enormous spaces, cavernous spaces
enormous spaces, cavernous spaces resonant sound and light within them people almost invisible transparent as wall avatar projections slight smell of ozone echoed spaces reverberations spaces the length of sound waves within the bandwidth of hearing humans shifters stammers stutters within those spaces enormous spaces, cavernous spaces reinforcements and cancellations mobile air spaces within spaces interior spaces sounds within spaces within spaces images avatars within sound population of plato's cave always already in the outside world yes yes yes yes yes everyone is shadows are everyone viewers worlds within the same without the same worlds without viewers and viewers without worlds bodies moving through spaces hungry ghosts disappearing from one to the other of the imaginary imaginary real and real imaginary and no outside of the 5-space sphere torn and ragged raged images torn and ragged raged peoples and smell of ozone smell of sex enormous spaces, cavernous spaces viewers as if naked as if desired desiring viewers of worlds and worlds of viewers (bounding bouncing spaces of wired spoolings) http://www.asondheim.org/dense3s.mov (not an illustration)
Physics News Update 761 (fwd)
-- Forwarded message -- Date: Wed, 11 Jan 2006 14:45:04 -0500 From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Physics News Update 761 PHYSICS NEWS UPDATE The American Institute of Physics Bulletin of Physics News Number 761 January 11, 2006 by Phillip F. Schewe, Ben Stein BEST DIRECT TEST OF E=mc^2. Albert Einstein's formulation of how matter and energy are equivalent is an important enunciation of the principle of conserved energy. As far as we know, it is at work at the moment an atom bomb explodes, when the fissioning of uranium is exploited for making commercial electricity, or when an electron and positron annihilate inside a PET scanner. A new experiment---conducted by scientists from MIT, Universite Laval, Florida State, Oxford, NIST, and Institut Laue-Langevin---keeps careful account of both matter mass and electromagnetic energy for a process in which ions of sulphur and silicon absorb neutrons, transforming them into new isotopes as they emit gamma rays. In this transaction Einstein's equation is shown experimentally to be true at a level of 0.4%, a factor of 55 better than the previous best test. (Rainville et al., Nature, 22/29 December 2005.) EXTRASOLAR PLANETS IN BINARY STAR SYSTEMS were, at first, unexpected since it was thought that the presence of a second or even third star would disrupt the formation of a planet in the first place. But then why have 30 such exoplanets been found in double and triple star groupings? Moreover, some of the planets detected reside in systems where the companion stars are not far away but actually rather close in---tens of astronomical units (one AU equals the Earth-Sun distance) or less. At this week's meeting of the American Astronomical Society (AAS) in Washington, DC, Alan Boss argued that the presence of a second star, far from disrupting the formation of planets around the first star from diffuse matter, can actually enhance the enterprise. Boss, an astronomer at the Carnegie Institution, said that the cross-gravitational forces operating in a multiple-star system can in some cases, through the process of shock heating, trigger a faster development of dense spiral arms in which gas and dust clumping can lead to planets. Since an estimated two thirds of all stars in the Milky Way reside in complex groupings, Boss asserted that a theory allowing for matter agglomeration in such places would greatly increase the number of suitable targets for exoplanet hunters. (Images at http://www.dtm.ciw.edu/boss/ftp/binary/ ) EXTENDED RED EMISSION (or ERE), a mysterious astronomical effect in which regions of diffuse red light are observed in planetary nebulae and in the galactic halo, comes from nanodiamonds in space. So say Huan-Cheng Chang and his colleagues at the Academia Sinica in Taiwan. At the AAS meeting, they reported the results of a recent experiment. As they suspected that ERE was analogous to the operation of a fluorescent lamp---where ultraviolet light is converted into visible light when it strikes a coating inside the lamp tube. In the experiment, nanometer-sized diamonds, first filled with defects by hitting the diamonds with a powerful proton beam, then heated to a temperature of 800 C to