Re: [Videolib] Criterion films on Hulu plus
Everyone, don't get too excited, same situation as Netflix :( http://www.hulu.com/terms "[...] You agree that your Hulu Plus account is for individual use only and your Hulu Plus account is limited to only one simultaneous stream at a time. Additionally, you agree that for various reasons, such as restrictions from content licensors and other limitations or considerations from third parties, certain Content that may be accessible through one Property may not be accessible through other Properties." Me thinks it's time to change the legal definition of a library to include "personhood"... Chris Markman Resource Library Coordinator Visual & Performing Arts Clark University 508.793.7481 cmark...@clarku.edu On Tue, Feb 15, 2011 at 7:02 PM, Kathleen DeLaurenti wrote: > FYI: > > > > > http://consumerist.com/2011/02/criterion-collection-may-give-film-buffs-a-reason-to-pay-for-hulu-plus.html > > > > > > *Kathleen DeLaurenti* > > *Reference & Instruction Librarian* > > *Cascadia Community College* > > *University of Washington Bothell* > > *18225 Campus Way NE* > > *Bothell, WA 98011-8245* > > *425-352-3659* > > *FAX 425-352-3165* > > *kdelaure...@uwb.edu* > > > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Streaming video for public libraries
This is slightly off topic, but I have been paying close attention the recent MPAA v. Zediva case < http://paidcontent.org/article/419-mpaa-v.-zediva-is-shaping-up-to-be-quite-the-legal-showdown/> for this exact reason...if the courts rule on the side of Zediva, then I don't see any reason why libraries can't duplicate the same functionality in-house with existing DVDs collections. The rest is just logistics and bandwidth. Am I crazy for thinking this will ever work? -Chris --- Chris Markman Resource Library Coordinator Visual & Performing Arts Clark University 508.793.7481 cmark...@clarku.edu On Wed, May 18, 2011 at 3:02 PM, Jessica Rosner wrote: > In that case I am stymied. I don't see any major rights holder gong for > that unless I suppose you can pay Netflix money to them or set up some kind > of fee per use which would of course go against the grain for libraries. As > a practical matter Swank is the only company that really handles a > significant number of feature films for libraries, they have some major > docs, but not a lot. > > > On Wed, May 18, 2011 at 2:56 PM, Kennedy Fulmer, Suella < > skennedyful...@co.marin.ca.us> wrote: > >> It would be for mostly remote use like the Netflix or download model, but >> some in-house stations set for that purpose. >> >> >> >> *From:* videolib-boun...@lists.berkeley.edu [mailto: >> videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jessica Rosner >> *Sent:* Wednesday, May 18, 2011 10:24 AM >> *To:* videolib@lists.berkeley.edu >> *Subject:* Re: [Videolib] Streaming video for public libraries >> >> >> >> Would this be streaming directly to a library for a patron to watch on >> premise? >> >> On Wed, May 18, 2011 at 1:16 PM, Kennedy Fulmer, Suella < >> skennedyful...@co.marin.ca.us> wrote: >> >> Greetings, >> >> I’m researching streaming video subscription options for a public library >> system which would hopefully include feature films and documentaries. Does >> anyone have experience with any particular company in this regard? >> >> >> >> We have looked at Alexander Street Press, Swank Digital Campus, Films On >> Demand and Overdrive. I know there are PPV options for features but does >> anyone offer a popular features package at this point in time? >> >> >> >> Any insight would be much appreciated. >> >> >> >> Many thanks, >> >> Suella >> >> >> >> *Suella Kennedy-Fulmer* >> >> *Interim Branch Manager* >> >> *Novato and South Novato Libraries* >> >> *skennedyful...@co.marin.ca.us* >> >> *415-897-1142* >> >> >> >> >> >> Email Disclaimer: http://www.co.marin.ca.us/nav/misc/EmailDisclaimer.cfm >> >> >> >> >> VIDEOLIB is intended to encourage the broad and lively discussion of >> issues relating to the selection, evaluation, acquisition,bibliographic >> control, preservation, and use of current and evolving video formats in >> libraries and related institutions. It is hoped that the list will serve as >> an effective working tool for video librarians, as well as a channel of >> communication between libraries,educational institutions, and video >> producers and distributors. >> >> >> >> >> -- >> Jessica Rosner >> Media Consultant >> 224-545-3897 (cell) >> 212-627-1785 (land line) >> jessicapros...