[VIHUELA] Re: some Ulm mandore pieces

2011-01-17 Thread Nelson, Jocelyn
   Hi Chris,

   I think you're too modest about the clarity of texture you achieve, but
   I agree that
   tablature can be an excellent type of notation; much more useful than
   we
   moderns expect.

   Best,
   Jocelyn

   On 1/16/2011 4:09 AM, Chris Despopoulos
   [1]despopoulos_chr...@yahoo.com wrote:

  Thanks for the encouragement.  I'll say that if you can hear
   distinct

  voices in the mandore, blame the composer.  The logic of his

  compositions, and the way he implies continuity in the voices when
   the

  plectrum can't carry it explicitly is pure genius.  The tablature

  indicates everything -- up and down strokes are particularly

  important.  You could almost imagine an elaborate wind-up machine

  controlled by the instructions and successfully playing this stuff,

  it's that logical.

  Cheers cud

__

  From: Nelson, Jocelyn [2]nels...@ecu.edu

  To: Chris Despopoulos [3]despopoulos_chr...@yahoo.com; Stuart
   Walsh

  [4]s.wa...@ntlworld.com

  Cc: Vihuelalist [5]vihuela@cs.dartmouth.edu

  Sent: Fri, January 14, 2011 7:26:28 PM

  Subject: [VIHUELA] Re: some Ulm mandore pieces

  I enjoyed this, Chris. The voices in the Chancy pieces are clear and

  distinct from each other, and it's kind of amazing you were able to

  this with a plectrum. So I think you do show the depth in these
   little

  pieces. Chancy's an interesting composer.

  And I like your strums in the Sanz! Thanks for posting and sending
   the

  link.

  Best,

  Jocelyn

  

  From: Chris Despopoulos [[1][6]despopoulos_chr...@yahoo.com]

  Sent: Wednesday, January 12, 2011 12:39 PM

  To: Stuart Walsh; Nelson, Jocelyn

  Cc: Vihuelalist

  Subject: Re: [VIHUELA] Re: some Ulm mandore pieces

  Always one to toot my own horn (or pluck my own strings, as it
   were), I

  have posted some recordings on my personal site at:

  [2][7]http://cudspan.net/baroque/

  Two tracks are some old recordings I did on the mandore, and three

  others are on the baroque guitar...  I keep meaning to do better,
   but

  where's the time?

  Anyway, the mandore recordings are of Chancy's Suite #5, and 3 of
   his

  series of 6 branles.  The tablatures are for a 4-string instrument,
   and

  as I understand it, to be played with a plectrum.  At least that's
   what

  I was taught by Didier Le Roux and other members of l'Ensemble
   Gabriel

  Leone (I was *very* fortunate to attend a class that reviewed the

  mandolin.  I never made it past the mandore.)

  In spite of being played with a plectrum, the Chancy music is full
   of

  hidden polyphony.  For the miniature qualities it has on the
   surface, I

  believe the music is vast in scope...  if only I could reveal a

  fraction of its depth and breadth I'd be happy.

  Anyway, for your enjoyment...  Vive le mandore!

  cheers  cud

  

  From: Stuart Walsh [3][8]s.wa...@ntlworld.com

  To: Nelson, Jocelyn [4][9]nels...@ecu.edu

  Cc: Vihuelalist [5][10]vihuela@cs.dartmouth.edu; Chris Despopoulos

  [6][11]despopoulos_chr...@yahoo.com

  Sent: Wed, January 12, 2011 11:52:10 AM

  Subject: [VIHUELA] Re: some Ulm mandore pieces

  On 12/01/2011 16:35, Nelson, Jocelyn wrote:

   Certainly nothing wrong with dances and ballad tunes, as you

  demonstrate.

  

   Is the tuning similar to the 4-course?

  

   I'm not familiar with mandore literature, and now I'm looking
   forward

  to

   learning more about it.

  

   JN

  

  

  

  Jean-Marie Poirier has a site devoted to the instrument.

