Southern gospel (was Big Book)

1999-03-02 Thread David Cantwell

At 12:32 PM 3/2/99 -0500, Jon wrote:

True enough about the individual entries, but I'll argue back a little bit
on the southern gospel thing; though there's no entry as such, there's some
discussion in the entry under gospel music (written by Charles Wolfe).

yeah I knew that. And it's better than nothing. But... Hey, I'm a southern
gospel nut.

I have heard that Wolfe, between bouts of illness, has been working on a
history of southern gospel. That would great and much needed--Don Cusic's
history, The Sound of Light, is the best I know of currently, but it's only
half southern gospel. The other is black gospel, which is great but Anthony
(?) Heilbut's The Gospel Sound pretty definitively covered that side of the
tradition already. We need a southern gospel book, before the tradition's
gone for good...  --david cantwell



Re: Southern gospel

1999-03-02 Thread David Cantwell

I knew about the web stuff already, but the rest of this is very good to
hear, Shane. 'Round  here in KC I can say that it's dying or dead, though I
can still see references to shows down southern missouri way. Our only
southern gospel tv show, on cable access, isn't around anymore, and the
southern gospel radio station spends most of its day playing music that I,
uh, wouldn't call REAL southern gospel (That'll make Bob happy! g).
Addtionally, it just sounds soulless and over sung, like a lot of other
contemporary christian stuff. Actually, I can't even tell the difference
between what gets southern gospel there and the southern gospel I cut my
teeth on. So maybe the SG tradition has changed into something I don't get
or appreciate. Very possible.

But anyway, what I meant, specifically, when I referred to someone getting
it all down in a book before it's long gone was the quartet tradition of
the Blackwoods, Statesmen, Florida Boys (who I know are still going
strong), LeFevres, rambos, Oak Ridge, Kingsmen, etc. Is that still around
down there? I know when I watch Gaither Gospel Series stuff on TNN, they
usually feature just one or two of the old guys, who just break me up, then
they turn it over to some young guy or gal for half an hour who oversings
soulleslly, like a lot of contemporary christian 

Also: Given what I like, Shane, do you think the annual national quartet
convention would let me down or lift me up? Is it worth checking out?
--david cantwell  



Re: Southern gospel

1999-03-02 Thread Shane S. Rhyne

Howdy,

David says: So maybe the SG tradition has changed into something I don't
get or appreciate. Very possible.

Well, I suppose it's just like every other form of music. It's always being
tinkered with for better or worse.

There are indeed practicioners of vacant and (how ironic) soulless
performances in Southern Gospel, as there are similar performers in other
forms. I'm blessed with a limited knowledge and vocabulary in Southern
Gospel, so I don't tend to cross paths with every group and song that comes
down the pike.

Since my mom raised me on Elvis' work, I was naturally introduced to SG
through J.D. Sumner, the Blackwoods, and others that were an influence on
Mr. Presley. My mom would also mention these acts and play whatever copies
of their music she may have had in her almost Elvis-exclusive record
collection.

A fun alternate universe game that we played: "What if Elvis had joined the
Blackwoods or some other SG quartet?"

I will say that at the age of 6, when I first got to see Elvis in concert, I
was equally excited about the opportunity to hear J.D. Sumner that night. I
wanted to see if his voice could really make my insides shake like mom said
they would. (It did.)

Whoops... veering back on topic for a moment...

David: But anyway, what I meant, specifically, when I referred to someone
getting it all down in a book before it's long gone

I have hopes that the SGMA's establishment of a Hall of Fame will be the
first step in recording that history. I intend to poke my nosy self around a
bit to find out what's what on that front.

David: the quartet tradition of the Blackwoods, Statesmen, Florida Boys
(who I know are still going strong), LeFevres, rambos, Oak Ridge, Kingsmen,
etc. Is that still around down there?

Yes it is, quite happily. Though, granted, what I refer to as the "crying
mama" family bands seem to have the upper hand right now, out of sheer force
of numbers alone more than anything. But, that type of Southern Gospel is a
legitimate tradition within SG in its own right.

The quartet I am most familiar with is the Kingdom Heirs. They are
essentially Dolly's "SG House Band" for Dollywood, operating as regular
performers there during the park season, serving as ambassadors and hosts
for visiting SG groups, etc. They have become one of the most popular
features of the park's entertainment network, which has a good deal to do
with the decision to site the SGMA's Hall of Fame on the park property.

The Kingdom Heirs also appear quite a bit, I believe they actually host, on
a syndicated TV show called "Southern Stage." The show is/was filmed at
Dollywood's Celebrity Theater and features a good many of the best SG groups
out there.

The show airs/aired (I no longer have cable and don't know if it's still in
production) on the Odyssey Channel, but I think it may show up on some other
Christian-themed or family-themed networks in other parts of the country.

David: Given what I like, Shane, do you think the annual national quartet
convention would let me down or lift me up? Is it worth checking out?

Actually, I'm of no help at all to you here. I've never had the pleasure of
venturing out to the convention. (It is the one in Louisville, KY, isn't
it?)

I can say that Dollywood's Southern Gospel Jubilee in October should appeal
to your tastes, though. I'll be sure to post a listing of performers when it
becomes available.

Take care,

Shane Rhyne
Knoxville, TN
[EMAIL PROTECTED]

NPIMH: Elvis, "I'm Gonna Walk Dem Golden Stairs"