Re: Any accessible Preamp plugins?

2014-09-12 Thread Christopher Gilland

Likewise.

Chris.

- Original Message - 
From: "Chris Smart" 

To: 
Sent: Friday, September 12, 2014 21:19
Subject: RE: Any accessible Preamp plugins?



i'm surprised ProTools doesn't have a simple gain plug-in you can insert.

At 08:10 PM 9/12/2014, you wrote:
I'm sure you have your reasons, but even preamps will introduce some form 
of
harmonic characteristics that can be similar to the sounds that 
compressors
offer. Tube pre's can sound like a tube compressor with the right 
settings,

so it depends on what your reasons are.

-Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On 
Behalf

Of Christopher-Mark Gilland
Sent: Friday, September 12, 2014 3:57 PM
To: ptaccess@googlegroups.com
Subject: Re: Any accessible PreAmp plugins?

OK, but wouldn't I then get a little bit a compression from the default
settings of the attack, and release?  If so, I don't want that.  I'm
literally wanting to boost the gain without boosting the output slider.
Don't ask why.  I have my reasons.  LOL!

Chris.


Chris.

- Original Message -
From: "Slau Halatyn" 
To: 
Sent: Friday, September 12, 2014 4:49 PM
Subject: Re: Any accessible PreAmp plugins?


BTW, you can still just use a compressor and set the ratio to 1:1 and use
the make-up gain for the boost.

Slau

On Sep 12, 2014, at 4:24 PM, Christopher-Mark Gilland
 wrote:

> Am using PT 11.2.  Are there any good preamp plugins out there?  I 
> totally


> get there are hardware pre's that sound really good, but is there 
> anything


> software wise?  I don't need something that does a lot of things.  I 
> just

> need a very basic level booster type a plugin.  I know I could use a
> compressor, but at the end of the day, I'm wanting something a bit more
> basic that doesn't compress.  It simply just raises the output signal.
>
> Chris.
>
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Re: Any accessible PreAmp plugins?

2014-09-12 Thread Christopher Gilland

OK.  I wasn't aware of that.  Thanks.

Chris.

- Original Message - 
From: "Chris Smart" 

To: 
Sent: Friday, September 12, 2014 21:18
Subject: Re: Any accessible PreAmp plugins?


a compressor with ratio set to 1:1 will not change anything, unless it's a 
compressor with a lot of emulated analog character.


At 07:57 PM 9/12/2014, you wrote:
OK, but wouldn't I then get a little bit a compression from the default 
settings of the attack, and release?  If so, I don't want that.  I'm 
literally wanting to boost the gain without boosting the output slider. 
Don't ask why.  I have my reasons.  LOL!


Chris.


Chris.

- Original Message - From: "Slau Halatyn" 
To: 
Sent: Friday, September 12, 2014 4:49 PM
Subject: Re: Any accessible PreAmp plugins?


BTW, you can still just use a compressor and set the ratio to 1:1 and use 
the make-up gain for the boost.


Slau

On Sep 12, 2014, at 4:24 PM, Christopher-Mark Gilland 
 wrote:


Am using PT 11.2.  Are there any good preamp plugins out there?  I 
totally get there are hardware pre's that sound really good, but is there 
anything software wise?  I don't need something that does a lot of 
things.  I just need a very basic level booster type a plugin.  I know I 
could use a compressor, but at the end of the day, I'm wanting something 
a bit more basic that doesn't compress.  It simply just raises the output 
signal.


Chris.

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RE: Any accessible Preamp plugins?

2014-09-12 Thread Chris Smart

i'm surprised ProTools doesn't have a simple gain plug-in you can insert.

At 08:10 PM 9/12/2014, you wrote:

I'm sure you have your reasons, but even preamps will introduce some form of
harmonic characteristics that can be similar to the sounds that compressors
offer. Tube pre's can sound like a tube compressor with the right settings,
so it depends on what your reasons are.

-Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf
Of Christopher-Mark Gilland
Sent: Friday, September 12, 2014 3:57 PM
To: ptaccess@googlegroups.com
Subject: Re: Any accessible PreAmp plugins?

