Re: [tips] What Academics Are Writing About These Days...

2010-05-11 Thread Michael Smith
Well, if there was an AHA! moment, at least we know it originated near
your right ear...ehsort of.

http://www.nytimes.com/2010/05/08/books/08creative.html

:-)

--Mike

On Mon, May 10, 2010 at 7:14 PM, Mike Palij m...@nyu.edu wrote:
 On Mon, 10 May 2010 12:18:19 -0700, Christopher D. Green wrote:
Allen is perhaps exempt, given his background, but it seems to me that
psychologists complaining about the turgidity of other scholars' prose
is a very dangerous game to be play. If anyone is guilty of
intentionally making relatively simple ideas seem complicated by giving
them inordinately arcane labels in order to render them scientific, it
is psychologists.

 Chris paints, I think, with a very wide brush and very broad strokes.
 I hazard that the philosophers come in first when it comes to using
 arcane or even mundane terms in ways that are simply uninterpretable.
 For fun and giggles, see the following student article on the rehabilitated
 Nazi Martin Heidegger; see:
 http://www.thecrimson.com/column/the-f-word/article/2010/4/27/being-nussbaum-butler-academic/

 Favorite line:
 |Encountering impossible semantic permutations of the word “being”—capitalized
 |and uncapitalized, infinitive and participle, singular and plural—I took to 
 narrating
 |the most esoteric examples aloud. What else could I do with a phrase like 
 “Being
 |means the Being of beings”?

 And how about this conclusion:
 |In the end, beyond elucidating the question of being, Heidegger taught me 
 that
 |all academic disciplines are forms of gibberish—specialized lexicons that 
 must
 |be mastered before they can glean any insights. Each is comical in its own 
 way,
 |whether through overzealous use of the word “being” or too much C++.

 Note: the article gets extra point for links to the Postmodern Generator
 and the Bad Writing Contest websites.

My personal (anti-)favorite has always been the behaviorists' penchant
for using perseverate whne they mean simply to repeat or continue.

 Ah, come on, stop beating up on the behaviorists.  Everyone knows that
 you have to go to the phenomenologists in order to get authenic gibberish. ;-)

 -Mike Palij
 New York University
 m...@nyu.edu




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Re: [tips] Whatever happened to pilot studies?

2010-05-11 Thread Michael Smith
I don't know about Chris,Mike,Stephen,Bill,John,Scott,Peter,Paul, and
Mary, but I think most labs run pilot studies...it's just not called
that.

Nor is it especially demarcated with the PI proclaiming...

Very well,beginthe
Pilot Study!

Rather, one takes a boo at the data for the first few subjects and see
if it's generally in line with expectations of the hypothesis.

This has the generally beneficial effect of reminding hier scientist
to plug in the recording device before subjecting the paid subject
(often nowadays, potentially paid millions might be a better
statement) to 2 hours of a learning protocol !

:-)

--Mike

On Sun, May 9, 2010 at 8:45 PM, michael sylvester msylves...@copper.net wrote:


 I could bet that Chris,Mike,Stephen,Paul,Bill,John,and Scott(the
 -out-of-office reply  dude) never run a pilot study but there was a time
 when advisors and research supervisors would always recommend  to run a
 pilot before undertaking some research,thesis,or dissertation.As  a matter
 of fact Murray Sidman in a work titled Tactics in Scientific Research seemed
 to have recommended doing pilot studies.Although there are many reasons
 given to running a pilot,such as methodologicaland other issues,it does
 appear that the procedure  was frowned upon.
 I think that the major criticism was that a pilot study was still a valid
 experiment-so in some sense one was performing two experiments.The other
 criticism was probably philosophical: entering research with preliminary
 projected results is really not cool from a scientific perspective.
 One thing I would say about the animal pilot studies-it tells us which
 animals are likely
 to die and that is a no no for statistical analysis.Just curious what would
 have happened if Milgram and Rosenhan(Tipsters' favorite punching bag) had
 run a pilot.
 In a theoretical psychology state of mind.

 Michael omnicentric Sylvester,PhD
 Daytona Beach,Florida
 Daytona Beach,Florida


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[tips] Freud's Birthday

2010-05-11 Thread Pollak, Edward
Here are the lyrics to Dr. Freud that I remember Pete Seeger doing in the 
early 60s.  You can even get it for your ringtone at 
http://www.traditionalmusic.co.uk/song-midis/Dr._Freud.htm


DR. FREUD
(David Lazar)

Oh, it happened in Vienna, not so very long ago,
When not too many folks were getting sick
That a starving young physician tried to better his position
By discovering what made his patients tick

Oh, Dr. Freud, oh, Dr. Freud
How I wish that you'd been otherwise employed
For the set of circumstances sure enhances the finances
Of the followers of Dr Sigmund Freud.

He forgot about sclerosis, but invented the psychosis
And a hundred ways that sex could be enjoyed
He adopted as his credo, Down repression, up libido
And that was the start of Dr.Sigmund Freud.

