Re: [ubuntu-studio-devel] jack_control

2015-06-02 Thread Hartmut Noack
Am 02.06.2015 um 02:46 schrieb Len Ovens:
 On Mon, 1 Jun 2015, Hartmut Noack wrote:
 
 Ubuntu Studio is still used by some musicians but to be honest: with
 specs as you described them and consequently more than 20 ms latency
 you cannot record multitrack and you cannot play virtual instruments.
 
 Less than 1ms when I want it with PA off. and jack set to 16/2 on Ubuntu 
 Studio with no xruns. Very usable.

That sounds indeed very different, so I wonder, what that original post
regarding 1024 or 512 frames is all about?

 
 I meantioned using 20ms latency was usable with external monitoring, not 
 that it was the best that could be done with UbuntuStudio. Yes you can 
 multitrack very well with high latency with external monitoring, however 
 there is really no need to do that as UbuntuStudio will do well at lower 
 latencies even with 12 or more tracks with jack at 32/2 (which is where it 
 happens to be just now with 17 tracks). I have found that 128/2 is on the 
 edge of useful with for virtual instruments or live effects, but I can run 
 16/2 with guitarix and no drop outs for that.
 
 You come across as a troll (without any real and useful info).

Try to write your messages somewhat more in a way, that cannot be
misunderstood so easily, thank you.

 
 --
 Len Ovens
 www.ovenwerks.net
 
 


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Re: [ubuntu-studio-devel] jack_control

2015-06-01 Thread Hartmut Noack
Am 25.04.2015 um 19:36 schrieb Len Ovens:

 
 I should be using DEV=hw:D66, Frame could be 1024 or even 512 on this 
 machine. 

I use jack like this:

/usr/bin/jackd  -t1000 -dalsa -dhw:M2496 -r48000 -p128 -n2 -Xseq

Big Ardour4 Projects and no problem. I have a handfull of xruns though,
when I play Minecraft while Ardour is playing ;-)
And PA is running as configured out of the box...

even 512 frames is way beyond usability for music, let alone 1024

 (I use 64 with PA still connected with no issues) USB,FW and AoIP 
 should probably use PERIOD=3

should not be needed anymore, the 3 periods workaround was only useful
for antique USB-drivers some 3-4 years ago

Anyway: I use the KXStudio stuff and it just works.

A year ago I still had a Quadcore built around 2008 with 2 Gig RAM, this
one needed 256 frames for bigger Ardour projects on Fedora 20 ootb

Ubuntu Studio is still used by some musicians but to be honest: with
specs as you described them and consequently more than 20 ms latency
you cannot record multitrack and you cannot play virtual instruments.

And no: the layout/graphics thing does not need some special distro,
those applications run perfectly well on *any* linux.

best regards

HZN

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Re: Video players

2013-06-05 Thread Hartmut Noack
Am 05.06.2013 11:34, schrieb edmund:
 On Wed, 05 Jun 2013 01:21:19 +0200
 Hartmut Noack zettber...@linuxuse.de wrote:
 
 Am 04.06.2013 02:43, schrieb Len Ovens:

 On Mon, June 3, 2013 8:02 am, edmund wrote:

 What are you calling uncommon sample rates? Ubuntu Studio is for
 multi media and in my case High res audio. Here we use 96 kHz and
 192 kHz sample rates.
 Of course I have recorded in these samplerates also and in very few
 cases it really makes a difference. Most notably to me was, that Alsa
 Modular Synths sounds quite different at 96KHz.

 VLC player,

 Is made to play the audio, that is relevant out there, where people
 listen to music that is mixed and mastered and that is: 48KHz Video,
 44.1KHz Audio and that is it.

 seems to play these formats too but it doesn't!
 When I play a 80 kHz sine it is audible

 audible, you say hmmm

 But maybe here we misunderstand: you mean, a, say: 1KHz sine with
 80KHz samplerate right?
 
 
 No I mean playing a 80 kHz sine (with a 192kHz sample rate)
 I made a number of sines with audacity and played them with VLC among
 other players, VLC  produces ghost sounds with sine waves above a
 certain frequency.
 
 So paying music with VLC in that format makes you hear things you never
 heard before, great! Pity that the difference is fake and distortion
 rather then more music information.

 r a player, that is made to play
 distributed audio

 as - something very different.
 It is far below 20 kHz and clearly audible on 10 Euro loudspeakers,
 so it is definitely not 80 kHz.
 I would say ditch it or use it for things that doesn't matter but
 not for playing high res or quality audio.

 Quality audio is 16/44.1 CDDA, carefully mastered and dithered from
 recordings, that may or may not be recorded at higher rates.
 
 Whether it is required or not to use higher sample rates for perfect
 audio reproduction is another discussion. But at the moment there is no
 such thing as a perfect audio system. So claims as 44.1 kHz or MP3 is
 enough holds no water.

MP3 or OGG is not enough at all. The difference is clearly audible when
you compare it with a uncompressed stream of original recordings.
Commercially matered material is stripped down often anyway so the
compression does not make great differences but it is perfectly feasable
to record, mix and distribute audio in a way, that uncompressed PCM does
sound quite different than MP3 or OGG of the same material.

But 16/44.1 is hard to beat and 16/48 is not.


 I, BTW, have ditched the 96KHz experiments and use 48KHz with all
 great results and 9 out of 10 professional Studios do the same.
 
 The dutch concert hall records in SACD format
Interesting,
so they do not use PCM but Delta-Sigma-Modulation in the first place or
do they use 24/192 PCM and interpolate later?

Anyway: one fine day when more than 0.1% of the listeners out there own
a SACD-drive or when anyone out there is eager to play DSM-streams on a
computer, I guess VLC will adopt.


 Oh and yes it does so under windows too.

 Whatever rate you use, the input and the output of any of the audio
 interfaces people have tested has been 20-2Hz. 

 I experienced, that it does make a difference, when a lowpass at 20KHz
 is applied but 48KHz deliver 24KHz and anything beyond that is indeed
 irrelevant.

 Distortion and noise have a real impact when HiFi is concerned,
 frequencies, that are beyond the double of human hearing do not.
 
 Well it is no so simple to determine what the human hearing is
 capable of in the first place and show me the first audio set on
 which I cannot hear the difference between a real cymbal and a cymbal 
 played on that audio set.

The effect is even more apalling when you compare a distorted Guitar
from a Marshallstack with a recording of it.
And the reason is physics: any speaker is just a simulation, it can
create soundwaves, that have more or less the very same characteristics
as the original, very very complex soundwave made by an instrument in a
room. But they cannot be the same: 8x12 inch of speakermembranes that
have no other obligation but creating a blast of metalguitars cannot be
perfectly mimicked by a pair of 8-Speakers, that has to produce Bass,
drums and singer also...

So there may be more to do to bring more of the real thing to the homes
of the audiophiles. But I doubt, that higher frequency-ranges will help.

In my experience Ardour works perfectly well with PCM of any samplerate.
And I would not bother to play such recordings using a player, that is
made for average distributed media.

On the contrary! I am happy to have a player like VLC, that will reveal
whether I did something wrong when rendering a file for end-user
distribution.

best regards

HZN

 
 Edmund
 
 


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Re: Video players

2013-06-04 Thread Hartmut Noack
Am 04.06.2013 05:25, schrieb lukefro...@hushmail.com:
 A video player is a prerequisite to video editing,

A player is a prequisite for KDEnlive also, that is: a dependency,
normally KDEnlive also recommends VLC, others want Mplayer to be
installed. So a capable Player should be installed with KDEnlive anyway

 as you must be able to play
 your own rendered files and the clips you make them from. If posting them to
 a video site like Liveleak, Flash in the browser is also needed, to check 
 that 
 the upload works.
 