OK, but wouldn't I then get a little bit a compression from the default
settings of the attack, and release?  If so, I don't want that.  I'm
literally wanting to boost the gain without boosting the output slider.
Don't ask why.  I have my reasons.  LOL!

Chris.


Chris.

- Original Message -
From: "Slau Halatyn" 
To: 
Sent: Friday, September 12, 2014 4:49 PM
Subject: Re: Any accessible PreAmp plugins?


BTW, you can still just use a compressor and set the ratio to 1:1 and use
the make-up gain for the boost.

Slau

On Sep 12, 2014, at 4:24 PM, Christopher-Mark Gilland
 wrote:

> Am using PT 11.2.  Are there any good preamp plugins out there?  I totally

> get there are hardware pre's that sound really good, but is there anything

> software wise?  I don't need something that does a lot of things.  I just
> need a very basic level booster type a plugin.  I know I could use a
> compressor, but at the end of the day, I'm wanting something a bit more
> basic that doesn't compress.  It simply just raises the output signal.
>
> Chris.
>
> --
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> "Pro Tools Accessibility" group.
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> email to ptaccess+unsubscr...@googlegroups.com.
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Re: Any accessible PreAmp plugins?

2014-09-12 Thread Chris Smart
a compressor with ratio set to 1:1 will not change anything, unless 
it's a compressor with a lot of emulated analog character.


At 07:57 PM 9/12/2014, you wrote:
OK, but wouldn't I then get a little bit a compression from the 
default settings of the attack, and release?  If so, I don't want 
that.  I'm literally wanting to boost the gain without boosting the 
output slider. Don't ask why.  I have my reasons.  LOL!


Chris.


Chris.

- Original Message - From: "Slau Halatyn" 
To: 
Sent: Friday, September 12, 2014 4:49 PM
Subject: Re: Any accessible PreAmp plugins?


BTW, you can still just use a compressor and set the ratio to 1:1 
and use the make-up gain for the boost.


Slau

On Sep 12, 2014, at 4:24 PM, Christopher-Mark Gilland 
 wrote:


Am using PT 11.2.  Are there any good preamp plugins out there?  I 
totally get there are hardware pre's that sound really good, but is 
there anything software wise?  I don't need something that does a 
lot of things.  I just need a very basic level booster type a 
plugin.  I know I could use a compressor, but at the end of the 
day, I'm wanting something a bit more basic that doesn't 
compress.  It simply just raises the output signal.


Chris.

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RE: Any accessible Preamp plugins?

2014-09-12 Thread Poppa Bear
I'm sure you have your reasons, but even preamps will introduce some form of
harmonic characteristics that can be similar to the sounds that compressors
offer. Tube pre's can sound like a tube compressor with the right settings,
so it depends on what your reasons are. 

-Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf
Of Christopher-Mark Gilland
Sent: Friday, September 12, 2014 3:57 PM
To: ptaccess@googlegroups.com
Subject: Re: Any accessible PreAmp plugins?

OK, but wouldn't I then get a little bit a compression from the default
settings of the attack, and release?  If so, I don't want that.  I'm
literally wanting to boost the gain without boosting the output slider. 
Don't ask why.  I have my reasons.  LOL!

Chris.


Chris.

- Original Message -
From: "Slau Halatyn" 
To: 
Sent: Friday, September 12, 2014 4:49 PM
Subject: Re: Any accessible PreAmp plugins?


BTW, you can still just use a compressor and set the ratio to 1:1 and use 
the make-up gain for the boost.

Slau

On Sep 12, 2014, at 4:24 PM, Christopher-Mark Gilland 
 wrote:

> Am using PT 11.2.  Are there any good preamp plugins out there?  I totally

> get there are hardware pre's that sound really good, but is there anything

> software wise?  I don't need something that does a lot of things.  I just 
> need a very basic level booster type a plugin.  I know I could use a 
> compressor, but at the end of the day, I'm wanting something a bit more 
> basic that doesn't compress.  It simply just raises the output signal.
>
> Chris.
>
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
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> email to ptaccess+unsubscr...@googlegroups.com.
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Re: Any accessible PreAmp plugins?

