Re: [scots-l] GREEN HILLS O TYROL

2000-09-13 Thread AIKUNTZ

In a message dated 9/13/00 4:15:53 PM Eastern Daylight Time, 
[EMAIL PROTECTED] writes:

<< I haven't looked up the tune you refer to, but I seem to remember there
 are two tunes of that name. It's possible that the one you have is the
 reel version, which, if I remember correctly can be found in
 Ryan's/Cole's. >>

Both versions are below, the first from Kerr's, the second I'm not sure where 
from, although its similar to the Ryan's/Cole's version. The story I heard 
about the 3/4 tune goes something like:

"The melody is from the opera "William Tell" by Rossini. "Green Hills..." 
entered British army tradition when it was set for pipes by Pipe Major John 
MacLeod of the 93rd regiment (Argyll and Sutherland Highlanders) during the 
Crimean War.  The army had been joined by a contingent from Sardinia--modern 
Italy-- which included a magnificent military band that MacLeod heard one 
night playing selections from the ballet music of Rossini's opera. Thus it 
was that an Austrian folk tune first heard played by an Italian band in 
Russia entered Scottish ballad repertoire as the 'Scottish Soldier'." 

Not being an opera fan, I don't know whether or not the tune actually appears 
in the opera, or if it in fact was based on an Austrian folk tune.  Anyone 
else heard this story? Also, I don't know when the lyrics were set to it. 

Regards,
Andrew Kuntz

T:Green Hills of Tyrol
L:1/8
M:3/4
K:G
DGA|B3 GBc|d3 eBe|dcAFAe|dBGDGA|B3 GBc|d3 eBe|dcADFA|G2 z:|
||G2|g4 fe|ed d2 e2|dc c2 d2|cB B2G2|g4 fe|ed d2e2|d^c c2 BA|d2 zAfA|
e2 zA^cA|d3 AfA|e3 A^cA|de^cede|=cdBdAe|G2z||FGA|B3 FBF|B3 cBA|
G3 DBD|G3 FGA|B3 FBF|B3 cBA|G3 DBD|G4 G2|g4 fe|ed d2e2|
dc c2d2|cB B2G2|g4 fe|ed d2e2|dc c2f2|g2 z2||

T:Green Hills of Tyrol, The
T:Tripping Up the Stairs
R:Reel
L:1/8
M:C|
K:G
"G"BG~G2 "G"BGAc|"G"BGDC "G"B,CDC|"G"B,G,B,D "C"ECEG|
"D"FDEF "B/D#"GFGA|"Em"BGGF "Bm"~G3A|"C"BGDC "G"B,CDC|
"G"~B,3D "C"~E3G|1 "D"FDEF "G"G2GA:|2"D"FDEF "G"G2ga||
|:"G"bg~g2 "G"egde|"C"cdBc "C"ABGA|"D"FGEF "D"DECD|
"D"B,CA,B, "B/D#"G,A,B,D|"Em"GABc "Em"dBGB|"Cm6"ABcA"G/B"BGDC|
"G"B,G,B,D "C"ECEG|1 "D"FDEF "G"G2ga:|2 "D"FDEF "G"G2GA||
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[scots-l] GREEN HILLS O TYROL

2000-09-13 Thread Nigel Gatherer

In article <[EMAIL PROTECTED]>,
   <[EMAIL PROTECTED]> wrote:

> There are a few  places  where  it's  not  obvious  how  to  map  the
> syllables onto the notes.  Any clues? I'd like to add the words to my
> ABC version of the tune, and I'd like to get it right.

I haven't looked up the tune you refer to, but I seem to remember there
are two tunes of that name. It's possible that the one you have is the
reel version, which, if I remember correctly can be found in
Ryan's/Cole's. The song air is quite different. I'll try to dredge it out
of my memory, although I know that Iain Young originally asked for a piano
version.