create conditions roughly matching those of space. When yellow and blue light was shone on the nanodiamonds, ERE-type luminescence resulted. The diamonds presumably would have been made in the vicinity of carbon-rich stellar zones. One example of such emission, in the proto-planetary nebula HD 44179, also called "The Red Rectangle,"can be seen at http://www.iras.ucalgary.ca/~kwok/aas207/ . Further discussion of the Red Rectangle was provided by Boston University astronomer Kenneth Brecher (see http://lite.bu.edu/vision/applets/Lightness/Pyramid/Pyramid.html ) SHOCK-PRODUCED COHERENT LIGHT. Physicists at MIT and Livermore National Lab have discovered a new source of coherent radiation distinct from traditional lasers and free-electron lasers; they propose to build a device in which coherent photons are produced by sending shock waves through a crystal. The result would be coherent light resembling the radiation issuing from a laser; but the mechanism of light production would not be stimulated emission, as it is in a laser, but rather the concerted motion of row after row of atoms in the target crystal. The passing shock front, set in motion by a projectile or laser blast, successively excites a huge density wave in the crystal; the atoms, returning to their original places in the matrix, emit light coherently, mostly in the THz wavelength band. Although sources of coherent light in this part of the electromagnetic spectrum have developed in recent years, it is still a difficult task. The next step will be to carry out an experimental test of the shock-wave light production. This work will be performed at two national labs---Livermore and Los Alamos. According to Evan Reed (who moved from MIT to Livermore, [EMA
Babel Being Born
http://tinyurl.com/7d85z Peter Ciccariello BLOG - http://invisiblenotes.blogspot.com/
Re: two films for large projection
absolutely, but the reverse is true as well, no organism (except bacteria flagella) could survive that twisting... - Alan On Wed, 11 Jan 2006, mwp wrote: There?s also a sense, for me, of the anxiety of the machinic that ?knows? it will never breach the gap between algorithm and human flesh, so that it vainly struggles and goes through the programmed, repetitive motions of sex, of tumescing and probing and thrusting and all that, without ever achieving true bodily contact, true erotic transcendence, true climax. No fractal will ever reach to the heart of nature, in my view, and no machine will ever reach to the heart of eros. m
the first photograph
"dream of a photographic substance distinct from subject matter, and of an art in which light creates its own metaphor" http://www.hrc.utexas.edu/exhibitions/permanent/wfp/images/1d.jpg
zone(2): 0 pages
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Family Approach
Dear friend, I am I got It is true that I had but I have When war erupted before he was persons Now I We want you We are interested If you want Regards Mrs
Fwd: Download links to Godard
Links, anybody? m Begin forwarded message: Histoires du Cinema Histoire(s) du cin?ma 1A: Toutes les histoires (1989) http://rapidshare.de/files/10235363/Godard_-_histoires -1a__lower_resolution_.wmv 73.13 MB Histoire(s) du cin?ma 1B: Une histoire seule (1989) http://rapidshare.de/files/10236205/Godard-histoire_s__1b.wmv 46.29 MB Histoire(s) du cin?ma 2A: Seul le cin?ma (1997) http://rapidshare.de/files/10207720/Godard_histoires_2a.mov 59.03 MB http://rapidshare.de/files/10192384/Godard_histoires_2b.mov 62.21 MB Le Vent d'est (1970) Wind from the East English narration http://rapidshare.de/files/10298790/Godard-DVGroup-ventdest_part1.wmv 95.12 MB http://rapidshare.de/files/10300903/Godard-DVGroup-ventdest_part3.wmv 58.96 MB http://rapidshare.de/files/10304824/Godard-DVGroup-ventdest_part2.wmv 95.11 MB Charlotte et son Jules (1960) http://rapidshare.de/files/10238908/Godard_-_Charlotte_Et_Son_Jules.avi 80.98 MB Meetin' WA (1986) http://rapidshare.de/files/10239510/Godard-Woody-Allen-MeetingWA.wmv 37.59 MB Pravda (1970) http://rapidshare.de/files/10240661/Godard-DzigaVertovGroup-pravda.wmv 64.49 MB British Sounds (1970) Directed by Jean-Luc Godard Jean-Henri Roger http://rapidshare.de/files/10306359/Godard-british- sounds_part1.wmv 85.07 MB http://rapidshare.de/files/10306701/Godard-british- sounds_part2.wmv 14.90 MB Vladimir et Rosa (1970) http://rapidshare.de/files/10426047/Godard-Vladimir_et_Rosa_part1.wmv 85.09 MB