Now he analyzed the dreams of the teens and libertines
And he substituted monologues for pills
He drew crowds just like Wells Sadler, when along came Jung 
Adler
Who said, By God, there's gold in them thar ills

They encountered no resistance when they served as Freud's
assistants
As with Ego and with Id, they deftly toyed
And instead of toting bedpans, they bore analytic deadpans
Those ambitious doctors, Adler, Jung, and Freud

Now the big three have departed  not so the cult they started
It's been carried on by many a goodly band
And to trauma, shock, and more shock, someone went and added
Rorshach
Now the thing has got completely out of hand

Now old men with double chinseys and a million would be Kinseys
Will discuss it at the drop of a repression
I wouldn't be complaining, but for all the dough I'm paying
To lie on someone's couch and say confession

Edward I. Pollak, Ph.D.
Department of Psychology
West Chester University of Pennsylvania

Husband, father, grandfather, biopsychologist,  bluegrass fiddler.. in 
approximate order of importance.

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Re: [tips] What Academics Are Writing About These Days...

2010-05-11 Thread Mike Palij
On Tue, 11 May 2010 00:56:52 -0700, Michael Smith wrote:
Well, if there was an AHA! moment, at least we know it originated near
your right ear...ehsort of.

 http://www.nytimes.com/2010/05/08/books/08creative.html 

So, which is worse: rank neuroscience research or research on
creativity?

In cognitive psychology courses that I teach, I point out that
the theory and tasks often used in creativity research might be 
fun things to do in the lab but are severely lacking in ecological 
validity and provide no real insight into what is consider truly 
creative by a society at any particular time.  Indeed, it is the
artful formulaic social artefacts that are often seen as pleasing,
widely popular, and creative, especially in popular culture where
re-imagining of old franchises in movies like Star Trek, the 
Jason Bourne character, Batman and numerous comic book 
characters that constitute a large part of contemporary U.S.
movie making serve as example of successful acts of creation.
In this sense, Avatar trumps The Hurt Locker even though the 
latter may be seen as more creative artistically (Avatar is more
of a technical achievement) but financially lacking in return.
Avatar wins because it made the most money not because it
was the more creative work.

A good example from the movies about creativity in the movies
is Robert Altman's film The Player which pokes fun at a number
of Hollywood film convention (including the Hollywood happy
ending) as well as showing in its film within a film how an
original story is converted into a commercially viable movie
(with the persons with the original idea for the movie becoming
corrupted in the process of producing a successful product).
Altman was a wise movie-maker and used a number of traditional
conventions from the crime/mystery genre to subvert the film
(e.g., the film has a happy ending but only if one isn't too morally
particular).

Additional examples includes how source materials had to be
changed in order to make movies more successful but less creative.
In the movie Forrest Gump there is a particular characterization
of Forrest presented but one that clashes with the character in the
novel who spent time as a wrestler (The Dunce) who wore diapers
in his matches.  Which treatment is more creative?  Which is safer?
In the movie The Natural Robert Redford plays the ball player
Roy Hobbes who astounds in the feel good walk-off home run
that wins the National League pennant for the New York Knights.
But read the summary of Bernard Malamud's novel The Natural
here:
http://en.wikipedia.org/wiki/The_Natural
And compare it to the film version here:
http://en.wikipedia.org/wiki/The_Natural_%28film%29

It should be clear why the movie version of the The Natural would
turn out to be successful but is a less creative work.  Creativity
is truly a difficult concept to pin down because of its dependence on
different values (e.g., artistry, technical prowese, insight, commercial
return, etc.) which will vary across time and places.  Vincent van Gogh
is a great example of an artist who's work was not thought of too
highly during his life but after his death his work is seen as being great 
and influences the work of many artists; see:
http://en.wikipedia.org/wiki/Van_Gogh

So, how can it be that something not be thought of as creative or
valuable at one point in time become seen as immensely creative and 
of tremendous value at another time?  Is being creative and producing 
creative works something that can be easily recognized and appreciated
without knowledge of the values driving the creation of the work and the
social context it is being produced in?  I don't think so.  

Creativity is a very slippery concept and perhaps psychological
research on it has only trivialized our understanding of it..

Or not.

-Mike Palij
New York University
m...@nyu.edu





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Re: [tips] What Academics Are Writing About These Days...

2010-05-11 Thread Christopher D. Green
Mike Palij wrote:
 So, how can it be that something not be thought of as creative 
 orvaluable at one point in time become seen as immensely creative and 
 of tremendous value at another time? Is being creative and producing 
 creative works something that can be easily recognized and appreciated 
 without knowledge of the values driving the creation of the work and 
 the social context it is being produced in? I don't think so.

Charles Babbage comes immediately to (my) mind. Most people (even among 
scientists and mathematicians) didn't get the potential value of his 
Difference Engine (a big mechanical calculator) or Analytical Engine (a 
mechanical computer), but ~150 years later, it was hard to imagine the 
world without (electronic versions of) them. (Of course, the fact that 
he never managed to build either of them didn't help matters.)

Chris
-- 

Christopher D. Green
Department of Psychology
York University
Toronto, ON M3J 1P3
Canada

 

416-736-2100 ex. 66164
chri...@yorku.ca
http://www.yorku.ca/christo/

==


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[tips] Human sexuality/Auctioning virginity

2010-05-11 Thread michael sylvester
It appears that authorities 'down under' (no pun intended) did not go for the 
idea of Aussie women auctioning their virginity and threatened
to charge promoters for prostitution.The promoters have decided to film that 
documentary to Las Vegas.The virgins will keep ninety percent of the bid and 
ten percent is donated to a worthy cause.
I just hope that whatever happens in Vegas,stays in Vegas.

Michael omnicentric Sylvester,PhD
Daytona Beach,Florida
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