2014-09-12 Thread Christopher-Mark Gilland
OK, but wouldn't I then get a little bit a compression from the default 
settings of the attack, and release?  If so, I don't want that.  I'm 
literally wanting to boost the gain without boosting the output slider. 
Don't ask why.  I have my reasons.  LOL!


Chris.


Chris.

- Original Message - 
From: "Slau Halatyn" 

To: 
Sent: Friday, September 12, 2014 4:49 PM
Subject: Re: Any accessible PreAmp plugins?


BTW, you can still just use a compressor and set the ratio to 1:1 and use 
the make-up gain for the boost.


Slau

On Sep 12, 2014, at 4:24 PM, Christopher-Mark Gilland 
 wrote:


Am using PT 11.2.  Are there any good preamp plugins out there?  I totally 
get there are hardware pre's that sound really good, but is there anything 
software wise?  I don't need something that does a lot of things.  I just 
need a very basic level booster type a plugin.  I know I could use a 
compressor, but at the end of the day, I'm wanting something a bit more 
basic that doesn't compress.  It simply just raises the output signal.


Chris.

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RE: Any accessible PreAmp plugins?

2014-09-12 Thread Poppa Bear
The BF 76 in PT can work kind of like that if used right IMO. 

-Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf
Of Christopher-Mark Gilland
Sent: Friday, September 12, 2014 12:24 PM
To: ptaccess@googlegroups.com
Subject: Any accessible PreAmp plugins?

Am using PT 11.2.  Are there any good preamp plugins out there?  I totally
get there are hardware pre's that sound really good, but is there anything
software wise?  I don't need something that does a lot of things.  I just
need a very basic level booster type a plugin.  I know I could use a
compressor, but at the end of the day, I'm wanting something a bit more
basic that doesn't compress.  It simply just raises the output signal.

Chris.

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Re: just a little heads up about Apogee & Avid

2014-09-12 Thread Ricky Prevatte
Glad you posted this I was just getting ready to go and buy it. I thought they 
may have a special price on that. I believe I'll just hold off a little while 
longer I would have to do a lot to my MacBook to get ProTools running.

Ricky Prevatte LMBT1154

> On Sep 12, 2014, at 1:56 PM, Slau Halatyn  wrote:
> 
> Some of you might have noticed an announcement about new products from Apogee 
> and Avid which is a collaboration between the two companies involving the 
> Apogee Duet and Quartet bundled with Pro Tools. What might have caught your 
> attention about this particular announcement is the fact that, for the first 
> time, the Duet and Quartet are Windows compatible. This is good news for 
> Windows users but potentially bad news for Mac users using VoiceOver. Apogee 
> has traditionally been a Mac-only environment. Their Maestro software that 
> controls their interfaces is very accessible because it's written for Mac 
> exclusively and controls are accessible out of the gate. Having a 
> cross-platform situation alarmed me.
> 
> I've spoken with Apogee and Avid and, although there isn't a clear answer as 
> of yet, the situation will be examined shortly. To be clear, the products are 
> Pro Tools specific and have their own software written by Avid to control the 
> interfaces. Unfortunately, this all came as a surprise to the people at Avid 
> who deal with Pro Tools and are aware of accessibility issues. It appears 
> that there was a bit of miscommunication which actually affects the team 
> dealing with Pro Tools on a larger scale as they were, forgive the pun, 
> blindsided by the announcement.
> 
> I've been assured that, in case of any problems with the software 
> accessibility, Avid would make good on making sure it's accessible.
> 
> Further, this does not affect the regular version of Pro Tools and it doesn't 
> affect the regular Apogee duet and quartet interfaces. Those interfaces still 
> use the accessible Maestro software and the interfaces work fine with Pro 
> Tools. It's only the newly introduce Pro Tools-specific Duet and Quartet 
> bundled with Pro Tools that use the new cross-platform software.
> 
> Slau
> 
> -- 
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Re: Any accessible PreAmp plugins?

