Re: importing animated GIFs

2005-09-25 Thread Sarah Reichelt
 The recent discussion about how to protect
 media files got me thinking and experimenting.

 I've been able to import 100's of AU and JPG
 files into stacks. However, importing animated
 GIF's -- either in 100's or even 10's -- causes a
 great slow down of the computer. (I guess the
 system is busy redrawing the GIFs?)

 Any suggestions as to how else to import a large
 number of animated GIF's?

What if you stop them animating by setting the repeatCount to 0 as you
import and only turning it on as needed?

Sarah
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Re: Sound formats

2005-09-25 Thread Dan Shafer
Thanks, Mark. That's the same conclusion I reached after too much  
study. I should have just asked.


On Sep 24, 2005, at 6:30 PM, Mark Smith wrote:

FWIW, in the professional audio world, WAVs are becoming (have  
become?) the general standard, even on Macs. At least for  
uncompressed audio, otherwise it's MP3 all the way.




~~
Dan Shafer, Information Product Consultant and Author
http://www.shafermedia.com
Get my book, Revolution: Software at the Speed of Thought
From http://www.shafermediastore.com/tech_main.html


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Re: Protecting video files

2005-09-25 Thread Dan Shafer
FWIW, I have done the same thing with several different binary file  
types with excellent results and almost-good-enough protection.



On Sep 24, 2005, at 9:24 PM, sims wrote:


At 11:09 PM -0500 9/24/05, J. Landman Gay wrote:

I'm working on something similar right now. What I did was place  
each video file into a stack as a custom property. When it is time  
to play the video, I write the custom property out to a temporary  
file with a non-descript name in the temporary items folder,  
then I set the filename of a player object to the temporary file.  
When the movie is done, I delete the temporary file. Every time I  
change videos, I use the same temporary file name. That way if  
something happens and one of them is left on disk, the next video  
just overwrites it.




Thank you Jacque, I just wrote something very similar to that and  
was surprised at how
fast it was. Most reassuring that you are doing the same sort of  
thing. Thanks!


ciao,
sims
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~~
Dan Shafer, Information Product Consultant and Author
http://www.shafermedia.com
Get my book, Revolution: Software at the Speed of Thought
From http://www.shafermediastore.com/tech_main.html


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Re: Sound formats

2005-09-25 Thread Judy Perry
I and my students have encountered numerous problems using WAVs (of
course, _we're_ not professionals!) as opposed to AIFFs.

Aren't some of the WAVs compressed?

We've seen WAVs that worked in Rev fine on one platform but not another,
and vice-versa (no apparent pattern, but, then, given that the WAV
solution appeared to be 'no worky', we didn't look, either).

FWIW...

Judy

On Sun, 25 Sep 2005, Mark Smith wrote:

 WAVs will be the same size as AIFFs, they're both uncompressed PCM
 audio...

 FWIW, in the professional audio world, WAVs are becoming (have
 become?) the general standard, even on Macs. At least for
 uncompressed audio, otherwise it's MP3 all the way.

 Mark

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Re: Sound formats

2005-09-25 Thread Stephen Barncard

Another way to cut the size of audio files is to change the bitrate and width.
11k 8 bit is about as low as you want to go, but that was the format 
for the original mac system sounds.


Will 11k and 22k 8 bit AIFFs or WAVs play in Rev without quicktime?



WAVs will be the same size as AIFFs, they're both uncompressed PCM audio...

FWIW, in the professional audio world, WAVs are becoming (have 
become?) the general standard, even on Macs. At least for 
uncompressed audio, otherwise it's MP3 all the way.


Mark


On 24 Sep 2005, at 22:45, J. Landman Gay wrote:


Are WAV files any smaller?





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Re: Sound formats

2005-09-25 Thread Stephen Barncard
Pro-tools defaults to Broadcast WAV with options for SDII and AIFF. 
But they really want you to use the WAV format now, and broadcast 
audio requires it.


AAC, no matter how good it sounds, will never be considered a pro 
format anyway.




Well, not for music. AIFFs and Sound Designer II still rule.

I wish Apple would let (if that's the problem) other people use the 
AAC (mp4) encoding. It's slightly more compact than mp3, and *much* 
higher quality. My aged ears can rarely hear the difference between 
AAC and 16-bit CD audio (24-bit is a different story), while mp3s 
are noticeably inferior.



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Re: großartig, toll or spitz e -- rafiniert?

2005-09-25 Thread Klaus Major

Hi Erik


großartig, toll or spitze -- rafiniert?


not quite, although Maltes scripts are raffiniert, too :-)


[EMAIL PROTECTED]http://www.erikhansen.org


Regards

Klaus Major
[EMAIL PROTECTED]
http://www.major-k.de

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Re: slooowwww text entry in fields

2005-09-25 Thread david bovill

On 24 Sep 2005, at 20:34, Ken Ray wrote:


On 9/23/05 5:08 PM, Timothy Miller [EMAIL PROTECTED]
wrote:


We had a little thread on this a week or two ago. Several users
confirmed the problem. Some had fast machines, so I guess the speed
of my machine is not the main problem. I think they were all Mac
users. I never did figure out if this is a Macintosh-only issue.


Yes - seems to happen from time to time - and for me this goes back  
to early Metacard days - as I have had the problem on Linux and MC.  
It seems to happen rarely and in low memory situations which can be  
made worse if you leave Rev / MC running for days at a time... I  
always figured that I had done something to eat up memory or there  
was something causing a memory leak. Since getting a new PowerBook  
and lots of memory I have only seen it once or twice.


I have always thought it related to the other quirk - selecting a few  
paragraphs of text in a field results in the odd line not being  
selected  or included in the pasted text - it is cut though :)


When either of these things start to happen I save, quit and restart  
- as they are the sign of an immanent crash. I talked to Scott Raney  
a few years back and he was aware of this - but it is so rare no-one  
had ever managed to create a reproducible bug - believe me I tried -  
that it is still hanging around there somewhere's I guess?

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why dreamcard/rev doesn't use GTK

2005-09-25 Thread N Kurniawan
hi all,

i'm rev/dreamcard newbie. i'm just evaluating rev/dreamcard, again :) . i
did it before with rev 1.0.
my main os is linux. i've one question, why rev still use motif widget? i
think GTK is better polished. and AFAIK it is used every where right now in
*nux world. cmiiw. is there any plan to use GTK in future release?

i apologize if this question has been asked before, i can't browse all the
archives, and i couldnt find the search facility.

thanks in advance

regards,
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Re: data-design question

2005-09-25 Thread david bovill


On 24 Sep 2005, at 21:21, Trevor DeVore wrote:


On Sep 24, 2005, at 11:34 AM, Charles Hartman wrote:



Any suggestions about the best approach to the internals of this?  
I'm not clear whether, for example, custom properties are up to  
the demands of what's essentially a relational database . . .