http://rapidshare.de/files/10427653/Godard-Vladimir_et_Rosa_part2.wmv 85.06 MB Made in U.S.A. (1966) http://rapidshare.de/files/10211167/Godard_-_Made_in_USA__Part_1_.wmv 66.62 MB http://rapidshare.de/files/10213683/Godard_-_Made_in_USA__part_2_.wmv 79.78 MB http://rapidshare.de/files/10229988/Godard_-_Made_in_USA__part_3_.wmv 83.40 MB http://rapidshare.de/files/10233063/Godard_-_Made_in_USA__part_4_.wmv 69.93 MB One P.M. (1972) Directed by Jean-Luc Godard D.A. Pennebaker http://rapidshare.de/files/10243562/Godard-Pennebaker-onepm_part1.wmv 95.18 MB http://rapidshare.de/files/10245164/Godard-Pennebaker-onepm_part2.wmv 95.11 MB http://rapidshare.de/files/10245540/Godard-Pennebaker-onepm_part3.wmv 21.00 MB http://rapidshare.de/files/10237978/Godard-Pennebaker- jefferson_airplane_dec_7_1968_The_House_at_Pooneil_Corner.mpg.html Le Gai savoir (1969) http://rapidshare.de/files/10248456/Godard_-_le-gai-savoir_part1.wmv 95.13 MB http://rapidshare.de/files/10287116/Godard_-_le-gai-savoir_part2.wmv 95.12 MB http://rapidshare.de/files/10289935/Godard_-_le-gai-savoir_part3.wmv 69.46 MB Dans le noir du temps from Ten Minutes Older: The Cello (2002) no subtitles http://rapidshare.de/files/10428694/Godard_- _Dans_le_noir_du_temps__Ten_Minutes_Older_segment_.wmv 40.78 MB Anticipation, ou l'amour en l'an 2000 from Le Plus vieux m?tier du monde (1967) dubbed in English http://rapidshare.de/files/10390479/Godard- Anticipation__ou_l_amour_en_l_an_2000__dubbed_in_English_.wmv 53.33 MB Grandeur et d?cadence (1986) http://rapidshare.de/files/10416915/Godard-Grandeur-et- decadence_part1.wmv 90.08 http://rapidshare.de/files/10560821/Godard-Grandeur-et- decadence_part2.wmv 76.21 MB -- John http://johnsheridanart.com/
Re: Chary Ode to an Apocalyptic Sandbox
what was the first words? mail I am who was sending who was receiving? ho ho ho.. old joke? the one in the middle wore a goat skin, the head was made of wood with horns, on a large stick to scare the kids some, the teeth were nails used for horse shoes, the great Jolegeite, the big mouth was operated from the stick and could grab things, when it chewed the mouth sparkled. Jolegeita kunde endå ta kubbestolar og kaste dei burtover golvet. Ho såg fælt morsk ut, og skræmde mest vetet av ungane når ho kom. http://www.flekkefjordmuseum.no/bilder/julegeita-stor.jpg - å di håinna, å dein tåinna, va stør einn både Hjelmen å Fåinna. Å di kløn å di labbainn, va stør einn både Tustna å Stabbainn. On Wed, 11 Jan 2006 16:30:25 +0100, A. G-C <[EMAIL PROTECTED]> wrote: Yes... On 11/01/06 16:18, "Alan Sondheim" <[EMAIL PROTECTED]> probably wrote: This is great, almost completely off balance, but there's the edge of reason, like the headless monster crowned with what appears to be a sponge... - Alan On Wed, 11 Jan 2006, phanero wrote: Chary Ode to an Apocalyptic Sandbox ( 四 ασφαλής курит) http://www.phaneronoemikon.org/images/collages/charyactaeon.jpg Vepkhis Soup before saying that Melmoth wiQh xhe poinV of a pisSol not phaneronoemikon Tqaosani wanted raise look forward to the wildest promises. Her suu son phaneronoemikon Sat yo ney ba Surina card capo dream word get is what 00010110 Lamu, phaneronoemikon ME UND-THIRLD, Perpetual IDate-Idate conferee try gungu madhouse phaneronoemikon Be of prayer an Dicht d'amor-ning of moot panther skin-knight american phaneronoemikon World Pleep is are many Mooney someholystone and head ~ Jessica Rabbit phaneronoemikon (Kathleen Turner) in have anticipated Eire him being labeled the most phaneronoemikon Washington Om 4CNN made then discovered road map rugs lackadaisy phaneronoemikon You Actaeon me, eye corduroy, It Shah-e.irie asomauthoritativit Favorite phaneronoemikon Angry vowel Fiona 2 5 1 1 8 mentioned that she was having problems phaneronoemikon Moreover cavalcade these chockannuity you composure in blaspheme phaneronoemikon Not enzyme be powerhouse doubt as dusk fell th' lutheran living in UFO phaneronoemikon Stallin' a Georgia downtown. get out of it 5 8 2 their kids need better schools phaneronoemikon Prerequests depressed a little Show ta'at the Rustaveli mo are of the vast phaneronoemikon Treasure; and so stuart not conformal try one effort to feel compassion phaneronoemikon Instead of the way home, not to leave this metropolis, said Mr. Micawberphaneronoemikon For URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt . Contact: Alan Sondheim, [EMAIL PROTECTED], [EMAIL PROTECTED] General directory of work: http://www.asondheim.org .
