Re: How to start learning ProTools
I think you will find all the user guides after you percious the App. > On Jun 7, 2018, at 4:40 AM, Jørgen Skov Nielsen wrote: > > Hello > Thank you for the answer for my question. > I have one more, can anyone recommend the link to the newest userguide for > newest protools version 2018 > Thanks in advance. > Best regards > Jørgen Skov Nielsen > > >> On 4 Jun 2018, at 12.43, Ramy Moustafa wrote: >> >> Hi: >> >> 2018 point 4 should work ok. >> >> >>> On Jun 4, 2018, at 12:22 PM, dingram...@earthlink.net wrote: >>> >>> what is the latest version of protools and how do we start learning pro >>> tools >>> >>> >>> -Original Message- From: Ramy Moustafa Sent: Jun 3, 2018 8:44 PM To: protools mailing list Subject: Re: How to start learning ProTools Hi there: I think the best way is to come to our Protools on whatsapp. the 1st step is to read the manual, then you can ask here or on the group. GOod luck, and i am a starter like you > On Jun 3, 2018, at 5:42 PM, Jørgen Skov Nielsen wrote: > > Dear List > I can not find the ProTools with speech? > I will start learning ProTools from start > One of my seeing friends learn me to use my surfase board a Behringer > X-Touch > > Now I Think the time is to learn Protools from scratch can anyone > recommend some stuff I can read or hear about learning Protools > Is the user guide the right way to start? > > Thanks in advance > > Best regards > Jørgen > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. >>> >>> -- >>> You received this message because you are subscribed to the Google Groups >>> "Pro Tools Accessibility" group. >>> To unsubscribe from this group and stop receiving emails from it, send an >>> email to ptaccess+unsubscr...@googlegroups.com. >>> For more options, visit https://groups.google.com/d/optout. >> >> -- >> You received this message because you are subscribed to the Google Groups >> "Pro Tools Accessibility" group. >> To unsubscribe from this group and stop receiving emails from it, send an >> email to ptaccess+unsubscr...@googlegroups.com. >> For more options, visit https://groups.google.com/d/optout. > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Selecting with FloTools
Hi: To reset the selection, simply press the return key. and to type the selection length: if you need the minute 3, 24 seconds and 000 ticks, you can use your numpad to type: 3.24.000 or without the 3 0s it will be ok. Hope that helps > On Jun 7, 2018, at 11:16 PM, Samuel Wilkins wrote: > > Hello all, I am having a problem selecting audio in FloTools. I want to > change the selection time, so I press Command F1 or F2 once, and it reads out > the selection. I press it again, and it puts me in the edit box. However, > when I try to write in it, it doesn't tell me what I am writing. What format > do I need to use for typing time based selections? Also, how do I reset the > selection back to the start and end of the file? Thank you. > > -- > Regards, > > Samuel Wilkins > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Reset Wave tune real time or any pitch correction to a very hard
Hi all: I’m using the wave tune real time from waves for live Auto tune correction. but now i need to achieve special effect on voice. i need to make the wavetune real time so hard, to make the singer like a robot singing. There is a music style here in Egypt that require this kind of singing. On windows i was using Autotune FX. but i do not have money now to buy it on mac. so, can i find another alternative that can achieve this hard autotune? Thanks in advance -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: further progress with Synchro Arts plug-ins
Cool, Well keep us posted regarding what features other than the Vocalign is available to us if you get a chance to use it more. I’ll do some research on my end regarding pricing and figure out which way I can go. Thanks > On Jun 7, 2018, at 6:44 PM, Slau Halatyn wrote: > > I think that the monthly subscription disregards any reinstatement cost by > design since the subscription can be cancelled at any time but I don't know > the exact costs. > > Today was literally the first time I ever saw the Revoice interface so I > can't say much yet but, regarding the Revoice Doubler, there is certainly a > quick Doubler feature in that plug-in that requires no fiddling around with > parameters. You just select the audio and output the processed audio to an > adjacent track (or whichever track you specify. It couldn't be simpler and > it's great right out of the box. > Slau > >> On Jun 7, 2018, at 6:27 PM, Steve Martin wrote: >> >> Given some of the new playback features added in 2018 I was considering >> restarting it because that would speed up Vocal tracking and production. >> And that seems to be alot of what I am doing these days. If I can easily >> use Vocalign as well then that would be another benefit. But yeah that $299 >> restart price is a bit much. I wonder if they charge you that if you do a >> monthly subscription? Also are any of the pitch correction or doubling >> parameters of Revoice Pro available to us or are we at the moment limited >> to the Vocalign functions even if using Revoice Pro? >> >> Thanks >> >>> On Jun 7, 2018, at 6:22 PM, Slau Halatyn wrote: >>> >>> As far as a Pro Tools license, if it's expired, I'd only recommend >>> restating it if you plan to keep it current. The first time around will >>> cost somewhere around $300 and $99 per year