Re: [Videolib] 3M Tattle-Tape security strips
I respond like Lori did earlier...too many problems associated with balance problems and overlays. We abandoned them years ago on our DVDs. Still in use on CDs though. Myles Jaeschke Tulsa City-County Library Media Collections From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Marsha Loyer Sent: Thursday, June 07, 2012 5:17 PM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] 3M Tattle-Tape security strips We have been using these 'skins' on our CDs and DVDs for a number of years with little problem to report. Marsha Loyer Media Services Coordinator Mishawaka-Penn-Harris Public Library Mishawaka, IN From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Logan, Michael Sent: Thursday, June 07, 2012 4:17 PM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] 3M Tattle-Tape security strips Hi Farhad, We've been using these overlays on our CDs and DVDs for many years now, and have had no problems. Great care must be taken to center the overlay perfectly on the disc, to avoid imbalance. I believe a search of the Videolib archives will retrieve a couple of threads on this issue. Let me know if you have any questions, and I'll be happy to (try to) answer them. Cheers, Michael Michael Logan Acquisitions and Technical Services Humboldt County Library (707) 269-1962 From: videolib-boun...@lists.berkeley.edumailto:videolib-boun...@lists.berkeley.edu [videolib-boun...@lists.berkeley.edu] on behalf of Moshiri, Farhad [mosh...@uiwtx.edu] Sent: Thursday, June 07, 2012 11:29 AM To: videolib@lists.berkeley.edumailto:videolib@lists.berkeley.edu Subject: [Videolib] 3M Tattle-Tape security strips I'm sure this has been discussed here before. But for those of you who use this security system, would you please let me know if you have encountered any problems with it such as discs not playing, etc. Thanks. Farhad Moshiri Audiovisual Librarian University of the Incarnate Word San Antonio, TX This email and any files transmitted with it may be confidential or contain privileged information and are intended solely for the use of the individual or entity to which they are addressed. If you are not the intended recipient, please be advised that you have received this email in error and that any use, dissemination, forwarding, printing, or copying of this email and any attachments is strictly prohibited. If you have received this email in error, please immediately delete the email and any attachments from your system and notify the sender. Any other use of this e-mail is prohibited. Thank you for your compliance. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] 3M Tattle-Tape security strips
Ditto Myles and Lori. We just recently removed all of the overlays on DVDs because of playback problems and problems with our security system. We still continue to use them on our CDs. Pamela Reeves pree...@uwyo.edumailto:pree...@uwyo.edu University of Wyoming Libraries-Media Dept 3334 1000 E. University Ave. Laramie, WY 82071 307-766-3184 From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jaeschke, Myles Sent: Friday, June 08, 2012 7:35 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] 3M Tattle-Tape security strips I respond like Lori did earlier...too many problems associated with balance problems and overlays. We abandoned them years ago on our DVDs. Still in use on CDs though. Myles Jaeschke Tulsa City-County Library Media Collections From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Marsha Loyer Sent: Thursday, June 07, 2012 5:17 PM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] 3M Tattle-Tape security strips We have been using these 'skins' on our CDs and DVDs for a number of years with little problem to report. Marsha Loyer Media Services Coordinator Mishawaka-Penn-Harris Public Library Mishawaka, IN From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Logan, Michael Sent: Thursday, June 07, 2012 4:17 PM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] 3M Tattle-Tape security strips Hi Farhad, We've been using these overlays on our CDs and DVDs for many years now, and have had no problems. Great care must be taken to center the overlay perfectly on the disc, to avoid imbalance. I believe a search of the Videolib archives will retrieve a couple of threads on this issue. Let me know if you have any questions, and I'll be happy to (try to) answer them. Cheers, Michael Michael Logan Acquisitions and Technical Services Humboldt County Library (707) 269-1962 From: videolib-boun...@lists.berkeley.edumailto:videolib-boun...@lists.berkeley.edu [videolib-boun...@lists.berkeley.edu] on behalf of Moshiri, Farhad [mosh...@uiwtx.edu] Sent: Thursday, June 07, 2012 11:29 AM To: videolib@lists.berkeley.edumailto:videolib@lists.berkeley.edu Subject: [Videolib] 3M Tattle-Tape security strips I'm sure this has been discussed here before. But for those of you who use this security system, would you please let me know if you have encountered any problems with it such as discs not playing, etc. Thanks. Farhad Moshiri Audiovisual Librarian University of the Incarnate Word San Antonio, TX This email and any files transmitted with it may be confidential or contain privileged information and are intended solely for the use of the individual or entity to which they are addressed. If you are not the intended recipient, please be advised that you have received this email in error and that any use, dissemination, forwarding, printing, or copying of this email and any attachments is strictly prohibited. If you have received this email in error, please immediately delete the email and any attachments from your system and notify the sender. Any other use of this e-mail is prohibited. Thank you for your compliance. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] The Tales of Hoffman / Studio Canal