  [7][12]http://le.luth.free.fr/mandore/index.html

  It's French, of course but  there is a pdf of an article by the late

  James Tyler from Early Music. Donald Gill and James Tyler have both

  tried to promote the mandore (and the mandolino) and have both
   written

  about them.

  Supposing a tuning with top d (it might be g - or something else)
   then

  a

  four-course tuning would be g-d-g-d (or g-d-g'-d' or maybe I mean
   d'',

  but you get the point!). And a five course instrument would be

  d-g-d-g-d. But on both four and five-course instruments the top
   course

  could be lowered to c, b flat etc. Also the Skene MS has a section
   of

  pieces in lute tuning.

  Stuart

  

   On 1/11/2011 2:34 PM, Stuart


   Walsh[8][13]s.wa...@ntlworld.com[14]mailto:[9]s.wa...@ntlworld.com
 wrote:

  

   On 11/01/2011 01:48, Nelson, Jocelyn wrote:

   I really enjoyed this, Stuart. Thanks for posting!

   Best,

   Jocelyn

  

  

 

[VIHUELA] Re: some Ulm mandore pieces

2011-01-17 Thread Chris Despopoulos
   Yes, but I was also getting at the logic of his composition.  He takes
   your right hand and moves it around in ways that you would never
   expect.  And he breaks the voices up in ways that do really hide the
   polyphony... but reveal it at the same time.  It's sort of like a
   painting that suggest the form more than explicitly outlines it.  If
   you look at it in a certain way, you see it like a photograph.  A
   different way of seeing reduces it to loosely connected
   calligraphy. It's truly amazing stuff, and I can't pretend I understand
   it.  But I like it!
   cud
 __

   From: Nelson, Jocelyn nels...@ecu.edu
   To: Chris Despopoulos despopoulos_chr...@yahoo.com; Stuart Walsh
   s.wa...@ntlworld.com
   Cc: Vihuelalist vihuela@cs.dartmouth.edu
   Sent: Mon, January 17, 2011 11:43:16 AM
   Subject: [VIHUELA] Re: some Ulm mandore pieces
 Hi Chris,
 I think you're too modest about the clarity of texture you achieve,
   but
 I agree that
 tablature can be an excellent type of notation; much more useful than
 we
 moderns expect.
 Best,
 Jocelyn
 On 1/16/2011 4:09 AM, Chris Despopoulos
 [1][1]despopoulos_chr...@yahoo.com wrote:
 Thanks for the encouragement.  I'll say that if you can hear
 distinct
 voices in the mandore, blame the composer.  The logic of his
 compositions, and the way he implies continuity in the voices
   when
 the
 plectrum can't carry it explicitly is pure genius.  The tablature
 indicates everything -- up and down strokes are particularly
 important.  You could almost imagine an elaborate wind-up machine
 controlled by the instructions and successfully playing this
   stuff,
 it's that logical.
 Cheerscud

   __
 From: Nelson, Jocelyn [2][2]nels...@ecu.edu
 To: Chris Despopoulos [3][3]despopoulos_chr...@yahoo.com;
   Stuart
 Walsh
 [4][4]s.wa...@ntlworld.com
 Cc: Vihuelalist [5][5]vihuela@cs.dartmouth.edu
 Sent: Fri, January 14, 2011 7:26:28 PM
 Subject: [VIHUELA] Re: some Ulm mandore pieces
 I enjoyed this, Chris. The voices in the Chancy pieces are clear
   and
 distinct from each other, and it's kind of amazing you were able
   to
 this with a plectrum. So I think you do show the depth in these
 little
 pieces. Chancy's an interesting composer.
 And I like your strums in the Sanz! Thanks for posting and
   sending
 the
 link.
 Best,
 Jocelyn
 
