Burning London, the Clash tribute album

1999-04-29 Thread Don Yates


I know I was going on the other day about how dated the Clash sound
nowadays, but jeez, they certainly didn't deserve this abominable
"tribute" album.  It kicks off with a cheesy rendition of "Hateful" from
No Doubt and then gets worse.  The Urge's version of "This Is Radio Clash"
is laughable, Ice Cube should never, ever have attempted "Should I Stay Or
Should I Go," Third Eye Blind do a typically faceless, limp version of
"Train In Vain," the Indigo Girls transform "Clampdown" into gag-inducing
coffeehouse f*lk, the Mighty Mighty Bosstones sound like they're goin'
through the motions on "Rudie Can't Fail," 311 turn "White Man In
Hammersmith Palais" into harmless pop-ska, Silverchair do what sounds like
a Spinal Tap parody of "London's Burning," and Heather Nova and Moby join
forces for a sparse piano-and-synth dirge version of "Straight to Hell."
Rising above the stink are the Clash-inpired Rancid's gutsy,
straightforward version of "Cheat," and Cracker's countrified version of
"White Riot."  Otherwise, this "tribute" album has to be one of the worst
tribute albums ever released by a major label.  Blech!--don




Re: Burning London, the Clash tribute album

1999-04-29 Thread Morgan Keating


I read the list of artists to appear on this a lil' while back and was
pretty horrified...you've now confirmed my suspicions...

morgan


At 10:55 AM 4/29/99 -0700, you wrote:

I know I was going on the other day about how dated the Clash sound
nowadays, but jeez, they certainly didn't deserve this abominable
"tribute" album.  It kicks off with a cheesy rendition of "Hateful" from
No Doubt and then gets worse.  The Urge's version of "This Is Radio Clash"
is laughable, Ice Cube should never, ever have attempted "Should I Stay Or
Should I Go," Third Eye Blind do a typically faceless, limp version of
"Train In Vain," the Indigo Girls transform "Clampdown" into gag-inducing
coffeehouse f*lk, the Mighty Mighty Bosstones sound like they're goin'
through the motions on "Rudie Can't Fail," 311 turn "White Man In
Hammersmith Palais" into harmless pop-ska, Silverchair do what sounds like
a Spinal Tap parody of "London's Burning," and Heather Nova and Moby join
forces for a sparse piano-and-synth dirge version of "Straight to Hell."
Rising above the stink are the Clash-inpired Rancid's gutsy,
straightforward version of "Cheat," and Cracker's countrified version of
"White Riot."  Otherwise, this "tribute" album has to be one of the worst
tribute albums ever released by a major label.  Blech!--don




Re: Burning London, the Clash tribute album

1999-04-29 Thread Svb442

In a message dated 4/29/99 12:59:31 PM EST, [EMAIL PROTECTED] writes:

  I know I was going on the other day about how dated the Clash sound
 nowadays, but jeez, they certainly didn't deserve this abominable
 "tribute" album.  

this piece of crap was guaranteed the above by the getting the mostly the 
lamest of bands to contribute. there are so many great rock'n'roll/punk bands 
(backyard babies, streetwalkin' cheetahs, hellacopters, nomads, dimestore 
halos, d generation, etc) that would have done so much of a better job, it's 
pathetic that this is what they came up with. just more proof (as if anyone 
needed it) that the major labels really have their heads up their collective 
butts.

np-flatt  scruggs-back to the cross