Greetings from WAY down south

1999-04-07 Thread Richard Haslop

Hi

I recently subscribed to P2 and have followed the various debates and
discussions of the past couple of weeks with interest and not a little
envy, particularly the one on tape trading.  Tape trading?!!?  Jeez,
where I come from (Durban in South Africa) finding the new Steve Earle,
or even the last Emmylou, in a local record store less than a year after
its release - and often even at all -is a small miracle.  Getting hold
of anything more exotic involves more hard work than you guys in
America, or England, or Europe, or Australia, or .. can imagine.
Live performances are, of course, out of the question, though I may just
be the only P2-er to have seen the Byrds live with Gram-replacement
roadie Carlos Bernal in tow - the infamous 1968 safari.  Bernal spent
the entire show with his back to the audience, except for a couple of
brief moments when he seemed either totally bewildered or hopelessly
stoned, or both.  Whatever, he definitely didn't know all the chords.
I guess not many of us can claim first hand experience of so off the
wall a rock 'n' roll footnote.

As a fanatical teenager, I loved it all, but my next local live gig on
the twang-ish front was Kinky Friedman nearly thirty years later.  A
trip to Austin last year helped, and I'll die happy having seen Emmylou
at the New Orleans jazzfest, but next time you're wondering whether
Wilco (whose latest album still hasn't hit our shelves, even as a
high-priced import, which is the only way we get anything decent anyway)
still qualifies as whatever the latest term for country-rock is, think
of us down here in the boondocks.  There are a few of us who'd pay to
watch them sing unaccompanied whaling songs.

Nevertheless, things aren't all hopeless.  I've been writing about music
for fifteen years or so and have made a point of plugging the
extraordinary, no matter where it comes from.  For the last five years
I've been broadcasting on national radio and playing everything, from
Albanian goat-herding songs to John Zorn, that no-one else will.  And,
surprise!  There are more people than you might imagine who have started
to listen and enjoy.

I love a vast range of music, but I keep coming back to Townes and the
Stanley Brothers.

Among the programmes I've compiled and presented was a thirteen part
series on a highly personal choice of "cult heroes of rock 'n' roll"
which included individual programmes on Alex Chilton, Syd Barrett, Nick
Drake, Gram Parsons, Richard Thompson, Velvet Underground, Ry Cooder,
England's On-U Sound label, New Zealand's Flying Nun label, the
Go-Betweens and the Triffids, Tim Buckley, the CBGBs antecedents and
offshoots, and the Nuggets-era garage bands.

If you're in South Africa at any stage, and are wondering where the hell
to hear interesting music on the radio, you might check out my current
show, entitled Roots To Fruits, on Sunday afternoons at 3 p.m. on SAfm -
104 to 107.  Not much of interest in the radio station's library, of
course, so it all comes from my own collection, or, occasionally, that
of friends. Since I've enjoyed reading the playlists posted on P2 every
week, I thought I'd post mine from time to time, so here goes, backdated
for a few weeks:

14 Feb. 
JOE ELY - Musta Notta Gotta Lotta (request)
THE FLATLANDERS - Dallas
ECK ROBERTSON - Brilliancy Medley
DENNIS McGEE - Blues De Texas
BLIND WILLIE JOHNSON - You'll Need Somebody On Your Bond
BOB BROZMAN - Devil's Slide
TARRAS - Da Fields O' Foula (UK)
RACHID TAHA - Ya Rayah (Algeria)
PIERRE BENSUSAN - La Femme Cambree (France)
NIBS VAN DER SPUY - Minedump Surfing (South Africa)
DANNY DE WET  THE LOWVELD GARAGE BAND - Love In A Pill (South Africa)
GLEE CLUB - Playing Guitar In An All Girl Band (South Africa)
SUNWAYS - Standstill (South Africa)
HABIB KOITE - Sirata (Mali)
NATALIE McMASTER - The Drunken Piper (Cape Breton, Nova Scotia)

21 Feb.
BATTLEFIELD BAND - Reels : The Jolly Old Gardener set
ANDY M.STEWART - The Gaberlunzieman
DAVE ALVIN - Blackjack David
HAZEL DICKENS  ALICE GERRARD - Won't You Come And Sing For Me
GUY CLARK - Dublin Blues
STANLEY BROTHERS - Handsome Molly
RALPH STANLEY  BOB DYLAN - Lonesome River
LUCINDA WILLIAMS - The Night's Too Long
THE BAND - W.S.Walcott Medicine Show (Rock Of Ages version)
MERCURY REV - Opus 40
THE GOURDS - Piss And Moan Blues
HABIB KOITE  BAMADA - Wassiye (Mali)
AMADOU ET MARIAM - Dounia (Mali)
SALAMAT - Lau Elreida (Egypt/Sudan)