 The videos I make are done like this:
 
 1: copy the folder containing AVCHD videos from the camera card
 onto the desktop and name it
 
 2: Open Kdenlive, save a blank project in the new folder
 
 3: Use Gnome-mplayer to play clips, looking for the good ones.
 Totem can lock up Nemo/Nautilus on a drag and drop,
 so I usually use Mplayer for this job. Xine is hard to 
 drop clip after clip into, but ALL the players are somewhat
 buggy for this.
 
 4: Drop the good clips into Kdenlive, set up the timeline
 
 5: Add backing music to the timeline. Use Audacious to sample
 backing music if not already decided-or mplayer to play a music
 video which can also provide backing music
 
 6: Render .wav audio, 720P rescale, full 1080P in that order, using
 H264 codec at 2000 for 720P, 6000 for 1080p
 
 7: Use Avidemux to replace the bad audio track (dropouts) Kdenlive
 gives rescaled files rendered from AVCHD right now with the .wav
 track, saving as copied video, AAC audio in MP4 container, do this
 only on the 720P as the fulleres file has good audio
 
 8: Use qt-faststart from the command line ro remake the final files
 into web optimized MP4's with the headers up front.
 
 9: Play the files, check for both human and machine errors!
 
 10:: Post the 720P to Liveleak, then archive both rendered files on
 both primary and backup disks
 
 On 06/03/2013 at 8:18 PM, Len Ovens l...@ovenwerks.net wrote:

 On Sun, June 2, 2013 11:58 am, Hartmut Noack wrote:
 Am 02.06.2013 17:23, schrieb Len Ovens:

 In the mean time, Parole (like thunar) has been fixed and works 
 on
 anything I have tried it on.

 We should perhaps switch back to Parole,

 Most people, that want a videoplayer that works for more or less
 everything will end up with either Mplayer or VLC both work with 
 Jack
 also both are needed for encoding/videoediting anyway.

 I understand, that they are a bit tooo skilled to be shipped 
 with Ubuntu
 by default but anyway: most users will end up with one of the two
 because they are simply the best solutions

 So if you want the best for the user just install a script that
 recommends to install one of them.

 Thank you for your comment. At the moment there doesn't seem to be 
 anyone
 who does more video than anything else. The purpose of a video 
 player at
 this point was for the normal desktop use as in completeness. I 
 had not
 thought of it as an essential tool for video creation.  That would 
 be my
 blind side. I understand video from an analogue and live 
 production POV,
 but not Desktop video creation. So I have added parole to fill the 
 desktop
 spot. Xine (which works for me when other things don't) seems to 
 come by
 default. But if there is something that is needed to fill a spot 
 in the
 video creation workflow. I would like to hear more about it. I had 
 always
 thought that the video editors like kdenlive provide their own way 
 of
 showing a video and that because of that a video player would not 
 be
 needed.

 A good description of a video workflow for those of us who don't 
 know
 anything about it would be very useful. In fact a documentation of 
 the
 video work flow for those starting out in video creation would be
 fantastic.


 -- 
 Len Ovens
 www.OvenWerks.net


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Re: Video players

2013-06-04 Thread Hartmut Noack
Am 04.06.2013 18:56, schrieb Jimmy Sjölund:
 On Tue, Jun 4, 2013 at 2:18 AM, Len Ovens l...@ovenwerks.net wrote:
 

 A good description of a video workflow for those of us who don't know
 anything about it would be very useful. In fact a documentation of the
 video work flow for those starting out in video creation would be
 fantastic.


 As I wrote before I got caught of the conception of VideoSongs which is
 format for doing music videos with two rules:
 1. What you see is what you hear (no lip-syncing for instruments or voice).
 2. If you hear it, at some point you see it (no hidden sounds).
 
 So, when recording my music I now also set up my iPhone to record myself
 recording the music. This is later cut to a VideoSong. For an example check
 out http://youtu.be/lBUUOJpFg9Y which was the song that made me discover
 VideoSongs.

Good stuff, thanks for sharing!

 
 When I have finished the song, editing and mastering I go to work to make
 the video:
 
 1) Import all the record videos into the video editor. For now I use
 Kdenlive, but will learn Cinelerra as well to see if it might fit my
 process better.

I doubt that. Cinelerra is useful, if you want to work with material for
theatre-screens or if toning is exceptionel important for you. But since
KDEnlive is stable and reliable, I do not longer see an important reason
to wrestle with a beast like Cinelerra

 
 2) Import the actual song.
 
 3) Since I also use a one-take-only policy on my recordings I don't have to
 sort out which take of which instrument I used in the final song, there
 will be only one video file for each instrument played.

I do more and more abandon presets, even those, I made myself. One take
only is quite a challenge though... ;-)

 
 4) I have sync all the videos to the music file. To do this in Mac or
 Windows the video editor often support scrubbing, so you can pinpoint the
 audio in the current video with the same spot in the song. Kdenlive does
 not support scrubbing so I have to look for obvious things in the track,
 like certain words sung or when an instrument start to play.

Just orientate by the waveforms and you get it perfectly in sync. Since
your videoclips are shot at the very recording you can align the audio
of the videoclip and the mixed-down song just perfectly...

 This I can do
 visually and also by zooming in on the graphic display of the audio in the
 song and recorded video. This step takes some time and need to be done for
 each track. Otherwise later on in the video it will start to get out of
 sync and look bad. Once everything is lined up I can mute or delete all the
 audio from the video files and only hear the original song audio.
 
 5) Then the cutting begins. I'm quite basic so far in my editing so it's
 mostly just simple cuts between the different instruments, a couple of fade
 in fade out, some 'picture-in-picture' clips and such.
 
 6) When I'm happy with all the different cuts I add an ending screen since
 my goal is to put everything up on Youtube. It will contain some
 information about me, the song and a couple of pre-views of other videos
 I've made. Later on I will edit this part in Youtube to add links to the
 different videos, subcribe link and so on.
 
 7) Next I render to a format that will make it look good on Youtube. I use
 downloaded Render Profiles downloaded from within Kdenlive. So far I
 haven't made any other rendering, to save it for future use.
 
 8) I then check the video in different players and with different computers
 and OS to make sure it is in sync and no glitches in video or audio have
 occured while rendering.
 
 9) If I'm happy with it all I upload to Youtube. Case closed.
 
 This is by no means a professional workflow but it's what I've come up with
 so far. What I miss is a simple way to get all the video clips in sync with
 the music and an easy way to do 'picture-in-picture'. I have found a way to
 make the pic-in-pic sort of like I want it to look but it's a bit tricky
 and takes a long time. I've seen tutorials on how to do it on other
 platforms and video editors and it's very quick and simple. Perhaps
 Cinelerra might have an easier way to do this, but I haven't had time or
 knowledge to figure it out so far.
 
 /Jimmy
 
 
 


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Re: Video players

2013-06-04 Thread Hartmut Noack
Am 04.06.2013 02:43, schrieb Len Ovens:
 
 On Mon, June 3, 2013 8:02 am, edmund wrote:
 
 What are you calling uncommon sample rates? Ubuntu Studio is for
 multi media and in my case High res audio. Here we use 96 kHz and 192
 kHz sample rates.
Of course I have recorded in these samplerates also and in very few
cases it really makes a difference. Most notably to me was, that Alsa
Modular Synths sounds quite different at 96KHz.