after that. If you had a >>> VocALign Project license, it should still be good. I just have no idea >>> about how the whole upgrade thing works for Synchro Arts though. I'll drop >>> them a line to ask. >>> On Jun 7, 2018, at 5:58 PM, Steve Martin wrote: Cool thanks. So I guess this means I should reactivate my ProTOols license then? To your other point I assume if I were to upgrade during the current sale I would forfeit my project license and not be able to run both. Thanks Again, > On Jun 7, 2018, at 5:47 PM, Slau Halatyn wrote: > > Hi Steve, > > I have macros for all three. I simply put the Revoice Pro macros there > for Byron to grab. I'll get the others up there shortly. VocALign Project > gets the job done but VocALign Pro definitely does a better job and it > appears that Revoice Pro does the best of all. Thing is, the flexibility > settings on Revoice don't seem to be accessible, at least not yet plus it > requires that the stand-alone application be running in the background > for everything to work. I'm not sure whether I'll go for one or the > other. It would be nice if the Revoice license also authorized the use of > the other 2 plug-ins. > Slau > >> On Jun 7, 2018, at 5:06 PM, Steve Martin >> wrote: >> >> Hey Slau, >> >> You mentioned Vocalign Pro here but I noticed the macro in the KM folder >> in the PT Access dropbox folder is named for Revoice Pro. Are those the >> ones for Vocalign Pro, or are those for Revoice Pro? >> >> Thanks, >> >> >>> On Jun 7, 2018, at 10:34 AM, Slau Halatyn wrote: >>> >>> At this point, I've managed to get VocALign Pro to work. The macros >>> were actually easier to create than the ones for VocALign Project. I've >>> already received an NFR license for ReVoice Pro but will not have time >>> to get to that for a couple of days but I'm happy with the progress. >>> Slau >>> >>> -- >>> You received this message because you are subscribed to the Google >>> Groups "Pro Tools Accessibility" group. >>> To unsubscribe from this group and stop receiving emails from it, send >>> an email to ptaccess+unsubscr...@googlegroups.com. >>> For more options, visit https://groups.google.com/d/optout. >> >> -- >> You received this message because you are subscribed to the Google >> Groups "Pro Tools Accessibility" group. >> To unsubscribe from this group and stop receiving emails from it, send >> an email to ptaccess+unsubscr...@googlegroups.com. >> For more options, visit https://groups.google.com/d/optout. > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to
Re: further progress with Synchro Arts plug-ins
I think that the monthly subscription disregards any reinstatement cost by design since the subscription can be cancelled at any time but I don't know the exact costs. Today was literally the first time I ever saw the Revoice interface so I can't say much yet but, regarding the Revoice Doubler, there is certainly a quick Doubler feature in that plug-in that requires no fiddling around with parameters. You just select the audio and output the processed audio to an adjacent track (or whichever track you specify. It couldn't be simpler and it's great right out of the box. Slau > On Jun 7, 2018, at 6:27 PM, Steve Martin wrote: > > Given some of the new playback features added in 2018 I was considering > restarting it because that would speed up Vocal tracking and production. And > that seems to be alot of what I am doing these days. If I can easily use > Vocalign as well then that would be another benefit. But yeah that $299 > restart price is a bit much. I wonder if they charge you that if you do a > monthly subscription? Also are any of the pitch correction or doubling > parameters of Revoice Pro available to us or are we at the moment limited to > the Vocalign functions even if using Revoice Pro? > > Thanks > >> On Jun 7, 2018, at 6:22 PM, Slau Halatyn wrote: >> >> As far as a Pro Tools license, if it's expired, I'd only recommend restating >> it if you plan to keep it current. The first time around will cost somewhere >> around $300 and $99 per year after that. If you had a VocALign Project >> license, it should still be good. I just have no idea about how the whole >> upgrade thing works for Synchro Arts though. I'll drop them a line to ask. >> >>> On Jun 7, 2018, at 5:58 PM, Steve Martin wrote: >>> >>> Cool thanks. So I guess this means I should reactivate my ProTOols license >>> then? To your other point I assume if I were to upgrade during the current >>> sale I would forfeit my project license and not be able to run both. >>> Thanks Again, >>> >>> On Jun 7, 2018, at 5:47 PM, Slau Halatyn wrote: Hi Steve, I have macros for all three. I simply put the Revoice Pro macros there for Byron to grab. I'll get the others up there shortly. VocALign Project gets the job done but VocALign Pro definitely does a better job and it appears that Revoice Pro does the best of all. Thing is, the flexibility settings on Revoice don't seem to be accessible, at least not yet plus it requires that the stand-alone application be running in the background for everything to work. I'm not sure whether I'll go for one or the other. It would be nice if the Revoice license also authorized the use of the other 2 plug-ins. Slau > On Jun 7, 2018, at 5:06 PM, Steve Martin wrote: > > Hey Slau, > > You mentioned Vocalign Pro here but I noticed the macro in the KM folder > in the PT Access dropbox folder is named for Revoice Pro. Are those the > ones for Vocalign Pro, or are those for Revoice Pro? > > Thanks, > > >> On Jun 7, 2018, at 10:34 AM, Slau Halatyn wrote: >> >> At this point, I've managed to get VocALign Pro to work. The macros were >> actually easier to create than the ones for VocALign Project. I've >> already received an NFR license for ReVoice Pro but will not have time >> to get to that for a couple of days but I'm happy with the progress. >> Slau >> >> -- >> You received this message because you are subscribed to the Google >> Groups "Pro Tools Accessibility" group. >> To unsubscribe from this group and stop receiving emails from it, send >> an email to ptaccess+unsubscr...