 From: Chris Despopoulos [[1][6][6]despopoulos_chr...@yahoo.com]
 Sent: Wednesday, January 12, 2011 12:39 PM
 To: Stuart Walsh; Nelson, Jocelyn
 Cc: Vihuelalist
 Subject: Re: [VIHUELA] Re: some Ulm mandore pieces
 Always one to toot my own horn (or pluck my own strings, as it
 were), I
 have posted some recordings on my personal site at:
 [2][7][7]http://cudspan.net/baroque/
 Two tracks are some old recordings I did on the mandore, and
   three
 others are on the baroque guitar...  I keep meaning to do better,
 but
 where's the time?
 Anyway, the mandore recordings are of Chancy's Suite #5, and 3 of
 his
 series of 6 branles.  The tablatures are for a 4-string
   instrument,
 and
 as I understand it, to be played with a plectrum.  At least
   that's
 what
 I was taught by Didier Le Roux and other members of l'Ensemble
 Gabriel
 Leone (I was *very* fortunate to attend a class that reviewed the
 mandolin.  I never made it past the mandore.)
 In spite of being played with a plectrum, the Chancy music is
   full
 of
 hidden polyphony.  For the miniature qualities it has on the
 surface, I
 believe the music is vast in scope...  if only I could reveal a
 fraction of its depth and breadth I'd be happy.
 Anyway, for your enjoyment...  Vive le mandore!
 cheers  cud
 
 From: Stuart Walsh [3][8][8]s.wa...@ntlworld.com
 To: Nelson, Jocelyn [4][9][9]nels...@ecu.edu
 Cc: Vihuelalist [5][10][10]vihuela@cs.dartmouth.edu; Chris
   Despopoulos
 [6][11][11]despopoulos_chr...@yahoo.com
 Sent: Wed, January 12, 2011 11:52:10 AM
 Subject: [VIHUELA] Re: some Ulm mandore pieces
 On 12/01/2011 16:35, Nelson, Jocelyn wrote:
  Certainly nothing wrong with dances and ballad tunes, as you
 demonstrate.
 
  Is the tuning similar to the 4-course?
 
  I'm not familiar with mandore literature, and now I'm looking
 forward
 to
  learning more 

[VIHUELA] Re: James Tyler

2011-01-17 Thread Azalais
   UPS just delivered the book that I had pre-ordered through Amazon.com:
   A Guide to Playing the Baroque Guitar by James Tyler
   [1]http://www.amazon.com/Playing-Baroque-Guitar-Publications-Institute/
   dp/0253222893/ref=sr_1_1/179-9381492-8216226?ie=UTF8s=booksqid=129528
   8097sr=8-1
   It was released ahead of schedule and is in stock and shipping now.
   --

References

   1. 
http://www.amazon.com/Playing-Baroque-Guitar-Publications-Institute/dp/0253222893/ref=sr_1_1/179-9381492-8216226?ie=UTF8s=booksqid=1295288097sr=8-1


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[VIHUELA] Re: James Tyler

2011-01-17 Thread Monica Hall
   That's interesting.   Are you in the USA?   My order is still showing
   estimated release date as 31st March.



   Monica

   - Original Message -

   From: [1]Azalais

   To: [2]Monica Hall

   Cc: [3]Vihuelalist

   Sent: Monday, January 17, 2011 6:18 PM

   Subject: Re: [VIHUELA] Re: James Tyler

 UPS just delivered the book that I had pre-ordered through
 Amazon.com:
 A Guide to Playing the Baroque Guitar by James Tyler
 [4]http://www.amazon.com/Playing-Baroque-Guitar-Publications-Institu
 te/dp/0253222893/ref=sr_1_1/179-9381492-8216226?ie=UTF8s=booksqid=
 1295288097sr=8-1
 It was released ahead of schedule and is in stock and shipping now.

   --

References

   1. mailto:azal...@gmail.com
   2. mailto:mjlh...@tiscali.co.uk
   3. mailto:vihuela@cs.dartmouth.edu
   4. 
http://www.amazon.com/Playing-Baroque-Guitar-Publications-Institute/dp/0253222893/ref=sr_1_1/179-9381492-8216226?ie=UTF8s=booksqid=1295288097sr=8-1


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[VIHUELA] Re: James Tyler

2011-01-17 Thread Azalais
   Yes, I am in Florida.   I was quite surprised when it showed up!