Re: two films for large projection
There’s also a sense, for me, of the anxiety of the machinic that “knows” it will never breach the gap between algorithm and human flesh, so that it vainly struggles and goes through the programmed, repetitive motions of sex, of tumescing and probing and thrusting and all that, without ever achieving true bodily contact, true erotic transcendence, true climax. No fractal will ever reach to the heart of nature, in my view, and no machine will ever reach to the heart of eros. m On Jan 11, 2006, at 7:16 AM, Alan Sondheim wrote: oh yes of course, but the vehicle is a virtual automaton, implying (to me only perhaps) the horrific yet wondrous automatism of those vectors.. i think Bellmer's libidinous poupee reaches into the same manifold, the enigmatic drives of representation and desire and these images do seem cathartic (not personally so, per se) to me which in some strange dreamworld of my own design snuggles up to some possibly rogue sense of apotropaicism though what use that sense is, is quite debatable.. The difference for me - which is fundamental I think - for me - is that Bellmer's work is fetishistic; I certainly hope mine isn't. It's not vectored (to use your word) that way. It's vectored externally, it's centrifugal - the whirling is even indexical in relation to that. the compactifaction (as a sense of effigy) of all the terrors "went before us" as an omen, a doll, twisting within the silent schreamata For me, again, there's no relation between these figures and dolls; they're corpses or objects petite a, in any case they're conflagrations. But of course I can't argue with your interpretation, which is as true or perhaps truer than mine.
nznl.com digest, Jan 05, 2006 - Jan 11, 2006
nznl.com digest Jan 05, 2006 - Jan 11, 2006Posts 1319 - 1325http://nznl.com1319. Jan 05, 2006EXHIBITION, 2010, WHITE CUBE, ABSTRACTSphotoshop/fireworks filehttp://nznl.com/geert/pop.php?dag=200601051320. Jan 06, 2006STUDY FOR A RENDERING OF VIR HEROICUS SUBLIMIS (LIFE SIZE), 2010, VIR HEROICUS SUBLIMISweb pagehttp://nznl.com/geert/pop.php?dag=200601061321. Jan 07, 2006DATA MOUNTAIN, 2010, MOUNTAINweb pagehttp://nznl.com/geert/pop.php?dag=200601071322. Jan 08, 2006HOW DOES IT FEEL TO BE TEN FEET TALL?, 2010, STUDY FOR A TALK ON BARNETT NEWMANS FAMILY HERITAGEweb pagehttp://nznl.com/geert/pop.php?dag=200601081323. Jan 09, 2006STUDY FOR A TALK ON BARNETT NEWMANS FAMILY HERITAGE, 2010, SLIDEkeynote file converted to jpeghttp://nznl.com/geert/pop.php?dag=200601091324. Jan 10, 2006STUDY FOR A TALK ON BARNETT NEWMAN, 2010, (FAMOUS WORDS)web pagehttp://nznl.com/geert/pop.php?dag=200601101325. Jan 11, 2006STUDY FOR A FOAF LIST FOR BARNETT NEWMAN, 2010, FRIEND-OF-A-FRIEND LISTkeynote file converted to jpeghttp://nznl.com/geert/pop.php?dag=20060111 Geert Dekkershttp://nznl.com
Re: Chary Ode to an Apocalyptic Sandbox
Yes... On 11/01/06 16:18, "Alan Sondheim" <[EMAIL PROTECTED]> probably wrote: > > > This is great, almost completely off balance, but there's the edge of > reason, like the headless monster crowned with what appears to be a > sponge... - Alan > > > On Wed, 11 Jan 2006, phanero wrote: > >> Chary Ode to an Apocalyptic Sandbox >> ( 四 ασφαλής курит) >> >> http://www.phaneronoemikon.org/images/collages/charyactaeon.jpg >> >> Vepkhis Soup before saying that Melmoth wiQh xhe poinV of a pisSol not >> phaneronoemikon >> Tqaosani wanted raise look forward to the wildest promises. Her suu son >> phaneronoemikon >> Sat yo ney ba Surina card capo dream word get is what 00010110 Lamu, >> phaneronoemikon >> ME UND-THIRLD, Perpetual IDate-Idate conferee try gungu madhouse >> phaneronoemikon >> >> Be of prayer an Dicht d'amor-ning of moot panther skin-knight american >> phaneronoemikon >> World Pleep is are many Mooney someholystone and head ~ Jessica Rabbit >> phaneronoemikon >> (Kathleen Turner) in have anticipated Eire him being labeled the most >> phaneronoemikon >> Washington Om 4CNN made then discovered road map rugs lackadaisy >> phaneronoemikon >> >> You Actaeon me, eye corduroy, It Shah-e.irie asomauthoritativit Favorite >> phaneronoemikon >> Angry vowel Fiona 2 5 1 1 8 mentioned that she was having problems >> phaneronoemikon >> Moreover cavalcade these chockannuity you composure in blaspheme >> phaneronoemikon >> Not enzyme be powerhouse doubt as dusk fell th' lutheran living in UFO >> phaneronoemikon >> >> Stallin' a Georgia downtown. get out of it 5 8 2 their kids need better >> schools phaneronoemikon >> Prerequests depressed a little Show ta'at the Rustaveli mo are of the vast >> phaneronoemikon >> Treasure; and so stuart not conformal try one effort to feel compassion >> phaneronoemikon >> Instead of the way home, not to leave this metropolis, said Mr. >> Micawberphaneronoemikon >> >> > > For URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt . > Contact: Alan Sondheim, [EMAIL PROTECTED], [EMAIL PROTECTED] General > directory of work: http://www.asondheim.org .