@googlegroups.com. >> For more options, visit https://groups.google.com/d/optout. > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. >>> >>> -- >>> You received this message because you are subscribed to the Google Groups >>> "Pro Tools Accessibility" group. >>> To unsubscribe from this group and stop receiving emails from it, send an >>> email to ptaccess+unsubscr...@googlegroups.com. >>> For more options, visit https://groups.google.com/d/optout. >> >> -- >> You received this message because you are subscribed to the Google Groups >> "Pro Tools Accessibility" group. >> To unsubscribe from this group
Re: further progress with Synchro Arts plug-ins
Given some of the new playback features added in 2018 I was considering restarting it because that would speed up Vocal tracking and production. And that seems to be alot of what I am doing these days. If I can easily use Vocalign as well then that would be another benefit. But yeah that $299 restart price is a bit much. I wonder if they charge you that if you do a monthly subscription? Also are any of the pitch correction or doubling parameters of Revoice Pro available to us or are we at the moment limited to the Vocalign functions even if using Revoice Pro? Thanks > On Jun 7, 2018, at 6:22 PM, Slau Halatyn wrote: > > As far as a Pro Tools license, if it's expired, I'd only recommend restating > it if you plan to keep it current. The first time around will cost somewhere > around $300 and $99 per year after that. If you had a VocALign Project > license, it should still be good. I just have no idea about how the whole > upgrade thing works for Synchro Arts though. I'll drop them a line to ask. > >> On Jun 7, 2018, at 5:58 PM, Steve Martin wrote: >> >> Cool thanks. So I guess this means I should reactivate my ProTOols license >> then? To your other point I assume if I were to upgrade during the current >> sale I would forfeit my project license and not be able to run both. >> Thanks Again, >> >> >>> On Jun 7, 2018, at 5:47 PM, Slau Halatyn wrote: >>> >>> Hi Steve, >>> >>> I have macros for all three. I simply put the Revoice Pro macros there for >>> Byron to grab. I'll get the others up there shortly. VocALign Project gets >>> the job done but VocALign Pro definitely does a better job and it appears >>> that Revoice Pro does the best of all. Thing is, the flexibility settings >>> on Revoice don't seem to be accessible, at least not yet plus it requires >>> that the stand-alone application be running in the background for >>> everything to work. I'm not sure whether I'll go for one or the other. It >>> would be nice if the Revoice license also authorized the use of the other 2 >>> plug-ins. >>> Slau >>> On Jun 7, 2018, at 5:06 PM, Steve Martin wrote: Hey Slau, You mentioned Vocalign Pro here but I noticed the macro in the KM folder in the PT Access dropbox folder is named for Revoice Pro. Are those the ones for Vocalign Pro, or are those for Revoice Pro? Thanks, > On Jun 7, 2018, at 10:34 AM, Slau Halatyn wrote: > > At this point, I've managed to get VocALign Pro to work. The macros were > actually easier to create than the ones for VocALign Project. I've > already received an NFR license for ReVoice Pro but will not have time to > get to that for a couple of days but I'm happy with the progress. > Slau > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. >>> >>> -- >>> You received this message because you are subscribed to the Google Groups >>> "Pro Tools Accessibility" group. >>> To unsubscribe from this group and stop receiving emails from it, send an >>> email to ptaccess+unsubscr...@googlegroups.com. >>> For more options, visit https://groups.google.com/d/optout. >> >> -- >> You received this message because you are subscribed to the Google Groups >> "Pro Tools Accessibility" group. >> To unsubscribe from this group and stop receiving emails from it, send an >> email to ptaccess+unsubscr...@googlegroups.com. >> For more options, visit https://groups.google.com/d/optout. > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: further progress with Synchro Arts plug-ins