2014-09-12 Thread Slau Halatyn
BTW, you can still just use a compressor and set the ratio to 1:1 and use the 
make-up gain for the boost.

Slau

On Sep 12, 2014, at 4:24 PM, Christopher-Mark Gilland  
wrote:

> Am using PT 11.2.  Are there any good preamp plugins out there?  I totally 
> get there are hardware pre's that sound really good, but is there anything 
> software wise?  I don't need something that does a lot of things.  I just 
> need a very basic level booster type a plugin.  I know I could use a 
> compressor, but at the end of the day, I'm wanting something a bit more basic 
> that doesn't compress.  It simply just raises the output signal.
> 
> Chris.
> 
> -- 
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> "Pro Tools Accessibility" group.
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Any accessible PreAmp plugins?

2014-09-12 Thread Christopher-Mark Gilland
Am using PT 11.2.  Are there any good preamp plugins out there?  I totally 
get there are hardware pre's that sound really good, but is there anything 
software wise?  I don't need something that does a lot of things.  I just 
need a very basic level booster type a plugin.  I know I could use a 
compressor, but at the end of the day, I'm wanting something a bit more 
basic that doesn't compress.  It simply just raises the output signal.


Chris.

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Good analog polyphonic synth plugin for PT11?

2014-09-12 Thread Krister Ekstrom
Hi there,
Am thinking of buying myself a plugin that can give me analog synth sounds for 
pads and leads. I was thinking about Arturias Jupiter 8 V but am not sure how 
well it will work under Protools 11. Any suggestions for a similar plugin as 
the Jupiter8v or do you have any other suggestions for a good analog synth?
/Krister

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just a little heads up about Apogee & Avid

2014-09-12 Thread Slau Halatyn
Some of you might have noticed an announcement about new products from Apogee 
and Avid which is a collaboration between the two companies involving the 
Apogee Duet and Quartet bundled with Pro Tools. What might have caught your 
attention about this particular announcement is the fact that, for the first 
time, the Duet and Quartet are Windows compatible. This is good news for 
Windows users but potentially bad news for Mac users using VoiceOver. Apogee 
has traditionally been a Mac-only environment. Their Maestro software that 
controls their interfaces is very accessible because it's written for Mac 
exclusively and controls are accessible out of the gate. Having a 
cross-platform situation alarmed me.

I've spoken with Apogee and Avid and, although there isn't a clear answer as of 
yet, the situation will be examined shortly. To be clear, the products are Pro 
Tools specific and have their own software written by Avid to control the 
interfaces. Unfortunately, this all came as a surprise to the people at Avid 
who deal with Pro Tools and are aware of accessibility issues. It appears that 
there was a bit of miscommunication which actually affects the team dealing 
with Pro Tools on a larger scale as they were, forgive the pun, blindsided by 
the announcement.

I've been assured that, in case of any problems with the software 
accessibility, Avid would make good on making sure it's accessible.

Further, this does not affect the regular version of Pro Tools and it doesn't 
affect the regular Apogee duet and quartet interfaces. Those interfaces still 
use the accessible Maestro software and the interfaces work fine with Pro 
Tools. It's only the newly introduce Pro Tools-specific Duet and Quartet 
bundled with Pro Tools that use the new cross-platform software.

Slau

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Re: An audio track that won't record audio

2014-09-12 Thread Krister Ekstrom
Ahem, haven't had the rig up today. Will try tomorrow and get back with a 
report. It may have been something i did and that disappeared with the settings 
as i didn't save the attempts at recording yesterday. I'll let you know how 
things develop.
/Krister

