Re: beautiful music Two Short Songs for Nettime
Don't let yourself be hurt this time.
beautiful music Two Short Songs for Nettime
Two Short Songs for Nettime Such an innocent voice crying in the wilderness. Oh where oh where is justice in this mess? With less address, confess and only guess What game of chess, yes, but I digress So hopeless, I will drown, monsters in Loch Ness Devour, boneless, tasteless, fleshless, full of Nation; Th'animal's dead and toasted, thanks to radiation. http://www.asondheim.org/misery1.mp3 http://www.asondheim.org/misery2.mp3
where he lives it is so quiet possibly he asks me is it ever louder where you are
staves to fill, staves to filter whole tones is voice text? he says he wants a symbol to be conversation and in conversation to have something. something to have had, so quiet it is midnight in impromptu worlds we relegate to outside thinking. what is there to talk about when norms have curvature and blame? he offers history I too offer recency. there is the choice of soft or crimson bed night. if I go to learn alone will I have learned? and if I offer to absorb will there be learning still? too much of life, conforming to an abstract kindness, as though shelter were the same small thing as that. that likeness of a shoulder, soft and softer still. the brilliance of allowing just some things to seem the same, and maybe opening a world made up of silence. sheila e. murphy
Cordaites discovered on Mars
about accumulations actual ago almost ancestors ankerite astride at attractive became because become been being britain built buried calcium called carbonate cell circular close club coalfield coals compacted composed conifers contain continental county cross crossed currently dead destined destroyed details different early earth embedded empty equator equatorial europe extracted ferns filled first five forest forests form formed frequently from geological geologists grew group has have history horse including intact interval intervening into iron its july known lay leaving lies look low luxuriant lying magnesium margin million mineral modern more mosses moved much mud near north northwards not obtained operations or organic original over patches pattern peat petrifaction places plan plants polished position present preserved primitive priors produced progressively quarter quite recrystallisation represented rivers rock root sand sandstone saw seam sections several shield silt site south subsequently swamps tails than these thinner tiny tissue today tonnes trunk under underwent vegetation walls west where woody workable years http://xexoxial.org/neuropteris/hot_fossil_landscape.jpg
DIGITAL FOLLY
DIGITAL FOLLY spend patterns in your co-worker reinvent decorator facade in the wild latest research in wrong designs load into environment up a creek struggling embarrassment instead you'll avoid complex texts brain using cocktail or faced head first speaking language that sticks to sounds solving matter clever struggles want to counter best practices proxy somewhere in the world between sleep http://stoneagetype.tk
Babylon is falling to rise no more
A lamb, am I, to witness Babylon is falling to rise no more; a lamb to witness as a cat may look at a king; with the descent of Her last tower Babylon, I'll claim, disappeared hugely with such a burst my ear has a wolf's pang for its like again.
artificial toothpick
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Fwd: olchar essay
Check out the Essay by Olchar Lindsann. There's hope for the future! John Date: Mon, 09 Oct 2006 12:46:25 -0400 From: jim leftwich <[EMAIL PROTECTED]> Subject: olchar essay To: John Bennett <[EMAIL PROTECTED]> X-Mailer: Apple Mail (2.624) X-Bayes-Prob: 0.5000 (Score 0) X-Spam-Score: 0.00 () [Tag at 10.00] X-CanItPRO-Stream: 20_low X-Canit-Stats-ID: 82131766 - 28187439d196 X-Scanned-By: CanIt (www . roaringpenguin . com) on 128.146.216.81 Original-recipient: rfc822;[EMAIL PROTECTED] http://jimleftwichtextimagepoem.blogspot.com/ __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books & Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net http://www.library.osu.edu/sites/rarebooks/avantwriting/ ___
Re: onomatoklopni irgentwharez rusticanae palipali redrummicubicles ( a hearplaya 4 tired meanings
theys gotta be meaning in err somewhere ~ warring ore ni forsworn id altgo fault 9:51 10/9/06 1089 bytes --- Dirk Vekemans <[EMAIL PROTECTED]> wrote: > & 2 corpucles, kingo & weena dakinda) (corrected version) > > laplaya vaya comptsi: > ( poco a poco meno sentito - morte - agitato - vomitando) > > > > > > > ma isa cheel a (ajajaija) > lla ees tsum (amitawa) > > llits elihw ghu > > detrevni, gnippird ghu > > > olala hal alalo > on mai innge inge t i gnippird > > 2,3,..., ghuradio > > > > > [snap] > > > > > yeah yeah > on mai gnippird > > 2,3,..., ghuradio > > > > [snap] > > > > 1 more > on mai gnippird > > 2,3,..., ghu radio > > > > > > [hits the marble floor] > > > > > > > > > > > ___ > All new Yahoo! Mail "The new Interface is stunning in its simplicity and ease > of use." - PC > Magazine > http://uk.docs.yahoo.com/nowyoucan.html > d^Vizio __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: nettime-l - apologies for this cross-posting
Thanks much. I'll try to have a look soon.Bob Marcacci <[EMAIL PROTECTED]> wrote: Just want to say that I attacked nettime-l; it's been going onfor a few days now. If you want, you can find them on the archives. Formyself, I'm fucking able to pull out of it, but then that comes withcross-posting.Meanwhile if you can lookout, they might interest you in relation to themotion constructs I've been working with.- Alan Get your own web address for just $1.99/1st yr. We'll help. Yahoo! Small Business.