As far as a Pro Tools license, if it's expired, I'd only recommend restating it if you plan to keep it current. The first time around will cost somewhere around $300 and $99 per year after that. If you had a VocALign Project license, it should still be good. I just have no idea about how the whole upgrade thing works for Synchro Arts though. I'll drop them a line to ask. > On Jun 7, 2018, at 5:58 PM, Steve Martin wrote: > > Cool thanks. So I guess this means I should reactivate my ProTOols license > then? To your other point I assume if I were to upgrade during the current > sale I would forfeit my project license and not be able to run both. > Thanks Again, > > >> On Jun 7, 2018, at 5:47 PM, Slau Halatyn wrote: >> >> Hi Steve, >> >> I have macros for all three. I simply put the Revoice Pro macros there for >> Byron to grab. I'll get the others up there shortly. VocALign Project gets >> the job done but VocALign Pro definitely does a better job and it appears >> that Revoice Pro does the best of all. Thing is, the flexibility settings on >> Revoice don't seem to be accessible, at least not yet plus it requires that >> the stand-alone application be running in the background for everything to >> work. I'm not sure whether I'll go for one or the other. It would be nice if >> the Revoice license also authorized the use of the other 2 plug-ins. >> Slau >> >>> On Jun 7, 2018, at 5:06 PM, Steve Martin wrote: >>> >>> Hey Slau, >>> >>> You mentioned Vocalign Pro here but I noticed the macro in the KM folder in >>> the PT Access dropbox folder is named for Revoice Pro. Are those the ones >>> for Vocalign Pro, or are those for Revoice Pro? >>> >>> Thanks, >>> >>> On Jun 7, 2018, at 10:34 AM, Slau Halatyn wrote: At this point, I've managed to get VocALign Pro to work. The macros were actually easier to create than the ones for VocALign Project. I've already received an NFR license for ReVoice Pro but will not have time to get to that for a couple of days but I'm happy with the progress. Slau -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. >>> >>> -- >>> You received this message because you are subscribed to the Google Groups >>> "Pro Tools Accessibility" group. >>> To unsubscribe from this group and stop receiving emails from it, send an >>> email to ptaccess+unsubscr...@googlegroups.com. >>> For more options, visit https://groups.google.com/d/optout. >> >> -- >> You received this message because you are subscribed to the Google Groups >> "Pro Tools Accessibility" group. >> To unsubscribe from this group and stop receiving emails from it, send an >> email to ptaccess+unsubscr...@googlegroups.com. >> For more options, visit https://groups.google.com/d/optout. > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: further progress with Synchro Arts plug-ins
Cool thanks. So I guess this means I should reactivate my ProTOols license then? To your other point I assume if I were to upgrade during the current sale I would forfeit my project license and not be able to run both. Thanks Again, > On Jun 7, 2018, at 5:47 PM, Slau Halatyn wrote: > > Hi Steve, > > I have macros for all three. I simply put the Revoice Pro macros there for > Byron to grab. I'll get the others up there shortly. VocALign Project gets > the job done but VocALign Pro definitely does a better job and it appears > that Revoice Pro does the best of all. Thing is, the flexibility settings on > Revoice don't seem to be accessible, at least not yet plus it requires that > the stand-alone application be running in the background for everything to > work. I'm not sure whether I'll go for one or the other. It would be nice if > the Revoice license also authorized the use of the other 2 plug-ins. > Slau > >> On Jun 7, 2018, at 5:06 PM, Steve Martin wrote: >> >> Hey Slau, >> >> You mentioned Vocalign Pro here but I noticed the macro in the KM folder in >> the PT Access dropbox folder is named for Revoice Pro. Are those the ones >> for Vocalign Pro, or are those for Revoice Pro? >> >> Thanks, >> >> >>> On Jun 7, 2018, at 10:34 AM, Slau Halatyn wrote: >>> >>> At this point, I've managed to get VocALign Pro to work. The macros were >>> actually easier to create than the ones for VocALign Project. I've already >>> received an NFR license for ReVoice Pro but will not have time to get to >>> that for a couple of days but I'm happy with the progress. >>> Slau >>> >>> -- >>> You received this message because you are subscribed to the Google Groups >>> "Pro Tools Accessibility" group. >>> To unsubscribe from this group and stop receiving emails from it, send an >>> email to ptaccess+unsubscr...@googlegroups.com. >>> For more options, visit https://groups.google.com/d/optout. >> >> -- >> You received this message because you are subscribed to the Google Groups >> "Pro Tools Accessibility" group. >> To unsubscribe from this group and stop receiving emails from it, send an >> email to ptaccess+unsubscr...@googlegroups.com. >> For more options, visit https://groups.google.com/d/optout. > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: further progress with Synchro Arts plug-ins
The macros for VocALign Project are only for the AAX Audio Suite plug-in although they'd probably work in other dAWs if adapted. > On Jun 7, 2018, at 2:23 PM, Steve Martin wrote: > > Hey Slau, > > I assume this is only tested with in Pro Tools? Is project “Out of the > Question” as far s scripts go so I should consider upgrading while they are > running that sale? > > Thanks for looking into this. > > >> On Jun 7, 2018, at 10:34 AM, Slau Halatyn wrote: >> >> At this point, I've managed to get VocALign Pro to work. The macros were >> actually easier to create than the ones for VocALign Project. I've already >> received an NFR license for ReVoice Pro but will not have time to get to >> that for a couple of days but I'm happy with the progress. >> Slau >> >> -- >> You received this message because you are subscribed to the Google Groups >> "Pro Tools Accessibility" group. >> To unsubscribe from this group and stop receiving emails from it, send an >> email to ptaccess+unsubscr...@googlegroups.com. >> For more options, visit https://groups.google.com/d/optout. > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: further progress with Synchro Arts plug-ins