   On Mon, Jan 17, 2011 at 4:06 PM, Monica Hall [1]mjlh...@tiscali.co.uk
   wrote:

 That's interesting.   Are you in the USA?   My order is still showing
 estimated release date as 31st March.
 Monica
 - Original Message -

 From: [1]Azalais
 To: [2]Monica Hall
 Cc: [3]Vihuelalist
 Sent: Monday, January 17, 2011 6:18 PM
 Subject: Re: [VIHUELA] Re: James Tyler
   UPS just delivered the book that I had pre-ordered through
   Amazon.com:
   A Guide to Playing the Baroque Guitar by James Tyler


 [4][2]http://www.amazon.com/Playing-Baroque-Guitar-Publications-Inst
 itu


   te/dp/0253222893/ref=sr_1_1/179-9381492-8216226?ie=UTF8s=booksqid=
   1295288097sr=8-1
   It was released ahead of schedule and is in stock and shipping now.

   --
 References
   1. mailto:[3]azal...@gmail.com
   2. mailto:[4]mjlh...@tiscali.co.uk
   3. mailto:[5]vihuela@cs.dartmouth.edu

 4.
   [6]http://www.amazon.com/Playing-Baroque-Guitar-Publications-Institute/
   dp/0253222893/ref=sr_1_1/179-9381492-8216226?ie=UTF8s=booksqid=129528
   8097sr=8-1
   To get on or off this list see list information at
   [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:mjlh...@tiscali.co.uk
   2. http://www.amazon.com/Playing-Baroque-Guitar-Publications-Institu
   3. mailto:azal...@gmail.com
   4. mailto:mjlh...@tiscali.co.uk
   5. mailto:vihuela@cs.dartmouth.edu
   6. 
http://www.amazon.com/Playing-Baroque-Guitar-Publications-Institute/dp/0253222893/ref=sr_1_1/179-9381492-8216226?ie=UTF8s=booksqid=1295288097sr=8-1
   7. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html



[VIHUELA] Re: James Tyler

2011-01-17 Thread A. J. Ness

It's published by Indiana University Press.
- Original Message - 
From: Azalais azal...@gmail.com

To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Monday, January 17, 2011 4:33 PM
Subject: [VIHUELA] Re: James Tyler



  Yes, I am in Florida.   I was quite surprised when it showed up!

  On Mon, Jan 17, 2011 at 4:06 PM, Monica Hall [1]mjlh...@tiscali.co.uk
  wrote:

That's interesting.   Are you in the USA?   My order is still showing
estimated release date as 31st March.
Monica
- Original Message -

From: [1]Azalais
To: [2]Monica Hall
Cc: [3]Vihuelalist
Sent: Monday, January 17, 2011 6:18 PM
Subject: Re: [VIHUELA] Re: James Tyler
  UPS just delivered the book that I had pre-ordered through
  Amazon.com:
  A Guide to Playing the Baroque Guitar by James Tyler


[4][2]http://www.amazon.com/Playing-Baroque-Guitar-Publications-Inst
itu


  te/dp/0253222893/ref=sr_1_1/179-9381492-8216226?ie=UTF8s=booksqid=
  1295288097sr=8-1
  It was released ahead of schedule and is in stock and shipping now.

  --
References
  1. mailto:[3]azal...@gmail.com
  2. mailto:[4]mjlh...@tiscali.co.uk
  3. mailto:[5]vihuela@cs.dartmouth.edu

4.
  [6]http://www.amazon.com/Playing-Baroque-Guitar-Publications-Institute/
  dp/0253222893/ref=sr_1_1/179-9381492-8216226?ie=UTF8s=booksqid=129528
  8097sr=8-1
  To get on or off this list see list information at
  [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

  --

References

  1. mailto:mjlh...@tiscali.co.uk
  2. http://www.amazon.com/Playing-Baroque-Guitar-Publications-Institu
  3. mailto:azal...@gmail.com
  4. mailto:mjlh...@tiscali.co.uk
  5. mailto:vihuela@cs.dartmouth.edu
  6. 
http://www.amazon.com/Playing-Baroque-Guitar-Publications-Institute/dp/0253222893/ref=sr_1_1/179-9381492-8216226?ie=UTF8s=booksqid=1295288097sr=8-1

  7. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html