 VLC player,

Is made to play the audio, that is relevant out there, where people
listen to music that is mixed and mastered and that is: 48KHz Video,
44.1KHz Audio and that is it.

 seems to play these formats too but it doesn't!
 When I play a 80 kHz sine it is audible

audible, you say hmmm

But maybe here we misunderstand: you mean, a, say: 1KHz sine with 80KHz
samplerate right?

OK, unless you (and everybody else, you want to share that recording
with) have a DAC that supports that rate natively (like some of the
better interfaces do), VLC will send the stream to the audio driver and
there it will be resampled to whatever rate the DAC supports. So if VLC
should do anything wrong here, than it would resample the signal itself,
in some wrong way, that is.

Did not know, that resampling a signal could be a culprit. Resampling
from a rate, that nobody uses for distribution of sound recordings may
be not that high a priority for a player, that is made to play
distributed audio

 as - something very different.
 It is far below 20 kHz and clearly audible on 10 Euro loudspeakers,
 so it is definitely not 80 kHz.
 I would say ditch it or use it for things that doesn't matter but not
 for playing high res or quality audio.

Quality audio is 16/44.1 CDDA, carefully mastered and dithered from
recordings, that may or may not be recorded at higher rates.

I, BTW, have ditched the 96KHz experiments and use 48KHz with all great
results and 9 out of 10 professional Studios do the same.

 Oh and yes it does so under windows too.
 
 Whatever rate you use, the input and the output of any of the audio
 interfaces people have tested has been 20-2Hz. 

I experienced, that it does make a difference, when a lowpass at 20KHz
is applied but 48KHz deliver 24KHz and anything beyond that is indeed
irrelevant.

Distortion and noise have a real impact when HiFi is concerned,
frequencies, that are beyond the double of human hearing do not.

 This has been a
 disappointment to those studying bats who have been unable to find any
 computer audio interface that supported any higher frequencies. So I am
 wondering where you would be getting an 80kHz sine wave from that is
 output from a computer. A higher sample rate than 48000 does give a
 smoother bandpass frequency response and allow a simpler HF roll off
 filter to be used. However it also introduces the very real possibility of
 high frequency foldover into the audible pass band.
 
 Yes many studios use high res audio, but it is not because it is
 measurably better. It is because the clients demand it because bluray
 supports it. Many studios record at 48000 (the standard BTW) and upsample
 to meet whatever format the client demands. The higher rates are IMO
 gimmicks to sell new versions of old movies and of course the equipment
 needed to support it. There are some audio cards that do sound better at
 these higher rates, but they still do not include higher audio frequencies
 than the low 2 Hz range. It is merely a matter of the roll off filter
 being designed for that rate and it not working quite so well at the lower
 rate. A card designed for the lower rate can sound just as good.
 
 A good video to watch with real analogue measurement inputs and outputs is:
 
 http://www.xiph.org/video/vid2.shtml
 


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Re: Video players

2013-06-03 Thread Hartmut Noack
Am 03.06.2013 13:22, schrieb edmund:
 On Mon, 3 Jun 2013 12:09:38 +0200
 ttoine tto...@ttoine.net wrote:
 
 I am strongly agaist it.
 VLC uses closed/hidden codecs not vailable for other programs and
 therefore alone it should not be used at all.

What would that be? Cannot find any blobs in the source-download.

 In addtion to that it fucks up the sample rate on a regular basis if
 one wants to use music with other then the standard sample rate.

Really? Never noticed that at least not for rates such as 48KHz or
32KHz. Anyway it plays anything the way it is played at anyones
computer, so it can serve as something like a reference. To use uncommon
samplerates I would use Software like MHWaveedit. Having uncommon
samplerates in end-user formats like OGG or MP3 makes no sense anyway

HZN

 
 Edmund
 
 VLC is imho the best player we can find for Ubuntu Studio users. It
 can read everything from everywhere, on nearly all drivers (jack, and
 more included).

 If we should replace the default multimedia player for a serious one
 in Ubuntu Studio, I am for VLC.


 Antoine THOMAS
 Tél: 0663137906


 2013/6/3 Len Ovens l...@ovenwerks.net


 On Sun, June 2, 2013 10:43 am, lukefro...@hushmail.com wrote:
 One more thing about Xine: In a default install of Ubuntustudio,
 I was able to play H264/mp4 video in Xine without installing
 extra codecs, thanks to the ffmpeg version used.

 If there is a policy that gstreamer-ffmpeg can't be shipped by
 default
 but
 the underlying ffmpeg can be, that's inconsistant. I know that
 sort of decision gets made upstream, but it creates a default
 install that can't do it's default job if enforced strictly, due
 to the nature of current
 cameras and audio recorders.

 A multimedia distro without codecs can't play most media
 distributed by windows users or commericial websites. Much more
 seriously, it also can't play ORIGINAL media produced by a
 majority of midrange video cameras and even audio recorders.

 We have tried to ship with everything needed. So we added the
 libav-extra set of packages. As far as I know We just hadn't
 thought of the gs packages.

 --
 Len Ovens
 www.OvenWerks.net


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Re: Video players

2013-06-03 Thread Hartmut Noack
Am 03.06.2013 17:02, schrieb edmund:
 On Mon, 03 Jun 2013 15:45:29 +0200
 Hartmut Noack zettber...@linuxuse.de wrote:
 
 Am 03.06.2013 13:22, schrieb edmund:
 On Mon, 3 Jun 2013 12:09:38 +0200
 ttoine tto...@ttoine.net wrote:

 I am strongly agaist it.
 VLC uses closed/hidden codecs not vailable for other programs and
 therefore alone it should not be used at all.

 What would that be? Cannot find any blobs in the source-download.
 
 Disclaimer : I come from BeOS ( Be Operating System ) and that was
 good as can be. Each and every program installed that added any codec
 was immediately available for every other program.
 Until VLC fucked it up, it could play one or two other additional codecs
 but this was not in any way usable for any other program.
 So I guess that VLC policy is no different under Linux Windows or any
 other OS.

Guess, OK. Well in Linux any programm that likes to do so can use VLC
and its libs for whatever purpose they like, some video-apps do so and I
never heared anyone complain about the reusability of VLC-libs/functions.


 In addtion to that it fucks up the sample rate on a regular basis if
 one wants to use music with other then the standard sample rate.

 Really? Never noticed that at least not for rates such as 48KHz or
 32KHz. Anyway it plays anything the way it is played at anyones
 computer, so it can serve as something like a reference. To use
 uncommon samplerates I would use Software like MHWaveedit. Having
 uncommon samplerates in end-user formats like OGG or MP3 makes no
 sense anyway
 
 What are you calling uncommon sample rates? Ubuntu Studio is for
 multi media and in my case High res audio. Here we use 96 kHz and 192
 kHz sample rates. 
 VLC player, seems to play these formats too but it doesn't!
 When I play a 80 kHz sine it is audible as - something very different.
 It is far below 20 kHz and clearly audible on 10 Euro loudspeakers,
 so it is definitely not 80 kHz.
 I would say ditch it or use it for things that doesn't matter but not
 for playing high res or quality audio.
 Oh and yes it does so under windows too.
 
 Edmund
 
 
 

 HZN


 Edmund

 VLC is imho the best player we can find for Ubuntu Studio users. It
 can read everything from everywhere, on nearly all drivers (jack,
 and more included).