Hi Steve, I have macros for all three. I simply put the Revoice Pro macros there for Byron to grab. I'll get the others up there shortly. VocALign Project gets the job done but VocALign Pro definitely does a better job and it appears that Revoice Pro does the best of all. Thing is, the flexibility settings on Revoice don't seem to be accessible, at least not yet plus it requires that the stand-alone application be running in the background for everything to work. I'm not sure whether I'll go for one or the other. It would be nice if the Revoice license also authorized the use of the other 2 plug-ins. Slau > On Jun 7, 2018, at 5:06 PM, Steve Martin wrote: > > Hey Slau, > > You mentioned Vocalign Pro here but I noticed the macro in the KM folder in > the PT Access dropbox folder is named for Revoice Pro. Are those the ones > for Vocalign Pro, or are those for Revoice Pro? > > Thanks, > > >> On Jun 7, 2018, at 10:34 AM, Slau Halatyn wrote: >> >> At this point, I've managed to get VocALign Pro to work. The macros were >> actually easier to create than the ones for VocALign Project. I've already >> received an NFR license for ReVoice Pro but will not have time to get to >> that for a couple of days but I'm happy with the progress. >> Slau >> >> -- >> You received this message because you are subscribed to the Google Groups >> "Pro Tools Accessibility" group. >> To unsubscribe from this group and stop receiving emails from it, send an >> email to ptaccess+unsubscr...@googlegroups.com. >> For more options, visit https://groups.google.com/d/optout. > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Oek sound plugins
Hi all, I downloaded a triall of soothe by oeksound today, changing values on sliders in the plugin seemed to be impossible though the bypass oversampling and other toggle type controls work fine. I sent a quick email outlining the issues along with a link to the apple accessibility info for developers. I just want to check if anyone here has made contact with them before so I can keep that in mind as I follow up. For anyone wondering, soothe is an almost too good to be true type plugin aimed at automatically taming resonant peaks in vocals and such, aka a fancy de-esser. Brian. Sent from my smart-ish phone! -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Looking for simple drum plugin to load samples into
Hopefully the subject says it all. Is there any drum machine type plugin that has something scripted so we can load in our own samples, session drummer was a nice option in the sonar days. I'm currently making and arranging samples on audio tracks but midi arranging could be much more convenient. Thanks for any pointers, Brian. Sent from my smart-ish phone! -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Selecting with FloTools
Hello all, I am having a problem selecting audio in FloTools. I want to change the selection time, so I press Command F1 or F2 once, and it reads out the selection. I press it again, and it puts me in the edit box. However, when I try to write in it, it doesn't tell me what I am writing. What format do I need to use for typing time based selections? Also, how do I reset the selection back to the start and end of the file? Thank you. -- Regards, Samuel Wilkins -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: further progress with Synchro Arts plug-ins
Hey Slau, You mentioned Vocalign Pro here but I noticed the macro in the KM folder in the PT Access dropbox folder is named for Revoice Pro. Are those the ones for Vocalign Pro, or are those for Revoice Pro? Thanks, > On Jun 7, 2018, at 10:34 AM, Slau Halatyn wrote: > > At this point, I've managed to get VocALign Pro to work. The macros were > actually easier to create than the ones for VocALign Project. I've already > received an NFR license for ReVoice Pro but will not have time to get to that > for a couple of days but I'm happy with the progress. > Slau > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: further progress with Synchro Arts plug-ins
Hey Slau, I assume this is only tested with in Pro Tools? Is project “Out of the Question” as far s scripts go so I should consider upgrading while they are running that sale? Thanks for looking into this. > On Jun 7, 2018, at 10:34 AM, Slau Halatyn wrote: > > At this point, I've managed to get VocALign Pro to work. The macros were > actually easier to create than the ones for VocALign Project. I've already > received an NFR license for ReVoice Pro but will not have time to get to that > for a couple of days but I'm happy with the progress. > Slau > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Arrow Keys Causing Transposing in PT 2018.1
Hi Alex, Try changing the midi "instrument" track from "note" to clip. This briefly happened to me yesterday and I believe changing from note view to clip in the midi track cleared it up! YMMV Chuck On Jun 7, 2018, at 7:43 AM, Alex Coleman wrote: > LOL. I've done it again. I've inadvertently managed to turn on a PT > feature that I didn't even know existed. > If I have a MIDI/Instrument track selected for editing and I press the > up or down arrow keys on my computer keyboard, my MIDI track is > transposed up/down by 1 half-step. > Any ideas on why this is happening and how to make it stop? > It is really inconvenient to accidently transpose a track when I > really am intending to just drop some in/out markers. > Thanks so much for your help. > > AC > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