Custom properties can do anything :)

Are you already familiar with SQL and relational databases?  If so  
I would recommend using a SQL database for storage.


I'd second that. I'm working on metadata for film and video at the  
moment, and much of this comes from similar work for audio and radio.  
There could be some overlap with the project you are working on - so  
do get in touch offlist if you are interested.


I just posted the latest beta of version 2.0 which has a Getting  
Started PDF and some docs for all of the handlers.  Even though it  
is still beta I use the library in all of my commercial apps.  It  
has been tested with altSQLite, MySQL and Valentina 1.x.


I don't have an example stack for version 2 yet but the version 1  
library does.  I also haven't bundled the libDatabaseObjects  
library with it yet which contains helper functions for creating  
drop-down menus, selection fields, etc. which link database record  
ids with menu and fields items.  I will get around to it one day.


Thanks - looks really useful. Especially the ability to convert one  
database to another.

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Re: data-design question

2005-09-25 Thread david bovill

On 25 Sep 2005, at 05:05, Charles Hartman wrote:


On Sep 24, 2005, at 9:23 PM, Alex Tweedly wrote:

Python I know. SQLite I don't, but I should learn. Do you know of  
an OSX pysqlite binary distributable, aside from Darwinports (which  
has been messy when I've tried to use it in the past)?


Sockets I've never dealt with. Time to learn that too, I guess.


Just turn it into a web service - For REStful web services this means  
nothing other than using hhtp POST (ie post something to someURL)   
to send data in some format (often XML) to some (python) code you  
have (running effectively as a CGI)  which returns the data you  
need... You could also use XMLRPC if you want to set that up server  
side. I have some links to REST based services and architecture here:


http://del.icio.us/fortyfoxes/rest

I'm sorely tempted. But I'd have to do this stealing time from  
teaching and closer-to-home research, and I'd be afraid I wouldn't  
be a very reliable collaborator. Maybe we could at least trade some  
ideas off-list about how it ought to work?


All collaborators are unreliable - it's one of the foundations of  
open source :)

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Re:Size of all objects (fields, image, etc.) in a stack?

2005-09-25 Thread Glenn E. Fisher

Frank,
I have a plugin stack that has the ability to display the contents of 
btns of all open stacks that you can download from RevOnLine under user 
gefisher.  It should be easy to modify to use fields instead of btns 
and display the length instead of contents as it's pretty simple.

Have fun,
Glenn
--
Glenn E. Fisher University of Houston - Retired
22402 Diane Dr. Spring, Tx 77373
[EMAIL PROTECTED]   http://www.uh.edu/~fisher
http://home.houston.rr.com/thegefishers/
http://homepage.mac.com/gefisher
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Re: Sound formats

2005-09-25 Thread J. Landman Gay

Judy Perry wrote:

I and my students have encountered numerous problems using WAVs (of
course, _we're_ not professionals!) as opposed to AIFFs.

Aren't some of the WAVs compressed?

We've seen WAVs that worked in Rev fine on one platform but not another,
and vice-versa (no apparent pattern, but, then, given that the WAV
solution appeared to be 'no worky', we didn't look, either).


I've been reading up on this. WAV files can be either uncompressed or 
compressed. Rev will only work with the ones that are not compressed. 
The PCM format I was asking about is the uncompressed format, which is 
why it seems to work in Rev. I found some understandable info here:


http://www.teamcombooks.com/mp3handbook/12.htm

--
Jacqueline Landman Gay | [EMAIL PROTECTED]
HyperActive Software   | http://www.hyperactivesw.com
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Re: Sound formats

2005-09-25 Thread J. Landman Gay

Stephen Barncard wrote:
Another way to cut the size of audio files is to change the bitrate and 
width.
11k 8 bit is about as low as you want to go, but that was the format for 
the original mac system sounds.


Will 11k and 22k 8 bit AIFFs or WAVs play in Rev without quicktime?


Probably if they aren't compressed. But I was afraid that cutting the 
bit rate would compromise the sound quality.


--
Jacqueline Landman Gay | [EMAIL PROTECTED]
HyperActive Software   | http://www.hyperactivesw.com
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Re: importing animated GIFs

2005-09-25 Thread Scott Rossi
Recently, Nicolas Cueto  wrote:

 I've been able to import 100's of AU and JPG
 files into stacks. However, importing animated
 GIF's -- either in 100's or even 10's -- causes a
 great slow down of the computer. (I guess the
 system is busy redrawing the GIFs?)
 
 Any suggestions as to how else to import a large
 number of animated GIF's?

Hide them.

After some testing a while back, it seems that hiding animated GIFs prevents
them from being rendered (even if their repeatCount is set to -1, but moving
them offscreen does *not* (they still continue to be rendered even when
located at -1000,-1000).  Hiding them drops processor use down to 0.

Regards,

Scott Rossi
Creative Director
Tactile Media, Multimedia  Design
-
E: [EMAIL PROTECTED]
W: http://www.tactilemedia.com

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Re: Sound formats

2005-09-25 Thread Scott Rossi
Recently, J. Landman Gay  wrote:

 Will 11k and 22k 8 bit AIFFs or WAVs play in Rev without quicktime?
 
 Probably if they aren't compressed. But I was afraid that cutting the
 bit rate would compromise the sound quality.

11k is pretty low; anything under that is usually reserved for voice-only
situations since voice audio is usually more forgiving than music. 11k is
workable for short sound effects, but 22k is better and pretty common for
music.  If, as you say, you don't have any filesize restrictions, you might
want to consider 44k which is closer to CD quality.  This means larger files
of course, so you should probably test to make sure Rev doesn't bog down
playing back your audio (if you're loading external audio, there might be a
small delay when loading a large file for playback).

Regards,

Scott Rossi
Creative Director
Tactile Media, Multimedia  Design
-
E: [EMAIL PROTECTED]
W: http://www.tactilemedia.com

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PDF contents

2005-09-25 Thread Ton Cardona
I know it is possible to open a PDF document (Gordon Tillman showed how 
to do it a couple of weeks ago) with a set of scripts.


My question is:

could the contents of the pdf be somehow fetched and put into a field?

Thanks in advance,

Ton
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Re: use-revolution Digest, Vol 24, Issue 59

2005-09-25 Thread Jeffrey Reynolds

Jacqueline,

if its just voice narration 11K 8bit might be ok. if you narration has 
any music underscore its tough to go below 22k with underscore, 
especially with 8bit sampling, you will really notice the sound quality 
of the voice narration go way down. you might try some tests with your 
files and see how they sound.


for the kids books we do the narration files at 22k 16bit uncompressed 
wav files. since we have plenty of room on the CD-ROM its worth the 
extra sampling. going from 22 to 44k you notice hardly any change in 
voice only narration, but going from 8bit to 16bit makes many narration 
voices sound a bit crisper and less cracklie, so we determined it was 
worth doubling the file size by increasing the sample size rather than 
the rate. now that we are using quicktime we could compress them with 
mp3 and save a lot of room, but not sure if it is worth the trouble.


cheers,

Jeffrey Reynolds


On Sep 25, 2005, at 1:00 PM, [EMAIL PROTECTED] 
wrote:





Will 11k and 22k 8 bit AIFFs or WAVs play in Rev without quicktime?