 If we should replace the default multimedia player for a serious
 one in Ubuntu Studio, I am for VLC.


 Antoine THOMAS
 Tél: 0663137906


 2013/6/3 Len Ovens l...@ovenwerks.net


 On Sun, June 2, 2013 10:43 am, lukefro...@hushmail.com wrote:
 One more thing about Xine: In a default install of Ubuntustudio,
 I was able to play H264/mp4 video in Xine without installing
 extra codecs, thanks to the ffmpeg version used.

 If there is a policy that gstreamer-ffmpeg can't be shipped by
 default
 but
 the underlying ffmpeg can be, that's inconsistant. I know that
 sort of decision gets made upstream, but it creates a default
 install that can't do it's default job if enforced strictly, due
 to the nature of current
 cameras and audio recorders.

 A multimedia distro without codecs can't play most media
 distributed by windows users or commericial websites. Much more
 seriously, it also can't play ORIGINAL media produced by a
 majority of midrange video cameras and even audio recorders.

 We have tried to ship with everything needed. So we added the
 libav-extra set of packages. As far as I know We just hadn't
 thought of the gs packages.

 --
 Len Ovens
 www.OvenWerks.net


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Re: Video players

2013-06-03 Thread Hartmut Noack
Am 03.06.2013 18:33, schrieb ttoine:
 But on Linux, Windows, or BeOS ??

Well... and what do you ask exactly?

It would be of much help, if you could answer using the usual methods to
cite E-Mails...

best regards

HZN

 
 
 Antoine THOMAS
 Tél: 0663137906
 
 
 2013/6/3 edmund edmund...@gmail.com
 
 On Mon, 03 Jun 2013 17:06:51 +0200
 Hartmut Noack zettber...@linuxuse.de wrote:

 Am 03.06.2013 17:02, schrieb edmund:
 On Mon, 03 Jun 2013 15:45:29 +0200
 Hartmut Noack zettber...@linuxuse.de wrote:

 Am 03.06.2013 13:22, schrieb edmund:
 On Mon, 3 Jun 2013 12:09:38 +0200
 ttoine tto...@ttoine.net wrote:

 I am strongly agaist it.
 VLC uses closed/hidden codecs not vailable for other programs and
 therefore alone it should not be used at all.

 What would that be? Cannot find any blobs in the source-download.

 Disclaimer : I come from BeOS ( Be Operating System ) and that was
 good as can be. Each and every program installed that added any
 codec was immediately available for every other program.
 Until VLC fucked it up, it could play one or two other additional
 codecs but this was not in any way usable for any other program.
 So I guess that VLC policy is no different under Linux Windows or
 any other OS.

 Guess, OK. Well in Linux any programm that likes to do so can use VLC
 and its libs for whatever purpose they like, some video-apps do so
 and I never heared anyone complain about the reusability of
 VLC-libs/functions.

 Read on about the ghost sound it produces when you try to play High Res
 audio!
 IAW when you think to play high quality you get lots of distortion!

 Edmund



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Re: Making Studio work with more than one DE

2013-05-24 Thread Hartmut Noack
Am 23.05.2013 15:32, schrieb Len Ovens:
 
 On Thu, May 23, 2013 12:21 am, Hartmut Noack wrote:
 Am 23.05.2013 06:17, schrieb Len Ovens:
 
 
 It should be easier to disable PA to a near-removed status though

 Unload module-jackdbus-detect:
 pactl unload-module module-jackdbus-detect

 PA still takes up memory, but uses almost no cpu without that module.

 The CPU-load would be tolerable, the problem is, what PA+dbus do at
 startup. Is there a way to blacklist interfaces? Some command like : PA
 do not touch that device!?
 
 Yes, run pavucontrol, select the last tab (configuration?) select the card
 you want PA to leave alone and turn it's profile to OFF.

Thanks for the hint, I did not know that. Sadly it looks, like the
problem resides deeper in the bowels of dbus: the problem prevails, only
KDE spits out device is not available messages

Anyway: thanks again! with every shot in the dark we draw nearer a real
solution or as Spock puts it: Once you have eliminated the impossible,
whatever remains, however improbable, must be the truth. ;-)

 Counter
 intuitively, I turn off the cards Jack is not going to want to use as I
 have found that the PA-jack bridge links the two cards. In other words, if
 PA uses the internal HDA (mine does not do good low latency due to HW
 problems) and Jack is using my USB IF, the problems I would have with the
 HDA, show up on the USB. The PA-Jack bridge forces PA to try to do the
 same latency as jack.
 
 I am not sure if that is clear. The thing to remember is that they do
 interact when bridged. This is not really a bug any more than the fact
 that a trailer will affect the way your car drives.
 
 


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Re: Making Studio work with more than one DE

2013-05-23 Thread Hartmut Noack
Am 23.05.2013 06:17, schrieb Len Ovens:
 
 On Wed, May 22, 2013 3:52 pm, Hartmut Noack wrote:
 
 
 For what kind of professional audio, graphic, photographers and video
 creation tool is pulseaudio useful ;)?

 Broadcast. It is good for remote content transport as suggested by the
 EBU. They do not talk about pulseaudio specifically, but the methods
 they
 do suggest can at this time only be done that way.

 Pulseaudio is also good for use with client show and tell... the client
 comes in and says, I saw this thing on U tube... I understand you have
 had trouble with PA... Not that long ago it did have many problems. But
 at
 this time, I would say that a PA-jack bridge is easier to set up and
 use
 than ALSA loop backs. Also many of the MP3 players or CD playing SW do
 not
 play well with Jack. (I don't know any)

 That is my experience too. Once jack is started and the
 pulse-jack-bridge runs, all audio-trouble is gone. Any sane
 audio-application supports either Jack or PA automatically. And I cannot
 see, that the PA-bridge increases the rate of xruns(as of now I have
 zero of them while experimenting with Guitarix and Qtractor and watching
 YT-videos as well (*videos *with* audio that is...).

 It should be easier to disable PA to a near-removed status though
 
 Unload module-jackdbus-detect:
 pactl unload-module module-jackdbus-detect
 
 PA still takes up memory, but uses almost no cpu without that module.

The CPU-load would be tolerable, the problem is, what PA+dbus do at
startup. Is there a way to blacklist interfaces? Some command like : PA
do not touch that device!?

best regards

HZN

 


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Re: Making Studio work with more than one DE

2013-05-23 Thread Hartmut Noack
Am 23.05.2013 11:20, schrieb Ralf Mardorf:
 
 Valid for home usage does mean to be able to edit a video with a
 professional work flow, without crashing all the times etc. pp..

This describes what I do occasionally for many hours without any crashes
with KDEnlive. Regarding the professional workflow that is in fact just
the usual workflow I presented both CinelerraCV and KDEnlive to a
filmmaker, who is a friend of mine. He makes Movies for Cinema and TV,
has studied it to the full at Babelsberg. He told me, that both programs
work fine for him as long as cutting is concerned. He also told me, that
the material edited in these Programs would need to be processed on more
professional gear for toning/retouching the lighting. He also told me,
that he never ever would consider to do the latter on his Mac, thats a
job for dedicated workstations he stated apodyctically.
And he was quite impressed how much one can do for the soundtrack when
working with Xjadeo and Ardour.
 
 Btw. the myths that Blender is everything that's needed to make 3D
 animations is also nonsense. In addition not only a NLVE is missing, but
 also some other options, e.g. automatically lip sync (at least it was
 missing, I don't know if they have included it yet).