X:187
T:The Scottish Soldier
T:Green Hills of Tyrol
S:My memory
Z:Nigel Gatherer
M:3/4
L:1/8
K:A
D|GA B2 BG|Bc d2 de|Be d>B AA|Ge d>c BD|
GA B2 BG|Bc d2 de|Be d>B AA|AG B>A G2|]

Oops - I can only remember the A part.

-- 
Nigel Gatherer, Crieff  <[EMAIL PROTECTED]>
The Scottish Music Pages:   
http://www.argonet.co.uk/users/gatherer/scottish/index.html

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[scots-l] Gin A Wis a Bird

2000-09-13 Thread Ian J. L. Adkins


Ower this past Labour Day A wis a bit bored at wirk, as nae bodie wis cawin
in tae dispute their bills or abuse me fer th sheer hell o it.  Sae A wraet
a wee poem:


GIN A WIS A BIRD

Gin A wis a bird
Hoo A'd fly thro th sky
Flittin frae cloud tae cloud;
Gin A wis an eagle
Hoo majestic-like A'd soar
Flittin frae bough o michtie green oak
 tae snaw-cappt promontorie;
Gin A wis a crow
Hoo A'd eat ma fill o th farmer's riches
Bidin ma days sae free an blythe;
Gin A wis a peacock
Hoo A'd be lo'ed by aw
Wi ma feathers colourt sae bonnie;
Gin A wis a hawk
Hoo A'd stalk th earth belaw
Rainin doon death wi ma talons like dirks;
An gin A wis a seagull
Hoo A'd faw doon an dee
Acause A wis stupit enough
 tae tak an Alka-Seltzer proffert.

-Ian J. L. Adkins





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[scots-l] BOUNCE scots-l@: Non-member submission from ["Phil Howes"] (fwd)

2000-09-13 Thread Toby A. Rider



-- Forwarded message --
Date: Wed, 13 Sep 2000 08:32:46 -0700
Subject: BOUNCE scots-l@:Non-member submission from ["Phil Howes"
<[EMAIL PROTECTED]>]   

>From [EMAIL PROTECTED]  Wed Sep 13 08:32:46 2000
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Reply-To: <[EMAIL PROTECTED]>
From: "Phil Howes" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Subject: RE: [scots-l] Re: Sheet music (fwd) 
Date: Wed, 13 Sep 2000 11:39:54 -0400
Message-ID: <[EMAIL PROTECTED]>
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Importance: Normal

I have been following this thread and looking everywhere for a book that has
this
tune it it but to no avail, which I m\was very surprised at. It is a very
popular singalong type of tune.
All of the tunes I have come across for this title are reels - and the one
we need here is the 3/4 march that pipers like to play - so I made an ABC of
the one I know for these words.

Caveat: This is the first time I have used ABC so I am actually quite
pleased with the result but apologize for the lack of finesse. It should
give the idea:

Here goes:

X: 1
T:Green Hills of Tyroll (Scottish Soldier)
M:3/4
L:1/4
K:G
D/2E/2|FF/2E/2F/2G/2| AA/2B/2F/2B/2 |A/2G/2EE/2B/2 | A/2F/2DD/2E/2|!
|FF/2E/2F/2G/2| AA/2B/2F/2B/2 |A/2G/2E
E/2D/2|F/2E/2DF/2A/2|!
d d c/2 B/2| B/2 A/2 A A/2 B/2| A/2 G/2 E E/2 B/2 | A/2 G/2F F/2A/2 |!
d d c/2 B/2| B/2 A/2 A A/2 B/2| A A/2 G/2 F/2 G/2 |A2F/2A/2|!
d d c/2 B/2| B/2 A/2 A A/2 B/2| A/2 G/2 E E/2 B/2 | A/2 G/2F F/2A/2 |!
d d c/2 B/2| B/2 A/2 A A/2 B/2| A A/2 G/2 F/2 E/2 | D2

% Output from ABC2Win  Version 2.1 i on 9/13/2000



Phil Howes
[EMAIL PROTECTED]


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
Sent: Wednesday, September 13, 2000 10:30 AM
To: [EMAIL PROTECTED]
Subject: Re: [scots-l] Re: Sheet music (fwd)




Ian writes:
|  No GIF of the sheetmusic, but I have Scots lyrics anyway.  If someone
might
|  have the ABC we could tell him how to go about converting it to sheet
music.

