, is
 an example of how capitalism can, almost without a conscious effort,
deceive those whom it oppresses...So
 effective has the rock industry been in encouraging the spirit of
optimistic youth take-over that rock's truly
 hard political edge, it's constant exploration of the varieties of
youthful frustration, has been ignored
 and softened.  --Michael Lydon





[pinhole-discussion] authentic space

2002-10-27 Thread ethereal art
 From: Steve Bell veracity...@earthlink.net
so after almost a year on this list, i finally made a pinhole camera.
it was absolutely necessary for this project i am doing (authentic space)

So Steve, define your term authentic space. Inter-dimensional photography?
Truth in pinhole relations of time and space? Reality check through a
pinhole?  ;-)
Rosanne




Re: [pinhole-discussion] Pinhole nude question

2002-10-27 Thread Colin Talcroft
Hi Catherine,

Thanks for saying you like my work, and I'm glad to
hear that looking at it was of help. Thought you and
anyone else interested might find it useful to know
that those three nudes (including the one you mention
specifically) were all done indoors usually with one 
500 Watt light. The film was T-Max 100. Exposures with
a lens were usually 4 to 16 seconds at f=16 if I
remember correctly. The pinhole exposures usually were
about 20 minutes at the least, often more like 30, and
sometimes as long as 40 minutes. It's not a
coincidence that the pinhole poses are mostly
reclining. That's about the only way to stay still for
that length of time. Often the model would fall
asleep! I can remeber a session or two during which I
set up the pinholes, let them go, spent 10 or fifteen
minutes doing lens photos, and still had time to get
out a sketchbook and do some drawings before finishing
the pinhole exposures and setting up a new pose! 

Colin 

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RE: [pinhole-discussion] Polaroid Back for Pinhole?

2002-10-27 Thread Chris Peregoy
Steve,

I would stay away from the model 500 back. For PinPolaroids I just tape a 50 
sheet 4x5 
film box to the front of my polaroid back. If you want real wide angle you can 
use a 10 
sheet box or a 100 sheet box for a closer to normal view. The 10 sheet box 
works well 
with multiple pinholes. You can mount a T-nut in a piece of 1x2x5 inch wood 
and rubber 
band this to you box/back combo to allow for tripod use.
= Original Message From Steve Bell veracity...@earthlink.net =
Hey everyone,

I've another question. I'm really interested in making a pinhole camera
with a 4x5 polaroid back. does anyone have any information or tips for me?
my main question would be, does it matter how old the 4x5 back is? i've
looked on ebay and found some, but they all say 'this is a very old, but
working product'. will it still take film?

secondly, i'm assuming the best material to make it out of would be wood?

also, again any tips would be very welcome.

thanks,


--- Steve Bell
--- veracity...@earthlink.net
--- http://www.unbeknownst.org/~insurrective /
http://www.angelfire.com/zine2/insurrection
--- In fact, rock, rather than being an example of how freedom can be
achieved within the capitalist structure, is
 an example of how capitalism can, almost without a conscious effort,
deceive those whom it oppresses...So
 effective has the rock industry been in encouraging the spirit of
optimistic youth take-over that rock's truly
 hard political edge, it's constant exploration of the varieties of
youthful frustration, has been ignored
 and softened.  --Michael Lydon



___
Post to the list as PLAIN TEXT only - no HTML
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Chris Peregoy
pere...@umbc.edu
http://userpages.umbc.edu/~peregoy




Re: [pinhole-discussion] zone plate

2002-10-27 Thread Guillermo
Stanford is incorrectly spelled, it should be STANFORD not STANDFORD.

Guillermo

- Original Message -
From: John Fisher photobu...@hotmail.com


 Would you check the URL? I have tried to open the site.But haven't had any
 luck. thank you


 From: Paul Prober pro...@silcom.com
 Reply-To: pinhole-discussion@p at ???
 
   Chris Patton at Pinhole and beyond has a zone plate area. The site
 address
 is
 www.standford.edu/~cpatton/zp.html  There is many zone plate lens, plus
 formulas for focusing the lens to subject.
 Paul Prober





Re: [pinhole-discussion] Pinhole nude question (was another question)

2002-10-27 Thread Colin Talcroft
Hi Catherine,

I've done a fair amount of nude work with pinholes,
zone plates, and lenses. In fact, I began using zone
plates to deal with the biggest problem I was having
in this area--the long exposures were really hard on
the model (it didn't help much). This may be a problem
especially if your interested in a dreamy look that
may require low light situations. For what it's worth,
the zone plate exposures weren't that much faster than
the pinhole exposures. They were still so long that
only the most intrepid models are capable of holding
them--blurred effects that result can be interesting,
of course. 

