[Tango-L] Fox-Trot and Tango

2008-02-25 Thread Mario
Thanks Sergio, I like your post a lot..and you scored a direct hit
  with your depiction of 'fox-trot Tango being one danced where
  the mind of one or both dancers are somewhere else ie: paying the bills.
  Wow, you hit the nail on the head..that is exactly the non-feeling of the
  dance when it occurs mil gracias!
   I will make sure that not a step of Foxtrot Tango creeps in on Tuesday nite 
  and now that I know what I am looking for, I am sure to effectively eradicate 
it.
   Let me clear up one mis communication. I never did ballroom foxtrot nor 
ballroom
  anything.
I did Foxtrot in high school...and why? ...because that was THE dance to
  dance when I was in high school. get it.??... I am a tad bit older than 
  John Travolta.
   Anyway, I am fully relieved now that I know what the problem is..
  thanks again, Sergio and all others who contributed to this thread.
   

   
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Re: [Tango-L] Foxtrot to Tango, how do I do it?

2008-02-25 Thread Lois Donnay
I would argue that you are not learning from the internet, but you are 
copying things you see and then asking your partners to be your teachers. 
This is a rather precarious position for them to be in, especially since it 
is likely your partner doesn't know how to lead, doesn't know that she is 
supposed to fix you, and has little experience in teaching.

So we here on the list have joined her now in the precarious position of 
trying to fix you, using only your own comments and a throwaway statement 
from a follower.  But we are the helpful sort. Let's look at some other 
things she may have meant - using my experiences of dancing with people who 
learned from videos and teaching people from the ballroom world. Perhaps the 
reason she said you are dancing foxtrot was because you are dancing figures 
instead of dancing to the music? Perhaps you are worried too much about the 
next figure you are doing, instead of the connection and the music? Perhaps 
you are not leading, but expecting your partner to know her part? Perhaps 
your embrace, connection and posture feels like that from foxtrot, not 
tango? (Most likely, I would guess) These are things that cannot easily be 
learned from videos.

Lois Donnay
Minnesota



   Yes, thanks to Astrid, I realize that I am commited to learning to Tango
   from the internet.  What could be more of a challenge?  I love it!
   I'll let you know how I do..meanwhile, I will avidly read and consider
  all suggestions garnered from Tango-LHow would you help this
  hard-headed Tango baby?? 


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Re: [Tango-L] Foxtrot to Tango, how do I do it?

2008-02-25 Thread Jay Rabe
... on the question of Why did she say you were dancing foxtrot? ...

Lois proposed several plausible answers, but the thought that came to my mind 
when I first read Mario's post was that it might have been the rhythmic 
structure rather than steps or embrace. I don't know foxtrot, but I know that 
it has a rhythmic character that is identifiable to those who know the music 
and dance. Is it quick-quick-slow-slow? I'm guessing. But whatever it is, 
perhaps your dancing frequently uses that rhythm.

 J
TangoMoments.com



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Re: [Tango-L] Bridge to the Tango

2008-02-25 Thread MACFroggy
The only tango instructional DVDs I recommend are
Un Tal Gavito
There are 3 in the series. Well worth getting.
I'm sure everyone out there has their own favorite.

Cherie

http://tangocherie.blogspot.com/ 


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Re: [Tango-L] What's the trick??

2008-02-25 Thread Trini y Sean (PATangoS)

--- Michael Figart II [EMAIL PROTECTED] wrote:

My lead is to show my partner the nature, the length, and
the direction of the step. As she gathers all this
 information, her job is to interpret it, and do her
 very best to step exactly WITH me, not to step ahead
 of my step, but to help move our bodies in sync with
 one another.

 ... but a leader should never have to follow his partner.


Hello Michael,

The problem is when the man THINKS he's invited a
particular step but he has really invited something else
(e.g., torso says one thing, arm says something else). 
Ergo, it's much better to see her response to what he
thought he invited.

Trini de Pittsburgh


PATangoS - Pittsburgh Argentine Tango Society
  Our Mission: To make Argentine Tango Pittsburgh’s most popular social dance!
  http://patangos.home.comcast.net/
   



  

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Re: [Tango-L] Bridge to the Tango

2008-02-25 Thread Victor Bennetts

Instructional videos are a bit of a fraught issue. When my wife and I were in 
BsAs last year, Aurora Lubiz recommended that we buy the 'Tango Baile Nuestro' 
documentary for the scenes of 70s milonga dancing in that movie. I asked for it 
in every tango shop that I went into but no one had it. Being Argentinean 
however they never admit that they don't have something, but always bring out 
something else which they try and sell you instead (how I love the people 
there!). In most cases it was instructional videos and I remember at Tango 
Brujo the sales assistant, a very attractive young portena dancer, brought out 
a 'learn tango in 12 lessons' by Copes. As soon as she said the title however a 
smile spread across her face and she said something like 'yes tango is very 
easy if you can learn it in 12 lessons'. We both burst out laughing. Anyway, I 
found the below videos with Fabian Salas and Cecilia Gonzales useful, at least 
for relative beginners and I am sure they are readily avai!
 lable which is a plus:

http://www.cosmotango.com/TDvideos.htm

Victor Bennetts

The only tango instructional DVDs I recommend are
Un Tal Gavito
There are 3 in the series. Well worth getting.
I'm sure everyone out there has their own favorite.

