this is why we now have www.mp313.com
and this guy is totally right. and it's kinda funny when mp3.com sends me my
statements of money they not going to pay me for a group that broke up last
year.
and on an other note ampcast.com is now starting to charge it's artist. I
forget the amount but it
From: Rusty Blasco [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] so is it really music?
Date: Fri, 25 Jan 2002 13:22:49 -0500
Dictionary definition of music according to Webster (sorry the edition is a
little old):
'the art and science of combining vocal or instrumental sounds or tones
So glad to hear this insult to d/b or s/p has provoked such a response in
all you folks, time was you couldn't get a word of sense out of you lot and
now here you all are engageing in a bit of dialogue talking about your views
and not someone elses. While we're on the subject of free expression
Yeah I can remember that magic feet magazine used to think it was ok but
could never find it very easily. Whilst on the nostalgia trip does anyone
remember the old fanzine that the droid used to put out forget its name
was it overload or something like that please advise or I will go insane
-- Forwarded message --
Date: Fri, 25 Jan 2002 23:02:09 -0500 (EST)
From: matthew clay shultz [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: event:: immedia 2002::the senses
immedia 2002
.. .. the senses . .. .. ...7th annual.. ..
,
.
I caught this show last night. It was a good time, and this is coming from
somebody who has not had a genuinely good time at a club in a long time.
John Williams played everything from hard techno to minimal dub, and Kaku
played a shitload of Perlon records. Scan 7 played a decent set of
Lets face it folks. everything musically comes from Detroit!
yes, in one way, but one record spun on 45 dosent mean that all other
producers and dj-s didnt do nothing with d`n`b
only grooverider and carl craig..
big respect to two of them
on my last set i played jermaine jackson with pia
1/26/2002 2:07:14 AM, Berislav Oremus [EMAIL PROTECTED] wrote:
Lets face it folks. everything musically comes from Detroit!
think twice then come with your sh
Bit true, innit, considerin there ain't no breakbeats in detroit. That's some
NYC hip-hop biz to create the breakbeats that
Weird, considering that Hardcore, which was the the foundation that
jungle/dnb developed from,
i would say that breakbeat and hip hop made bigger foundation for d`n`b ..
liquid, sl2, prodigy and it is early 90`
b.
-
To
1/26/2002 2:12:28 AM, Berislav Oremus [EMAIL PROTECTED] wrote:
Weird, considering that Hardcore, which was the the foundation that
jungle/dnb developed from,
i would say that breakbeat and hip hop made bigger foundation for d`n`b ..
liquid, sl2, prodigy and it is early 90`
That's what I said.
doode...we both know that Jermaine Jackson is the Fairy Godmother of techno!
-Original Message-
From: Berislav Oremus [SMTP:[EMAIL PROTECTED]
Sent: Friday, January 25, 2002 11:07 PM
To: 313@hyperreal.org
Subject: Re: [313] The Reese bass
Lets face it folks. everything
If you care that much, read some old Simon Reynold's articles.
Really, the Reese bassline comes from KMS.
Acid House+Detroit+Hip-Hop+England in 1990=Hardcore
Harcore+1993=Jungle
DetroitJungle
None of this is music, Every last one of you are Little Richard's bitches...
And we were doing so
sorry, its early morning , i dont have enough coffe in me
- Original Message -
From: DJ Entropy [EMAIL PROTECTED]
To: 'Ron' [EMAIL PROTECTED]; 313 313@hyperreal.org; FC3 Richards
[EMAIL PROTECTED]; Berislav Oremus [EMAIL PROTECTED]
Sent: Saturday, January 26, 2002 8:17 AM
Subject: Re:
1/26/2002 2:27:35 AM, Mike Taylor [EMAIL PROTECTED] wrote:
If you care that much, read some old Simon Reynold's articles.
Really, the Reese bassline comes from KMS.
Acid House+Detroit+Hip-Hop+England in 1990=Hardcore
Harcore+1993=Jungle
DetroitJungle
None of this is music, Every last one of
what is wrong with Little Richard?? not only is my last name similar to
his, but he is very entertaing. And he is only half as crazy as James
Brown...
-Original Message-
From: DJ Entropy [SMTP:[EMAIL PROTECTED]
Sent: Friday, January 25, 2002 11:29 PM
To: 313@hyperreal.org; Mike
yup Maurice is where that came from ...
At 6:02 PM +0100 1/25/02, marsel wrote:
i thought it's Kevin Maurice Saunderson
and then Maurice - M'Rice - Reese
?
At 1/25/2002 + 11:41, you wrote:
Wrong. KMS was called 'Reese' much earlier.
.. . :: http://nomorewords.net
If you care that much, read some old Simon Reynold's articles.
Really, the Reese bassline comes from KMS.
Acid House+Detroit+Hip-Hop+England in 1990=Hardcore
Harcore+1993=Jungle
lets take a minute of break, and tell me what you connsider hardcore,
beacuse if its altern 8, acen, and early
1/26/2002 2:40:04 AM, Berislav Oremus [EMAIL PROTECTED] wrote:
If you care that much, read some old Simon Reynold's articles.
Really, the Reese bassline comes from KMS.
Acid House+Detroit+Hip-Hop+England in 1990=Hardcore
Harcore+1993=Jungle
lets take a minute of break, and tell me what
- Original Message -
From: Mike Taylor [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Saturday, January 26, 2002 2:27 AM
Subject: [313] am I the only one who is getting sick of deleting posts about
jungle???