You can get PS or GIF or PNG by going to my tune finder:
  http://trillian.mit.edu/~jc/music/abc/findtune.html
Give it a pattern like "green.*tyrol" and it'll give you a page  that
let's you fetch the tune in several formats.

|  GREEN HILLS O TYROL
|
|  Ther wis a sodger, a Scottish sodger
|  Wha wandert far awa an sodgert far awa
|  Ther wis nane bolder, wi guid broad shoulders
|  He fecht in monie a fray an fecht an won
|
..

There are a few  places  where  it's  not  obvious  how  to  map  the
syllables onto the notes.  Any clues? I'd like to add the words to my
ABC version of the tune, and I'd like to get it right.

I've played this tune for years, of course, but I've  only  heard  it
sung  a  couple of times.  It would also be nice if we could find out
just where these words originated.  It'd be nice  to  include  proper
attribution, y'know.

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[scots-l] BOUNCE scots-l@: Non-member submission from ["Flowers, Ross (MTO)"] (fwd)

2000-09-13 Thread Toby A. Rider




-- Forwarded message --
Date: Wed, 13 Sep 2000 07:48:10 -0700
Subject: BOUNCE scots-l@:Non-member submission from ["Flowers, Ross (MTO)"
<[EMAIL PROTECTED]>]   

>From [EMAIL PROTECTED]  Wed Sep 13 07:48:09 2000
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From: "Flowers, Ross (MTO)" <[EMAIL PROTECTED]>
To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]>
Subject: RE: [scots-l] Re: Sheet music (fwd) 
Date: Wed, 13 Sep 2000 10:52:24 -0400
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Does anyone know when this tune was written and whether the tune predated
the lyrics?

Thanks

Ross

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
Sent: Wednesday, September 13, 2000 10:30 AM
To: [EMAIL PROTECTED]
Subject: Re: [scots-l] Re: Sheet music (fwd) 




Ian writes:
|  No GIF of the sheetmusic, but I have Scots lyrics anyway.  If someone
might
|  have the ABC we could tell him how to go about converting it to sheet
music.
 
You can get PS or GIF or PNG by going to my tune finder:
  http://trillian.mit.edu/~jc/music/abc/findtune.html
Give it a pattern like "green.*tyrol" and it'll give you a page  that
let's you fetch the tune in several formats.
 
|  GREEN HILLS O TYROL
|  
|  Ther wis a sodger, a Scottish sodger
|  Wha wandert far awa an sodgert far awa
|  Ther wis nane bolder, wi guid broad shoulders
|  He fecht in monie a fray an fecht an won
|  
..

There are a few  places  where  it's  not  obvious  how  to  map  the
syllables onto the notes.  Any clues? I'd like to add the words to my
ABC version of the tune, and I'd like to get it right.

I've played this tune for years, of course, but I've  only  heard  it
sung  a  couple of times.  It would also be nice if we could find out
just where these words originated.  It'd be nice  to  include  proper
attribution, y'know.

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Re: [scots-l] Hector the Hero

2000-09-13 Thread Toby A. Rider



On Wed, 13 Sep 2000, Timothy Jaques wrote:
> 
> To think that people in the UK actually PAY for the privilege of having a
> TV.  It astounds me that a hundred pounds could be so spent when there is so
> much good beer and whisky to be had over there.:)


They get shafted on per-minute Internet access as well. Has anyone
found a way around that yet? Are there any good free services that
circumvent the phone companies?
 