Try to find out, what other NLVE was used in making the Blender Movies,
especially Mango: I fail to find those tools in the project description:

http://mango.blender.org/about/

They only mention free software on Linux, though shamefully get the
music from external sources that use whatever else

 
 AFAIK Blender can be and is used for professional and good home videos,
 but it's just one production tool of many production tools.

It is used to produce full-fledged Motion Pictures that look much more
professional than many commercial Movies released on DVD.

 
 Unlikely that I'll have that kind of films you're talking about. If I
 watch films made in the USA, than more or less only films from people
 like the Coen brothers, Jim Jarmusch etc. and I usually don't own those
 films on DVDs or any other media. But again, first of all it's a myth
 that many films were produced using Linux only

Feel free to believe, what you was programmed to believe(to have a
Futurama-Quote at last in this thread ;-) )


 and second, I'm talking
 about software that, with certain qualifications, can be used at home,
 at least with better home PCs.

Try KDEnlive, just as is, without all the tweaking, it just works.

 For me
 claims that Linux is professional, is the more out of reason for people
 who prefer averaged Hollywood movies, 

In terms of craft Avatar or LOTR or Cloud Atlas are the reference. No
country for old men is a reference too for its genuine 80ies feel but
many movies like Ghost Dog and the like have their qualities in
photography, play, script and so on, in technical terms they are simple.
If you have a photographer, actors and script in the league of Ghost Dog
or Blue in the face you can make such movies and cut them on Linux with
free software.

 averaged chart music.

 For the kind
 of art I like to do, at least for music, I can use Linux, but for people
 who want to do this mainstream stuff, all the tools are missing. We for
 example don't have auto-tune for Linux.

You talk about the middle-class, not the top-notch. The latter care for
songs, skill and personality of musicians, concepts and ideas to produce
albums that last. And the technical aspect how to record comes last.
Some of the greatest recordings of the last 20 years where recorded onto
analogue tape, some on 4-track machines, some even on 2-track.

All much less than a Linux-computer with a Hammerfall running  Ardour.

 
 Back to the topic ;). I guess KDE 4 can be used to provide a sane work
 flow for audio production, but Unity and GNOME 3 don't provide a common
 work flow for this task. Xfce, LXDE, KDE = sane. Unity, e17 and GNOME 3
 = insane.

Insane is a bit harsh but the wording aside I agree.

 
 However, the work flow to make a home video in a Roland Emmerich style,
 does differ to making a home video in a Jim Jarmusch style. 

The latter is much easier, that is correct.

 The same for
 audio, e.g. The Black Eyed Peas differ a lot to Motor City Hardrock from
 the 70s.

Different musicians, working differently, that is all. The flexibility
to provide the fitting workflow is in the producer, not in his/her software.
Rockbands still work today, in new ways and in the old ways alike, many
of the best 70ies-Rock Albums are made in the last 5 years.

And of course they do not use Ardour. Because Ardour on Linux is not a
product. Mixbus is one, and so it is used. That is the difference: not
quality, reliability or flexibility, The question is just: is it a
product that is acclaimed in the industry.
And: is there a product with even more acclamation (got Sequoia, but
Protools could be more of a product right?).

best regards

HZN

 
 


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Re: Making Studio work with more than one DE

2013-05-23 Thread Hartmut Noack
Am 23.05.2013 12:47, schrieb Ralf Mardorf:
 On Thu, 2013-05-23 at 12:19 +0200, Hartmut Noack wrote:
 Some of the greatest recordings of the last 20 years where recorded
 onto analogue tape, some on 4-track machines, some even on 2-track.

 All much less than a Linux-computer with a Hammerfall running  Ardour.
 
 My 4-Track was much better, than my current Hammerfall Linux machine
 is :(. I hope this will change in the near future.

You cannot even record 4 discrete tracks with your Hammerfall with more
than 14bit? Sad thing indeed

;-)

 
 
 


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Re: Making Studio work with more than one DE

2013-05-22 Thread Hartmut Noack
Am 22.05.2013 18:38, schrieb Kaj Ailomaa:
 On Wed, May 22, 2013, at 05:23 PM, Hartmut Noack wrote:
 Am 22.05.2013 16:12, schrieb Kaj Ailomaa:
 On Wed, May 22, 2013, at 09:25 AM, Hartmut Noack wrote:
 Am 22.05.2013 07:53, schrieb Len Ovens:
 This is an interesting project.

 To be frank: interesting project is quite bold a description for
 installing more than one DE in Linux. It would be interesting though,
 if the US-packages would fail to run OK in KDE, Fluxbox UNITY, you name
 it.

 So if you got the time, and if you do not mind please allow me to point
 your attention to other things, that my or may not be most interesting
 too:


 Mon May 13 17:50:27 2013: JACK server starting in realtime mode with
 priority 10
 Mon May 13 17:50:28 2013: ERROR: cannot register object path
 /org/freedesktop/ReserveDevice1/Audio2: A handler is already
 registered for /org/freedesktop/ReserveDevice1/Audio2
 Mon May 13 17:50:28 2013: ERROR: Failed to acquire device name : Audio2
 error : A handler is already registered for
 /org/freedesktop/ReserveDevice1/Audio2
 Mon May 13 17:50:28 2013: ERROR: Audio device hw:2 cannot be acquired...
 Mon May 13 17:50:28 2013: ERROR: Cannot initialize driver
 Mon May 13 17:50:28 2013: ERROR: JackServer::Open failed with -1
 Mon May 13 17:50:28 2013: ERROR: Failed to open server


 To have a Ubuntu Studio, that can in fact always start Jack on supported
 hardware under any DE you like, would indeed be a most interesting thing
 to be achieved I dare to think.


 best regards

 HZN


 

First of all, thank you for your elaborate and constructive answer. Ths
is much more than I get before when discussing this bug(expect from
FalkTX, who did his best to help me out)

 I haven't seen this bug before, but it does seem like the card is
 already being used by something - maybe even another jack? 

indeed there was jackdbus running when I encountered this  but killing
it did not help.

 If you want
 to help solve it, make a bug report, and try to find out the cause of
 the problem as well as you can. It's the best chance of someone learning
 how to fix it.

This is excellent advise and I am *NOT* ironic: find out what happens
and fix it is the way, I try to go with this bug for about a year now.
In several fora and lists.

 
 And, let me rant for a little bit..
 
 First of all, Ubuntu Studio is not a pro audio distribution.

Please: if it is not, then it is nothing but some skin for Ubuntu. It
is perfectly acceptable, that it is not tweaked to the limits (RT-kernel
etc) but I am sure, you will agree, that if Ardour does not work
normally on it, what remains to make it any special?

  It's for
 all multimedia content creation. So simply removing pulseaudio is of
 course out of the question 

This I agree, the charme of US is the compromise between real-world
Desktop and Pro, good way to go and perfectly possible methinks.

- but I'm considering making it configurable
 so that one can choose not use it, or even not to install it in the
 first place. More to come on this in the future.
 In any way, the installer will have more options than today.
 
 There is no strict central planning involved in developing Ubuntu
 Studio. Only in areas where it is found necessary. Which means, if you
 want to do something for Ubuntu Studio, and it doesn't break anything
 for anyone else, you are free to do it. 
 
 Not everyone is adept at fixing issues in pulseaudio and jack code, so
 one cannot expect the team to only work for that. I hope I'm making a
 point clear about this. 

