Re: [hillbilly] Workin' Man Blues (book) and Western Swing book

1999-04-13 Thread Barry Mazor

I'm interested to hear about  that too; I've not read it--but then, it's
only out a couple of weeks.  I do know that the writer is a professor with
a lot of non-fiction under his belt concerning California, especially lives
of working class Californians, and that he even wrote a story collection
about the Okies

While we're at it, I'd mention that what I AM reading right now,  the book
"The Jazz of the Southwest: An Oral History of Western Swing" by Jean A.
Boyd, has become available in paperback at the same mega-onlines and
elsewhere as the California book ...
  This author, as the title suggests, has much to say about how Western
Swing is jazz at its root, underappreciated jazz, and maybe underplays the
country side in saying so...but there are many interviewsm, and much
thought on the topic... She's unrelated to any other Boyd BTW--and  a
musicologist from Baylor.. ..

Barry M.



 Has anyone heard of a book called Workin' Man Blues by Gerald Haslam
 (University of California Press).

Since no one on the hillbilly list has responded, I thought I'd see if
anyone here has read it, and if so, how is it?--don





RE: [hillbilly] Workin' Man Blues (book) and Western Swing book

1999-04-13 Thread Jon Weisberger


 On Tue, 13 Apr 1999, Barry Mazor wrote:

  ...the
  book "The Jazz of the Southwest: An Oral History of Western Swing" by
  Jean A. Boydhas much to say about how Western
  Swing is jazz at its root, underappreciated jazz, and maybe underplays
  the country side in saying so...

 And the book was panned for doing just that by some western swing expert
 (Kevin Coffey? Cary Ginell?) in a recent issue of (I think) the Journal Of
 Country Music.

Coffey, in the most recent issue.

Jon Weisberger  Kenton County, KY [EMAIL PROTECTED]
http://home.fuse.net/jonweisberger/



RE: [hillbilly] Workin' Man Blues (book) and Western Swing book

1999-04-13 Thread Barry Mazor

I only want to add that the effort has some value anyway--mainly by way of
all those interviews lurking behind the "Oral History" part of the title.
The tendency to avoid calling the country aspect of Western Swing country
strikes me, in reading this, more on the lines of "I've gotta have an
"original" thesis point, and this is mind, and bygard I'm gonna stick with
it" than some serious preeejudice against country music...On the other
hand. Ms. Boyd seems WAY more at home and familiar with naming, say, jazz
violinists who may have influenced Wills or Bruner than country fiddlers;
she just doesn't seem to have heard enough of those--or want to bring them
up here.  A worthwhile addition to the general, undercovered picture
though, I think, if from a skewed point of view easily taken into account.

Barry M.
(Better include the M I guess; I've noticed some other Barrys around again!)



 "The Jazz of the Southwest: An Oral History of Western Swing" by
  Jean A. Boydhas much to say about how Western
  Swing is jazz at its root, underappreciated jazz, and maybe underplays
  the country side in saying so...

 And the book was panned for doing just that by some western swing expert
 (Kevin Coffey? Cary Ginell?) in a recent issue of (I think) the Journal Of
 Country Music.

Coffey, in the most recent issue.

Jon Weisberger  Kenton County, KY [EMAIL PROTECTED]
http://home.fuse.net/jonweisberger/





Re: [hillbilly] Workin' Man Blues (book) and Western Swing book

1999-04-13 Thread Christopher M Knaus

Hey there,

Barry reads...
 While we're at it, I'd mention that what I AM reading right now, the
book "The Jazz of the Southwest: An Oral History of Western Swing" by
Jean A. Boyd, 

And the book was panned for doing just that by some western swing expert
(Kevin Coffey? Cary Ginell?) in a recent issue of (I think) the Journal
Of
Country Music.--don

Yup. And was also slammed to pieces for getting facts wrong, belittling
country, etc. etc. Slammed hard, in fact.

Later...
CK

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