> Television is so hard to escape.  It seems like every club or pub has at
> least one blaring, usually a massive theatre style unit.  Quite often it is
> kept on even once the band comes on stage, assuming that one is lucky 
enough
> to find a place that still books live music.


Alot of pubs won't have live music, I guess they figure why bother
when you've Seinfeld. :-)

 
> Now, if there was only something I could do to stop this spread of fast food
> chains -- I understand that even the French are eating at them now . . .

It's too late. The best we can hope for are more good fast food
chains as opposed to bad ones. Tim Horton's beats most of what we have
here.




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Re: [scots-l] Old Time Wedding Reels

2000-09-13 Thread Toby A. Rider



On Wed, 13 Sep 2000, Nigel Gatherer wrote:

> Nigel Gatherer <[EMAIL PROTECTED]> wrote:
> 
> [re "Hamish the Carpenter"]
> 
> > ...the setting I've used is based on the way The Boys of the Lough
> > play it...
> 
> Derek Hoy: "That's a bit different to the settings I've heard..."
> John Erdman: "This really is quite different than the version I learned..."
> 
> Yes. I always have learners and improvers in mind, which is why I
> considered a simple version. I'm well aware of the versions in
> "Traditional Celtic Violin Music of Cape Breton", but that book goes into
> too much detail. That's fine for experienced players, but learners want a
> basic version that they can play, not all the minute variations and
> idiosyncrasies. And Toby's plea that the 4th string unisons are preserved
> worries me: a whistle player might have a fit trying to emulate this!

True, those don't work except on fretless string instruments. Too
bad. They're really what makes that tune "Hamish The Carpenter" 
interesting.
 

> John Erdman posted Sandy MacIntyre's setting, which is much better than
> the one I posted. The visits down to the G string in the B part sound
> spectacular, but again, learners would simply move on to the next tune, in
> my opinion. I'd like to use roughly Sandy MacIntyre's setting, without the
> low Bs.

Do those hits on the backstrings work on instruments other then
the fiddle? 

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Re: [scots-l] Re: Sheet music (fwd)

2000-09-13 Thread Ian J. L. Adkins


<< You can get PS or GIF or PNG by going to my tune finder:
  http://trillian.mit.edu/~jc/music/abc/findtune.html
Give it a pattern like "green.*tyrol" and it'll give you a page that let's
you fetch the tune in several formats. >>

That was pretty spiffy!  I found the tune and forwarded it to the fellow who
E-mailed Toby directly.

<< I've played this tune for years, of course, but I've  only  heard  it
sung  a  couple of times.  It would also be nice if we could find out just
where these words originated.  It'd be nice  to  include  proper
attribution, y'know. >>

The words I provided may or may not be authoritative, being rendered from
memory.  Might want to venture over to DigiTrad or the like and dig them up.


--Ian


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Re: [scots-l] Re: Sheet music (fwd)

2000-09-13 Thread David Kilpatrick

> << The lyrics posted were interesting, as this is one of those 'created'
> songs and not traditional, is copyright of Kerrs Music, Glasgow. The lyrics
> were never written in vernacular Scots accent - none of the song is in
> dialect and it does not use any archaisms - and the lyrics are written out
> by the publishers in standard English. So seeing it carefully 'written in an
> accent' is something new! >>
>
> I've never seen the lyrics in print, so I was writing from memory.  When
> in doubt I prefer to write in Scots over "th Sudren leid."  :)
>
> << It is missing from nearly all other traditional song books because a)
> it's not traditional but a commercial pop song of its day b) it is probably
> still in copyright. Nor is the tune Scots; it's a 'tyrolean' waltz! But it's
> still a much loved song and the disdain shown towards it by traditional
> singers probably has a lot to do with the manner and style of the original.
>>>
>
> Whatever is traditional was at one point popular, undoubtedly displacing
> an older style of music and set of tunes.  So a lot of this sentimental
> Victorian pap (to paraphrase Jack regarding "Scotland the Brave" some time
> back) and the later Harry Lauder-era stuff will eventually pass into the
> realm of tradition.  The advent of the recording industry will strain that
> rule, however-- I can't imagine three hundred years from now anyone
> describing Britney Spears as traditional!
>
>
> --Ian
>
I've got an idea that the song is more recent than it should be. I did see
the history of this somewhere and I can't remember exactly where, but I
think it dates from the recording era. I have a couple of dozen source music
books and most are earlier, but I may have a look in some of the later ones
- perhaps it's a Jimmy MacGregor book or something like that. If I find
anything I'll post the info.