This I am aware, the percentage of coders who actually can fix bugs in
these delicate beasts is not that high. Thats why I mentioned the
PITA-thing: the more people speak about these problems, the more
motivation to fix them for those who can.
No complaints - no problem - no fix. That simple.

best regards


HZN

 Further, people who don't care about pulseaudio will of course not care
 about fixing problems with it at all.
 
 So far, I've been able to add upstream fixes to jack and pulseaudio by
 adding patches to packages. As a new member of the Debian Multimedia
 Team, I will also start to work on improving the actual packages that we
 import from Debian - as, we don't actually package them ourselves, which
 some have been led to believe.
 There are some issues that I would like to look at, among other things
 how jack is packaged, and also, how realtime privilege is administered. 
 My goal is to make any Ubuntu flavor just as easy to use for multimedia
 (including pro audio) content creation.
 
 So, making Ubuntu Studio work well on all DEs is not a bad goal. And the
 people who find that interesting will be the people who do the work.
 Simple as that. This goes for all areas of interests. I find this to be
 a good democratic way to go about developing a community Ubuntu based
 flavor.
 It will also shine a light on all the issues that exist on different
 DEs, and will enable us to come up with generic solutions that can be
 applied

Re: Making Studio work with more than one DE

2013-05-22 Thread Hartmut Noack
Am 22.05.2013 20:09, schrieb Eric Hedekar:
 This really was one of the most dramatic train/thread derailments I've seen
 in a while.  Impressive.
 
 As far as other desktop environments are concerned, part of me is in favour
 of this mindset being adopted (as I've never left gnome despite Ubuntu
 Studio's switch to xfce - I just don't like that DE).  If a modular front
 end was adopted then it would encourage wider usage and a better overall
 design.  However, what Hartmut may have been trying to state was that this
 is development is probably not the best use of developer's time.  There
 have almost always been stability issues, bugs, and lack of documentation
 in Ubuntu Studio that the user sees as more drastic to their workflow than
 annoying quirks from the given DE.  So yeah, apply force to the major
 problems,

Exactly.
Anyway, the problem is, that (no offence meant) there are more people
out there, that can tweak and script desktop-stuff than coders, that are
deep enough into the low-level affairs to be able to fix the real
annoying issues...

So if that can be helpful: I am perfectly satisfied by the US-Desktop! I
like it, whenever I test it, I do not find anything that would need
repair. Even though I use KDE for my day2day work including working with
Ardour3, Guitarix, KDEnlive, testing Stuff like Bitwig and most new
music-related software for Linux. I run it on Ubuntu and its KDE and USs
XFCE are both just great. Good job, people!

 but it would be a prudent philosophy to reduce the amount of
 xfce-specific code that ships with the distro.  We don't know how long into
 the future the xfce platform will best suit our needs (very little warning
 was given during the gnome/unity move that prompted our switch to xfce in
 the first place), and the lack of DE-specific code the easier it will be
 for those of us who love a different DE to just switch.

Most wise.

Productive work should be supported well by the DE but it should not
depend on a specific desktop.

BTW: If I compare stability and performance of Ardour3+many plugins +
Guitarix under KDE, XFCE or Fluxbox I fail to see any practical impact
of bloat. Non of the 3 setups is enough to fill more than 2 thirds of
my 8Gig RAM, that are a lot to me but not that special nowadays. And on
my other machine I run comparable setups with 3Gigs RAM and with not
much difference either

So performancewise I do not think that a DE needs to be tweaked a lot.
Expect maybe regarding dependencies to 3d-capabilities.

best regards

HZN

 
 -Eric Hedekar
 
 *
 Eric Hedekar
 *http://www.erichedekar.com
 
 
 On Wed, May 22, 2013 at 10:32 AM, Ralf Mardorf
 ralf.mard...@alice-dsl.netwrote:
 
 Getting audio working for audio production, with some bloated desktop
 environments is not very useful. Some desktop environemts do start a
 chunk of services by default to automagically enable usage for many
 things, so the user needs to customize those desktops for audio work, or
 somebody from the community has to do it. There are common workflows for
 pro-audio work and even while I could add a list of odd things, caused
 by Xfce, it's a sane choice to use it as the default for Ubuntu Studio.
 I'm using it on other Linux installs too.

 Pulseaudio is something that should be discussed. It's not an issue to
 have it installed and to disable it, but it's an issue for users who
 start sessions by scripts, if there is the need to start qjackctl, but
 to kill qjackctl.real or what ever it's called ;). I don't remember
 what the qjackctl(.fake)-script does and can't take a look at it at
 the moment, but IIRC it did something that also could be started by
 qjackctl, instead of naming a script qjackctl and then let it start
 qjackctl.real.

 IMO it's already annoying if I need to start an app by it's name, but to
 kill it by killing python, however, this at least makes sense, while
 this qjackctl.thingy is an exotic Ubuntu Studio unique thing, that IMO
 isn't well thought out. A wrapper sometimes is useful, but this wrapper
 is strange.


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Re: Making Studio work with more than one DE

2013-05-22 Thread Hartmut Noack
Am 22.05.2013 22:09, schrieb Jimmy Sjölund:
 Hi,
 
 this is my first post to the mailing list. So bare with me for a short
 introduction. When I discovered Ubuntu Studio some years ago I only had
 access to a very old pc and a quite old laptop. However I was able to
 record some songs on it, but mixing was a nightmare since the computers
 were too old. Then I upgraded to a Sony Vaio after much research about Vaio
 and Ubuntu. However, there were issues between jack, my audio card and how
 the Sony Vaio use USB. The result was that I could only record in 16 bit,
 44.1 kHz. Which was worse than I had before on my old computers, 24 bit and
 48 kHz.. So I reverted to Windows for my audio recordings and tried out
 every new release of Ubuntu Studio until finally everything just worked in
 12.04. At last, I could actually do all my recordings, mixing and mastering
 in US. But by then I was about to have my first child and the time for
 recording somehow disappeared...
 
 Anyway: any person, that uses Win or Mac for that that tries US and is
 encountering this problem will switch back and maybe consider using
 Linux next year or never
 
 Which was just what I did. I was persistent to try out every new release
 until my equipment finally worked. By now it's outdated, oh well, but
 that's another issue.
 
 Do you have a statistic on how many people out there use US for
 music-production?
 
 This would be interesting. From reading the Ubuntu Forums there seem to be
 at least some using it in their professional studios. I do music
 recordings, but the degree of professionalism could be argued. On the
 other hand, with the DIY revolution in the music industry many could be
 labelled professional.
 
 First of all, Ubuntu Studio is not a pro audio distribution. It's for
 all multimedia content creation.
 
 I have always considered US as a pro audio distribution, why not? Real
 time/low latency kernel and all... I see now that site actually states
 multimedia in several places. But if I wouldn't use US for pro audio,
 what should I use instead? Back to Windows or Mac? Further, what defines
 pro audio? Probably in the music industry ProTools on Mac and so on will
 continue to be leading, but for a home studio or in the early stages studio
 I think Ubuntu Studio could be a choice to consider. And more with the
 right marketing and support. Mind you, being an audio engineer and musician
 I'm mostly thinking about the audio parts of the distribution. (Though I
 happily use Gimp and Kdenlive).
 
 Getting audio working for audio production, with some bloated desktop
 environments is not very useful.
 
 I couldn't agree more. I like when my desktop looks nice but when I'm about
 to record, cut a video or handle large graphics my main concern is
 performance. 

Mine is time, thats why I use to spend 1-2 E more when shopping for
hardware -- I buy the performance to spare the time tweaking a feeble
computer into a powerhouse-workstation. And for my day2day job I want a
desktop, that offers all I need in less than a second as I need it.