@gmail.com >> >> VIDEOLIB is intended to encourage the broad and lively discussion of >> issues relating to the selection, evaluation, acquisition,bibliographic >> control, preservation, and use of current and evolving video formats in >> libraries and related institutions. It is hoped that the list will serve as >> an effective working tool for video librarians, as well as a channel of >> communication between libraries,educational institutions, and video >> producers and distributors. >> >> > > > -- > Jessica Rosner > Media Consultant > 224-545-3897 (cell) > 212-627-1785 (land line) > jessicapros...@gmail.com > > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Public Performance Rights in Academic Libraries
As a matter of practicality, where is the cut off between public and private screenings in an academic setting? Is it the facilities, funding, advertising, intended audience, or all of the above? Chris Markman Resource Library Coordinator Visual & Performing Arts Clark University 508.793.7481 cmark...@clarku.edu On Tue, Aug 9, 2011 at 9:51 AM, Shoaf,Judith P wrote: > This discussion reminded me of an event in my freshman year. Kenneth > Clark's Civilisation series had recently been shown on TV, I think, but not > many undergrads had (or cared to have, except maybe at 6 pm) television > access. The university sponsored a showing of the series as films projected > on the big screen--where the images were ravishing and the event really had > a community feeling (definitely more than 50 people there every evening!). I > suppose they rented rather than purchased the films. (A few years later, my > husband and I bonded over a similar showing of the restored Astaire-Rogers > RKO films.) > > > > Since Civilisation was I think long featured in Ambrose Media's collection, > I think of that when I think of the combination of institutional price + > limited PPR that Ambrose sells. Of course showing a videotape of an older > series to 50 students is not at all the same as the "event" quality I am > recalling. Nowadays the event tends to be the actual broadcast, which > gathers people in common areas with TV viewing (or something like the Met's > HD opera broadcasts, which form local & virtual communities). > > > > But memories like that do lead me to support the idea of film societies > *with budgets*! > > > > Judy Shoaf > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] vhs only list
Hi Gary, I've been working on some charts to go along with the list using my favorite screen scraper. It's a mostly automated process so there are some errors at the moment but I could see this being a very useful resource in years to come — especially when the "in X years everything will be streaming" debate crops up from time to time. Here's a quick sample of what I have so far: https://my.needlebase.com/actions/visualizer/V2Visualizer.do?domain=VHS-Only&query=Year+Distribution+Chart The list is still missing many dates but the "hump" through the 40s and 50s seems pretty clear. https://my.needlebase.com/actions/visualizer/V2Visualizer.do?query=Top+Directors&domain=VHS-Only I'm noticing some duplicate entries and other errors on that link but it'll be easy to clean up later — if everyone could stick to the same citation format while they're doing edits that will make this process much easier :) Eventually I'll figure our a way to fill in the missing date and director fields using the same site. Oh, and I should mention that if anyone wants to export this data and take a look at their collection it's really easy to do in Needlebase. Here's a link to an Excel friendly CSV file: https://my.needlebase.com/actions/api/V2Visualizer.do?domain=VHS-Only&render=Excel&query=Title Please err on the side of caution when you're using this data — work in progress! Chris Markman Resource Library Coordinator Visual & Performing Arts Clark University 508.793.7481 cmark...