One method that did help was to find an interestig
pose that had possibilities from a number of angles
and then to use multiple cameras to get two or three
pinhole shots out of a single long pose, but the wide
angle of most pinhole and zone plate cameras means you
often have to set up very carefully to avoid getting
one of the other cameras in the picture! 

You might find (dare I suggest it) that traditional
photographer tricks like gauze or vaseline on a filter
using a lens may achieve the effect you are looking
for with far less hassle than pinhole or zone plate. I
am assuming here that the result is more important to
you than the process (which may not be true). Anyway,
the biggest frustration has been model fatigue. That
can be compounded by the fact that you may be paying
for a model's time and it's expensive to pay $20 an
hour or so and only shoot two negatives! Very fast
films may help too, if you don't mind the grain.

There are at least three pinhole nudes on my websites.
If you are interested, go to:

http://www.sonic.net/~talcroft/camerawork/

That will take you to my lens site, but it has links
to my pinhole site and to my nude photography site at
the bottom.

Hopes this helps.



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[pinhole-discussion] [pinhole-discussion]another question

2002-10-27 Thread Catherine Just
For the project I am starting - I am taking nudes with
a pinhole camera, and also with a 4x5 camera.

I want to create images that are dream like. That are
really beautiful - slightly out of focus - possibly a
bit distorted. 

I've been trying to figure out what would be the best
way to do it. I want to have consistency with the
images - so I would like to stay with the same
technique or cameras.

I am considering a zone plate, but haven't used one
before.

Does anyone know of any websites I can check to find
nudes of this manner. I've seen some - but maybe you
have more ideas for me?

I want to be certain that when I start the project I
am really making the best use of my cameras and
techniques to get this type of image.

In the end I am thinking of having them toned - 

or make them salt prints and then tone them

I love selenium toned prints.

Thanks for the help!
Catherine

=
Catherine Just Photography
Weddings~Portraits~Fine Art
http://www.catherinejust.com
619.294.3195


Don't just state your intent, Live it. ~Jerry Seiner Jr.

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[pinhole-discussion] Type 55 question

2002-10-27 Thread Catherine Just
Hi everyone,

I am getting ready to start a project that I would
prefer using type 55 for. One thing I love about type
55 is that when you pull the negative away from the
the rest of the polaroid, you sometimes get that strip
of material across the top with the holes in it. I
would like to keep that on there when I print my work,
but sometimes It comes off when I pull the polaroid
from the negative, and sometimes it comes off in the
wash.

Do you have any ideas how to make sure I can keep that
attached to the negative, and how I can keep it from
seperating when I wash the negative?

thanks

Catherine

=
Catherine Just Photography
Weddings~Portraits~Fine Art
http://www.catherinejust.com
619.294.3195


Don't just state your intent, Live it. ~Jerry Seiner Jr.

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Re: [pinhole-discussion] Polaroid Back for Pinhole?

2002-10-27 Thread D. Hill
Steve,

The older model, #500, is the one some people can't
quite get to work right.  These go for about $5 plus
shipping on a good day.  I used one exclusively with
Type 55 P/N (black and white), and with the type 79
(color).  Mine was pretty busted and old but it worked
perfectly.  I think the new model is the 545 and the
545i - on these make sure you buy one with a metal
lever - the plastic ones seem to snap off by their own
will power.

Don

--- Steve Bell veracity...@earthlink.net wrote:
 Hey everyone,
 
 I've another question. I'm really interested in
 making a pinhole camera
 with a 4x5 polaroid back. does anyone have any
 information or tips for me?
 my main question would be, does it matter how old
 the 4x5 back is? i've
 looked on ebay and found some, but they all say
 'this is a very old, but
 working product'. will it still take film? 
 
 secondly, i'm assuming the best material to make it
 out of would be wood?
 
 also, again any tips would be very welcome.
 