[no subject]
I am a factory. http://www.asondheim.org/purge.jpg
Re: Chary Ode to an Apocalyptic Sandbox
This is great, almost completely off balance, but there's the edge of reason, like the headless monster crowned with what appears to be a sponge... - Alan On Wed, 11 Jan 2006, phanero wrote: Chary Ode to an Apocalyptic Sandbox ( 四 ασφαλής курит) http://www.phaneronoemikon.org/images/collages/charyactaeon.jpg Vepkhis Soup before saying that Melmoth wiQh xhe poinV of a pisSol not phaneronoemikon Tqaosani wanted raise look forward to the wildest promises. Her suu son phaneronoemikon Sat yo ney ba Surina card capo dream word get is what 00010110 Lamu, phaneronoemikon ME UND-THIRLD, Perpetual IDate-Idate conferee try gungu madhouse phaneronoemikon Be of prayer an Dicht d'amor-ning of moot panther skin-knight american phaneronoemikon World Pleep is are many Mooney someholystone and head ~ Jessica Rabbit phaneronoemikon (Kathleen Turner) in have anticipated Eire him being labeled the most phaneronoemikon Washington Om 4CNN made then discovered road map rugs lackadaisy phaneronoemikon You Actaeon me, eye corduroy, It Shah-e.irie asomauthoritativit Favorite phaneronoemikon Angry vowel Fiona 2 5 1 1 8 mentioned that she was having problems phaneronoemikon Moreover cavalcade these chockannuity you composure in blaspheme phaneronoemikon Not enzyme be powerhouse doubt as dusk fell th' lutheran living in UFO phaneronoemikon Stallin' a Georgia downtown. get out of it 5 8 2 their kids need better schools phaneronoemikon Prerequests depressed a little Show ta'at the Rustaveli mo are of the vast phaneronoemikon Treasure; and so stuart not conformal try one effort to feel compassion phaneronoemikon Instead of the way home, not to leave this metropolis, said Mr. Micawberphaneronoemikon For URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt . Contact: Alan Sondheim, [EMAIL PROTECTED], [EMAIL PROTECTED] General directory of work: http://www.asondheim.org .