@clarku.edu On Thu, Aug 18, 2011 at 1:27 PM, wrote: > Hi all > > Well, being the obsessive/compulsive type that I am, I spent a few hours > with the list yesterday and this morning. Added a fair sprinkling of > literature-into-film titles. I also did a quick cull thru the entire list > and updated availability for many. > > I've been thinking: this is a really unique and useful resource. > Definitely think we should share it more broadly than this list. Anyone > got RTSD list connections? Other ideas? I think a short article in > Against the Grain might be useful (I love that little journal!). Any > other ideas? > > gary > > > Gary Handman > Director > Media Resources Center > Moffitt Library > UC Berkeley > > 510-643-8566 > ghand...@library.berkeley.edu > http://www.lib.berkeley.edu/MRC > > "I have always preferred the reflection of life to life itself." > --Francois Truffaut > > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Ideal Media Center
I'm not sure what's more outlandish... Jessica's ultimate Netflix idea or my Sci-Fi future where we transmit 8K video directly to the occipital lobe through our tongues: http://www.youtube.com/watch?v=xOhcy5Vov9k —Chris Markman On Fri, Aug 19, 2011 at 9:12 AM, Widzinski, Lori wrote: > So, let’s have a little work-fun on this summer Friday. If you were able to > design your ideal academic library media center, without any monetary or > space constraints, without any political entanglements, what would you > include? What would you exclude? Collection, services, circulation, > staffing…it’s all on the table. I’d be happy to compile a list if this gets > interesting. > > ** ** > > Thanks, > > Lori Widzinski > > ** ** > > Head, Multimedia Services > > University Libraries > > SUNY Buffalo > > Abbott Hall Rm 102 > > 3435 Main St Bldg 28 > > Buffalo, NY 14214-3002 > > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Need your reality check, pls
The catch-22 of the century... —Chris On Mon, Sep 12, 2011 at 3:40 PM, wrote: > That's what is enormously idiotic about 108 (well, one of the things): > there is absolutely no adequate definition of "damaged" or "at risk." If > we waited until the damn things were totally unplayable, how could we > preserve them. I'm basically taking the tact that virtually any tape over > a few years old (which means almost all of them) is at some physical risk > and has deteriorated to some extent. Bottom line is if it's on tape and > if it can't be repurchased in any format, it's fair game in my book. > > gary > > > > > > What really constitutes "physical danger." Does it have to be actual > > damage to the tape, bleed through, discoloration, etc., or can it be the > > fact that it might just cease to exist? Is this one of those "I know what > > it is when I see it" definitions, or is it really much more literal that > > that? > > > > What would that be -- they're being disappeared. > > > > Randal Baier > > > > > > - Original Message - > > From: "Jessica Rosner" > > To: videolib@lists.berkeley.edu > > Sent: Monday, September 12, 2011 2:23:24 PM > > Subject: Re: [Videolib] Need your reality check, pls > > > > Well the problem there is that I know you "object" to the part that > > requires any copy not to circulate beyond the library premise and of > > course that it can't be copied merely because it is rare, but must > > also be in physical danger. I have a feeling most people won't abide > > by those parts of the law and you can't just pick and choose what > > parts of copyright law you like. > > > > On Mon, Sep 12, 2011 at 2:11 PM, wrote: > >> We're not dealing with scarcity or uniqueness...we're dealing with > >> titles > >> that were initially available commercially, but are no available for > >> purchase in any format. Section 108 does not distinguish between fiction > >> and non-fiction film. If due diligence is done to determine the > >> unavailability of a feature, and if it meets the conditions of 108 in > >> terms of damage/loss, and is used as specified in 108, it is eligible > >> for > >> reproduction under the terms of the law. > >> > >> This project is attempting to develop methodologies and best practices > >> for > >> identifying such materials--both fiction and non-fiction--in library > >> collections, as well as best practices for dealing with these titles in > >> terms of preservation. > >> > >> gary > >> > >> > >>> Gary, > >>> I am a little confused on the goal here re