And I want a real-world Linux desktop because I want to keep an
understanding for the average end-user. I write for Magazines that are
for such users and to be experienced with a custom made tweaked
Super-Linux does not help much to walk in the shoes of such normal users.

And it works great for me. Whenever I get in trouble it is because of
misconfiguration or misbehaviour of software, never because of the
natural demands of that software.

It could be, that for some critical live-recording I would switch to
Fluxbox and kill all the background-services I use to have running
normally (LAMP, Networkmanager etc) But not for editing or for recording
overdubs.

 I was quite happy when US changed to Xfce. I think it's the
 right way to go. I actually changed my other workstations to Xfce as well
 after that.

XFCE is perfectly OK but not primarily because it is leaner than UNITY
or GNOME3, but because it is more simplistic and it does not need 3d.
KDE would have been a good choice also, because it can easily be
configured to be even more lean and simplistic than XFCE. And it comes
with a better file-manager. But again: XFCE is good.

best regards

HZN

 If you want Unity or other you can always use standard Ubuntu and add the
 audio, video and/or graphic tools you need. Make Ubuntu Studio a bit
 special for the creative people.
 
 But:
 
 We don't know how long into the future the xfce platform will best suit
 our needs (very little warning was given during the
 gnome/unity move that prompted our switch to xfce in the first place),
 and the lack of DE-specific code the easier it will be for those
 of us who love a different DE to just switch.
 
 Which also makes sense.
 
 Please remember
 that the team is only a handful of people, and constructive help in most
 cases is actually doing things yourself.

 I'm currently trying to get more people involved, and we have gotten
 some responses. Many 

Re: Making Studio work with more than one DE

2013-05-22 Thread Hartmut Noack
Am 22.05.2013 22:59, schrieb Ralf Mardorf:
 On Wed, 2013-05-22 at 21:29 +0200, Hartmut Noack wrote:
 8Gig RAM
 
 In a throw-away-society nearly every Microsoft and Apple fan has got
 such computers. 

I will not apologize for not having anachronistic hardware. RAM is
cheap, Computers are cheap, time is costly.

I did not throw away a computer in the last 10 years. And I wont for at
least another ten. I always found a way to make use of outdated gear and
further I use to buy the best gear I can afford because such gear lasts
longer.

 Linux and especially Ubuntu have got another philosophy.
 Computers with all that's needed for everybody, so much older gear must
 be supported too.
So that is the philosophy you read behind making a Desktop that depends
on 3d-accelleration. Interesting.

BTW: you may or may not have noticed, that I mentioned the other PC I
got here. It was not the cheapest on shelf also but I have it running
for about 6 years now with a new motherboard 4 years ago. The 3 Gig RAM
it has I could easily upgrade to 8 too but I am not that motivated for
it runs the same setup as my 8G Laptop nearly the same as good...
KDE4+Ardour+Guitarix that is. And I can play Minecraft on it with
1480x1280 resolution fullscreen *while* Ardour is started in the back.

Anyway *my* philosophy is, that a free operating system should offer the
means to tweak it to run on lesser hardware too but there is absolutely
no point in expecting an anachronistic Computer on the desk of a Linux
user. In fact I find that philosophy dubious: who says, that anyone,
who can afford a 1000E-Laptop will *not* be a Linux-user? Do you think,
that Linux is the system for the poor? Do you think, that Linux is the
system for the old PC, that cannot run Windows8?

Linux is all this in fact, but is that all? Should a OS for the modern
Desktop Computer not be comfortable and maybe even a bit fancy? The
difference between free software and MacOSX or Windows should be, that
it can be easily configured for many different use-cases and not, that
it comes as a rescue system for oldish hardware by default.

best regards

HZN

 
 
 


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Re: Making Studio work with more than one DE

2013-05-22 Thread Hartmut Noack
Am 22.05.2013 23:28, schrieb Len Ovens:
 
 On Wed, May 22, 2013 11:09 am, Eric Hedekar wrote:
 However, what Hartmut may have been trying to state was that this
 is development is probably not the best use of developer's time.
 
 If it is what is within the developers capabilities and interests, why not?
 
 remember none of us are paid for any of this. Also think what you would do
 if any time you started to work on something as a volunteer and people
 told you don't do that do this that you can't do... you would walk away.

I was hoping, that I have stated my point in a sane manner, maybe my
anger gave it a slightely rantish flavour, for this I apologize.

Anyway, I do know, that there are not many people, who can fix the real
trouble makers. Sad but true, and I am not capable of fixing it also.

 We are trying to build this team.

And that team is in charge, is it not? Thats why I ask you for help, as
I did in many other places too. My hope is, that you do know those
mages, who actually can fix the trouble and that you can point them to
that problem and make them fix it. Because you are the team, that
officially makes Ubuntu Studio, not only a anonymous single user out there.

 We do that by encouraging people in what
 they do and the progress they are able to do in the areas they are good
 at. This is not a sweatshop.

Imagine, you would be a rock band about to record an album, would you
not be better off practicing you own complicated songs over and over
rather than play some cover songs just for the fun of it? US is your
song, your album and your fans will decide, how good your practicing has
been.

best regards

HZN

 


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Re: Making Studio work with more than one DE

2013-05-22 Thread Hartmut Noack
Am 23.05.2013 00:39, schrieb Ralf Mardorf:
 On Wed, 2013-05-22 at 13:44 -0700, Len Ovens wrote:
 If I was going to use scripts, I would use jack_control which can do
 anything qjackctl can do
 
 I prefer aj-snapshot, but IIRC even aj-snapshot can't provide everything
 you can do using qjackctl.
 
 Card 0: RME AIO S/N 0x579bcc at 0xfddf, irq 1
 Card 1: TerraTec EWX24/96 at 0xbf00, irq 20
 Card 2: TerraTec EWX24/96 at 0xbb00, irq 21
 
 The two TerraTec cards are used as MIDI interfaces. How can I connect
 them automagically to the same software IOs, each time I launch a script
 to start a session?

OFFLIST: die Patchbay von Qjackctl kann das. Man kann sogar mit
regulären Ausdrücken nach Ports suchen lassen, die automatisch verbunden
werden, sobald sie im System auftauchen. Wenn man die genauen Namen
kennt, kann man es auch einfach zusammenklicken...

bis bald

HZN

 
 AFAIK I need to connect them using QjackCtl manually. Perhaps it can be
 done with the alsa equivalent to jack_control, but perhaps it's
 impossible, AFAIR aj-snapshot can't do it and QjackCtl can't do it
 automagically, I didn't use them for a long time, often I remove the
 envy24 driver and use the RME card only.
 
 
 
 
 


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Re: Making Studio work with more than one DE

2013-05-22 Thread Hartmut Noack
Am 22.05.2013 23:22, schrieb Len Ovens:
 
 On Wed, May 22, 2013 12:25 am, Hartmut Noack wrote:
 Am 22.05.2013 07:53, schrieb Len Ovens:
 This is an interesting project.

 To be frank: interesting project is quite bold a description for
 installing more than one DE in Linux. It would be interesting though,
 if the US-packages would fail to run OK in KDE, Fluxbox UNITY, you name
 it.