I have acquired a stupendous (!!!) original IB Technicolor 16mm print of this film, too good not to screen for the public. Criterion did a DVD which is now out of print, they say the rights are with Studio Canal but don't know who, or if anyone, distributes in the US. They thought maybe Rialto Pictures but it doesn't look like it's in their catalog. Anyone have a Studio Canal contact? Do they have a US operation? -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] The Tales of Hoffman / Studio Canal
They used to have a US rep named Stuart Lessel (?) in LA and I hate to burst your bubble or jump to conclusions but Studio Canal is almost surely one of those if you have to ask you can't afford it places. Their standard fee for venues to show a current film is 500 Euros per show according to several of my customers. They are also not likely to be friendly to the idea of 16mm print being licensed. That said I will try to get you a contact. On Fri, Jun 8, 2012 at 11:13 AM, Dave Dvorchak ddvorc...@provcomlib.orgwrote: I have acquired a stupendous (!!!) original IB Technicolor 16mm print of this film, too good not to screen for the public. Criterion did a DVD which is now out of print, they say the rights are with Studio Canal but don't know who, or if anyone, distributes in the US. They thought maybe Rialto Pictures but it doesn't look like it's in their catalog. Anyone have a Studio Canal contact? Do they have a US operation? -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] The Tales of Hoffman / Studio Canal
I can see on Google that the Boston Public Library did a 16mm screening in 2004, there must be some hope. My print crushes any DVD version out there! On Jun 8, 2012 11:24 AM, Jessica Rosner maddux2...@gmail.com wrote: They used to have a US rep named Stuart Lessel (?) in LA and I hate to burst your bubble or jump to conclusions but Studio Canal is almost surely one of those if you have to ask you can't afford it places. Their standard fee for venues to show a current film is 500 Euros per show according to several of my customers. They are also not likely to be friendly to the idea of 16mm print being licensed. That said I will try to get you a contact. On Fri, Jun 8, 2012 at 11:13 AM, Dave Dvorchak ddvorc...@provcomlib.orgwrote: I have acquired a stupendous (!!!) original IB Technicolor 16mm print of this film, too good not to screen for the public. Criterion did a DVD which is now out of print, they say the rights are with Studio Canal but don't know who, or if anyone, distributes in the US. They thought maybe Rialto Pictures but it doesn't look like it's in their catalog. Anyone have a Studio Canal contact? Do they have a US operation? -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] The Tales of Hoffman / Studio Canal
I would strongly suspect they screened it from a very old life of print lease. I can tell you that the film has never had regular US film distribution and has been about the hardest Powell film to track down and screen. However if Studio Canal is the owner you will at least get an answer. I have put my feelers out but my friend who has dealt with them the most is out of town at the moment. On Fri, Jun 8, 2012 at 11:27 AM, Dave Dvorchak ddvorc...@provcomlib.orgwrote: I can see on Google that the Boston Public Library did a 16mm screening in 2004, there must be some hope. My print crushes any DVD version out there! On Jun 8, 2012 11:24 AM, Jessica Rosner maddux2...@gmail.com wrote: They used to have a US rep named Stuart Lessel (?) in LA and I hate to burst your bubble or jump to conclusions but Studio Canal is almost surely one of those if you have to ask you can't afford it places. Their standard fee for venues to show a current film is 500 Euros per show according to several of my customers. They are also not likely to be friendly to the idea of 16mm print being licensed. That said I will try to get you a contact. On Fri, Jun 8, 2012 at 11:13 AM, Dave Dvorchak ddvorc...@provcomlib.orgwrote: I have acquired a stupendous (!!!) original IB Technicolor 16mm print of this film, too good not to screen for the public. Criterion did a DVD which is now out of print, they say the rights are with Studio Canal but don't know who, or if anyone, distributes in the US. They thought maybe Rialto Pictures but it doesn't look like it's in their catalog. Anyone have a Studio Canal contact? Do they have a US operation? -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] The Tales of Hoffman / Studio Canal