Re: two films for large projection
On Wed, 11 Jan 2006, phanero wrote: oh yes of course, but the vehicle is a virtual automaton, implying (to me only perhaps) the horrific yet wondrous automatism of those vectors.. i think Bellmer's libidinous poupee reaches into the same manifold, the enigmatic drives of representation and desire and these images do seem cathartic (not personally so, per se) to me which in some strange dreamworld of my own design snuggles up to some possibly rogue sense of apotropaicism though what use that sense is, is quite debatable.. The difference for me - which is fundamental I think - for me - is that Bellmer's work is fetishistic; I certainly hope mine isn't. It's not vectored (to use your word) that way. It's vectored externally, it's centrifugal - the whirling is even indexical in relation to that. the compactifaction (as a sense of effigy) of all the terrors "went before us" as an omen, a doll, twisting within the silent schreamata For me, again, there's no relation between these figures and dolls; they're corpses or objects petite a, in any case they're conflagrations. But of course I can't argue with your interpretation, which is as true or perhaps truer than mine. the filmic copulation an objectification of the copula, the 'is' of mistaken language, that 'babel-as-desiring-machine' which 'draws' forth the 'action' of the 'plague' as a 'praxis' within the inertia of determination.. The axis of the plague, but neither inertia nor determination - instead, randomness, opening/tearing in any direction... and from Wolfgang Kayser a nod to the Grotesque, which these surely are: In spite of all the helplessness and horror inspired by the dark forces which lurk in and behind our world and have power to estrange it, the truly artistic portrayal effects a secret liberation. The darkness has been sighted, the ominous powers discovered, the incomprehensible forces challenged. And thus we arrive at a final interpretation of the grotesque: AN ATTEMPT TO INVOKE AND SUBDUE THE DEMONIC ASPECTS OF THE WORLD. Hmmm... again, I think the opposite: not the demonic, but the everyday aspects of the world (Lefebvre). Not secret liberation but liberation. Not ominous powers bu everyday power. Not incomprehensible forces, but comprehensible forces. These are everyday nightmares, not mysterious... - Alan and thanks! in praise lq - Original Message - From: "Alan Sondheim" <[EMAIL PROTECTED]> To: Sent: Tuesday, January 10, 2006 7:18 PM Subject: Re: two films for large projection Thanks, I've been working fairly small for the Web, like your image as well. It's not Belmer that's inspiring me, it's the violence of war and the annihilation of space-time by desire, momentarily, nothing holds - - Alan For URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt . Contact: Alan Sondheim, [EMAIL PROTECTED], [EMAIL PROTECTED] General directory of work: http://www.asondheim.org . For URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt . Contact: Alan Sondheim, [EMAIL PROTECTED], [EMAIL PROTECTED] General directory of work: http://www.asondheim.org .
Re: Criticalsecret podcast yourself /till January 18
merci:) On 11/01/06 9:48, "phanero" <[EMAIL PROTECTED]> probably wrote: > ma oui, > Je les allume tous en même temps. Il est merveilleux ! > > lq > > - Original Message - > From: "A. G-C" <[EMAIL PROTECTED]> > To: > Sent: Wednesday, January 11, 2006 12:24 AM > Subject: Criticalsecret podcast yourself /till January 18 > > >> http://www.criticalsecret.com/n15 (to continue) >> To hear mostly French (all abstracts bilingual) >> >> Poscastoamême/ Podcast yourself >> Radio multimedia, régime critique/ suite de l'opus FIRE WORKS >> Multimedia radio, critical regime/ to continue the issue FIRE WORKS >> >> mp3 + mp4 >> Fil rss -> http://criticalsecret.com/n15/index.php?rss=admin >> >> 11 mercredi -> 18 mercredi (inclus) >> Rubrique 3 / Column 3. >> >> >> >> #15/3.10. Fire work 3/10 >> #15/3.10. La poésie sans sa propre langue. Poetry without its proper >> language. >> >> #15/3.9. Fire work 3/9 >> #15/3.9. Sonographie 3.6/8 : La photographe épicurienne. >> Sonography 3-6/8: an aepicurian photographer. >> >> #15/3.8. Fire work 3/8 >> #15/3.8. Neuf heures à l¹arrêt de bus. 9am at the bus stop. >> >> #15/3.7. Quizz Stones et Malaval, série intégrale. >> Fire work 3/7 >> #15/3.7. Quizz Stones et Malaval (Intégrale) >> >> #15/3.6. Fire work 3/6 >> #15/3.6. Quizz Stones et Malaval 4/4 >> >> #15/3.5. Fire work 3/5 >> #15/3.5. Quizz Stones et Malaval 3/4 >> >> #15/3.4 Fire work 3/4 >> #15/3.4. Quizz Stones et Malaval 2/4 >> >> #15/3.3. Fire work 3/3 >> #15/3.3. Quizz Stones et Malaval 1/4 >> >> #15/3.2. Fire work 3/2 >> #15/3.2. Sonographie 3.5/8 : conductrice de métro >> Sonography 3-5/8: subway woman driver >> >> #15/3.1. Fire Work 3/1 >> #15/3.1. Démocratie réversible. Reversible Democracy. >> >> #15/3. RETOURS SUR MONTAGE. RETURNS ON FITTERING. >> Fire works 3. >> >> >> http://www.criticalsecret.com >> >