Probably if they aren't compressed. But I was afraid that cutting the
bit rate would compromise the sound quality.


11k is pretty low; anything under that is usually reserved for 
voice-only
situations since voice audio is usually more forgiving than music. 11k 
is
workable for short sound effects, but 22k is better and pretty common 
for
music.  If, as you say, you don't have any filesize restrictions, you 
might
want to consider 44k which is closer to CD quality.  This means larger 
files
of course, so you should probably test to make sure Rev doesn't bog 
down
playing back your audio (if you're loading external audio, there might 
be a

small delay when loading a large file for playback).


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Folder Action opens Rev stack on OSX?

2005-09-25 Thread david bovill
I want to have AppleScript watch a folder so that when a video file  
is dropped into the folder a Rev stack is opened which displays the  
video file in a player. Is that asking too much :)



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Re: Sound formats

2005-09-25 Thread Stephen Barncard

Recently, Scott Rossi  wrote:

11k is pretty low; anything under that is usually reserved for voice-only
situations since voice audio is usually more forgiving than music. 11k is
workable for short sound effects, but 22k is better and pretty common for
music.  If, as you say, you don't have any filesize restrictions, you might
want to consider 44k which is closer to CD quality.


44.1/16 bit  is  CD quality. The sampling rate is just above the 
lowest allowable Nyquist frequency to allow response to 20khz (two 
samples per).The downsides of such a low point were not understood 
for years and the  low rate was why many thought analog sounded 
better; it was true. It always made me cringe when devices were 
promoted as being 'Digital' = 'better' when in fact the signal was 
often degraded. It took years for the mastering industry to make 
tolerable CDs.


Today 96k sampling is the rate most used for source masters, where it 
has much more resolution, then down-sampled and SRC'd to 44.1. The CD 
standard was set to the limits of the technology at the time; the CD 
specs were frozen in 1978.


sqb

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Strange Rev Behaviour

2005-09-25 Thread Stephen Barncard
In the last week I've developed some serious glitches in the Rev IDE 
while creating my project. I'm working with v2.6, latest build, OSX 
10.3.9, Powerbook G4 1.33. I'm using several stacks linked as 
components and libraries.


What's happening is that stacks are either failing to open or open 
invisibly (with nothing in my code that would render those stacks 
invisible). This happens with Rev IDE elements such as the message 
box, application browser, plug-ins, and my stacks. If I continue for 
long, eventually I get the dreaded spinning beachball and I must 
force-quit. I am using the DB suite with Trevor's libraries, but no 
other externals.


All this stuff wasn't happening last week. Has anyone had the same experience?

thanks,
sqb
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Re: PDF contents

2005-09-25 Thread Ken Ray
On 9/25/05 12:33 PM, Ton Cardona [EMAIL PROTECTED] wrote:

 I know it is possible to open a PDF document (Gordon Tillman showed how
 to do it a couple of weeks ago) with a set of scripts.
 
 My question is:
 
 could the contents of the pdf be somehow fetched and put into a field?

Well, as long as the PDF is not encrypted, it can be read by any text
editor, but it's like RTF or HTML; you need to extract it from all the
surrounding formatting codes.

Ken Ray
Sons of Thunder Software
Web site: http://www.sonsothunder.com/
Email: [EMAIL PROTECTED]

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Re: Folder Action opens Rev stack on OSX?

2005-09-25 Thread Ken Ray
On 9/25/05 1:13 PM, david bovill [EMAIL PROTECTED] wrote:

 I want to have AppleScript watch a folder so that when a video file
 is dropped into the folder a Rev stack is opened which displays the
 video file in a player. Is that asking too much :)

Not at all! In fact OS 8 and 9 (not sure about X) has had folder-watching
scripts called Folder Action Scripts (mine's in /System
Folder/Scripts/Folder Action Scripts); the only thing you'd need to do is
add the ability to launch Rev with a stack (or even easier) to launch a Rev
standalone.

Of course, you could make a Rev standalone that was always running and *it*
could check a folder to see when a file is dropped into it and then just go
get it...

Your call on how you want to handle it,

Ken Ray
Sons of Thunder Software
Web site: http://www.sonsothunder.com/
Email: [EMAIL PROTECTED]

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Re: Folder Action opens Rev stack on OSX?

2005-09-25 Thread david bovill

Ah - yes - could just get Rev to watch the folder

On 25 Sep 2005, at 20:52, Ken Ray wrote:


On 9/25/05 1:13 PM, david bovill [EMAIL PROTECTED] wrote:

Not at all! In fact OS 8 and 9 (not sure about X) has had folder- 
watching

scripts called Folder Action Scripts (mine's in /System
Folder/Scripts/Folder Action Scripts); the only thing you'd need to  
do is
add the ability to launch Rev with a stack (or even easier) to  
launch a Rev

standalone.

Of course, you could make a Rev standalone that was always running  
and *it*
could check a folder to see when a file is dropped into it and then  
just go

get it...


Do you have an example applescript and how to get Rev to handle the  
apple-event thingy - if it is not a standalone but a stack you want  
to bring to the front with the player set to the filename of the  
newly added file - is that too much to ask :)

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put url some url into someVar: nasty crash :(

2005-09-25 Thread david bovill

My script keeps crashing Rev... and I think it is a simple as this line:

 put url (file:  someFile) into someData

But if the file is big enough - in my case a 900MB video file (or  
anything larger) - instant crash. No graceful wait for virtual memory  
to kick in :( This is OSX with 1GB memory - not OS9! Can this be right?


Can't think of any other way of doing what i need - using the md5Hash  
function to uniquely identify the video files and associated text  
files. Is this a problem on Linux and Windows?



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Re: put url some url into someVar: nasty crash :(

2005-09-25 Thread Scott Rossi
Recently, david bovill  wrote:

 My script keeps crashing Rev... and I think it is a simple as this line:
 
 put url (file:  someFile) into someData
 
 But if the file is big enough - in my case a 900MB video file (or
 anything larger) - instant crash. No graceful wait for virtual memory
 to kick in :( This is OSX with 1GB memory - not OS9! Can this be right?
 
 Can't think of any other way of doing what i need - using the md5Hash
 function to uniquely identify the video files and associated text
 files. Is this a problem on Linux and Windows?

Maybe try using binfile: (binary file) for the videos.  file is the text
mode, usually used for text files.

Regards,

Scott Rossi
Creative Director
Tactile Media, Multimedia  Design
-
E: [EMAIL PROTECTED]
W: http://www.tactilemedia.com

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Re: Sound formats

2005-09-25 Thread Scott Rossi
Recently, Stephen Barncard  wrote:

 44.1/16 bit  is  CD quality.