As far as I can tell from my various older books, sentimental pap has been
around for 300 years! The main advantage of the early stuff is that it is
unsingable unless you happen to be a shepherd called Strephon :-) DK
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Re: [scots-l] Re: Sheet music (fwd)

2000-09-13 Thread Ian J. L. Adkins

<< The lyrics posted were interesting, as this is one of those 'created'
songs and not traditional, is copyright of Kerrs Music, Glasgow. The lyrics
were never written in vernacular Scots accent - none of the song is in
dialect and it does not use any archaisms - and the lyrics are written out
by the publishers in standard English. So seeing it carefully 'written in an
accent' is something new! >>

I've never seen the lyrics in print, so I was writing from memory.  When
in doubt I prefer to write in Scots over "th Sudren leid."  :)

<< It is missing from nearly all other traditional song books because a)
it's not traditional but a commercial pop song of its day b) it is probably
still in copyright. Nor is the tune Scots; it's a 'tyrolean' waltz! But it's
still a much loved song and the disdain shown towards it by traditional
singers probably has a lot to do with the manner and style of the original.
>>

Whatever is traditional was at one point popular, undoubtedly displacing
an older style of music and set of tunes.  So a lot of this sentimental
Victorian pap (to paraphrase Jack regarding "Scotland the Brave" some time
back) and the later Harry Lauder-era stuff will eventually pass into the
realm of tradition.  The advent of the recording industry will strain that
rule, however-- I can't imagine three hundred years from now anyone
describing Britney Spears as traditional!


--Ian


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Re: [scots-l] good quote

2000-09-13 Thread David Kilpatrick

Jack Campin (Scots musician and social historian, uk.music.folk regular) 
sent me a GIF image of a guittar duet published by Bremner in the mid 1700s
of this piece. I've assembled it for a single Tacoma Papoose (about the same
size as a Scottish guittar of the period) tuned GDgcea and put it on my
mp3.com. Streaming RealAudio of this sounds AWFUL - unbelievably warbly and
garbled - and I found the the LAME mp3 encoder algorithm was very bad with
it too, ended up trying several encoders before I got a decent sound from
this tiny high pitched instrument. The so-called hi-fi mp3 file is fine, in
the end, and gives a reasonable rendering of how the Papoose's built-in
piezo records. It is strung with 12-56 phosphor bronze 'nameless' web
sourced strings and put through a Trace TAP-1 with Trace 'shape' switched on
(the pickup in my Papoose is passive). The recording lasts just under 4
minutes and goes through the two main parts of this awful 18th century march
several times.

Jack says the Edinburgh Trained Bands were ineffectual middle-class
voluntary police organisations and you can easily imagine them playing this
on bugles or hunting horns while marching, with all the quality of a Mexican
wedding party band! Due to the Handel-esque dotted rythm parts of it are
really unpleasant to play, but overall the effect is rewardingly, er,
different.

http://artists.mp3s.com/artist_song/900/900446.html

David Kilpatrick
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Re: [scots-l] Re: Sheet music (fwd)

2000-09-13 Thread jc



Ian writes:
|  No GIF of the sheetmusic, but I have Scots lyrics anyway.  If someone might
|  have the ABC we could tell him how to go about converting it to sheet music.
 