Cherie


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Re: [Tango-L] Bridge to the Tango

2008-02-25 Thread Tango For Her
Daniel Trenner and crew really knew what they were
doing with Bridge to the Tango.  I wish they were
still available.  

All of the followers technique videos are priceless. 
I think there were three.  I think all followers
should have a copy.

These five are great on video and beyond genius in
person:

Brooke Burdett
Daniel Trenner
Luciana Valle
Rebecca Schulman
Sharna Fabiano

The rest of these are, also, incredible:

Jose Garafolo
Omar Vega 
Some of Fernanda Ghi and Guillermo Merlo 
Carolina Zkalski and Diego Di Falco (especially the
waltz figures)
El Pulpo

I don't remember his full name, was it Zotto and
Carolina?  Anyway, it took me a bit to understand what
Zotto was doing.  I thought it was she who was so good
(and she is!).  Then, my parnter told me to go back
and watch how he lead her.  I am sooo glad she said
that!  He shows the way to setup your follower in
various positions related to your body and in
conjunction with the music.  Study Zotto and dance to
D'Arienzo!!!  That man's lead is clean! 

Although I've never seen any of his videos, I have
taken a lot of workshops with Fabian Salas.  I have to
believe that his videos must be great.

Even though I had workshops and 6-week classes over
and over again with most of the people on this list, I
can still go to their videos and, in most any section,
refresh my memory or cleanup my technique.

But, where in the world are you going to find these
videos?




--- [EMAIL PROTECTED] wrote:

 
 I'd like to hear from someone who has experience
 with the Bridge to the Tango CDs/DVDs.? 
 
 What are the five tapes you would recommend most for
 an intermediate/advanced dancer?
 
 And, what are the five tapes you would *NOT*
 recommend?
 
 I purchased a couple of these things a few years
 back and I found the quality was uneven.? The
 milonga was a style that is not common in either
 Buenos Aires or Portland, for example.
 
 
 


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Re: [Tango-L] women as leader

2008-02-25 Thread buffmilonguera
I lead a lot - I think I am the only woman lead I know who is NOT a 
teacher.  I started because I was tired of waiting to dance.  I suppose 
it's pretty much the same everywhere - many more follows than 
leads.some nights, I pretty much lead all night - and I've started 
to really enjoy it - not more than following, but as much.  Just two 
different ways to experience the dance.  At first I was a little unsure 
leading away from home, but now I don't even think about it - 
although I am often the only woman leading. I also much prefer close 
embrace - as a lead and as a follow..

barbra

Have you joined the Buffalo Argentine Tango Society Yahoo! group yet? 
It's easy, and the best way to make sure you know what we're doing and 
what's going on with the Argentine tango in and around Buffalo..go 
to www.yahoo.com  select Groups  search for Buffalo Argentine Tango 
Society  follow the directions to join BATS_tango.  Thanks!

-Original Message-
From: Dyane Auclair [EMAIL PROTECTED]
To: tango  list tango-l@mit.edu
Sent: Mon, 25 Feb 2008 3:44 pm
Subject: [Tango-L] women as leader






Hi everyone,

I have been following this list only recently so forgive me if this 
subject has
been discussed previously.
I have been dancing tango for about 3 years. Unfortunately I have not 
yet find a
regular partner with whom I can really work hard at developing very 
good
following skills, at developing a good connection, and at developing a 
good
sense of musicality. Of course I had the occasional beautiful tango 
experience
with some good leaders but there is no continuity. So as a new 
challenge I have
decided to go back to basics and learn to become a LEADER while I am 
still
searching for the right dancing partner.
Why do I feel so much resistence in my community? It seems that I 
receive lot of
discouraging signals from other dancers (both men and women) and from 
teachers.
Is it because most people believe that a good connection can only exist 
betwen a
man and a woman and since tango is nothing without a good connection 
there is no
point in putting any effort into that direction. Or is it simply 
because
tangeros/tangeras love stereotypes? Is it threatening for other 
leaders? I
sincerely believe that I will become a better follower because I will 
have a
better understanding of the problems that the leader encounters. What 
about you:
would you encourage me or discourage me?

Dyane
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