For all intents and purposes you are right, although I believe technically
48K is considered actual CD quality.

Regards,

Scott Rossi
Creative Director
Tactile Media, Multimedia  Design
-
E: [EMAIL PROTECTED]
W: http://www.tactilemedia.com

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Re: put url some url into someVar: nasty crash :(

2005-09-25 Thread Alex Tweedly

david bovill wrote:


My script keeps crashing Rev... and I think it is a simple as this line:

 put url (file:  someFile) into someData

But if the file is big enough - in my case a 900MB video file (or  
anything larger) - instant crash. No graceful wait for virtual memory  
to kick in :( This is OSX with 1GB memory - not OS9! Can this be right?


Can't think of any other way of doing what i need - using the md5Hash  
function to uniquely identify the video files and associated text  
files. Is this a problem on Linux and Windows?


It seems to me that, even if possible, it would be undesirable to read a 
900Mb file into a variable just to get the md5 hash.


On Linux you can use the md5sum utility, on OSX the md5 command 
(reputedly, haven't checked, may require XCode or some such package  to 
be installed). On Win you may need to build your own utility - but there 
are many very simple, single file sources available, with no library 
dependencies, so you could build and distribute your own executable for 
Win32.
(Or you could download the Microsoft utility to do this - fciv - from 
http://support.microsoft.com/?kbid=841290 )


--
Alex Tweedly   http://www.tweedly.net



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line thickness of showLines or hGrid

2005-09-25 Thread Scott Morrow
I'm trying to print a field with a line under the text (in as simple a 
fashion as possible) the showLines (and hGrid) property looks good on 
the screen but the lines are quite thick when printed.  Is there a way 
to control the thickness of the showLines or hGrid line?   As imagined, 
borderWidth didn't seem to have an effect.

-Scott Morrow

Elementary Software
(Now with 20% less chalk dust !)
web http://elementarysoftware.com/
email   [EMAIL PROTECTED]

-

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Re: put url some url into someVar: nasty crash :(

2005-09-25 Thread david bovill

Thanks for the help - your a gem!

On 25 Sep 2005, at 22:26, Alex Tweedly wrote:

It seems to me that, even if possible, it would be undesirable to  
read a 900Mb file into a variable just to get the md5 hash.


On Linux you can use the md5sum utility, on OSX the md5 command  
(reputedly, haven't checked, may require XCode or some such  
package  to be installed). On Win you may need to build your own  
utility - but there are many very simple, single file sources  
available, with no library dependencies, so you could build and  
distribute your own executable for Win32.
(Or you could download the Microsoft utility to do this - fciv -  
from http://support.microsoft.com/?kbid=841290 )


--
Alex Tweedly   http://www.tweedly.net

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Re: Sound formats

2005-09-25 Thread Ken Norris


On Sep 25, 2005, at 5:26 AM, [EMAIL PROTECTED] 
wrote:



Date: Sat, 24 Sep 2005 23:54:42 -0700 (PDT)
From: Judy Perry [EMAIL PROTECTED]
Subject: Re: Sound formats

I and my students have encountered numerous problems using WAVs (of
course, _we're_ not professionals!) as opposed to AIFFs.


Not at all surprising. Why? See below.


Aren't some of the WAVs compressed?


Not the main issue.


We've seen WAVs that worked in Rev fine on one platform but not 
another,

and vice-versa (no apparent pattern, but, then, given that the WAV
solution appeared to be 'no worky', we didn't look, either).

FWIW...


Here's the problem: WAV files are so common, especially in the PC 
world, that many programmers have used them as a base to come up with 
their own bastardized versions specific to their software. There are 
very many of these. Different headers, layered versions which contain 
bundled data used for multi-track recording, etc.


The result is that some playback venues simply won't recognize some WAV 
files, because of those shaded differences from what you might call a 
'standard' WAV file (not entirely sure there actually _is_ such a thing 
anymore)..


Example: I needed a particular very broad string orchestra synth sound 
for my Roland SPD-S synth pad (which loads WAV files as well as sampled 
clips), to use in a Easter Contata concert (along with a plethora of 
real instrumentation) looking for a very effective overall final result 
that would work. I transferred a Melody Assistant file into GarageBand 
so I could use the effects AU's to get exactly the sound I wanted, 
which, of course, creates an AIFF file, then passed through Sound 
Converter to make it into a WAV.


It took maybe 15 -20 tries to get the Roland to recognize the files. 
Eventually, after rebuilding the files in different sequences, trying 
several different renaming techniques, a few different types of WAV 
files, etc., I eventually got it  to work.


None of that converting stuff was much fun, I must say. I had to give 
up one evening because I was just too frustrated to go on. The next 
day, after a good night's rest, I was finally able to get it. Over 6 
hours total time, for _one_ long note (well, actually two, a 'D' and a 
'C', but they were the same type of sound, played at different times in 
the intro).


The result in concert, as simply a part, together with the live 
instruments, was absolutely awesome, worth all the effort. Sometimes 
that's how it is with music, isn't it?


All the best,
Ken N.

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Re: Sound formats

2005-09-25 Thread Stephen Barncard

Sorry, Scott - All CDs are 44.1k
Only DAWs,DATs and DV cameras use 48k. A 48k CD could be made but no 
player could play it. Masterlinks can make a 96k CD but it won't play 
long and only on Masterlinks. DVD's have no such limits and can use 
rates up to 192k (stereo, with nothing else on the disk!).


Get this: 44.1 was arrived at because in the beginning, the entire 
process revolved around the standard video deck at the time, the 3/4 
U-Matic video cassette recorder, which was used for recording, 
editing and mastering. For whatever video reasons, clock frequency 
division, etc relied on the 3.58MHz. color burst in these decks, 
which divided cleanly down to 44.1k. In fact up until recently the CD 
plants would only accept a properly prepared 3/4 cassette for 
pressing.


Today CD Quality to me is an oxymoron, like Millitary 
Intelligence or the one-word oxymoron Management.



Recently, Stephen Barncard  wrote:


 44.1/16 bit  is  CD quality.


For all intents and purposes you are right, although I believe technically
48K is considered actual CD quality.

Regards,

Scott Rossi

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Re: Sound formats

2005-09-25 Thread Stephen Barncard


The result is that some playback venues simply won't recognize some 
WAV files, because of those shaded differences from what you might 
call a 'standard' WAV file (not entirely sure there actually _is_ 
such a thing anymore)..