How do you prove anything with these old life of print leases? If we bought these prints in the 60s and 70s, that paperwork is long gone. Screen it and hope nobody comes after you? What if you inherit another library's collection and they had leases on them? On Fri, Jun 8, 2012 at 11:39 AM, Jessica Rosner maddux2...@gmail.comwrote: I would strongly suspect they screened it from a very old life of print lease. I can tell you that the film has never had regular US film distribution and has been about the hardest Powell film to track down and screen. However if Studio Canal is the owner you will at least get an answer. I have put my feelers out but my friend who has dealt with them the most is out of town at the moment. On Fri, Jun 8, 2012 at 11:27 AM, Dave Dvorchak ddvorc...@provcomlib.orgwrote: I can see on Google that the Boston Public Library did a 16mm screening in 2004, there must be some hope. My print crushes any DVD version out there! On Jun 8, 2012 11:24 AM, Jessica Rosner maddux2...@gmail.com wrote: They used to have a US rep named Stuart Lessel (?) in LA and I hate to burst your bubble or jump to conclusions but Studio Canal is almost surely one of those if you have to ask you can't afford it places. Their standard fee for venues to show a current film is 500 Euros per show according to several of my customers. They are also not likely to be friendly to the idea of 16mm print being licensed. That said I will try to get you a contact. On Fri, Jun 8, 2012 at 11:13 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I have acquired a stupendous (!!!) original IB Technicolor 16mm print of this film, too good not to screen for the public. Criterion did a DVD which is now out of print, they say the rights are with Studio Canal but don't know who, or if anyone, distributes in the US. They thought maybe Rialto Pictures but it doesn't look like it's in their catalog. Anyone have a Studio Canal contact? Do they have a US operation? -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] The Tales of Hoffman / Studio Canal
The leases were not transferable. The odds of Studio Canal catching you are pretty much nil but it would be an illegal show. I am making some progress in getting you an email but you would be sending it to someone in France. One long shot would be to contact the Scorsese office or um DENNIS and try to get in touch with Thelma Schoonmaker, Michael Powell's widow and Scorsese's long time editor. She has no legal rights to the film but I suspect if she asked Studio Canal to let you show an IB 16mm they might be guilted into agreeing On Fri, Jun 8, 2012 at 3:16 PM, Dave Dvorchak ddvorc...@provcomlib.orgwrote: How do you prove anything with these old life of print leases? If we bought these prints in the 60s and 70s, that paperwork is long gone. Screen it and hope nobody comes after you? What if you inherit another library's collection and they had leases on them? On Fri, Jun 8, 2012 at 11:39 AM, Jessica Rosner maddux2...@gmail.comwrote: I would strongly suspect they screened it from a very old life of print lease. I can tell you that the film has never had regular US film distribution and has been about the hardest Powell film to track down and screen. However if Studio Canal is the owner you will at least get an answer. I have put my feelers out but my friend who has dealt with them the most is out of town at the moment. On Fri, Jun 8, 2012 at 11:27 AM, Dave Dvorchak ddvorc...@provcomlib.orgwrote: I can see on Google that the Boston Public Library did a 16mm screening in 2004, there must be some hope. My print crushes any DVD version out there! On Jun 8, 2012 11:24 AM, Jessica Rosner maddux2...@gmail.com wrote: They used to have a US rep named Stuart Lessel (?) in LA and I hate to burst your bubble or jump to conclusions but Studio Canal is almost surely one of those if you have to ask you can't afford it places. Their standard fee for venues to show a current film is 500 Euros per show according to several of my customers. They are also not likely to be friendly to the idea of 16mm print being licensed. That said I will try to get you a contact. On Fri, Jun 8, 2012 at 11:13 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I have acquired a stupendous (!!!) original IB Technicolor 16mm print of this film, too good not to screen for the public. Criterion did a DVD which is now out of print, they say the rights are with Studio Canal but don't know who, or if anyone, distributes in the US. They thought maybe Rialto Pictures but it doesn't look like it's in their catalog. Anyone have a Studio Canal contact? Do they have a US operation? -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that
Re: [Videolib] The Tales of Hoffman / Studio Canal
How about the ones we did buy / do own that had leases though? I have no meaningful way to prove it. On Jun 8, 2012 3:25 PM, Jessica Rosner maddux2...@gmail.com wrote: The leases were not transferable. The odds of Studio Canal catching you are pretty much nil but it would be an illegal show. I am making some progress in getting you an email but you would be sending it to someone in France. One long shot would be to contact the Scorsese office or um DENNIS and try to get in touch with Thelma Schoonmaker, Michael Powell's widow and Scorsese's long time editor. She has no legal rights to the film but I suspect if she asked Studio Canal to let you show an IB 16mm they might be guilted into agreeing On Fri, Jun 8, 2012 at 3:16 PM, Dave Dvorchak ddvorc...