Re: Criticalsecret podcast yourself /till January 18
ma oui, Je les allume tous en même temps. Il est merveilleux ! lq - Original Message - From: "A. G-C" <[EMAIL PROTECTED]> To: Sent: Wednesday, January 11, 2006 12:24 AM Subject: Criticalsecret podcast yourself /till January 18 http://www.criticalsecret.com/n15 (to continue) To hear mostly French (all abstracts bilingual) Poscastoamême/ Podcast yourself Radio multimedia, régime critique/ suite de l'opus FIRE WORKS Multimedia radio, critical regime/ to continue the issue FIRE WORKS mp3 + mp4 Fil rss -> http://criticalsecret.com/n15/index.php?rss=admin 11 mercredi -> 18 mercredi (inclus) Rubrique 3 / Column 3. #15/3.10. Fire work 3/10 #15/3.10. La poésie sans sa propre langue. Poetry without its proper language. #15/3.9. Fire work 3/9 #15/3.9. Sonographie 3.6/8 : La photographe épicurienne. Sonography 3-6/8: an aepicurian photographer. #15/3.8. Fire work 3/8 #15/3.8. Neuf heures à l¹arrêt de bus. 9am at the bus stop. #15/3.7. Quizz Stones et Malaval, série intégrale. Fire work 3/7 #15/3.7. Quizz Stones et Malaval (Intégrale) #15/3.6. Fire work 3/6 #15/3.6. Quizz Stones et Malaval 4/4 #15/3.5. Fire work 3/5 #15/3.5. Quizz Stones et Malaval 3/4 #15/3.4 Fire work 3/4 #15/3.4. Quizz Stones et Malaval 2/4 #15/3.3. Fire work 3/3 #15/3.3. Quizz Stones et Malaval 1/4 #15/3.2. Fire work 3/2 #15/3.2. Sonographie 3.5/8 : conductrice de métro Sonography 3-5/8: subway woman driver #15/3.1. Fire Work 3/1 #15/3.1. Démocratie réversible. Reversible Democracy. #15/3. RETOURS SUR MONTAGE. RETURNS ON FITTERING. Fire works 3. http://www.criticalsecret.com
Desengaño
Desengaño In order to ascertain just how wide-ranging thisnew form of play was, the semantic realm of theword Desengaño should be examined. The word isvitually untranslatable today, due to its complexity.It is the opposite of the word engaño (error, illusion,charm, deception, hoax, trickery, pretence) andcovers a vast territory that ranges from 'discovery'(as in 'discover a deception'), 'disillusion' or'disenchantment' to nuances such as 'disappointment'and 'sadness'. The eighteenth-century Spanish dictionarygave the word three principle meanings, all related:>Desengaño. s.m.Luz de verdad, conocimiento del error con que se sale delengaño. Lat. Erroris cognitio.[The light of truth, the exposing of the error that helps dispelthe charm.]Desengaño. Se llama tambien el objeto que exercita aldesengaño. Lat. Quod erroris cognitionem excitat.[It also means by which we discover a deception.]Desengaño. Vale assimismo claridad que se dice a otro,echandole la falta en la cara. Lat. Proprum libere dicterum.[Can also be used to mean a truth we have told another bythrowing an error in his face]It was as part of this relative polysemantism that eighteenth-centurymoral literature used the word. An eloquent testimony to this isFather Feyjoo's collected essays intitled 'Universal critical theatreor diverse discourses of all kinds to be used for the exposing ofcommon errors' (Teatro critico universal o discursos varios detodo genero de materias para el desengaño communes errores, 1725-8).Goya's etchings also work in the same way. Thus in the inscriptionon the frontispiece to the 'Dreams' the author specifies that theiraim is to 'banish (desterrar) harmful, vulgar beliefs and to perpetuatein this work of caprices the solid testimony of truth'. The advertisementin the Diario de Madrid, on the other hand, speaks of 'the censure of humanerror and vices' (censura de los errores y vicios humanos). In the self-portaitfrontispiece to the final series Goya includes additional elements from his ownauthorial mise en scène. He places himself, as we have seen, in a dualposition: on the one hand, he is a desengañado ( a disappointed, disenchantedperson), 'sad' and 'contemptuous', and, on the other, a desengañador (he whodisenchants, who discovers a deception).There is a degree of shrewdness and, at the same time, a degree of violencein the very act of disenchantment. The literary figure of the Desengañado/Desengañador, as invented by someone like Quevedo or Gracián, is a dualand duplicitous creation. The