Standard Enough for the AES, the EBU and the library of congress, I guess:
http://www.digitalpreservation.gov/formats/fdd/fdd03.shtml

and video guys: http://millimeter.com/mag/video_aes_standard/

not to mention pro audio:
http://mixonline.com/mag/audio_rikki_dont_lose/

technical detail of the format:
http://www.audiomedia.com/redesign-2003/regional-issues/issue-usa/2003/2003-09/html/us-0903-archiving-pt2/0903-archiving-pt2.htm



Example: I needed a particular very broad string orchestra synth 
sound for my Roland SPD-S synth pad (which loads WAV files as well 
as sampled clips), to use in a Easter Contata concert (along with a 
plethora of real instrumentation) looking for a very effective 
overall final result that would work. I transferred a Melody 
Assistant file into GarageBand so I could use the effects AU's to 
get exactly the sound I wanted, which, of course, creates an AIFF 
file, then passed through Sound Converter to make it into a WAV.


Sound converter? Isn't that REALLY old? How about Bababatch? How 
about In and out of PRO TOOLS, MOTU. LOGIC or some modern DAW 
software?


I'd blame the tools you were using before I'd blame the format in 
general, especially if they're older than 3 years. I agree that 
probably among the zillion PC based DAWs there might be some file 
hacks,  but the big guys like Digidesign and the Broadcast folks not 
to mention the AES won't let that happen.




It took maybe 15 -20 tries to get the Roland to recognize the files. 
Eventually, after rebuilding the files in different sequences, 
trying several different renaming techniques, a few different types 
of WAV files, etc., I eventually got it  to work.



Ken N.


_
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RE: Sound formats

2005-09-25 Thread MisterX
DAT is 48Khz as was used for sample or track recording - still used a bit...
Now, it's pretty much digital...

Synths can generate up to 32bit 96Khz woah sounds... that can make a
difference!

Sound cards can do 96KHz or more... If you want to output sound, it's good
to know.

I got a high quality no trouble Terratec 96Khz/32bit that's great, it mixes
digital audio and the midi has pratically no latency (wait in ms for midi
throughput). for 100$/EUs that's cool... works everywhere, high quality...
BUT, more programs or sounds you encounter use 44 KHz... 

if that didn't interest you at all, here's something else to consider 

I find that high sound quality actually doesn't really matter - background
noise for one... And if you have the right speakers, it always sounds good
(to a degree) - but viceversa? What sounds good in these speakers can be
different in a laptop... I know because I produce music on the laptop too
when I get creative ;D. Lots can't be heard in the laptop or smaller
earphones, but surprise when you hear it in the good speakers - the bad
surprises is doing viceversa... (to a degree, you could blast your ears
shortly with it...)

something to consider... 

Maybe avoid lengthy loading sound stacks as one big file (all in one custom
prop)... Jacke, you said you had 100's... I know you guys want to protect
your media BUT there's many many many games out there with music, effects,
voices and being able to customize or humanize it (my prefered way of
seeing modding) is something that many see as a feature - others can see
it as a marketing way... If moft gets caught with it, you win the lotery ;)

I know this is a different market, but you want to look mainstream, maybe
acting like it would be on par with your user license agreement... 

Xample: GTR came out in German... grrr everyone loves German (usualy for
their cars or car games ;) but not many understand it.
Because the media (screens, dialogs, voices, etc) where in folders, and
editable, they could be customized for french, spanish, etc and english for
everyone - result: more clients...

my 2 cents
X


 -Original Message-
 From: [EMAIL PROTECTED] 
 [mailto:[EMAIL PROTECTED] On Behalf Of 
 Scott Rossi
 Sent: Sunday, September 25, 2005 10:23 PM
 To: How to use Revolution
 Subject: Re: Sound formats
 
 Recently, Stephen Barncard  wrote:
 
  44.1/16 bit  is  CD quality.
 
 For all intents and purposes you are right, although I 
 believe technically
 48K is considered actual CD quality.
 
 Regards,
 
 Scott Rossi
 Creative Director
 Tactile Media, Multimedia  Design
 -
 E: [EMAIL PROTECTED]
 W: http://www.tactilemedia.com
 
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A last question before bed...

2005-09-25 Thread david bovill

Well maybe someone finds this useful too...

How do I reverse the following operation:

 get binaryDecode(H*, someBinaryData, tHexDigest)

With binaryEncode:

 ???

I have this function I have been using for a while:

function textFingerPrint someText
  local tHexDigest
  put md5digest(someText) into someBinaryData
  get binaryDecode(H*, someBinaryData, tHexDigest)
  return tHexDigest
end textFingerPrint

So I have two questions - why is:

  get binaryDecode(H*, someBinaryData, tHexDigest)

better than using:

put base64Encode(someBinaryData) into someText

If i am thinking of using the resulting text as a file name? Output  
can include +, /, and = - but that is OK no?


I want to be able to get back to the raw binary data


NB thanks to Alex Tweedly I am using the not quite cross platform:

function shell_Md5Hash someFile
  put md5 -q  shell_EscapeFile(someFile) into someShell
  return shell(someShell)
end shell_Md5Hash

Instead of revs md5Hash


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Re: Sound formats

2005-09-25 Thread J. Landman Gay

MisterX wrote:

Jacke, you said you had 100's... I know you guys want to protect
your media BUT there's many many many games out there with music, effects,
voices and being able to customize or humanize it (my prefered way of
seeing modding) is something that many see as a feature - others can see
it as a marketing way... If moft gets caught with it, you win the lotery ;)

I know this is a different market, but you want to look mainstream, maybe
acting like it would be on par with your user license agreement... 


The protected videos and the sound files are for two different projects. 
The video I need to protect is for a commercial application. The sound 
files are for a different client, and I won't be protecting those. They 
will be sitting in folders on disk, available to anyone. Not that most 
people will want them, they are very specialized, and will be 
distributed to only a very small group of people.


I appreciate all the responses, there has been some great info in there. 
I haven't had time to respond to everyone, but I've been reading it all. 
I had no idea there were so many audio pros on this list.


--
Jacqueline Landman Gay | [EMAIL PROTECTED]
HyperActive Software   | http://www.hyperactivesw.com
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Re: put url some url into someVar: nasty crash :(

2005-09-25 Thread Mark Waddingham
Hi David,

Mark Schonewille was trying to do something very similar a while ago and
filed an enhancement request about being able to do md5 digests on large
files *without* them needing to be loaded. For interest see here:
 
  http://support.runrev.com/bugdatabase/show_bug.cgi?id=2410

As suggested (by me) in the bug-report, you needn't take the md5digest
of the entire file at once and can do something like this instead:

function quasiMD5 pFile
  local tMD5s
  open file pFile for binary read
  repeat 
read from file pFile for CHUNK_SIZE chars
if the result is EOF then
  exit repeat
end if
put the md5digest of it after tMD5s
  end repeat
  close file pFile
  return the md5Digest of tMD5s
end quasiMD5

Where you can make CHUNK_SIZE some suitable size (perhaps 256k/512k).

[ My intuitive analysis of the impact of doing this on the integrity
(i.e. potential for collision) of the digest is that it will be minimal
- but perhaps someone more knowledgeable in this area could comment. ]

Hope this helps,

Mark.