@provcomlib.orgwrote: How do you prove anything with these old life of print leases? If we bought these prints in the 60s and 70s, that paperwork is long gone. Screen it and hope nobody comes after you? What if you inherit another library's collection and they had leases on them? On Fri, Jun 8, 2012 at 11:39 AM, Jessica Rosner maddux2...@gmail.comwrote: I would strongly suspect they screened it from a very old life of print lease. I can tell you that the film has never had regular US film distribution and has been about the hardest Powell film to track down and screen. However if Studio Canal is the owner you will at least get an answer. I have put my feelers out but my friend who has dealt with them the most is out of town at the moment. On Fri, Jun 8, 2012 at 11:27 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I can see on Google that the Boston Public Library did a 16mm screening in 2004, there must be some hope. My print crushes any DVD version out there! On Jun 8, 2012 11:24 AM, Jessica Rosner maddux2...@gmail.com wrote: They used to have a US rep named Stuart Lessel (?) in LA and I hate to burst your bubble or jump to conclusions but Studio Canal is almost surely one of those if you have to ask you can't afford it places. Their standard fee for venues to show a current film is 500 Euros per show according to several of my customers. They are also not likely to be friendly to the idea of 16mm print being licensed. That said I will try to get you a contact. On Fri, Jun 8, 2012 at 11:13 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I have acquired a stupendous (!!!) original IB Technicolor 16mm print of this film, too good not to screen for the public. Criterion did a DVD which is now out of print, they say the rights are with Studio Canal but don't know who, or if anyone, distributes in the US. They thought maybe Rialto Pictures but it doesn't look like it's in their catalog. Anyone have a Studio Canal contact? Do they have a US operation? -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating
Re: [Videolib] The Tales of Hoffman / Studio Canal
I am confused. Did your library itself buy a print with life of print lease? They have not been all that common for a long time. Most studio titles were sold for a limited number of years at which time they needed to be renewed. In general it is not likely that studio feature films had life of print leases, not sure about educational titles. On Fri, Jun 8, 2012 at 4:00 PM, Dave Dvorchak ddvorc...@provcomlib.orgwrote: How about the ones we did buy / do own that had leases though? I have no meaningful way to prove it. On Jun 8, 2012 3:25 PM, Jessica Rosner maddux2...@gmail.com wrote: The leases were not transferable. The odds of Studio Canal catching you are pretty much nil but it would be an illegal show. I am making some progress in getting you an email but you would be sending it to someone in France. One long shot would be to contact the Scorsese office or um DENNIS and try to get in touch with Thelma Schoonmaker, Michael Powell's widow and Scorsese's long time editor. She has no legal rights to the film but I suspect if she asked Studio Canal to let you show an IB 16mm they might be guilted into agreeing On Fri, Jun 8, 2012 at 3:16 PM, Dave Dvorchak ddvorc...@provcomlib.orgwrote: How do you prove anything with these old life of print leases? If we bought these prints in the 60s and 70s, that paperwork is long gone. Screen it and hope nobody comes after you? What if you inherit another library's collection and they had leases on them? On Fri, Jun 8, 2012 at 11:39 AM, Jessica Rosner maddux2...@gmail.comwrote: I would strongly suspect they screened it from a very old life of print lease. I can tell you that the film has never had regular US film distribution and has been about the hardest Powell film to track down and screen. However if Studio Canal is the owner you will at least get an answer. I have put my feelers out but my friend who has dealt with them the most is out of town at the moment. On Fri, Jun 8, 2012 at 11:27 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I can see on Google that the Boston Public Library did a 16mm screening in 2004, there must be some hope. My print crushes any DVD version out there! On Jun 8, 2012 11:24 AM, Jessica Rosner maddux2...@gmail.com wrote: They used to have a US rep named Stuart Lessel (?) in LA and I hate to burst your bubble or jump to conclusions but Studio Canal is almost surely one of those if you have to ask you can't afford it places. Their standard fee for venues to show a current film is 500 Euros per show according to several of my customers. They are also not likely to be friendly to the idea of 16mm print being licensed. That said I will try to get you a contact. On Fri, Jun 8, 2012 at 11:13 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I have acquired a stupendous (!!!) original IB Technicolor 16mm print of this film, too good not to screen for the public. Criterion did a DVD which is now out of print, they say the rights are with Studio Canal but don't know who, or if anyone, distributes in the US. They thought maybe Rialto Pictures but it doesn't look like it's in their catalog. Anyone have a Studio Canal contact? Do they have a US operation? -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and
[Videolib] New World Distribution?