feature films. It is very, > >>> very unlikely that out of print feature film is remotely rare in the > >>> archival sense. For a variety of business or legal reasons a studio, > >>> filmmaker or in many cases foreign company has chosen not reissue it. > >>> What would be the point of "preserving" and old VHS ( or DVD) of an > >>> out of print title by say anyone from John Ford to Fassbinder? It > >>> could not circulate and the rights holder would in fact have far > >>> better materials. > >>> > >>> As I have mentioned on more than one occasion I had a little > >>> "disagreement" with one of the heads of this project at ALA when he > >>> told a librarian that they should NOT attempt to contact a rights > >>> holder because they might object to copying a film they owned but was > >>> out of print. I would be rather surprised if this was your view. > >>> > >>> I am honestly a bit concerned by this project. I think some library > >>> collections may contain unique materials on film or things like > >>> BetaSp, but again it is awfully unlikely they would have truly unique > >>> material from most companies listed below. Are they planning to just > >>> make copies available of rare out o print titles because a rights > >>> holder most likely can't afford the cost of mastering and releasing > >>> the film? > >>> > >>> On Mon, Sep 12, 2011 at 1:43 PM, > wrote: > hi guys > > Still plugging away on the Mellon grant I've been alluding to for a > number > of months now (identifying out of distribution/at-risk materials in > library video collections) > > The task is going to be to develop a methodology to identify potential > candidates in library video collections. The project lead is NYU and > the > investigators there are looking at scarce titles in the collections of > each of the three project partners (i.e. held by one library only) as > a > test universe. > > I'm developing a considerably different approach. My sense is that > scarce > titles aren't necessarily the titles that require most urgent > attention > (primarily because they don't circulate much, and because a lot of > these > tend to be stuff that wasn't commercially distributed in the first > place). > Instead, I want to focus on a model that identifies broad groups of > commercially distributed titles that are likely to be out of > d
Re: [Videolib] Piracy: another perspective
It's really interesting to see how the attitudes of artists and distributors can differ so greatly on this issue. I think this is a situation where both sides have valid arguments yet fail to address the real issue, which is how we as a society can help shape a world that satisfies both needs outside (or in parallel) to an economic system that demand a bottom line? To me, the real danger here is painting the entire scene with one broad stroke. In this particular example, Trey Ratcliff seems to be keyed into the "attention" economy only because he has satisfied his needs in the "real" economy. I'm not ready to dismiss the 5 points he made as mere rationalization, but I do think he left out one critical caveat—your millage may vary. Chris Markman Resource Library Coordinator Visual & Performing Arts Clark University 508.793.7481 cmark...@clarku.edu On Tue, Dec 20, 2011 at 4:08 PM, Chris McNevins wrote: > ** > > Hi All, > > My cousin sent me this tidbit: > > * > https://plus.google.com/105237212888595777019/posts/Da1wjfvrLxq#105237212888595777019/posts/Da1wjfvrLxq > *<https://plus.google.com/105237212888595777019/posts/Da1wjfvrLxq#105237212888595777019/posts/Da1wjfvrLxq> > > > > *Chris McNevins* | ACQUISITIONS COORDINATOR > > UNIVERSITY OF CONNECTICUT | HOMER BABBIDGE LIBRARY > > 369 Fairfield Way Unit 2005AM | Storrs, CT 06269-2005 USA > > ***PH*: 860-486-3842 |*** FX*: 860-486-6493 |*** EMAIL*: * > chris.mcnev...@uconn.edu* > > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Question regarding Netflix or Blockbuster accounts forstudents
