Re: Alejandro (was: need info)

1999-03-14 Thread cwilson

 geez, Junior, don't go gettin' all apologetic on me, ya wuss. for the 
 record, there are many Escovedo moments i find unconvincing too. much 
 less so in a live setting, and i think the live record is a lot more 
 listenable than his studio albums, but, yeah, a lot of the time 
 there's a sort of monotony there. ... my point was that i don't think 
 there's anything wrong with someone seeking support to do more 
 ambitious work. "seeking institutional validation" seems to me a 
 specious accusation considering the kind of music that Escovedo plays; 
 frankly I think he'd be playing his songs with much more straightahead 
 rock instrumentation and more self-consciously Hispanic signifiers if 
 he wanted that - he could easily work in the Los Lobos vein, but 
 instead he makes very individualistic choices in the way he works with 
 different configuraions, strings, etc.
 
 the point that the monotony of some of his work might have been a plus 
 to the NEA's way of thinking seems pretty valid, though.
 
 carl w.



Re: Terry Allen (was Re: Alejandro (was: need info)

1999-03-13 Thread Don Yates



On Fri, 12 Mar 1999, Terry A. Smith wrote:

 Yeah, I know this is songwriting analysis 101, but I just cringe to hear
 AE thrown in with the pejorative "snooze-rock guys" phrase. Or "overly
 polite and artsy."

Well, anyone who covers the Stooges probably isn't too "overly polite."g
I was referring more to the likes of Bruton and McMurtry.

 I picked up Terry Allen's re-released double record -- two of his
 earlier records combined as a double CD -- a couple years ago, and was
 bored to tears. The songwriting was right there, but the tunes were, um,
 damned slow. This is music we're talking about, not poetry. Not even
 beat poetry. Pick up the tempo, Terry.

Even though they contain a few good songs, those are probably two of his
weaker records.  Try Lubbock (On Everything) for prime Allen, or more
recently Human Remains and Salivation.--don (gettin' ready for another
round of on-air begging.  Ugh.)



Re: Terry Allen (was Re: Alejandro (was: need info)

1999-03-13 Thread Carl Abraham Zimring

Excerpts from internet.listserv.postcard2: 13-Mar-99 Re: Terry Allen
(was Re: Al.. by Don [EMAIL PROTECTED] 
 Well, anyone who covers the Stooges probably isn't too "overly polite."g
 I was referring more to the likes of Bruton and McMurtry.

Can someone who covers Kinky Friedman (McMurtry) be accused of being
"overly polite"? 

Carl Z. 



Re: Terry Allen (was Re: Alejandro (was: need info)

1999-03-13 Thread Don Yates



On Sat, 13 Mar 1999, Carl Abraham Zimring wrote:

 Can someone who covers Kinky Friedman (McMurtry) be accused of being
 "overly polite"? 

Sure, if he smooths 'em out like McMurtry does.--don



Re: Terry Allen (was Re: Alejandro (was: need info)

1999-03-13 Thread Bob Soron

At 5:36 PM -0800  on 3/12/99, Don Yates wrote:

And here's an interesting contrast to the overly polite and artsy "roots
rock" types: Terry Allen's an arty Texas singer-songwriter who also just
happens to be thoroughly immersed in various roots styles.  He does more
than just name-check roots music greats in his publicity sheets (a la
Bruton) -- his music is identifiably based in country, cajun, tex-mex,
etc.  There's also an edginess to his sound that's noticeably absent from
that of the polite snooze-rock guys.  His new album's definitely gonna
make some folks uneasy, and others even downright mad.  Titled Salivation,
the album takes dead-aim at religion, skewering its hypocrisies with irony
and irreverence while also demonstrating that Allen's lost none of his
ability to tell a powerful tale.  Terry Allen doesn't make background
music, and thank god for that.--don

I dunno, Don, juxtaposing Allen and McMurtry like this doesn't work for
me. I haven't listened to the new Allen at all, not being a weasel g,
and I've listened to the new McMurtry just once, yesterday in fact, and
as background music, so there. Seriously, just as Allen's work is not
all prime -- I think more highly of the two albums on the Sugar Hill
twofer than I do of "Rollback," for example -- you can't point to a
weaker McMurtry album and say, "Well, the guy's no Terry Allen." "Too
Long in the Wasteland" is as strong now as it was then. I'd say that,
allowing for Allen's decade-long head start, they've got about the same
track record.

To belabor the obvious just in case, I'm not saying McMurtry's as
strong as Allen. I've traveled hundreds of miles to see Terry Allen; I
catch McMurtry about half the chances I get. But I sure don't lump
McMurtry in with background music or roots music for people without
roots (which his first release addressed kind of critically, after all).

Bob




Terry Allen (was Re: Alejandro (was: need info)

1999-03-12 Thread Don Yates


And here's an interesting contrast to the overly polite and artsy "roots
rock" types: Terry Allen's an arty Texas singer-songwriter who also just
happens to be thoroughly immersed in various roots styles.  He does more
than just name-check roots music greats in his publicity sheets (a la
Bruton) -- his music is identifiably based in country, cajun, tex-mex,
etc.  There's also an edginess to his sound that's noticeably absent from
that of the polite snooze-rock guys.  His new album's definitely gonna
make some folks uneasy, and others even downright mad.  Titled Salivation,
the album takes dead-aim at religion, skewering its hypocrisies with irony
and irreverence while also demonstrating that Allen's lost none of his
ability to tell a powerful tale.  Terry Allen doesn't make background
music, and thank god for that.--don




Re: Terry Allen (was Re: Alejandro (was: need info)

1999-03-12 Thread Terry A. Smith

 
 
 And here's an interesting contrast to the overly polite and artsy "roots
 rock" types: Terry Allen's an arty Texas singer-songwriter who also just
 happens to be thoroughly immersed in various roots styles.  He does more
 than just name-check roots music greats in his publicity sheets (a la
 Bruton) -- his music is identifiably based in country, cajun, tex-mex,
 etc.  There's also an edginess to his sound that's noticeably absent from
 that of the polite snooze-rock guys.  His new album's definitely gonna
 music, and thank god for that.--don
 
I think don may be feeling a little better.

Anyhow, I'm wondering if "edginess," as described in Allen's case, stems
from him attacking outside targets, such as religion. Edginess can just as
easily come from looking inside, and I think Alejandro's done a good job
of that throughout his career. Yeah, I know this is songwriting analysis
101, but I just cringe to hear AE thrown in with the pejorative
"snooze-rock guys" phrase. Or "overly polite and artsy." I picked up Terry
Allen's re-released double record -- two of his earlier records combined
as a double CD -- a couple years ago, and was bored to tears. The
songwriting was right there, but the tunes were, um, damned slow. This is
music we're talking about, not poetry. Not even beat poetry. Pick up the
tempo, Terry. -- Terry