You can get PS or GIF or PNG by going to my tune finder:
  http://trillian.mit.edu/~jc/music/abc/findtune.html
Give it a pattern like "green.*tyrol" and it'll give you a page  that
let's you fetch the tune in several formats.
 
|  GREEN HILLS O TYROL
|  
|  Ther wis a sodger, a Scottish sodger
|  Wha wandert far awa an sodgert far awa
|  Ther wis nane bolder, wi guid broad shoulders
|  He fecht in monie a fray an fecht an won
|  
..

There are a few  places  where  it's  not  obvious  how  to  map  the
syllables onto the notes.  Any clues? I'd like to add the words to my
ABC version of the tune, and I'd like to get it right.

I've played this tune for years, of course, but I've  only  heard  it
sung  a  couple of times.  It would also be nice if we could find out
just where these words originated.  It'd be nice  to  include  proper
attribution, y'know.

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[scots-l] good quote

2000-09-13 Thread Kate Dunlay or David Greenberg

>At 07:58 PM 9/12/2000 -0400, Jeff Friedman wrote:
>>His
>>playing is on the level of Mssr Greenberg, in that I mean that there is a
>>story being told in every bowstroke, and chapters being "yarned" in every
>>tune.
>
>David - I didn't put anyone up to this.. really!! :-)
>
>Wendy

Could make a good quote for publicity, eh?!

- Kate

--
Kate Dunlay & David Greenberg
Halifax, Nova Scotia, Canada
http://www.total.net/~dungreen


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[scots-l] Hector the Hero

2000-09-13 Thread Timothy Jaques



- Original Message -
From: Toby A. Rider <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, September 12, 2000 7:28 PM
Subject: Re: [scots-l] Hector the Hero


>
>
> On Tue, 12 Sep 2000, Jack Campin wrote:
> >
> > I was fairly impressed with the first of the Radio Scotland programmes
> > about Skinner - gave a good feel of the times.  I certainly didn't know
> > about him going messages for Peter Milne's drugs.  (Who was that "Aly
> > MacBain" who was playing the fiddle, though?  Any relation of Ally Beal
> > in the TV series?)
> >
>
> Oh no, don't tell me you actually get American network television
> in Scotland. Can anyone anywhere be spared the evil influences of American
> TV?? :-)


I am spared, Toby.  I gave my TV away more than five years ago, and hadn't
watched it for a year before that.  I was going to have an execution
ceremony in the woods up north, with the TV powered by an adaptor rigged to
the car cigarette lighter.  While some stupid sitcom aired, I would blow it
to high heaven with a 12 gauge shotgun.  However, my niece pleaded for its
life and I gave it to her on the condition that it was never to be turned on
in my presence.  Well, unless The Simpsons were on, of course, but I wasn't
going to keep a TV for one show.:)

To think that people in the UK actually PAY for the privilege of having a
TV.  It astounds me that a hundred pounds could be so spent when there is so
much good beer and whisky to be had over there.:)

Television is so hard to escape.  It seems like every club or pub has at
least one blaring, usually a massive theatre style unit.  Quite often it is
kept on even once the band comes on stage, assuming that one is lucky enough
to find a place that still books live music.

Now, if there was only something I could do to stop this spread of fast food
chains -- I understand that even the French are eating at them now . . .

Timothy Jaques [EMAIL PROTECTED]
Windsor, Ontario, Canada
519.254.6433 T
519.254.7990 F
13092767653 IF
"In the great conflict of life, conducting yourself with honour and
integrity may cost
you many battles, but will never lose you the war."






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Re: [scots-l] new subscription flood?

2000-09-13 Thread Nigel Gatherer

Derek Hoy wrote:

> Mike asked:
> > I have a fiddle and would like to learn how to play it. Does anyone
> > know of a teacher in the Dunfermline area with the patience to teach a
> > 43 year old?

> Not quite, but I know someone in Dunfermline who's been learning through
> the ALP evening classes in Edinburgh.  If you can manage a 7-9 weekly
> class then try them on 0131 337 5442.