While we're on the subject, I highly recommend the website www.instantwatcher.com as a librarian friendly alternative to the Netflix catalog. Be sure to check out the "Expiring Soon" section :) Cheers, Chris Markman On Tue, Jan 24, 2012 at 2:51 PM, Borden, Lisa M. wrote: > Thanks, Jo Ann. > > ** ** > > Lisa M. Borden > > Serials & Electronic Resources Librarian, Section Head > > UTEP Library - Acquisitions > > PH: (915) 747-6709 > > E-Mail: lmbor...@utep.edu > > ** ** > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Jo Ann Reynolds > *Sent:* Tuesday, January 24, 2012 11:40 AM > *To:* videolib@lists.berkeley.edu > *Subject:* Re: [Videolib] Question regarding Netflix or Blockbuster > accounts forstudents > > ** ** > > Yes, we do that when we can’t get streaming rights for the film or, in > rare cases, when we can’t get a copy of the DVD. We have also advised > faculty and students to use Hulu and Hulu plus as well as a variety of > other resources including Internet Archive. > > ** ** > > Jo Ann > > ** ** > > Jo Ann Reynolds > > Reserve Services Coordinator > > University of Connecticut Libraries > > 369 Fairfield Road, Unit 2005RR > > Storrs, CT 06269-2005 > > jo_ann.reyno...@uconn.edu > > 860-486-1406 > > 860-486-5636 (fax) > > *http://classguides.lib.uconn.edu/mediaresources * > > ** ** > > ** ** > > ** ** > > *From:* videolib-boun...@lists.berkeley.edu [mailto: > videolib-boun...@lists.berkeley.edu] *On Behalf Of *Borden, Lisa M. > *Sent:* Tuesday, January 24, 2012 1:30 PM > *To:* videolib@lists.berkeley.edu > *Subject:* [Videolib] Question regarding Netflix or Blockbuster accounts > forstudents > > ** ** > > All: > > ** ** > > Do any of you know of or have faculty at your institutions who ask their > students to sign up for either Netflix or Blockbuster accounts in order to > watch movies or TV programs for course assignments? > > ** ** > > I’m trying to get a sense of whether this is commonly or rarely done. > > ** ** > > You can reply to me either on or off list. > > ** ** > > Thanks, > > ** ** > > Lisa M. Borden > > Serials & Electronic Resources Librarian, Section Head > > UTEP Library - Acquisitions > > PH: (915) 747-6709 > > E-Mail: lmbor...@utep.edu > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] acquisition
DVD-R line-in recording from what looks like a 15 year old VHS tape, to be exact Chris Markman Resource Library Coordinator Visual & Performing Arts Clark University 508.793.7481 cmark...@clarku.edu On Thu, Aug 12, 2010 at 3:02 PM, wrote: > Given the production info that Jennifer provided, I smell bootleg > > gary > > > > Hi Jennifer, > > > > I believe this is the item you're looking for: > > > http://www.classicalvideorarities.com/store/product_info.php?products_id=218 > > > > Although the title the vendor lists is Stravinsky Rite of Spring > > Documentary and complete performance by the Joffrey Ballet, the program > is > > actually The Search for Nijinsky's Rite of Spring and matches what's in > > the record below. > > > > Note that it comes as a DVD-R. Here's a note from the OCLC record: > > > > This disc is a recorded DVD and may fail to play on some DVD equipment./ > > Originally aired by WNET/13 New York in 1989 as part of the series Great > > performances : dance in America./ Participants: Kathryn Walker, narrator > ; > > Joffrey Ballet ; Orchestra of the National Theatre, Prague ; Allan Lewis, > > conductor > > > > Cheers, > > > > Matt > > > > > > > > > > Matt Ball > > Media and Student Services Librarian > > University of Virginia > > Charlottesville, VA 22904 > > mattb...@virginia.edu< > https://mail.eservices.virginia.edu/owa/redir.aspx?C=62fe60f092584617be4c37bdfc2dcf42&URL=mailto%3amattball%40virginia.edu > > > > | 434-924-3812 > > > > From: videolib-boun...@lists.berkeley.edu > > [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Jen Matthews > > Sent: Thursday, August 12, 2010 12:19 PM > > To: videolib@lists.berkeley.edu > > Subject: [Videolib] acquisition > > > > Does anyone have ideas of where I might be able to find a copy of the > film > > mentioned below? One of my professors is requesting it for a class this > > semester and I cannot seem to locate it. Thanks in advance! > > > > Jennifer > > > > Jennifer Matthews > > (574)631-9038 (work) > > matthews...