OT: BIAB 2018 for the Mac
Hello! Does anybody know, if PGMusic made any progress regarding access to BIAB for the Mac? Is there further a mailing list for the Windows version? Thanks and best! / Martin -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
further progress with Synchro Arts plug-ins
At this point, I've managed to get VocALign Pro to work. The macros were actually easier to create than the ones for VocALign Project. I've already received an NFR license for ReVoice Pro but will not have time to get to that for a couple of days but I'm happy with the progress. Slau -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Arrow Keys Causing Transposing in PT 2018.1
Wow, thanks for digging that up. I completely forgot about that message. One thing that I didn't mention at the time is that, if your insertion point is in a MIDI track, while the transport is engaged, you can do the following to both create a new Start point and eliminate any note selection within that track. During playback, press the asterisk key on the num pad and press Enter. Pro Tools will immediately start playing from the point where the asterisk key was pressed. At that point, you can use the arrow keys to set a new start and end point if desired. Hope that helps, Slau > On Jun 7, 2018, at 8:04 AM, Martin (Punky) Sopart wrote: > > Hello Alex! > > Here is Slau's mail again... > Not a bug... a feature. >> -Original Message- >> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] >> On Behalf Of Slau Halatyn >> Sent: Thursday, January 25, 2018 10:28 PM >> To: PTAccess List >> Subject: new features and shortcuts in the new Pro Tools 2018.1 >> >> There are a bunch of new features and shortcuts in Pro Tools 2018.1 >> announced today at NAMM. Yes, the version numbers are different now and >> reflect year dot month of release. Anyway, below is a brief look at the new >> shortcuts and their functions but first, the big news: >> >> The track record button now accurately reports when it is selected. No more >> having to read the button multiple times to verify whether it's armed or not >> because of it flashing on and off. The same applies to the Global Record >> button in the Transport. This has been an issue from day one and I asked that >> this be made a priority fix last time I visited Avid and it went through a >> few >> iterations in beta before they got it right but they did nail it. Yay for >> fixes! >> >> >> Designate current playlist as target playlist >> Command+Shift+right arrow >> Any playlist can now be designated as the target playlist to which clips or >> selections from any other playlist can be copied or moved. When a playlist is >> selected, pressing Command+Shift+Right Arrow designates that playlist as >> the target playlist. >> >> Copy selection to target playlist >> Shift+Option+up arrow >> Let's say you've created a track called Vocal and you've recorded a number >> of takes on playlists. Let's assume you have four recorded takes on playlists >> named Vocal.01, Vocal.02, Vocal.03 and Vocal.04. Let's say you've designated >> Vocal as the target playlist. For clarity, let's assume you renamed the >> playlist >> Vocal Comp and your goal is to compile a series of clips or selections from >> the >> various takes to put on the comp track. Let's say you decided that take 3 was >> the overall best take. Using Shift+Up/Down Arrows, you'd select the Vocal.03 >> playlist, select the entire range of the timeline and simply press >> Option+Shift+Up Arrow to copy it to the target playlist, Vocal Comp, without >> having to copy, then select the Vocal Comp playlist and paste. It's just one >> shortcut. Of course, you'll still be on Vocal.03. So, now, let's say you know >> that the first phrase in verse 2 is better in take 4. You can Shift down >> Arrow to >> get to vocal.04, select the phrase in question and hit Option+Shift+Up arrow >> to send it to Vocal Comp. Essentially, this workflow replaces the use of >> playlist lanes where one would have to click in a lane, solo it to hear it >> and >> then press Control+Option+v to copy to the Main Playlist. The Main playlist >> is >> the currently selected playlist and, now with the introduction of a Target >> playlist, one can essentially send from any playlist to any designated target >> playlist. >> >> Move selection to target playlist >> Option+Shift+t >> If, instead of copying a clip or selection to the target playlist, you'd >> rather >> move the selection to the target playlist rather than copying, Option+Shift+t >> is your friend. Flo Tools users will recognize that this Keyboard shortcut >> is the >> the command to Speak Selected Tracks. The new version of Flo Tools now >> uses a different shortcut. Refer to the What's New in Flo Tools document to >> find out more. >> >> Toggle recent playlists >> Shift+left arrow >> Pressing this shortcut will simply toggle quickly between 2 playlists >> >> Show target playlist >> Shift+right arrow >> No matter how many playlists you have or which playlist is currently >> selected, >> pressing Shift+Right Arrow will select the Target Playlist. >> >> Cycle in audio from previous playlist >> Command+Shift+up arrow >> Cycle in audio from next playlist >> Command+Shift+down arrow >> These two commands are perhaps the most powerful playlist editing >> shortcuts. what these commands do is cycle in audio from other playlists >> when a selection range is made. Without having to switch playlists, it's now >> possible to audition audio from other playlists in context. Let's say you >> were >> on your Vocal Comp playlist and you had your previously recorded 4 takes >>