On Sun, 2005-09-25 at 21:50 +0200, david bovill wrote:
 My script keeps crashing Rev... and I think it is a simple as this line:
 
   put url (file:  someFile) into someData
 
 But if the file is big enough - in my case a 900MB video file (or  
 anything larger) - instant crash. No graceful wait for virtual memory  
 to kick in :( This is OSX with 1GB memory - not OS9! Can this be right?
 
 Can't think of any other way of doing what i need - using the md5Hash  
 function to uniquely identify the video files and associated text  
 files. Is this a problem on Linux and Windows?
 


--
 Mark Waddingham ~ [EMAIL PROTECTED] ~ http://www.runrev.com
   Runtime Revolution ~ User-Centric Development Tools

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OK I lied...

2005-09-25 Thread david bovill

Still up :)

I have been storing data in XML - using RunRev's library...

Now if i add a node with the contents being Dark Müller, and then i  
get the node contents back with:


put revXMLNodeContents(treeID, someNode) into someText

And put this into a field - I get:

Dark MŸller

Which is not quite what I want? Now from memory XML defaults to UTF8  
encoding, and this sure looks like an encoding thing... so what do i  
need to do to get Dark Müller back?___

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Re: A last question before bed...

2005-09-25 Thread Mark Waddingham
 How do I reverse the following operation:
 
   get binaryDecode(H*, someBinaryData, tHexDigest)
 
 With binaryEncode:

Try:
  put binaryEncode(H*, tHexDigest) into someBinaryData

 So I have two questions - why is:
 
get binaryDecode(H*, someBinaryData, tHexDigest)
 
 better than using:
 
  put base64Encode(someBinaryData) into someText
 
 If i am thinking of using the resulting text as a file name? Output  
 can include +, /, and = - but that is OK no?

I think the path-separator '/' might cause you some difficulties :o)

Warmest Regards,

Mark.

--
 Mark Waddingham ~ [EMAIL PROTECTED] ~ http://www.runrev.com
   Runtime Revolution ~ User-Centric Development Tools

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Re: OK I lied...

2005-09-25 Thread Andre Garzia

David,

hi there, you can use HTML Entities for the unicode char, which is  
safe, or you can use the unicode encoding/decoding functions to code  
your data correctly before inserting into XML. (I am quoting from  
memory here, but I think you need to unidecode the data...)


I just checked the docs, if you're answering an email you'd better be  
sure I say:


revPutIntoXMLNode the docId of field xmltree,selectedNode, \
 uniDecode(the unicodeText of field Contents,UTF8)

so, yes, you need to uniDecode the thing.

Cheers, good luck
andre


On Sep 25, 2005, at 7:09 PM, david bovill wrote:


Still up :)

I have been storing data in XML - using RunRev's library...

Now if i add a node with the contents being Dark Müller, and then  
i get the node contents back with:


put revXMLNodeContents(treeID, someNode) into someText

And put this into a field - I get:

Dark MŸller

Which is not quite what I want? Now from memory XML defaults to  
UTF8 encoding, and this sure looks like an encoding thing... so  
what do i need to do to get Dark Müller back? 
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RE: Sound formats

2005-09-25 Thread Stephen Barncard
Perhaps not for the ordinary consumer, but for those that can hear, 
or for those that must preserve and record, it most certainly does 
matter.





I find that high sound quality actually doesn't really matter - background

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Re: A last question before bed...

2005-09-25 Thread Alex Tweedly

david bovill wrote:



I have this function I have been using for a while:

function textFingerPrint someText
  local tHexDigest
  put md5digest(someText) into someBinaryData
  get binaryDecode(H*, someBinaryData, tHexDigest)
  return tHexDigest
end textFingerPrint

So I have two questions - why is:

  get binaryDecode(H*, someBinaryData, tHexDigest)

better than using:

put base64Encode(someBinaryData) into someText

If i am thinking of using the resulting text as a file name? Output  
can include +, /, and = - but that is OK no?


I want to be able to get back to the raw binary data



As Mark said, the / might give some problems.
The other advantage of using the binaryDecode to hex is that it gives 
you the same hex string as can be produced directly by various md5 
utilities and libraries in other languages; I don't know of any other 
libraries that use base64 encoding of md5 strings.


--
Alex Tweedly   http://www.tweedly.net



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RE: Sound formats

2005-09-25 Thread Stephen Barncard

That should have been 'hear it'.

Perhaps not for the ordinary consumer, but for those that can hear, 
or for those that must preserve and record, it most certainly does 
matter.




I find that high sound quality actually doesn't really matter - background

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Re: OK I lied...

2005-09-25 Thread david bovill

On 26 Sep 2005, at 00:21, Andre Garzia wrote:


David,


Hello

I just checked the docs, if you're answering an email you'd better  
be sure I say:


Which docs? Nothing like that in mine...


revPutIntoXMLNode the docId of field xmltree,selectedNode, \
 uniDecode(the unicodeText of field Contents,UTF8)


You'd think that:

put uniDecode(the unicodeText of field Chunk Name,UTF8)

wouldn't do anything...


so, yes, you need to uniDecode the thing.


Damn - wish life were simpler :) Lets see if i have to do it the  
other way round when I get the text out the node... 
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Re: data-design question

2005-09-25 Thread Charles Hartman

Two questions as I snatch a moment to think about this project:

On Sep 24, 2005, at 9:23 PM, Alex Tweedly wrote:



Rev front end, talking over a TCP socket to a Python back end.
Python (plus pysqlite2) for the back end.


I'm out of my depth here (happens fast), but you mention pysqlite,  
and SQLite isn't one of the options mentioned in the Rev docs for  
database-handling functions (revOpenDatabase for example). Does that  
not matter, in your suggestion, because it's the Python  back-end  
that would be talking to the database, and the Rev front-end would  
talk only to the Python back-end, using TCP? Have I got the picture?


freedb.org has some data that would be a basic start for data entry  
- doesn't have anything like the complete data you want, but it  
would be a start if you could get track names from there - you'd  
still need to add the author and individual player info.


Thanks for the tip. But it doesn't look that useful for my purposes.  
I'm especially interested in sidemen (which no public database of  
recordings I know of is interested in), and I'm interested in a lot  
of stuff I'm transferring from LP much of which has never had a CD  
release, or in different enough form to make it hard to locate in a  
CD database.


My central goal -- it wouldn't be everybody's, obviously -- is to be  
able to ask, for example: what recordings do I have where Jim Hall  
solos on I Fall in Love Too Easily? (Of course I'd love to be able  
to ask, what recordings exist where Jim Hall solos on I Fall in Love  
Too Easily -- but this is a different order of magnitude.)


Charles Hartman


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What is Mac OS fat?