28 Feb. (The banjo and its relatives)
FLATT  SCRUGGS - Foggy Mountain Breakdown
BILL MONROE - Sailor's Hornpipe
JERRY DOUGLAS  BELA FLECK - The Ride
BELA FLECK - Bach/Ballad Of Jed Clampett
BLUEGRASS 96 - Up On The Blue Ridge
DRY BRANCH FIRE SQUAD - Banjo Jokes/Bluegrass Breakdown
DOCK BOGGS - Down South Blues
UNCLE DAVE MACON - Way Down The Old Plank Road
ZARSANGA - Gula Sta De Kille (Afghanistan)
IGOR KOSHKENDY - Atchamaining Ohi (Tuva)
RADIO TARIFA - Las Cuevas (Spain)
TAKASHI HIRAYASU - Uturushimun (Okinawa, Japan)
SILLY WIZARD - Reels : Miss Shepherd set (Scotland)
GILLIAN WELCH - 

RE: Greetings from WAY down south

1999-04-07 Thread Matt Benz



 Live performances are, of course, out of the question, though I may
 just
 be the only P2-er to have seen the Byrds live with Gram-replacement
 roadie Carlos Bernal in tow - the infamous 1968 safari.  Bernal spent
 the entire show with his back to the audience, except for a couple of
 brief moments when he seemed either totally bewildered or hopelessly
 stoned, or both.  Whatever, he definitely didn't know all the chords.
 I guess not many of us can claim first hand experience of so off the
 wall a rock 'n' roll footnote.
 
[Matt Benz]  Now that is a story we haven't heard yet!  

Carlos Bernal not knowing the songs still had to be better than
suffering thru Crosby. 



RE: Greetings from WAY down south

1999-04-07 Thread BARNARD

Probably anyone would have been easier to deal with than Crosby?  Except
maybe Saint Gram

Anyhow, have any of you listened to the "hidden track" studio stuff on
those Byrds re-releases.  I was just thinking of Crosby the other night
after listening (and laughing a lot) at the studio fight that's a hidden
track at the end of "Notorious Byrd Brothers."  Mainly Crosby dogging
Michael Clarke about a drum part, but it just goes on and on and on
The producer, Usher, tries to intervene and get them back on track, but
nooo, etc.

Anyone who's ever been through a rough rehearsal will sympathize g.

--junior



RE: Greetings from WAY down south

1999-04-07 Thread Matt Benz



 -Original Message-
 From: BARNARD [SMTP:[EMAIL PROTECTED]]
 Sent: Wednesday, April 07, 1999 9:30 AM
 
 
 Anyhow, have any of you listened to the "hidden track" studio stuff on
 those Byrds re-releases.  I was just thinking of Crosby the other
 night
 after listening (and laughing a lot) at the studio fight that's a
 hidden
 track at the end of "Notorious Byrd Brothers."  Mainly Crosby dogging
 Michael Clarke about a drum part, but it just goes on and on and
 on
 The producer, Usher, tries to intervene and get them back on track,
 but
 nooo, etc.
[Matt Benz]  

I haven't got that one yet (tho I've heard about that studio
fight: I believe it is included on those "celebrity losing it" tapes
that make the rounds), but the one at the end of "5D" is painful:
McGuinn and the Walrus talking about the *new* album. Yn. I
don't know how long it is, something like 11 minutes. I don't know who
would listen to it, even among diehard fans...


 --junior



Byrds' hidden tracks (was Greetings from WAY down south)

1999-04-07 Thread Ph. Barnard

Matt:

   I haven't got that one yet (tho I've heard about that studio
 fight: I believe it is included on those "celebrity losing it" tapes
 that make the rounds), but the one at the end of "5D" is painful:
 McGuinn and the Walrus talking about the *new* album. Yn. I
 don't know how long it is, something like 11 minutes. I don't know who
 would listen to it, even among diehard fans...

Actually I haven't heard the 5D one, so we're even.  Sounds like a 
conversation, rather than a studio thing?  The one on "Notorious" is 
amusing as a "band nagging each other during a practice" sort of 
thing.  Not that it would make great repeated listening at any 
moment, but they are interesting and fun when you're in the mood.  
Since the one on Notorious clearly gives you Crosby as the nagging 
asshole, it's in keeping with the aesthetic of the album as a whole, 
since Crosby quit at that time, the "horse's ass" photo on the front, 
etc...

I'd still like to hear some more about that South African concert 
from our new South African P2 correspondent, however  That's a 
legendary moment in Byrds' lore and I have never ever heard a peep 
from anyone who saw it.

--junior