Desengañado/Desengañador - the disenchantedperson who disenchants - knows in this instance that all is lies and illusions.Even the word 'world' (mundus), which originally meant 'clean', is a lie. Theworld, explains Gracián, is dirty and foul: 'mundus imundus'. Everything isback to front, and the Desengañado/Desengañador is the one who knows itand who reveals it. He always has one eye open (el cyclopes), adds Quevedo,and is therefore capable of seeing the inside of things (mirar por dentro),seeing through appearances, recognizing deceptions, scanning the world inreverse (mirar al rebes). The Desengañado/Desengañador is the one whocan see, and who reveals that the world is representation, spectacle,appearance and deception. Goya gets into the skin of this dual person, ashis self-portrait and the structure of the Caprichos demonstrate. The productof an examination (free of illusions) of the world, these images, in order to fulfiltheir destiny, had in their turn to return to the world, not to 'enchant' it butto 'disenchant' it. No.1, Discovering, Disillusion, Disenchantment andSadness Street was probably the most appropriate place for this to happen.From Goya, The Last Carnivalby Victor I. Stoichita andAnna Maria Coderch
Re: two films for large projection
oh yes of course, but the vehicle is a virtual automaton, implying (to me only perhaps) the horrific yet wondrous automatism of those vectors.. i think Bellmer's libidinous poupee reaches into the same manifold, the enigmatic drives of representation and desire and these images do seem cathartic (not personally so, per se) to me which in some strange dreamworld of my own design snuggles up to some possibly rogue sense of apotropaicism though what use that sense is, is quite debatable.. the compactifaction (as a sense of effigy) of all the terrors "went before us" as an omen, a doll, twisting within the silent schreamata the filmic copulation an objectification of the copula, the 'is' of mistaken language, that 'babel-as-desiring-machine' which 'draws' forth the 'action' of the 'plague' as a 'praxis' within the inertia of determination.. and from Wolfgang Kayser a nod to the Grotesque, which these surely are: In spite of all the helplessness and horror inspired by the dark forces which lurk in and behind our world and have power to estrange it, the truly artistic portrayal effects a secret liberation. The darkness has been sighted, the ominous powers discovered, the incomprehensible forces challenged. And thus we arrive at a final interpretation of the grotesque: AN ATTEMPT TO INVOKE AND SUBDUE THE DEMONIC ASPECTS OF THE WORLD. in praise lq - Original Message - From: "Alan Sondheim" <[EMAIL PROTECTED]> To: Sent: Tuesday, January 10, 2006 7:18 PM Subject: Re: two films for large projection Thanks, I've been working fairly small for the Web, like your image as well. It's not Belmer that's inspiring me, it's the violence of war and the annihilation of space-time by desire, momentarily, nothing holds - - Alan For URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt . Contact: Alan Sondheim, [EMAIL PROTECTED], [EMAIL PROTECTED] General directory of work: http://www.asondheim.org .
Criticalsecret podcast yourself /till January 18
http://www.criticalsecret.com/n15 (to continue) To hear mostly French (all abstracts bilingual) Poscastoamême/ Podcast yourself Radio multimedia, régime critique/ suite de l'opus FIRE WORKS Multimedia radio, critical regime/ to continue the issue FIRE WORKS mp3 + mp4 Fil rss -> http://criticalsecret.com/n15/index.php?rss=admin 11 mercredi -> 18 mercredi (inclus) Rubrique 3 / Column 3. #15/3.10. Fire work 3/10 #15/3.10. La poésie sans sa propre langue. Poetry without its proper language. #15/3.9. Fire work 3/9 #15/3.9. Sonographie 3.6/8 : La photographe épicurienne. Sonography 3-6/8: an aepicurian photographer. #15/3.8. Fire work 3/8 #15/3.8. Neuf heures à l¹arrêt de bus. 9am at the bus stop. #15/3.7. Quizz Stones et Malaval, série intégrale. Fire work 3/7 #15/3.7. Quizz Stones et Malaval (Intégrale) #15/3.6. Fire work 3/6 #15/3.6. Quizz Stones et Malaval 4/4 #15/3.5. Fire work 3/5 #15/3.5. Quizz Stones et Malaval 3/4 #15/3.4 Fire work 3/4 #15/3.4. Quizz Stones et Malaval 2/4 #15/3.3. Fire work 3/3 #15/3.3. Quizz Stones et Malaval 1/4 #15/3.2. Fire work 3/2 #15/3.2. Sonographie 3.5/8 : conductrice de métro Sonography 3-5/8: subway woman driver #15/3.1. Fire Work 3/1 #15/3.1. Démocratie réversible. Reversible Democracy. #15/3. RETOURS SUR MONTAGE. RETURNS ON FITTERING. Fire works 3. http://www.criticalsecret.com