If you care that much, read some old Simon Reynold's articles.
Really, the
- Original Message -
From: Ian Dinsmor [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Friday, January 25, 2002 11:18 AM
Subject: Re: [313] 2001 gems
If you like that you should check out One/Three by Dabrye on Ghostly
International.
One of my top 10 of '01.
I've
you shouldnt forget raggaor dancehall,,,many of the jamaicans
movd to london and built up their soundsystems there,,,
ronster
-Ursprüngliche Nachricht-
Von: Berislav Oremus [EMAIL PROTECTED]
An: [EMAIL PROTECTED]; 'Ron' [EMAIL PROTECTED]; 313
313@hyperreal.org; FC3 Richards [EMAIL
why not dig out or go buy or download some
old reese tracks and have a listen.
then listen to some of the recent tunes talked
about on this thread eg mr sliff, dj q, air frog,
drumcode 20.5, diabla and a million others
and see if you can spot any kind of similarity.
I can pull out some alice
Anyone planning on catching this and looking to do a list meetup at Centro Fly?
btw, anyone else catch Paris spinning on GT yesterday? If it's archived it's
worth a listen for track content. Lots of gems in that set.
-dave
He just likes to change up his style, that's all, and he will tell you as
much - it's a Gemini thang - hence the divergent reports on his style. He
played Erykah Badu/The Roots last time in Melbourne and no one believes me
on that one!
He's very into his craft, always has been. Maybe it's like a
Moving on, he sure is. LL Cool J is calling him the new Dr Dre. He has done
tracks for Redman and LL Cool J. Can't say I was blown away, it's not hugely
innovative or distinctive compared to, say, The Neptunes. I have his hip-hop
album Adam F Presents Kaos: The Anti Acoustic Warfare (terrible
There's some good stuff - MJ Cole is good! I actually hear a Detroit/Chicago
influence in his material and Wookie's album was nice, cool Stevie Wonder
influence in parts and with one track kinda Hawtin-esque strange
techno-meets-two-step track. Gotta say just played So Solid album and am
seriously
I bought a lot of stuff just so I could hear it and felt depressed it was so
lacklustre but the Timbaland Magoo album is genius. It's even more
experimental than the Missy Elliott album and Get Ur Freak On.
--
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] 2001 gems
Date:
Maurice was living in Melbourne early last year and his stuff is off the
hinges. Now he is back in NY.
His Ladyvipb album Stories Of A Broken Heart And Recovering (Nuphonic) will
appeal if you like techno/house soul with soul and an experimental edge -
like, say, Carl Craig. He's a prolific guy,
You're thinking of Bug In The Bassbin. The drum 'n' bass DJs give it up to
Detroit and Chicago very, very readily, the kids are another matter. But how
many techno kids know the history?
Sorry for all the posts!
--
From: FC3 Richards [EMAIL PROTECTED]
To: '[EMAIL PROTECTED]' [EMAIL
- Original Message -
From: Odeluga, Ken [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED] Org 313@hyperreal.org
Sent: Friday, January 25, 2002 7:48 AM
Subject: RE: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
...Carl Craig at The End -
when no one liked his
Yes, it sounds like a subtle send-up/tribute of Timbaland with his 'raps',
really cool. I got it on a CD single very easily. Incidentally, what is
Carl's mix of Blaze's Lovely Dae like? I can't recall hearing it but read
about it in a recent Muzik listing of Carl Craig's 'rarest' records. Also is
Agreed... the Maurice Fulton sh*t is HOT! Stress was one of the better
albums last year, and the Ladyvipb stuff is really dope too.
Not a bad DJ either. I wish he would play here in NY sometime since he
lives here.
-J
on 1/26/02 11:34 AM, Cyclone Wehner at [EMAIL PROTECTED]
wrote:
Maurice
well for your information
there was something called a reece bassline in the Uk
(i'm not gone try to explain it because it's a little bit technically)
But as far as I know the idea of the KMS layered typ of sound
sounds a lot like Distant Planet from Mr Fingers to me
But this will off course
- Original Message -
From: Cyclone Wehner [EMAIL PROTECTED]
To: 313 Detroit 313@hyperreal.org
Sent: Saturday, January 26, 2002 1:04 PM
Subject: Re: [313] C2 Remixes - Was [Re: [313] RE: (313) RE: (313) stacey
pullen - electric relaxation]
Also is it possible to get his mix of Tori Amos'
Anyone know why the Theo Parrish remix of Dwayne Davis was included as the
last track on Norma Jean Bell's Come Into My Room? It's credited to Dwayne
Davis (although it doesn't mention that it's the Theo Parrish remix), but I
thought this was a very strange choice. It's not like there isn't other
Oh and while you're there, please ask Kevin about the Reese Bassline
if possible, perhaps that may resolve things. =)
--Glyph
David Pinter wrote:
Anyone planning on catching this and looking to do a list meetup at Centro Fly?
btw, anyone else catch Paris spinning on GT yesterday? If it's
On Sat, Jan 26, 2002 at 03:16:06PM -0500, Phonopsia wrote:
Also is it possible to get his mix of Tori Amos' God and what
formats did this come out on?
God was on CD for sure and may have been on vinyl as well. I'd be
surprised if there weren't at least promo copies of it floating around.
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