@nd.edu > > > > > > The search for Nijinsky's Rite of spring [videorecording] / a > > co-production of WNET/New York and Danmarks Radio in association with > > Czechoslovak Television and BBC, La Sept, NOS Television ; dance directed > > by Thomas Grimm ; documentary directed by Judy Kinberg ; produced by Judy > > Kinberg and Thomas Grimm. New York, N.Y. : WNET/13, 1989. (58 min.) : > sd., > > col. with b&w sequences > > Notes: Narrator, Kathryn Walker. > > Danced by the Joffrey Ballet: Carole Valleskey (A 300-year-old woman), > > Paul Shoemaker (Old sage), Beatriz Rodriguez (The chosen one), and > others. > > Music performed by the Orchestra of the National Theatre, Prague, > > conducted by Allan Lewis. > > Set coordinator, Ves Harper ; lighting, Jorgen Johannessen and Tim Hunter > > ; production executive, Rhoda Grauer ; writer, Holly Brubach. > > Concluding performance by the Joffrey Ballet: choreography, Vaslav > > Nijinsky, reconstructed and staged by Millicent Hodson ; music, Igor > > Stravinsky ; scenario, Igor Stravinsky and Nikolai Roerich ; scenery and > > costumes, Nikolai Roerich, reconstructed by Kenneth Archer ; artistic > > supervision of reconstruction, Robert Joffrey. > > Telecast by WNET/13, New York, on the Great Performances: Dance in > America > > series on November 24, 1989. > > Documentary on the history and reconstruction of Vaslav Nijinsky's ballet > > The rite of spring (Le sacre du printemps). The 1913 premiere of the > > ballet is illustrated through still photographs and historical footage of > > interviews with Igor Stravinsky and Dame Marie Rambert. Dance historian > > Millicent Hodson and art historian Kenneth Archer describe the process of > > reconstructing the ballet, which is then seen in a performance by the > > Joffrey Ballet. > > On Jul 29, 2010, at 10:39 AM, Jen Matthews wrote: > > > > > > VIDEOLIB is intended to encourage the broad and lively discussion of > > issues relating to the selection, evaluation, acquisition,bibliographic > > control, preservation, and use of current and evolving video formats in > > libraries and related institutions. It is hoped that the list will serve > > as an effective working tool for video librarians, as well as a channel > of > > communication between libraries,educational institutions, and vid
[Videolib] PPR Question: Where do you post your event info?
Hi Everyone, I'm curious, how do you publicize your hard earned public performance rights? Is this information aggregated anywhere online? I have an idea for a website and/or iPhone app... Best, Chris ---- Chris Markman Resource Library Coordinator Visual & Performing Arts Clark University 508.793.7481 cmark...@clarku.edu VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Follow-up on recent question re: managing PPR information
Thanks for the follow-up Deg! When I asked this question initially I meant more along the lines of how or where does your library announce screenings but this is also really good info—my "PPR GPS" idea could work both ways: a directory of upcoming screenings in your area *and* a focused union catalog. Do we have any folks from OCLC on the list? ;) Cheers, Chris On Mon, Mar 19, 2012 at 7:54 PM, Deg Farrelly wrote: > There was a question last week or so about handling PPR info. I referred > to a recent survey and said I would find out more information. > > I checked with the Kathy Edwards at Clemson University, author of the > survey about redistribution, etc. She asked that I direct curious folks to > her directly. What she provided was a simple compilation of responses to > her survey on managing PPR info. There were about 38 responses as I recall. > > For further information please contact Kathy Edwards directly: > > Kathy Edwards > Reference & Collection Development Librarian > Emery A. Gunnin Architecture Library > 112 Lee Hall, Clemson University > Clemson SC 29634 > kat...@clemson.edu > (864) 656-4289 > > > Hope this is useful information. > > -deg > > deg farrelly > ASU Libraries > Arizona State University > P.O. Box 871006 > Tempe, Arizona 85287-1006 > 480.965.1403 > > > VIDEOLIB is intended to encourage the broad and lively discussion of > issues relating to the selection, evaluation, acquisition,bibliographic > control, preservation, and use of current and evolving video formats in > libraries and related institutions. It is hoped that the list will serve as > an effective working tool for video librarians, as well as a channel of > communication between libraries,educational institutions, and video > producers and distributors. > VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