Re: nettime-l - apologies for this cross-posting
Just want to say that I attacked nettime-l; it's been going on for a few days now. If you want, you can find them on the archives. For myself, I'm fucking able to pull out of it, but then that comes with cross-posting. Meanwhile if you can lookout, they might interest you in relation to the motion constructs I've been working with. - Alan
Re: nettime-l - apologies for this cross-posting
Just want to say that I'm being attacked on nettime-l; it's been going on for a few days now. If you want to read the exchanges, you can find them on the archives. For myself, I'm fucking depressed, and don't seem to be able to pull out of it, but then that comes with the territory. Again apologies for this cross-posting. Meanwhile if you can look at the videos I sent out, they might interest you in relation to the motion constructs I've been working with. - Alan blog at http://nikuko.blogspot.com - for URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt - contact [EMAIL PROTECTED], - general directory of work: http://www.asondheim.org Trace at: http://tracearchive.ntu.ac.uk - search "Alan Sondheim" http://clc.as.wvu.edu:8080/clc/Members/sondheim
e & eye - four talks at Tate Modern, London (fwd)
-- Forwarded message -- Date: Sun, 8 Oct 2006 11:49:41 +0100 From: John Cayley <[EMAIL PROTECTED]> To: [EMAIL PROTECTED] Subject: e & eye - four talks at Tate Modern, London e and eye art and poetry between the electronic and the visual http://www.tate.org.uk/modern/eventseducation/talksdiscussions/6703.htm Led by Penny Florence, Tim Mathews and John Cayley Monday 16 October 2006, 18.30-20.00 Monday 23 October 2006, 18.30-20.00 Monday 30 October 2006, 18.30-20.00 Monday 13 November 2006, 18.30-20.00 Modern art has had a close historical relationship with poetry and performance since its formation. Electronic poetry has developed a strong element of performance, an implicit demand for some form of exhibition. This series of events explores the relationship between the visual, the poetic and the electronic in art. The sessions begin with a conversation in which invited speakers discuss issues relevant to the Collection and to electronic and visual poetry. This is followed by a short performance or reading of an electronic poem, and an open discussion. Laptop computers with video projection showing interactive electronic works are also placed within the galleries. The speakers are theorists and practitioners in a variety of media and virtual curators, and include John Aiken, Malcolm Bowie, Patrick Burgaud, John Cayley, Penny Florence, Elizabeth James, Mark Leahy, Tim Mathews, Brigid McLeer, Sharon Morris and TNWK (Kirsten Lavers and cris cheek). Virtual presence/practitioners/curators/theorists: Sandy Baldwin, N Katherine Hayles, Camille Utterback, Talan Memmott, Rita Rayley, David Rokeby, Alan Sondheim, Noah Wardrip-Fruin. Organised by Penny Florence and Tim Mathews, with John Cayley. In collaboration with The Slade School of Fine Art, SCEMFA and the Department of French, University College London Tate Modern Throughout the gallery Free, booking recommended Price includes drinks afterwards A booking fee of 50p applies to online bookings. For tickets book online or call 020 7887 . -- There is also a blog-like site relating to these events, where we are collecting textual material and discussion from the participants. This is now also open to the public: http://web.mac.com/shadoof/iWeb/eandeye/ --
To Motivate: Coming-into-being of the body
To Motivate: Coming-into-being of the body The frenzy of the exterior of the motivated body: http://www.asondheim.org/bulb.mp4 The frenzy of the interior of the motivated body: http://www.asondheim.org/bulb1.mp4 The body begins to estivate, to be motivated; the body presences. Languor melds one limb into another, how generous they are! Local identities dis- appear in favor of the larger good, the body is always already stretched and blown across invisible matrices of culture, memory, history. One must proceed slowly, the joints, bruised and welded, reveal themselves, and all forms hunger for participation and presence. http://www.asondheim.org/motivate.mp4 Apparent, the body appears. The body is the parent of the body.
her chiming vehicle
http://www.starve.org/usenet.html "She swept out of the room, Mara following, both of them rebuffing Luke's persistent mental queries as to what had so staggered them. In the bustling corridor, they were quiet, pale, hurrying to the others, who when they met, were themselves flush with concern, having only Luke's report that something ghastly had been revealed during the negotiation." Source: Page 156 of White Noise Keywords: "her," "chiming," "vehicle" About The Usenet Project: An "x" is drawn in the middle of a page of Don DeLillo's White Noise (Penguin Classics Edition, 1999). The first three, sometimes four, words (excluding articles and prepositions) that intersect the lines of this "x" from its cross are fed into Google's Usenet index, which now dates back to 1981. On even-numbered days, the most recent Google entry is used, using Google's "sort by date" function." On odd-numbered days, the first Google entry to appear is used, anything from 1981 to the present. A new posting will be included every week -- an archive of radiant rants, habits, and hobbies. Thanks to Bernadette Mayer's "X on Page 50 at half inch intervals."