Hello I have read the website but . . . Has anyone worked with a fairly new distribution company called New World Distribution? I understand represent documentaries. Thanks for any light you can shed. Blanche Chase www.linkedin.com/in/blanchechase VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] The Tales of Hoffman / Studio Canal
Yes, Jessica, educational, documentary, animated, childrens and independently produced features are typically life of print, as acquired for public libraries. Studio feature length films, at least in my experience, such as Tales Of Hoffman would qualify, are almost without exception leased, usually 5 years. And you better hold on to that paper work (as well as the paperwork for life of print titles), or else you risk dereliction of duty. David, you never own something that you lease. Elizabeth From: Jessica Rosner maddux2...@gmail.com To: videolib@lists.berkeley.edu Sent: Friday, June 8, 2012 4:05 PM Subject: Re: [Videolib] The Tales of Hoffman / Studio Canal I am confused. Did your library itself buy a print with life of print lease? They have not been all that common for a long time. Most studio titles were sold for a limited number of years at which time they needed to be renewed. In general it is not likely that studio feature films had life of print leases, not sure about educational titles. On Fri, Jun 8, 2012 at 4:00 PM, Dave Dvorchak ddvorc...@provcomlib.org wrote: How about the ones we did buy / do own that had leases though? I have no meaningful way to prove it. On Jun 8, 2012 3:25 PM, Jessica Rosner maddux2...@gmail.com wrote: The leases were not transferable. The odds of Studio Canal catching you are pretty much nil but it would be an illegal show. I am making some progress in getting you an email but you would be sending it to someone in France. One long shot would be to contact the Scorsese office or um DENNIS and try to get in touch with Thelma Schoonmaker, Michael Powell's widow and Scorsese's long time editor. She has no legal rights to the film but I suspect if she asked Studio Canal to let you show an IB 16mm they might be guilted into agreeing On Fri, Jun 8, 2012 at 3:16 PM, Dave Dvorchak ddvorc...@provcomlib.org wrote: How do you prove anything with these old life of print leases? If we bought these prints in the 60s and 70s, that paperwork is long gone. Screen it and hope nobody comes after you? What if you inherit another library's collection and they had leases on them? On Fri, Jun 8, 2012 at 11:39 AM, Jessica Rosner maddux2...@gmail.com wrote: I would strongly suspect they screened it from a very old life of print lease. I can tell you that the film has never had regular US film distribution and has been about the hardest Powell film to track down and screen. However if Studio Canal is the owner you will at least get an answer. I have put my feelers out but my friend who has dealt with them the most is out of town at the moment. On Fri, Jun 8, 2012 at 11:27 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I can see on Google that the Boston Public Library did a 16mm screening in 2004, there must be some hope. My print crushes any DVD version out there! On Jun 8, 2012 11:24 AM, Jessica Rosner maddux2...@gmail.com wrote: They used to have a US rep named Stuart Lessel (?) in LA and I hate to burst your bubble or jump to conclusions but Studio Canal is almost surely one of those if you have to ask you can't afford it places. Their standard fee for venues to show a current film is 500 Euros per show according to several of my customers. They are also not likely to be friendly to the idea of 16mm print being licensed. That said I will try to get you a contact. On Fri, Jun 8, 2012 at 11:13 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I have acquired a stupendous (!!!) original IB Technicolor 16mm print of this film, too good not to screen for the public. Criterion did a DVD which is now out of print, they say the rights are with Studio Canal but don't know who, or if anyone, distributes in the US. They thought maybe Rialto Pictures but it doesn't look like it's in their catalog. Anyone have a Studio Canal contact? Do they have a US operation? -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad
Re: [Videolib] The Tales of Hoffman / Studio Canal