Visit www.alpscotsmusic.org for more details.

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Nigel Gatherer, Crieff  <[EMAIL PROTECTED]>
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Re: [scots-l] Old Time Wedding Reels

2000-09-13 Thread Nigel Gatherer

Nigel Gatherer <[EMAIL PROTECTED]> wrote:

[re "Hamish the Carpenter"]

> ...the setting I've used is based on the way The Boys of the Lough
> play it...

Derek Hoy: "That's a bit different to the settings I've heard..."
John Erdman: "This really is quite different than the version I learned..."

Yes. I always have learners and improvers in mind, which is why I
considered a simple version. I'm well aware of the versions in
"Traditional Celtic Violin Music of Cape Breton", but that book goes into
too much detail. That's fine for experienced players, but learners want a
basic version that they can play, not all the minute variations and
idiosyncrasies. And Toby's plea that the 4th string unisons are preserved
worries me: a whistle player might have a fit trying to emulate this!

John Erdman posted Sandy MacIntyre's setting, which is much better than
the one I posted. The visits down to the G string in the B part sound
spectacular, but again, learners would simply move on to the next tune, in
my opinion. I'd like to use roughly Sandy MacIntyre's setting, without the
low Bs.

I'll explore the various settings of the other two Wedding Reels.

-- 
Nigel Gatherer, Crieff  <[EMAIL PROTECTED]>
The Scottish Music Pages:   
http://www.argonet.co.uk/users/gatherer/scottish/index.html

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Re: [scots-l] new subscription flood?

2000-09-13 Thread Wendy Galovich

At 07:58 PM 9/12/2000 -0400, Jeff Friedman wrote:
>I suspect the term aggresive arrogance could be used to define attitude. His
>playing is on the level of Mssr Greenberg, in that I mean that there is a
>story being told in every bowstroke, and chapters being "yarned" in every
>tune.

David - I didn't put anyone up to this.. really!! :-)

Wendy
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Re: [scots-l] new subscription flood?

2000-09-13 Thread Wendy Galovich

At 11:43 AM 9/12/2000 -0700, "Toby A. Rider wrote:
>
>
>On Tue, 12 Sep 2000, Jeffrey Friedman wrote:
>
>> Regarding the your comments on the Wedding Reels: I've just encountered a
>> couple of CD's by a fiddler named John Campbell. I guess you might say he
>> has an impressive style. I'm being very understated here. I have to ask a
>> difficult question, as your "word" is not one I've encountered regarding
>> this type of music. Define "Attitude", please. I think I can hear it, but
>> can't quite verbalize it.
>> Thanks, Jeff
>
>
>   Ha..ha..ha.. When you finally get a chance to talk to John
>Campbell, you will understand what I mean by "attitude". I'm using
>"attitude" as a positive adjective here. John Campbell is a lion of a man. 
>   I think his style of playing very well reflects some elements of his 
>personality. Granted I don't know him very well, Wendy knows him better
then I
>do. Maybe she can elaborate.
>   I think his playing is very straight-forward, intense and
>powerful, yet intricate in the way that he's constantly changing subtle
things.

I think you hit a very important point there. He does keep you 
guessing somewhat, which in my [limited] experience does seem in keeping 
with his personality. 
Over the past year and a half I've been to two individual workshops 
with him in New Hampshire, and then the week at Ceilidh Trail, a month ago. 
I wrote to him once after the first workshop, and had spoken with him on 
phone several times between that and the second workshop, and after the 
second one he still didn't remember who I was.. 
But when I arrived at Ceilidh Trail on the first morning, my friend 
Kate greeted me by telling me that two people had been asking "where's 
Wendy?" - and that one of them was John Campbell. Hmm.. :-) 
And you never quite know what he's going to spring on you in the 
workshops either. I started out that week with the beginner group, and 
ended up switching to the intermediates on the third day. For the inter-
mediates, John's class was the first one of the day. Well, halfway through 
the class, in the midst of some discussion, he stopped, looked across the 
room straight at me and said "Play something." There was no getting out of 
that one..:-) If I remember correctly I stumbled through Jessie Smith. 
Later I found out he'd been doing that with each of the each the interme-
diate students. But he definitely does keep you on toes and guessing as to 
what's coming next!