 thanks,
 
 
 --- Steve Bell
 --- veracity...@earthlink.net
 --- http://www.unbeknownst.org/~insurrective /
 http://www.angelfire.com/zine2/insurrection
 --- In fact, rock, rather than being an example of
 how freedom can be
 achieved within the capitalist structure, is
  an example of how capitalism can, almost
 without a conscious effort,
 deceive those whom it oppresses...So
  effective has the rock industry been in
 encouraging the spirit of
 optimistic youth take-over that rock's truly
  hard political edge, it's constant exploration
 of the varieties of
 youthful frustration, has been ignored
  and softened.  --Michael Lydon
 
 
 
 ___
 Post to the list as PLAIN TEXT only - no HTML 
 Pinhole-Discussion mailing list
 Pinhole-Discussion@p at ???
 unsubscribe or change your account at
 http://www.???/discussion/


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Y! Web Hosting - Let the expert host your web site
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[pinhole-discussion] Polaroid Back for Pinhole?

2002-10-27 Thread Steve Bell
Hey everyone,

I've another question. I'm really interested in making a pinhole camera
with a 4x5 polaroid back. does anyone have any information or tips for me?
my main question would be, does it matter how old the 4x5 back is? i've
looked on ebay and found some, but they all say 'this is a very old, but
working product'. will it still take film? 

secondly, i'm assuming the best material to make it out of would be wood?

also, again any tips would be very welcome.

thanks,


--- Steve Bell
--- veracity...@earthlink.net
--- http://www.unbeknownst.org/~insurrective /
http://www.angelfire.com/zine2/insurrection
--- In fact, rock, rather than being an example of how freedom can be
achieved within the capitalist structure, is
 an example of how capitalism can, almost without a conscious effort,
deceive those whom it oppresses...So
 effective has the rock industry been in encouraging the spirit of
optimistic youth take-over that rock's truly
 hard political edge, it's constant exploration of the varieties of
youthful frustration, has been ignored
 and softened.  --Michael Lydon





Re: [pinhole-discussion] Color 120 format films

2002-10-27 Thread Steve Bell
Thanks for the advice.

in regards to having a lot of the NPH, i use that with my regular holga
anyway, so i haven't really commited it, so to speak, to the pinhole holga.
i am certainly not attempting to emulate ansel adams. i will be doing my
own printing, as i'm presently taking a color photo class. i was
recommended to use NPL, so maybe i'll try that. i plan on doing some night
color pinhole work, as i feel like this project i'm working on will call
for such.

in regards to my friends work, he printed them himself. they are something
like 16x20 prints, so the color shift at the edges is very apparent. i
don't plan on printing so large, possibly only up to 11x14, so maybe it
won't be so apparent.

i'll post my results when i work everything out.

thanks,

Steve


 [Original Message]
 From: Michael Healy mjhe...@kcnet.com
 To: pinhole-discussion@p at ???
  Date: 10/27/2002 1:34:23 AM
 Subject: Re: [pinhole-discussion] Color 120 format films

 Steve, if you've got that much NPH, why not just shoot some. See what
 happens. You've committed yourself to a camera that runs as far from
 high-end, high quality images as you can get. So push that. Just shoot the
 stuff.
 
 I have not shot NPH, and I haven't shot any color at all in pinhole. All
my
 pinhole work has been in bw. But I have done color night work. My films
 were NPL,  NPS, Reala, all exposed for 10-15 minutes or even more. Results
 can be gorgeous, even with 10 and 15 minute exposures. I've even used,
very
 long exposures. Those results were weird, and also pretty cool. With night
 work, you do a lot of bracketing anyhow, so one is going to turn out.
Always
 works that way. It doesn't necessarily look like what you plan, but again,
 if you're trying to emulate Ansel Adams, pinhole is not exactly your best
 choice of medium. I would just try it, bracket, then try it again. And
 either scan yourself or do your own printing. I wouldn't judge the results
 by the lab's prints.
 
 Your friend's problem is hard to address. Are the images from negs? What
 film, and what conditions? Who printed them, a one-hour shop? One thing
 about printing your own color is that you can correct (or manipulate) the
 color locally, using small color-correcting filters like burning/dodging
 tools. Labs can do that too, but it will cost you, and it's hard to convey
 explicit instructions from the front desk. Sounds like your friend got a
 straight print. That sort of thing can be altered in all kinds of ways in
 the printing process.
 