Re: Arrow Keys Causing Transposing in PT 2018.1
Thanks Martin. I missed these valuable shortcuts apparently. I appreciate you forwarding them to me. On 6/7/18, Martin (Punky) Sopart wrote: > Hello Alex! > > Here is Slau's mail again... > Not a bug... a feature. >> -Original Message- >> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] >> On Behalf Of Slau Halatyn >> Sent: Thursday, January 25, 2018 10:28 PM >> To: PTAccess List >> Subject: new features and shortcuts in the new Pro Tools 2018.1 >> >> There are a bunch of new features and shortcuts in Pro Tools 2018.1 >> announced today at NAMM. Yes, the version numbers are different now and >> reflect year dot month of release. Anyway, below is a brief look at the >> new >> shortcuts and their functions but first, the big news: >> >> The track record button now accurately reports when it is selected. No >> more >> having to read the button multiple times to verify whether it's armed or >> not >> because of it flashing on and off. The same applies to the Global Record >> button in the Transport. This has been an issue from day one and I asked >> that >> this be made a priority fix last time I visited Avid and it went through a >> few >> iterations in beta before they got it right but they did nail it. Yay for >> fixes! >> >> >> Designate current playlist as target playlist >> Command+Shift+right arrow >> Any playlist can now be designated as the target playlist to which clips >> or >> selections from any other playlist can be copied or moved. When a playlist >> is >> selected, pressing Command+Shift+Right Arrow designates that playlist as >> the target playlist. >> >> Copy selection to target playlist >> Shift+Option+up arrow >> Let's say you've created a track called Vocal and you've recorded a >> number >> of takes on playlists. Let's assume you have four recorded takes on >> playlists >> named Vocal.01, Vocal.02, Vocal.03 and Vocal.04. Let's say you've >> designated >> Vocal as the target playlist. For clarity, let's assume you renamed the >> playlist >> Vocal Comp and your goal is to compile a series of clips or selections >> from the >> various takes to put on the comp track. Let's say you decided that take 3 >> was >> the overall best take. Using Shift+Up/Down Arrows, you'd select the >> Vocal.03 >> playlist, select the entire range of the timeline and simply press >> Option+Shift+Up Arrow to copy it to the target playlist, Vocal Comp, >> without >> having to copy, then select the Vocal Comp playlist and paste. It's just >> one >> shortcut. Of course, you'll still be on Vocal.03. So, now, let's say you >> know >> that the first phrase in verse 2 is better in take 4. You can Shift down >> Arrow to >> get to vocal.04, select the phrase in question and hit Option+Shift+Up >> arrow >> to send it to Vocal Comp. Essentially, this workflow replaces the use of >> playlist lanes where one would have to click in a lane, solo it to hear it >> and >> then press Control+Option+v to copy to the Main Playlist. The Main >> playlist is >> the currently selected playlist and, now with the introduction of a >> Target >> playlist, one can essentially send from any playlist to any designated >> target >> playlist. >> >> Move selection to target playlist >> Option+Shift+t >> If, instead of copying a clip or selection to the target playlist, you'd >> rather >> move the selection to the target playlist rather than copying, >> Option+Shift+t >> is your friend. Flo Tools users will recognize that this Keyboard shortcut >> is the >> the command to Speak Selected Tracks. The new version of Flo Tools now >> uses a different shortcut. Refer to the What's New in Flo Tools document >> to >> find out more. >> >> Toggle recent playlists >> Shift+left arrow >> Pressing this shortcut will simply toggle quickly between 2 playlists >> >> Show target playlist >> Shift+right arrow >> No matter how many playlists you have or which playlist is currently >> selected, >> pressing Shift+Right Arrow will select the Target Playlist. >> >> Cycle in audio from previous playlist >> Command+Shift+up arrow >> Cycle in audio from next playlist >> Command+Shift+down arrow >> These two commands are perhaps the most powerful playlist editing >> shortcuts. what these commands do is cycle in audio from other playlists >> when a selection range is made. Without having to switch playlists, it's >> now >> possible to audition audio from other playlists in context. Let's say you >> were >> on your Vocal Comp playlist and you had your previously recorded 4 takes >> and you had chosen take 3 as overall best take, just like the previous >> scenario. Let's say the song was "Mary Had a Little Lamb." So let's say >> you had >> your chosen take copied into the target playlist and you're listening to >> the >> first line and the word "little just doesn't sound right. What you can now >> do is >> select the word "little" in the playlist and press Command+Shift+Down >> Arrow. Now, the word "little will be the performance from Vocal.01. >>
RE: Arrow Keys Causing Transposing in PT 2018.1