Oh well. These things have been sitting unattended in basements since the late 80s / early 90s. No documentation at this point about leases or even where they came from (studio? distributor? private collector?). Nobody's looking for them (besides me), I can tell you that. On 6/8/12, elizabeth mcmahon elizmcma...@yahoo.com wrote: Yes, Jessica, educational, documentary, animated, childrens and independently produced features are typically life of print, as acquired for public libraries. Studio feature length films, at least in my experience, such as Tales Of Hoffman would qualify, are almost without exception leased, usually 5 years. And you better hold on to that paper work (as well as the paperwork for life of print titles), or else you risk dereliction of duty. David, you never own something that you lease. Elizabeth From: Jessica Rosner maddux2...@gmail.com To: videolib@lists.berkeley.edu Sent: Friday, June 8, 2012 4:05 PM Subject: Re: [Videolib] The Tales of Hoffman / Studio Canal I am confused. Did your library itself buy a print with life of print lease? They have not been all that common for a long time. Most studio titles were sold for a limited number of years at which time they needed to be renewed. In general it is not likely that studio feature films had life of print leases, not sure about educational titles. On Fri, Jun 8, 2012 at 4:00 PM, Dave Dvorchak ddvorc...@provcomlib.org wrote: How about the ones we did buy / do own that had leases though? I have no meaningful way to prove it. On Jun 8, 2012 3:25 PM, Jessica Rosner maddux2...@gmail.com wrote: The leases were not transferable. The odds of Studio Canal catching you are pretty much nil but it would be an illegal show. I am making some progress in getting you an email but you would be sending it to someone in France. One long shot would be to contact the Scorsese office or um DENNIS and try to get in touch with Thelma Schoonmaker, Michael Powell's widow and Scorsese's long time editor. She has no legal rights to the film but I suspect if she asked Studio Canal to let you show an IB 16mm they might be guilted into agreeing On Fri, Jun 8, 2012 at 3:16 PM, Dave Dvorchak ddvorc...@provcomlib.org wrote: How do you prove anything with these old life of print leases? If we bought these prints in the 60s and 70s, that paperwork is long gone. Screen it and hope nobody comes after you? What if you inherit another library's collection and they had leases on them? On Fri, Jun 8, 2012 at 11:39 AM, Jessica Rosner maddux2...@gmail.com wrote: I would strongly suspect they screened it from a very old life of print lease. I can tell you that the film has never had regular US film distribution and has been about the hardest Powell film to track down and screen. However if Studio Canal is the owner you will at least get an answer. I have put my feelers out but my friend who has dealt with them the most is out of town at the moment. On Fri, Jun 8, 2012 at 11:27 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I can see on Google that the Boston Public Library did a 16mm screening in 2004, there must be some hope. My print crushes any DVD version out there! On Jun 8, 2012 11:24 AM, Jessica Rosner maddux2...@gmail.com wrote: They used to have a US rep named Stuart Lessel (?) in LA and I hate to burst your bubble or jump to conclusions but Studio Canal is almost surely one of those if you have to ask you can't afford it places. Their standard fee for venues to show a current film is 500 Euros per show according to several of my customers. They are also not likely to be friendly to the idea of 16mm print being licensed. That said I will try to get you a contact. On Fri, Jun 8, 2012 at 11:13 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I have acquired a stupendous (!!!) original IB Technicolor 16mm print of this film, too good not to screen for the public. Criterion did a DVD which is now out of print, they say the rights are with Studio Canal but don't know who, or if anyone, distributes in the US. They thought maybe Rialto Pictures but it doesn't look like it's in their catalog. Anyone have a Studio Canal contact? Do they have a US operation? -- David Dvorchak Office Manager Providence Community Library ddvorc...@provcomlib.org (401) 467-2700 x2 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of
[Videolib] FW: [SEELANGS] Performance Rights for Repentance
I'm forwarding this from the Slavic list. Jessica, or anyone else, know who now owns the rights to Repentance? Michael Brewer Team Leader for Instructional Services University of Arizona Libraries brew...@u.library.arizona.edu -Original Message- From: SEELANGS: Slavic East European Languages and Literatures list [mailto:seela...@bama.ua.edu] On Behalf Of Benjamin Rifkin Sent: Thursday, June 07, 2012 1:03 PM To: seela...@bama.ua.edu Subject: [SEELANGS] Performance Rights for Repentance Dear SEELANGers: Can anyone tell me who owns the Performance Rights for Abuladze's 1984 film Repentance? The film was owned by the Cannon Film Group, but it went bankrupt and I can't tell what happened next. I'd like to arrange for a public showing of this film on my campus in the fall. Thanks for your help. Ben Rifkin The College of New Jersey - Use your web browser to search the archives, control your subscription options, and more. Visit and bookmark the SEELANGS Web Interface at: http://seelangs.home.comcast.net/ - VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] ALA Annual GALA Sponsorship Requested...