> 12 sep 2014 kl. 18:25 skrev Slau Halatyn :
> 
> Yep, what I meant was an audio track from an analog source rather than a MIDI 
> track. Have you gotten it to monitor correctly?
> 
> Slau
> 
> On Sep 12, 2014, at 11:02 AM, Krister Ekstrom  
> wrote:
> 
>> An analog track? I thought they all were digital.:-) Ahem confused now... 
>> I'm recording via an analog input on the Digi003 to an audio track in PT.
>> /Krister
>> 
>>> 12 sep 2014 kl. 15:42 skrev Slau Halatyn :
>>> 
>>> Hi Krister,
>>> 
>>> Are you recording to an analog track? You can record from the same input to 
>>> any number of tracks. If you can hear the bass with the Track Monitor 
>>> button off and in Auto Input while the transport is not engaged, you should 
>>> be able to hear it while you're recording and certainly when playing back.
>>> 
>>> Slau
>>> 
>>> On Sep 12, 2014, at 8:30 AM, Krister Ekstrom  
>>> wrote:
>>> 
 Hi,
 I did that  i turned the input to auto monitoring and then i heard the 
 bass, but still nothing got recorded. Do i have to do anything special in 
 order to have the same inputs routed to different tracks even though i'm 
 only using 1 track at a time?
 /Krister
 
> 12 sep 2014 kl. 13:58 skrev Slau Halatyn :
> 
> Hi Krister,
> 
> The problem might be related to the track input settings. Most of the 
> time, Auto Input monitoring is used to hear recorded material so it's 
> appropriate if you're punching in so you can hear previous material and 
> then monitor input while recording. Otherwise, Input monitoring is good 
> if you only want to hear live input. In other words, if you're set to 
> Input monitoring, you won't hear what was recorded as long as you're 
> still in Input monitoring during playback. You can toggle Auto and Input 
> monitoring with Option-k. I'd keep the track monitor button off.
> 
> Hope that helps
> 
> Slau
> 
> On Sep 12, 2014, at 4:42 AM, Krister Ekstrom  
> wrote:
> 
>> Hi,
>> I must have made some kind of mistake yesterday when i tried to add a 
>> bass to my master piece that i'm doing.:-) I could hear the bass very 
>> well when i wasn't recording the track, but as soon as i started 
>> recording, the sound disappeared  and nothing was recorded. I had the 
>> track selected and armed but nothing got recorded. The track wasn't 
>> muted, at least it made no difference when i muted and when i didn't. 
>> Anyone had this happen?
>> /Krister
>> 
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Re: An audio track that won't record audio

2014-09-12 Thread Slau Halatyn
Yep, what I meant was an audio track from an analog source rather than a MIDI 
track. Have you gotten it to monitor correctly?

Slau

On Sep 12, 2014, at 11:02 AM, Krister Ekstrom  wrote:

> An analog track? I thought they all were digital.:-) Ahem confused now... I'm 
> recording via an analog input on the Digi003 to an audio track in PT.
> /Krister
> 
>> 12 sep 2014 kl. 15:42 skrev Slau Halatyn :
>> 
>> Hi Krister,
>> 
>> Are you recording to an analog track? You can record from the same input to 
>> any number of tracks. If you can hear the bass with the Track Monitor button 
>> off and in Auto Input while the transport is not engaged, you should be able 
>> to hear it while you're recording and certainly when playing back.
>> 
>> Slau
>> 
>> On Sep 12, 2014, at 8:30 AM, Krister Ekstrom  
>> wrote:
>> 
>>> Hi,
>>> I did that  i turned the input to auto monitoring and then i heard the 
>>> bass, but still nothing got recorded. Do i have to do anything special in 
>>> order to have the same inputs routed to different tracks even though i'm 
>>> only using 1 track at a time?
>>> /Krister
>>> 
 12 sep 2014 kl. 13:58 skrev Slau Halatyn :
 
 Hi Krister,
 
 The problem might be related to the track input settings. Most of the 
 time, Auto Input monitoring is used to hear recorded material so it's 
 appropriate if you're punching in so you can hear previous material and 
 then monitor input while recording. Otherwise, Input monitoring is good if 
 you only want to hear live input. In other words, if you're set to Input 
 monitoring, you won't hear what was recorded as long as you're still in 
 Input monitoring during playback. You can toggle Auto and Input monitoring 
 with Option-k. I'd keep the track monitor button off.
 