Hello Alex! Here is Slau's mail again... Not a bug... a feature. > -Original Message- > From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] > On Behalf Of Slau Halatyn > Sent: Thursday, January 25, 2018 10:28 PM > To: PTAccess List > Subject: new features and shortcuts in the new Pro Tools 2018.1 > > There are a bunch of new features and shortcuts in Pro Tools 2018.1 > announced today at NAMM. Yes, the version numbers are different now and > reflect year dot month of release. Anyway, below is a brief look at the new > shortcuts and their functions but first, the big news: > > The track record button now accurately reports when it is selected. No more > having to read the button multiple times to verify whether it's armed or not > because of it flashing on and off. The same applies to the Global Record > button in the Transport. This has been an issue from day one and I asked that > this be made a priority fix last time I visited Avid and it went through a few > iterations in beta before they got it right but they did nail it. Yay for > fixes! > > > Designate current playlist as target playlist > Command+Shift+right arrow > Any playlist can now be designated as the target playlist to which clips or > selections from any other playlist can be copied or moved. When a playlist is > selected, pressing Command+Shift+Right Arrow designates that playlist as > the target playlist. > > Copy selection to target playlist > Shift+Option+up arrow > Let's say you've created a track called Vocal and you've recorded a number > of takes on playlists. Let's assume you have four recorded takes on playlists > named Vocal.01, Vocal.02, Vocal.03 and Vocal.04. Let's say you've designated > Vocal as the target playlist. For clarity, let's assume you renamed the > playlist > Vocal Comp and your goal is to compile a series of clips or selections from > the > various takes to put on the comp track. Let's say you decided that take 3 was > the overall best take. Using Shift+Up/Down Arrows, you'd select the Vocal.03 > playlist, select the entire range of the timeline and simply press > Option+Shift+Up Arrow to copy it to the target playlist, Vocal Comp, without > having to copy, then select the Vocal Comp playlist and paste. It's just one > shortcut. Of course, you'll still be on Vocal.03. So, now, let's say you know > that the first phrase in verse 2 is better in take 4. You can Shift down > Arrow to > get to vocal.04, select the phrase in question and hit Option+Shift+Up arrow > to send it to Vocal Comp. Essentially, this workflow replaces the use of > playlist lanes where one would have to click in a lane, solo it to hear it and > then press Control+Option+v to copy to the Main Playlist. The Main playlist is > the currently selected playlist and, now with the introduction of a Target > playlist, one can essentially send from any playlist to any designated target > playlist. > > Move selection to target playlist > Option+Shift+t > If, instead of copying a clip or selection to the target playlist, you'd > rather > move the selection to the target playlist rather than copying, Option+Shift+t > is your friend. Flo Tools users will recognize that this Keyboard shortcut is > the > the command to Speak Selected Tracks. The new version of Flo Tools now > uses a different shortcut. Refer to the What's New in Flo Tools document to > find out more. > > Toggle recent playlists > Shift+left arrow > Pressing this shortcut will simply toggle quickly between 2 playlists > > Show target playlist > Shift+right arrow > No matter how many playlists you have or which playlist is currently selected, > pressing Shift+Right Arrow will select the Target Playlist. > > Cycle in audio from previous playlist > Command+Shift+up arrow > Cycle in audio from next playlist > Command+Shift+down arrow > These two commands are perhaps the most powerful playlist editing > shortcuts. what these commands do is cycle in audio from other playlists > when a selection range is made. Without having to switch playlists, it's now > possible to audition audio from other playlists in context. Let's say you were > on your Vocal Comp playlist and you had your previously recorded 4 takes > and you had chosen take 3 as overall best take, just like the previous > scenario. Let's say the song was "Mary Had a Little Lamb." So let's say you > had > your chosen take copied into the target playlist and you're listening to the > first line and the word "little just doesn't sound right. What you can now do > is > select the word "little" in the playlist and press Command+Shift+Down > Arrow. Now, the word "little will be the performance from Vocal.01. > Everything else remains the same and unchanged. Only the word "little" has > changed. Pressing Command+Shift+Down Arrow again will now cycle in > "little" from Vocal.02. You can continue to audition the selected range from > each available playlist until you're happy with the performance. When you're
Arrow Keys Causing Transposing in PT 2018.1
LOL. I've done it again. I've inadvertently managed to turn on a PT feature that I didn't even know existed. If I have a MIDI/Instrument track selected for editing and I press the up or down arrow keys on my computer keyboard, my MIDI track is transposed up/down by 1 half-step. Any ideas on why this is happening and how to make it stop? It is really inconvenient to accidently transpose a track when I really am intending to just drop some in/out markers. Thanks so much for your help. AC -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