Wendy
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Re: [scots-l] Re: Sheet music (fwd)

2000-09-13 Thread David Kilpatrick

The lyrics posted were interesting, as this is one of those 'created' songs
and not traditional, is copyright of Kerrs Music, Glasgow. The lyrics were
never written in vernacular Scots accent - none of the song is in dialect
and it does not use any archaisms - and the lyrics are written out by the
publishers in standard English. So seeing it carefully 'written in an
accent' is something new!

>> > I am trying to source the sheet music (organ / piano) for the tune
> Scottish Soldier / The Green Hills of Tyrol.
>> >
>> > It is to be played at my Grandfather's funeral (19/9) and I am
> struggling to find the music for the Church organist.
>> >
>> > Can you help ?
>> >
The words and a tape of the music are on the (Ossian, I think) 100 Scots
Songs book which most music shops carry - the long thin one which can be
slipped into a pocket, and comes on a carrier sheet with the tape attached.
I believe there is also a melody line book. It is missing from nearly all
other traditional song books because a) it's not traditional but a
commercial pop song of its day b) it is probably still in copyright. Nor is
the tune Scots; it's a 'tyrolean' waltz! But it's still a much loved song
and the disdain shown towards it by traditional singers probably has a lot
to do with the manner and style of the original.

David Kilpatrick

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Re: [scots-l] Hector the Hero

2000-09-13 Thread Nigel Gatherer

Derek Hoy wrote:

> Wasn't there a sad story behind the eponymous 'Hector'?

> I seem to recall he was much decorated in the military, then committed
> some 'unspeakable' act, and ... suicide?

Anselm forwarded a potted history to the list a while ago. In 1903 he was
accused of being a homosexual and committed suicide. His life before that
seems to have been nothing but battles and honours. 

.
Major-General Hector A. MacDonald

1857 - Born in the Black Ilse
1870 - Enlisted in 92nd Gordon Highlanders
1879 - Served as a colour-sergeant in the Afghan War
1880 - Promoted to 2nd Lieutenant at end of Afghan War
1881 - Mentioned in despatches in 1st Boer Ware, South Africa
1885 - Led military expedition up Nile (Sudan)
1888 - Took part in Battle of Sunkin (Sudan)
1889 - Won Distinguished Service Order (DSO) medal (Sudan service)
1891 - Took part in Battle of Tokar (Sudan)
1896 - Led 2nd Infantry Brigade - the Dunglen Expeditionary Force (Sudan).
 Was now a Brigadier-General.  May have been promoted about this time.
1897/98 - Khartoum - Battle of Omdurman
1898 - ADC (Ade de Camp) to the Queen (Victoria)
1899 - Served as a Brigadier-General in Sirhind area of India
1900 - Served as a Major-General with Highland Brigade in South Africa
1901 - Knighted
1902 - Served as a Major-General with forces in Ceylon
1903 - Accused of being a homosexual.  Committed suicide.

Sources:  Campbell, David, "Major-Gneral Hector A. MacDonald", Douglas
Howard, London, 1903.  Chambers Biographical Dictionary.
.

-- 
Nigel Gatherer, Crieff  <[EMAIL PROTECTED]>
The Scottish Music Pages:   
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Re: [scots-l] Hector the Hero

2000-09-13 Thread Derek Hoy

Wasn't there a sad story behind the eponymous 'Hector'?

I seem to recall he was much decorated in the military, then committed some 
'unspeakable' act, and ... suicide?

Anyone got the facts?

Derek
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