Sil encio O or One g one
Sil encio yr be ast nor .c lothes c ramp oh nod try sting f art the lam p w hat gel id light g rasps wh at chee se d rift .c rashed an b leeped ,yr c re w l ister b laze d a way the ver y wor d en crisp ! O or s hape or s hot o r s hift or s hame eloid con trap tion s loping to ward the h oop h eel o s lung ster c raving !b ook a stew fuel ,dun g f ame c latters a t he shing le soaking you reta in One g one cho re nor c humps no r gaseous s pinning ack yr p hone gut the tem p tree an drizzle .s tongue c raw p endulactic ,f ame s norer whot you s cold or w ashed that bleaving ?s o re active ,los t the sing le ling John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books & Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net http://www.library.osu.edu/sites/rarebooks/avantwriting/ ___
onomatoklopni irgentwharez rusticanae palipali redrummicubicles ( a hearplaya 4 tired meanings
& 2 corpucles, kingo & weena dakinda) (corrected version) laplaya vaya comptsi: ( poco a poco meno sentito - morte - agitato - vomitando) ma isa cheel a (ajajaija) lla ees tsum (amitawa) llits elihw ghu detrevni, gnippird ghu olala hal alalo on mai innge inge t i gnippird 2,3,..., ghuradio [snap] yeah yeah on mai gnippird 2,3,..., ghuradio [snap] 1 more on mai gnippird 2,3,..., ghu radio [hits the marble floor] ___ All new Yahoo! Mail "The new Interface is stunning in its simplicity and ease of use." - PC Magazine http://uk.docs.yahoo.com/nowyoucan.html
Synaesthesian Alphabet, by Amanda Earl
As we wave goodbye to the z of Dan Waber's abecedarius cycle, it's time to wave hello to the a of the Synaesthesian Alphabet by Amanda Earl. New series starting today at: http://www.logolalia.com/abcdefghijklmnopqrstuvwxyz/ Regards, Dan Submissions of artworks based around the complete sequence of the roman alphabet which can be presented a letter at a time over the course of 26 days are invited.
271/365, Mike
Mike is the guy in the playwrighting critique circle who doesn't hesitate to respond to the question, "Is it working?" with "No, not really," when it isn't. He'll also tell you how to fix it if you're able to listen. 40 words, 40 years 365 days, 365 people http://www.logolalia.com/40x365
Our Trip to Clinton, Massachusetts
please, we went in duo, shaded aptly, with guards of uttering green ceding to yellow, red, orange and aplomb. distance sapped a mention of memory from disparate landmarks, and we could only stay with the breast of sun in its slanting difference. what else would we do with the fullness of our directive? does love need a case to be made? like a leaf falling into plain water, we have the map to ourselves. our drift is perfect, less a crowd than a way to go to the shape of intent. we found a thing or two, and stay in the finding. we could not know more with each association of mile, dusting throughly thru the tendency to stay as we do. we have this intent position, curled into a warming cycle, while the earth itself reacts with mazes. the stars tell whistling stories when we wake for them, and gibbous moon is a boon of the passways. dream remains a lark that crowds morning with a form of delight. was it ever 1968 or other fabled dots? who can tell? music doesn't end, it curves. this curve initializes the place of standing, wet for a tear or two, and for examined thirst as well. we know that water mounts to nothing, water never mounts. we wait in fast colours, and go as fast as they do. trees delight us because they live each clock and then go around the bending as easily as snow in the offing. we saw the interstate as managed and combustible, thus we took its horse for a chancy stay. we noted little roads that striped the map with day after day. when we are two, the years are interested in declaring fault. when we are distances, the work endures. these forces combine into roads with the gorgeous emblem of trees to match our mood. when we are colours, light sends a bonus to the hills just for us. we can't nationalize Thailand anymore, try as we might, on this road or any other. we can't stray for the flowers that fall from the hills. we can't wait for the merger of industry with heart. we have a day in an autumn sun, distinct with purchase yet not bent by the claiming. do we see speed as affordable or just the vaguest point in the landscape? never to be controlled by that bossed function of separation, we stay with the fact that colour is a laden dainty, a crumb of loving wisdom for the spreading instant that we share.