 Mike Healy
 
 
 - Original Message -
 From: Steve Bell
 To: Pinhole List
 Sent: Saturday, October 26, 2002 8:28 PM
 Subject: [pinhole-discussion] Color 120 format films
 
 
 Hey Everyone,
 
 so after almost a year on this list, i finally made a pinhole camera. it
 was absolutely necessary for this project i am doing (authentic space),
and
 so i justified taking up schoolwork time to make it (the project is for
 school, so it works out ok). so i have a question. what color films does
 everyone use? i'm presently using fuji NPH, as i've got a bunch of it and
 i've been using it in my holga. oh, i should mention the pinhole camera i
 made is a pinholga. so i went to fuji's website to check out the
 reciprocity chart, and they say 'exposure of longer than 16 seconds is not
 recommended'. so there was no chart, and i'm kind of flying blind, which
is
 kind of fun, but it makes me think there might be a better film for me to
 be using.
 
 so what films do you all use, color-wise, for pinhole photographs?
 
 oh yeah, one more question, a friend of mine was showing me his color
 pinhole shots, and there was a slight magenta shift on the edges of the
 image, is there any way to correct this?
 
 thanks,
 
 --- Steve Bell
 --- veracity...@earthlink.net
 --- http://www.unbeknownst.org/~insurrective /
 http://www.angelfire.com/zine2/insurrection
 --- In fact, rock, rather than being an example of how freedom can be
 achieved within the capitalist structure, is
  an example of how capitalism can, almost without a conscious effort,
 deceive those whom it oppresses...So
  effective has the rock industry been in encouraging the spirit of
 optimistic youth take-over that rock's truly
  hard political edge, it's constant exploration of the varieties of
 youthful frustration, has been ignored
  and softened.  --Michael Lydon
 
 
 
 ___
 Post to the list as PLAIN TEXT only - no HTML
 Pinhole-Discussion mailing list
 Pinhole-Discussion@p at ???
 unsubscribe or change your account at
 http://www.???/discussion/
 
 
 ___
 Post to the list as PLAIN TEXT only - no HTML 
 Pinhole-Discussion mailing list
 Pinhole-Discussion@p at ???
 unsubscribe or change your account at
 http://www.???/discussion/


--- Steve Bell
--- veracity...@earthlink.net
--- http://www.unbeknownst.org/~insurrective /
http://www.angelfire.com/zine2/insurrection
--- In 

Re: [pinhole-discussion] Color 120 format films (correction)

2002-10-27 Thread Michael Healy
Correction: I meant that I've even used Velvia, very long exposures...

- Original Message -
From: Michael Healy
To: pinhole-discussion@p at ???
Sent: Saturday, October 26, 2002 10:34 PM
Subject: Re: [pinhole-discussion] Color 120 format films

I've even used, very long exposures. Those results were weird, and also
pretty cool. With night
work, you do a lot of bracketing anyhow, so one is going to turn out




[pinhole-discussion] Color 120 format films

2002-10-27 Thread Steve Bell
Hey Everyone,

so after almost a year on this list, i finally made a pinhole camera. it
was absolutely necessary for this project i am doing (authentic space), and
so i justified taking up schoolwork time to make it (the project is for
school, so it works out ok). so i have a question. what color films does
everyone use? i'm presently using fuji NPH, as i've got a bunch of it and
i've been using it in my holga. oh, i should mention the pinhole camera i
made is a pinholga. so i went to fuji's website to check out the
reciprocity chart, and they say 'exposure of longer than 16 seconds is not
recommended'. so there was no chart, and i'm kind of flying blind, which is
kind of fun, but it makes me think there might be a better film for me to
be using.

so what films do you all use, color-wise, for pinhole photographs?

oh yeah, one more question, a friend of mine was showing me his color
pinhole shots, and there was a slight magenta shift on the edges of the
image, is there any way to correct this?

thanks,

--- Steve Bell
--- veracity...@earthlink.net
--- http://www.unbeknownst.org/~insurrective /
http://www.angelfire.com/zine2/insurrection
--- In fact, rock, rather than being an example of how freedom can be
achieved within the capitalist structure, is
 an example of how capitalism can, almost without a conscious effort,
deceive those whom it oppresses...So
 effective has the rock industry been in encouraging the spirit of
optimistic youth take-over that rock's truly
 hard political edge, it's constant exploration of the varieties of
youthful frustration, has been ignored
 and softened.  --Michael Lydon