Hi Everyone, Just a reminder that we are still seeking vendor sponsorship for the ALA Annual 2012 VRT GALA in Anaheim. Sponsorship can come in the form of a financial contribution or donation of DVD titles for raffle prizes. *About the Gala at ALA Annual 2012 (Sunday, June 24 6:30-9:30)* Disney’s Grand Californian Hotel, Trillium Room C Drinks and hors d'oeuvres will be served along with a dynamic presentation from Mark Quigley, Manager of the Research and Study Center at the UCLA film and Television Archive and Stephen Davison, Head of the UCLA Digital Library Program. Both these leaders collaborated to create the UCLA silent animation preservation program. This program has produced a website which offers eleven animation films from the silent era, for viewing online or download along with the accompanying music files also available for download. The films cover a variety of silent animation productions, and are provided alongside authoritative technical and historical context. If interested in sponsorship of this event, please contact myself: spic0...@umn.edu We would like to thank Alexander Street Press for their contribution and Kino for donating titles. Please don't let not being present hinder you from supporting VRT in Anaheim! Best, Scott -- Scott Spicer Media Outreach and Learning Spaces Librarian University of Minnesota Libraries - Twin Cities 341 Walter Library spic0...@umn.edu612.626.0629 Media Services: lib.umn.edu/media SMART Learning Commons: smart.umn.edu VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] FW: [SEELANGS] Performance Rights for Repentance
I would guess it is Mosfilm. They own nearly all the Russian films of that period. They should not be that hard to find contact on. On Fri, Jun 8, 2012 at 4:20 PM, Brewer, Michael brew...@u.library.arizona.edu wrote: I'm forwarding this from the Slavic list. Jessica, or anyone else, know who now owns the rights to Repentance? Michael Brewer Team Leader for Instructional Services University of Arizona Libraries brew...@u.library.arizona.edu -Original Message- From: SEELANGS: Slavic East European Languages and Literatures list [mailto:seela...@bama.ua.edu] On Behalf Of Benjamin Rifkin Sent: Thursday, June 07, 2012 1:03 PM To: seela...@bama.ua.edu Subject: [SEELANGS] Performance Rights for Repentance Dear SEELANGers: Can anyone tell me who owns the Performance Rights for Abuladze's 1984 film Repentance? The film was owned by the Cannon Film Group, but it went bankrupt and I can't tell what happened next. I'd like to arrange for a public showing of this film on my campus in the fall. Thanks for your help. Ben Rifkin The College of New Jersey - Use your web browser to search the archives, control your subscription options, and more. Visit and bookmark the SEELANGS Web Interface at: http://seelangs.home.comcast.net/ - VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] The Tales of Hoffman / Studio Canal
No rights holder is looking for 16mm prints, they have been throwing them out for years ( even if many did not make to the dumpster) I actually have a number of friends who are looking and actively collect them but alas rights are whole different issue. In this case you actually know who the rights holder is which is better than many. For the record if you actually end up dealing with Studio Canal or any major rights holder I would actually LIE about the format. Tell them you want rights to show the DVD, mentioning prints only upsets them and I am not kidding. It is barely concealed secret among venues that program prints that if the rights holder does not have a print and you can find one , just ask for for the exhibition rights for DVD. They are being paid for the rights to their film. On Fri, Jun 8, 2012 at 4:34 PM, Dave Dvorchak ddvorc...@provcomlib.orgwrote: Oh well. These things have been sitting unattended in basements since the late 80s / early 90s. No documentation at this point about leases or even where they came from (studio? distributor? private collector?). Nobody's looking for them (besides me), I can tell you that. On 6/8/12, elizabeth mcmahon elizmcma...@yahoo.com wrote: Yes, Jessica, educational, documentary, animated, childrens and independently produced features are typically life of print, as acquired for public libraries. Studio feature length films, at least in my experience, such as Tales Of Hoffman would qualify, are almost without exception leased, usually 5 years. And you better hold on to that paper work (as well as the paperwork for life of print titles), or else you risk dereliction of duty. David, you never own something that you lease. Elizabeth From: Jessica Rosner maddux2...@gmail.com To: videolib@lists.berkeley.edu Sent: Friday, June 8, 2012 4:05 PM Subject: Re: [Videolib] The Tales of Hoffman / Studio Canal I am confused. Did your library itself buy a print with life of print lease? They have not been all that common for a long time. Most studio titles were sold for a limited number of years at which time they needed to be renewed. In general it is not likely that studio feature films had life of print leases, not sure about educational titles. On Fri, Jun 8, 2012 at 4:00 PM, Dave Dvorchak ddvorc...