 So if you got the time, and if you do not mind please allow me to point
 your attention to other things, that my or may not be most interesting
 too:


 Mon May 13 17:50:27 2013: JACK server starting in realtime mode with
 priority 10
 Mon May 13 17:50:28 2013: ERROR: cannot register object path
 /org/freedesktop/ReserveDevice1/Audio2: A handler is already
 registered for /org/freedesktop/ReserveDevice1/Audio2
 Mon May 13 17:50:28 2013: ERROR: Failed to acquire device name : Audio2
 error : A handler is already registered for
 /org/freedesktop/ReserveDevice1/Audio2
 Mon May 13 17:50:28 2013: ERROR: Audio device hw:2 cannot be acquired...
 Mon May 13 17:50:28 2013: ERROR: Cannot initialize driver
 Mon May 13 17:50:28 2013: ERROR: JackServer::Open failed with -1
 Mon May 13 17:50:28 2013: ERROR: Failed to open server


 To have a Ubuntu Studio, that can in fact always start Jack on supported
 hardware under any DE you like, would indeed be a most interesting thing
 to be achieved I dare to think.
 
 Thankyou for your comment. I can not work on your problem for a number of
 reasons. The first being that with two computers and 5 different audio
 interfaces, I have not had that problem. So for me to work on it, you
 would have to ship your system to me so I can work on it.

You do not need to fix it, I would consider it a major improvement and
call you a sage, if you could only tell me, what could be the actual
reason for it. I suspect, that I could find a way to fix it myself and
share this fix with the world if I only would know wehre exactly to
begin I was even grepping thru /etc in the faint hope to find that
config-file that has something related to that message.

It is a part of PA, so much I did find out:

http://git.0pointer.de/?p=reserve.git;a=blob;f=reserve.txt

so it is PA in collaboration with dbus. Do you know a place, where I can
find the documentation how dbus is configured to run PA in Ubuntu?


 And if it
 turned out that this was an upstream problem, I would have to ship your
 system (or sound card) upstream to someone who was willing to work on it.

You know and I know, that this has nothing to do with my hardware. I run
this gear all day perfectly OK once I have started it by un/replugging
the interface several times. And I can reproduce the problem at will. It
is  a matter of software, software-setup I guess.

 Second, I am not a coder. I can do shell script (bash, tcl/tk and some
 python) and a bit of c, so long as time is not a consideration... in other
 words I would not even try to look at real time coding or anything that
 needed special libs. That stuff right now is beyond me. C++ just doesn't
 make sense to me, I can use some of the GUI stuff by following examples,
 but I don't really understand what I am doing. Third, this is not a paid
 position. That is not how community projects work. If this was a
 commercial project, the first thing that would happen is they would hire
 someone better than me. Second that person would have specific goals such
 as you ask. But in the community based project, volunteers look around for
 what they can do and what interests them and do it. That is what I am
 doing. I do also do ISO and install testing as well as some (very little
 right now) recording. So I know that for my systems jack (and pulse) both
 work. Speaking of community, as you are a part of it and have a special
 interest in the problem you have, perhaps you should start there. What
 some of us can do is help you understand where to start, and what steps to
 take. (welcome to the team)
 
 Ahhh: OK, OK: if you can *promise*, that you can make the above
 mentioned failed to start kind of thing disappeare for good, I would
 provide a nice US-Menu and some documentation too for running US under
 KDE. And half a dozen Wallpapers
 
 How much are you willing to pay for this service? For these promises?

Ohhh sorry for that I thought delivering a working system was your
promise anyway, I only asked for a promise to not forget that.

 How
 much of a wage are you willing to pay so that we can hire some coders to
 fix your problems? This is a volunteer project, we are happy when people
 do something productive that moves the project forward.

Last time I checked, reporting bugs was considered something to move a
project forward. So I expose to you my bug, you crush it, get the fun
and the fame.

To increase the motivation I am willing to work for you by providing a
solution for you latest project: running Ubuntu Studio in another DE. So
you got the time to find a coder who actually *knows* what part of Pulse

Re: What would you change in the audio app list?

2009-02-05 Thread Hartmut Noack
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1

Marc R.J. Brevoort schrieb:
 On Tue, 3 Feb 2009, Eric Hedekar wrote:
 
 I have to vote for Rezound.  It's a very feature-rich and stable audio
 editor, I know Audacity is included already, but I
 find it to be buggy at the best of times.  I'd like to advocate for
 inclusion of Rezound but not the exclusion of Audacity
 - if that could be considered.
 
 And please keep mhwaveedit in. It's not incredibly feature rich, but
 I've found it to be very stable, lightweight, and it handles huge files
 better than anything else out there.
 
 Best,
 Marc
 
I second that strongly - MHW is the fastest, most stable editor I know
for usage with jack - undispensable :-)

HZN
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Re: What would you change in the audio app list?

2009-02-04 Thread Hartmut Noack
-BEGIN PGP SIGNED MESSAGE-
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 On Mon, Feb 2, 2009 at 9:36 PM, Cory K. coryis...@ubuntu.com wrote:

 So, we're asking you guys are there any new apps or replacements for old
 stand-bys out there?


Very very important: LV2-support in Ardour and CALF and Invada Plugins
as well as SWH/LV2 - these are revolutionary.

Also I do not know, why Specimen is not included by default, it is the
most reliable/configurable softsampler I ever used on Linux so far.

At the other hand I would drop Bristol - I never saw this synth working
OK anywhere (ist the same on Fedora and Suse) so I dont think, that it
should be included for it only casts frustration upon beginners - it
should be available in universe though...

And important also:

Qtractor and LMMS both are very likely to attract switchers and make
major progress.

best regs
HZN
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Re: What would you change in the audio app list?

2009-02-04 Thread Hartmut Noack
-BEGIN PGP SIGNED MESSAGE-
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Cory K. schrieb:

 manager, has been removed. :) Specimen the sampler, I *think* wasn't
 included because the case was made for another already included app. 

Well: Specimen does not use any popular /proprietary sample-lib format
but its own (loaded WAV-Files organized via a simple XML-file), so it is
nice and open and at the other hand quite off-mainstream. But it works
flawlessly and very, very stable with jackd so I would strongly opt for it.

best regs

HZN
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Re: Ubuntu Studio 8.10, -rt and 2.6.27

2008-09-02 Thread Hartmut Noack
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Cory K. schrieb:

 * Shipping the -generic kernel with this 8.10 release of Ubuntu
   Studio and let people compile their own -rt kernel.

This could be done in any Distro so there would not be a real
Ubuntustudio anymore. The major strength of UBuntustudio is its
near-perfect integration of a audiosystem with a friendly desktop-distro.
I can run VMWare and NVIDIA-Drivers easily with the UBuntu rt kernel
would be a major p.i.t.a. do make stuff like that run with a self made
kernel.


 * Ship a out-of-sync 2.6.26-rt kernel, hoping for a Stable Update
   Release in Intrepid with .27 later.

This would be perfectly acceptable for me :-)


best regs
HZN

BTW: what is so extremely important in .27? new hardwaresupport not
achievable with .26?
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Re: Final Ubuntu Studio-Hardy art

2008-03-09 Thread Hartmut Noack
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Cory K. schrieb:
 For the people who care. If you don't like it, don't waste your time.
 Move on. ;)
 
 https://wiki.ubuntu.com/UbuntuStudio/Artwork/OfficialHardy
 
 -Cory K.
 
 

I do not care too much either, since I configure the look of my desktop
anyway the way I want ;-)

Just one question: the screenshot looks, like the logo-progressbar of
the bootplash takes most of the space, where the messages appeare, if
the useless, nonsense quiet-option is removed. So where would be the
space to show the messages and: if it would be there instead the
logo-progressbar there would not be a logo at all?

best
HZN
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