2005-09-25 Thread Stgoldberg
The Revolution Standalone settings offers 3 ways to save for Mac OS: Mac OS 
fat, Mac OS PPC, and Mac OS 68k.   What is the difference between these three?  
 Is Mac OS fat a combination of Mac OS PPC and 68k? Thanks.
Steve Goldberg
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Max length of filenames for player objects

2005-09-25 Thread david bovill
After all the lovely help, and problem after problem easily solved  
and my nice new long hash file names for the videos are completely  
useless as it appears that the player object only accepts some very  
short length of characters in the fileName.


Anyone know how many this is - and why 

 
   
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Re: Sound formats

2005-09-25 Thread Ken Norris

Hi Stephen,

On Sep 25, 2005, at 2:41 PM, [EMAIL PROTECTED] 
wrote:



Sound converter? Isn't that REALLY old?


Old and moldy, I guess. It worked for what I wanted eventually. I think 
a WAV should be a WAV,  but some, which claim to be that I have tried 
to D/L from the web, must not be, because they fail to open.



 How about Bababatch?


Costs 400 bucks! (USD). There's no way I can justify that on my budget. 
I'd pay up to a hundred, but their software pricing is too rich for my 
blood.



 How about In and out of PRO TOOLS, MOTU. LOGIC or some modern DAW
software?


Well, sure, but even LOGIC will fail to open a WAV once in awhile. I 
don't use ProTools.


I'd blame the tools you were using before I'd blame the format in
general, especially if they're older than 3 years.


Heck, all I own is older than 3 years ;-)  Well, maybe not 
_everything_. But you're probably right about that.



 I agree that
probably among the zillion PC based DAWs there might be some file
hacks,  but the big guys like Digidesign and the Broadcast folks not
to mention the AES won't let that happen.


Well, here it is: WAV files are basically Micro$oft's version of AIFF. 
It's a good thing AIFF files still work, because my experience is that 
they are more reliable for playback than anything else there is. It's 
what all commercial audio CD's use. Bigger than the Library of Congress 
will ever be, but they, too, use AIFF files for final archiving AFAIK 
(although they use WAV in other parts of the system, they have to if 
they want to preserve things previously saved to WAV files).


It's true, as a broadcast (and also the internet, which is also 
actually a broadcast system) digital media, it's prolific.


But if you are trying to convince me that WAV is more reliable than 
AIFF, well, I don't think so.


All the best,
Ken N.

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Re: What is Mac OS fat?

2005-09-25 Thread Marian Petrides

Steve

You are correct. A fat binary file includes both the PPC and 68K  
versions of an app and, thus, trades flexibility in machines on which  
it can be run for the downside of creating a larger file.  While I'd  
imagine there are very few people still running 68K machines, it is  
also true that the increase in filesize becomes a relatively trivial  
issue on machines with storage capacity measured in tens to hundreds  
of gigabytes.  So, if it were I, I'd just compile as a fat binary.


Marian

On Sep 25, 2005, at 7:29 PM, [EMAIL PROTECTED] wrote:

The Revolution Standalone settings offers 3 ways to save for Mac  
OS: Mac OS
fat, Mac OS PPC, and Mac OS 68k.   What is the difference between  
these three?

 Is Mac OS fat a combination of Mac OS PPC and 68k? Thanks.
Steve Goldberg
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Re: Sound formats

2005-09-25 Thread Mark Wieder
Stephen-

Sunday, September 25, 2005, 2:00:18 PM, you wrote:

 Get this: 44.1 was arrived at because in the beginning, the entire
 process revolved around the standard video deck at the time, the 3/4
 U-Matic video cassette recorder, which was used for recording, 
 editing and mastering. For whatever video reasons, clock frequency 
 division, etc relied on the 3.58MHz. color burst in these decks, 
 which divided cleanly down to 44.1k. In fact up until recently the CD
 plants would only accept a properly prepared 3/4 cassette for 
 pressing.

The reason is that 3.58MHz divides cleanly down into all the video
horizontal and vertical synchronization frequencies. It makes the
video circuitry simpler and therefore cheaper. The video root
frequency crystal thus became the standard for the cheapest crystal to
mass-produce and thus the cheapest the buy in volume.

But wait, there's more... the 650MB size of the CDROM format was
determined originally by calculating how much space would be needed at
44.1kHz to fit Beethoven's Ninth Symphony on a single disc. Beethoven
meets the U-Matic and comes out with the CDROM.

 Today CD Quality to me is an oxymoron, like Millitary 
 Intelligence or the one-word oxymoron Management.

I really really really like the idea of one-word oxymorons.

-- 
-Mark Wieder
 [EMAIL PROTECTED]

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Re: data-design question

2005-09-25 Thread Alex Tweedly

Charles Hartman wrote:


Two questions as I snatch a moment to think about this project:

On Sep 24, 2005, at 9:23 PM, Alex Tweedly wrote:



Rev front end, talking over a TCP socket to a Python back end.
Python (plus pysqlite2) for the back end.



I'm out of my depth here (happens fast), but you mention pysqlite,  
and SQLite isn't one of the options mentioned in the Rev docs for  
database-handling functions (revOpenDatabase for example). Does that  
not matter, in your suggestion, because it's the Python  back-end  
that would be talking to the database, and the Rev front-end would  
talk only to the Python back-end, using TCP? Have I got the picture?



That's right.

Rev front-end   -- TCP (perhaps HTTP) --- Python back-end   
--- pysqlite2 --- sqlite --- database


While I'm intrigued by David's suggestion of making that link be a 
RESTful web service, that's just one too many major technology component 
to learn about simultaneously :-)


Having had a few hours to think about it, it might be just as easy to 
run your own MySQL (or postgreSQL) server on your personal machine, and 
then use REV + Trevor's libDatabase + revDB + ??SQL


This lets you do it wholly within Rev - and if it's just for your 
personal use, then running on MySQL or postgreSQL shouldn't be a big 
hurdle - no licensing issues, no difficult install docs to write, etc.


I'm going to look into this option a bit before thinking any further 
about the Python approach.


freedb.org has some data that would be a basic start for data entry  
- doesn't have anything like the complete data you want, but it  
would be a start if you could get track names from there - you'd  
still need to add the author and individual player info.



Thanks for the tip. But it doesn't look that useful for my purposes.  
I'm especially interested in sidemen (which no public database of  
recordings I know of is interested in), and I'm interested in a lot  
of stuff I'm transferring from LP much of which has never had a CD  
release, or in different enough form to make it hard to locate in a  
CD database.


My central goal -- it wouldn't be everybody's, obviously -- is to be  
able to ask, for example: what recordings do I have where Jim Hall  
solos on I Fall in Love Too Easily? (Of course I'd love to be able  
to ask, what recordings exist where Jim Hall solos on I Fall in Love  
Too Easily -- but this is a different order of magnitude.)