@provcomlib.org wrote: How about the ones we did buy / do own that had leases though? I have no meaningful way to prove it. On Jun 8, 2012 3:25 PM, Jessica Rosner maddux2...@gmail.com wrote: The leases were not transferable. The odds of Studio Canal catching you are pretty much nil but it would be an illegal show. I am making some progress in getting you an email but you would be sending it to someone in France. One long shot would be to contact the Scorsese office or um DENNIS and try to get in touch with Thelma Schoonmaker, Michael Powell's widow and Scorsese's long time editor. She has no legal rights to the film but I suspect if she asked Studio Canal to let you show an IB 16mm they might be guilted into agreeing On Fri, Jun 8, 2012 at 3:16 PM, Dave Dvorchak ddvorc...@provcomlib.org wrote: How do you prove anything with these old life of print leases? If we bought these prints in the 60s and 70s, that paperwork is long gone. Screen it and hope nobody comes after you? What if you inherit another library's collection and they had leases on them? On Fri, Jun 8, 2012 at 11:39 AM, Jessica Rosner maddux2...@gmail.com wrote: I would strongly suspect they screened it from a very old life of print lease. I can tell you that the film has never had regular US film distribution and has been about the hardest Powell film to track down and screen. However if Studio Canal is the owner you will at least get an answer. I have put my feelers out but my friend who has dealt with them the most is out of town at the moment. On Fri, Jun 8, 2012 at 11:27 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I can see on Google that the Boston Public Library did a 16mm screening in 2004, there must be some hope. My print crushes any DVD version out there! On Jun 8, 2012 11:24 AM, Jessica Rosner maddux2...@gmail.com wrote: They used to have a US rep named Stuart Lessel (?) in LA and I hate to burst your bubble or jump to conclusions but Studio Canal is almost surely one of those if you have to ask you can't afford it places. Their standard fee for venues to show a current film is 500 Euros per show according to several of my customers. They are also not likely to be friendly to the idea of 16mm print being licensed. That said I will try to get you a contact. On Fri, Jun 8, 2012 at 11:13 AM, Dave Dvorchak ddvorc...@provcomlib.org wrote: I have acquired a stupendous (!!!) original IB Technicolor 16mm print of this film, too good not to screen for the public. Criterion did a DVD which is now out of print, they
Re: [Videolib] THEO RIGBY
Gary, Check it out: http://www.newday.com/filmmakers/theo_rigby.html Elizabeth Stanley Bullfrog Films -Original Message- From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of ghand...@library.berkeley.edu Sent: Thursday, June 07, 2012 11:39 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] THEO RIGBY Real...OK, maybe I better contact Theo to find out what's what gary was this a Real videolib member who had their account hacked or a made up account? On Thu, Jun 7, 2012 at 11:16 AM, ghand...@library.berkeley.edu wrote: Hi all FYI I've just tossed Theo into the scrapheap of videolib/videonews history... No more sob stories forthcoming. gary Original Message Subject: [Videonews] Please Urgent.THEO RIGBY From: Theo Rigby theori...@yahoo.com Date: Thu, June 7, 2012 3:20 am To: theori...@yahoo.com Reply To: the0ri...@yahoo.com Video Library News videon...@lists.berkeley.edu - - I really hope you get this soon as i am writing you in distress. I traveled down to Spain for an important program in Madrid and unfortunately for me the hotel i lodged got caught-up by fire. All my valuables including cash and cell phones were destroyed during the inferno and the hotel's phone line was also disconnected. I will explain details when i return. I need your financial assistance to relocate to another hotel and also arrange for my traveling documents. please let me know if you can be of any help soon. peace--Theo Theo Rigby Filmmaker/Photographer http://www.the0rigby.com http://www.sinpalsfilm.comVIDEONEWS is an electronic clearinghouse for information about new services, products, resources, and programs of interest to video librarians and archivists, educators, and others involved in the selection, acquisition, programming, and preservation of video materials in non-profit settings. The list is open to all interest individuals and list submissions are unmediated. However the list owner reserves the right to revoke subscriptions to the list in cases where the intent of the list is routinely violated or where general listserv etiquette and protocol are infringed. Gary Handman Director Media Resources Center Moffitt Library UC Berkeley 510-643-8566 ghand...@library.berkeley.edu http://www.lib.berkeley.edu/MRC I have always preferred the reflection of life to life itself. --Francois Truffaut VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. Gary Handman Director Media Resources Center Moffitt Library UC Berkeley 510-643-8566 ghand...@library.berkeley.edu http://www.lib.berkeley.edu/MRC I have always preferred the reflection of life to life itself. --Francois Truffaut VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