 Hope that helps
 
 Slau
 
 On Sep 12, 2014, at 4:42 AM, Krister Ekstrom  
 wrote:
 
> Hi,
> I must have made some kind of mistake yesterday when i tried to add a 
> bass to my master piece that i'm doing.:-) I could hear the bass very 
> well when i wasn't recording the track, but as soon as i started 
> recording, the sound disappeared  and nothing was recorded. I had the 
> track selected and armed but nothing got recorded. The track wasn't 
> muted, at least it made no difference when i muted and when i didn't. 
> Anyone had this happen?
> /Krister
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
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> email to ptaccess+unsubscr...@googlegroups.com.
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>>> 
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>> 
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Re: An audio track that won't record audio

2014-09-12 Thread Krister Ekstrom
An analog track? I thought they all were digital.:-) Ahem confused now... I'm 
recording via an analog input on the Digi003 to an audio track in PT.
/Krister

> 12 sep 2014 kl. 15:42 skrev Slau Halatyn :
> 
> Hi Krister,
> 
> Are you recording to an analog track? You can record from the same input to 
> any number of tracks. If you can hear the bass with the Track Monitor button 
> off and in Auto Input while the transport is not engaged, you should be able 
> to hear it while you're recording and certainly when playing back.
> 
> Slau
> 
> On Sep 12, 2014, at 8:30 AM, Krister Ekstrom  
> wrote:
> 
>> Hi,
>> I did that  i turned the input to auto monitoring and then i heard the bass, 
>> but still nothing got recorded. Do i have to do anything special in order to 
>> have the same inputs routed to different tracks even though i'm only using 1 
>> track at a time?
>> /Krister
>> 
>>> 12 sep 2014 kl. 13:58 skrev Slau Halatyn :
>>> 
>>> Hi Krister,
>>> 
>>> The problem might be related to the track input settings. Most of the time, 
>>> Auto Input monitoring is used to hear recorded material so it's appropriate 
>>> if you're punching in so you can hear previous material and then monitor 
>>> input while recording. Otherwise, Input monitoring is good if you only want 
>>> to hear live input. In other words, if you're set to Input monitoring, you 
>>> won't hear what was recorded as long as you're still in Input monitoring 
>>> during playback. You can toggle Auto and Input monitoring with Option-k. 
>>> I'd keep the track monitor button off.
>>> 
>>> Hope that helps
>>> 
>>> Slau
>>> 
>>> On Sep 12, 2014, at 4:42 AM, Krister Ekstrom  
>>> wrote:
>>> 
 Hi,
 I must have made some kind of mistake yesterday when i tried to add a bass 
 to my master piece that i'm doing.:-) I could hear the bass very well when 
 i wasn't recording the track, but as soon as i started recording, the 
 sound disappeared  and nothing was recorded. I had the track selected and 
 armed but nothing got recorded. The track wasn't muted, at least it made 
 no difference when i muted and when i didn't. Anyone had this happen?
 /Krister
 
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>>> 
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>> 
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> 
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Re: An audio track that won't record audio

2014-09-12 Thread Slau Halatyn
Hi Krister,

Are you recording to an analog track? You can record from the same input to any 
number of tracks. If you can hear the bass with the Track Monitor button off 
and in Auto Input while the transport is not engaged, you should be able to 
hear it while you're recording and certainly when playing back.

Slau

On Sep 12, 2014, at 8:30 AM, Krister Ekstrom  wrote:

> Hi,
> I did that  i turned the input to auto monitoring and then i heard the bass, 
> but still nothing got recorded. Do i have to do anything special in order to 
> have the same inputs routed to different tracks even though i'm only using 1 
> track at a time?
> /Krister
> 
>> 12 sep 2014 kl. 13:58 skrev Slau Halatyn :
>> 
>> Hi Krister,
>> 
>> The problem might be related to the track input settings. Most of the time, 
>> Auto Input monitoring is used to hear recorded material so it's appropriate 
>> if you're punching in so you can hear previous material and then monitor 
>> input while recording. Otherwise, Input monitoring is good if you only want 
>> to hear live input. In other words, if you're set to Input monitoring, you 
>> won't hear what was recorded as long as you're still in Input monitoring 
>> during playback. You can toggle Auto and Input monitoring with Option-k. I'd 
>> keep the track monitor button off.
>> 
>> Hope that helps
>> 
>> Slau
>> 
>> On Sep 12, 2014, at 4:42 AM, Krister Ekstrom  
>> wrote:
>> 
>>> Hi,
>>> I must have made some kind of mistake yesterday when i tried to add a bass 
>>> to my master piece that i'm doing.:-) I could hear the bass very well when 
>>> i wasn't recording the track, but as soon as i started recording, the sound 
>>> disappeared  and nothing was recorded. I had the track selected and armed 
>>> but nothing got recorded. The track wasn't muted, at least it made no 
>>> difference when i muted and when i didn't. Anyone had this happen?
>>> /Krister
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/d/optout.
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
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>> email to ptaccess+unsubscr...@googlegroups.com.
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> 
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Re: An audio track that won't record audio

2014-09-12 Thread Krister Ekstrom
Hi,
I did that  i turned the input to auto monitoring and then i heard the bass, 
but still nothing got recorded. Do i have to do anything special in order to 
have the same inputs routed to different tracks even though i'm only using 1 
track at a time?
/Krister

> 12 sep 2014 kl. 13:58 skrev Slau Halatyn :
> 
> Hi Krister,
> 
> The problem might be related to the track input settings. Most of the time, 
> Auto Input monitoring is used to hear recorded material so it's appropriate 
> if you're punching in so you can hear previous material and then monitor 
> input while recording. Otherwise, Input monitoring is good if you only want 
> to hear live input. In other words, if you're set to Input monitoring, you 
> won't hear what was recorded as long as you're still in Input monitoring 
> during playback. You can toggle Auto and Input monitoring with Option-k. I'd 
> keep the track monitor button off.
> 
> Hope that helps
> 
> Slau
> 
> On Sep 12, 2014, at 4:42 AM, Krister Ekstrom  
> wrote:
> 
>> Hi,
>> I must have made some kind of mistake yesterday when i tried to add a bass 
>> to my master piece that i'm doing.:-) I could hear the bass very well when i 
>> wasn't recording the track, but as soon as i started recording, the sound 
>> disappeared  and nothing was recorded. I had the track selected and armed 
>> but nothing got recorded. The track wasn't muted, at least it made no 
>> difference when i muted and when i didn't. Anyone had this happen?
>> /Krister
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
> 
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Re: An audio track that won't record audio

2014-09-12 Thread Slau Halatyn
Hi Krister,

The problem might be related to the track input settings. Most of the time, 
Auto Input monitoring is used to hear recorded material so it's appropriate if 
you're punching in so you can hear previous material and then monitor input 
while recording. Otherwise, Input monitoring is good if you only want to hear 
live input. In other words, if you're set to Input monitoring, you won't hear 
what was recorded as long as you're still in Input monitoring during playback. 
You can toggle Auto and Input monitoring with Option-k. I'd keep the track 
monitor button off.

Hope that helps

Slau

On Sep 12, 2014, at 4:42 AM, Krister Ekstrom  wrote:

> Hi,
> I must have made some kind of mistake yesterday when i tried to add a bass to 
> my master piece that i'm doing.:-) I could hear the bass very well when i 
> wasn't recording the track, but as soon as i started recording, the sound 
> disappeared  and nothing was recorded. I had the track selected and armed but 
> nothing got recorded. The track wasn't muted, at least it made no difference 
> when i muted and when i didn't. Anyone had this happen?
> /Krister
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
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> email to ptaccess+unsubscr...@googlegroups.com.
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An audio track that won't record audio

2014-09-12 Thread Krister Ekstrom
Hi,
I must have made some kind of mistake yesterday when i tried to add a bass to 
my master piece that i’m doing.:-) I could hear the bass very well when i 
wasn’t recording the track, but as soon as i started recording, the sound 
disappeared  and nothing was recorded. I had the track selected and armed but 
nothing got recorded. The track wasn’t muted, at least it made no difference 
when i muted and when i didn’t. Anyone had this happen?
/Krister

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