It would be interesting to have a future version where the data could be 
collected as a collaborative effort (like CDDB/freedb were); although 
the number of people who want this data may be relatively small, I 
wouldn't be surprised if a good portion of them were sufficiently 
enthusiasts that you could get some benefit from making it 
available. something to think about after the basic version is 
working well.


--
Alex Tweedly   http://www.tweedly.net



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Re: What is Mac OS fat?

2005-09-25 Thread Andre Garzia


On Sep 25, 2005, at 9:29 PM, [EMAIL PROTECTED] wrote:

The Revolution Standalone settings offers 3 ways to save for Mac  
OS: Mac OS
fat, Mac OS PPC, and Mac OS 68k.   What is the difference between  
these three?

 Is Mac OS fat a combination of Mac OS PPC and 68k? Thanks.


You're right! FAT format is like the new universal binary format,  
something apple did when they were migrating from 68k to PPC, it  
combines both codebases into a single file, I don't think you need to  
ship FAT apps unless your code needs to run into 68k machines...


cheers
andre



Steve Goldberg
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Re: slooowwww text entry in fields

2005-09-25 Thread Sivakatirswami

FWI, and I'm not saying this is the problem...

Three days ago our senior editor's Mac (OSX) came to a grinding,  
nearly unusable condition, in all apps, slow keyboard responses, slow  
Mouse responses.


We ran top from the terminal. Behold: no running apps were eating  
the CPU...but the kernal was taking 40%...very unusual, we had never  
seen this before.


We thought it was Dashboard at first.. (he's got a zillion  
widgets...). but the only thing that fixed it was finally running  
permissions repair. And, indeed the repair report revealed some  
permissions corruption in some very low-level system files... these  
were repaired and after re-boot, problem went away.





On Sep 23, 2005, at 12:08 PM, Timothy Miller wrote:

We had a little thread on this a week or two ago. Several users  
confirmed the problem. Some had fast machines, so I guess the speed  
of my machine is not the main problem. I think they were all Mac  
users. I never did figure out if this is a Macintosh-only issue.


None of the gurus on the list ever replied. Well... no one's  
obligated of course. It seems like a non-trivial issue, even if it  
is a bit on the minor side. I'm wondering why none of the true  
wireheads replied. Or maybe someone did and I missed it.




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Re: Sound formats

2005-09-25 Thread Judy Perry
Thanks, Jacque.

Next term, when I get to teach Rev again, I will pass this stuff out.

:-D

Judy

On Sun, 25 Sep 2005, J. Landman Gay wrote:

 Judy Perry wrote:
  I and my students have encountered numerous problems using WAVs (of
  course, _we're_ not professionals!) as opposed to AIFFs.
 
  Aren't some of the WAVs compressed?
 
  We've seen WAVs that worked in Rev fine on one platform but not another,
  and vice-versa (no apparent pattern, but, then, given that the WAV
  solution appeared to be 'no worky', we didn't look, either).

 I've been reading up on this. WAV files can be either uncompressed or
 compressed. Rev will only work with the ones that are not compressed.
 The PCM format I was asking about is the uncompressed format, which is
 why it seems to work in Rev. I found some understandable info here:

 http://www.teamcombooks.com/mp3handbook/12.htm

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Re: importing animated GIFs

2005-09-25 Thread Judy Perry
Hide them?

_before_ you import them??

How can this be done?  (I ask because I found a nice set of animated GIF
letters, and tried importing all 26 of them.  Slow death...).

Judy

On Sun, 25 Sep 2005, Scott Rossi wrote:

 Recently, Nicolas Cueto  wrote:

  I've been able to import 100's of AU and JPG
  files into stacks. However, importing animated
  GIF's -- either in 100's or even 10's -- causes a
  great slow down of the computer. (I guess the
  system is busy redrawing the GIFs?)
 
  Any suggestions as to how else to import a large
  number of animated GIF's?

 Hide them.

 After some testing a while back, it seems that hiding animated GIFs prevents
 them from being rendered (even if their repeatCount is set to -1, but moving
 them offscreen does *not* (they still continue to be rendered even when
 located at -1000,-1000).  Hiding them drops processor use down to 0.

 Regards,

 Scott Rossi
 Creative Director
 Tactile Media, Multimedia  Design
 -
 E: [EMAIL PROTECTED]
 W: http://www.tactilemedia.com

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Re: use-revolution Digest, Vol 24, Issue 59

2005-09-25 Thread Judy Perry
Indeed,

I just spent the weekend editing down a 50-minute 1960s TV series episode
to about 7 min. or less by playing the DVD and using ambrosia's screen
capture program to copy the audio (AND video!!!).

Besides other through-put problems, 16 bit seemed to be a must (along with
a tiny video screen size...).

FWIW (or not)...

Judy

On Sun, 25 Sep 2005, Jeffrey Reynolds wrote:

 Jacqueline,

 if its just voice narration 11K 8bit might be ok. if you narration has
 any music underscore its tough to go below 22k with underscore,
 especially with 8bit sampling, you will really notice the sound quality
 of the voice narration go way down. you might try some tests with your
 files and see how they sound.

 for the kids books we do the narration files at 22k 16bit uncompressed
 wav files. since we have plenty of room on the CD-ROM its worth the
 extra sampling. going from 22 to 44k you notice hardly any change in
 voice only narration, but going from 8bit to 16bit makes many narration
 voices sound a bit crisper and less cracklie, so we determined it was
 worth doubling the file size by increasing the sample size rather than
 the rate. now that we are using quicktime we could compress them with
 mp3 and save a lot of room, but not sure if it is worth the trouble.

 cheers,

 Jeffrey Reynolds


 On Sep 25, 2005, at 1:00 PM, [EMAIL PROTECTED]
 wrote:

 
  Will 11k and 22k 8 bit AIFFs or WAVs play in Rev without quicktime?
 
  Probably if they aren't compressed. But I was afraid that cutting the
  bit rate would compromise the sound quality.
 
  11k is pretty low; anything under that is usually reserved for
  voice-only
  situations since voice audio is usually more forgiving than music. 11k
  is
  workable for short sound effects, but 22k is better and pretty common
  for
  music.  If, as you say, you don't have any filesize restrictions, you
  might
  want to consider 44k which is closer to CD quality.  This means larger
  files
  of course, so you should probably test to make sure Rev doesn't bog
  down
  playing back your audio (if you're loading external audio, there might
  be a
  small delay when loading a large file for playback).

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another yucky geometry question

2005-09-25 Thread TJ Frame
Hi everyone,
 Does anyone know a good place to look for ( or know of any example stacks)
that might shed light on how to plot an ellipse inscribed within a 4 sided
polygon like in the examples I created here:
http://www.tjframe.com/EllipseExample.htm
 I can handle the polygon, as well as finding the midpoints of the lines,
the center of the polygon etc. ..just not sure about fitting that ellipse
inside it. Curse my math - resistant brain!
 Any pointers would be, as usual, greatly appreciated :)
  - TJ
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