-- Original Message --
From: "The Armchair DJ" <[EMAIL PROTECTED]>
>The one good thing about spinning techno is that you rarely get
requests
>(trainspotters don't ask, "Like, can you play more minimalist
German techno,
>please?" or "Do you have 'Strings of L
The one good thing about spinning techno is that you rarely get requests
(trainspotters don't ask, "Like, can you play more minimalist German techno,
please?" or "Do you have 'Strings of Life'?"). At P.S.1 on Saturday, Danny
Krivit actually did play "Strings of Life," and it made the crowd happy. H
Hi list,
Does anyone know whether the vinyl version of the Paperclip People's
"Secret Tapes of Dr. Eich" is a good one? I just read a single review
that was posted on discogs and the copy mentioned there was not the
best of pressings. Any further info would be much appreciated,
Thanks in A
hello list,
sorry for posting this but there is new radio station in Istanbul, Turkey
launching in August/September 2003. my friends own the station and asked me
if i could post this to the list:) if you are at all interested you can
either contact me or my firend directly at the email addy below.
"It is just good or bad music and it's a personal opinion when it
comes to that even."
"It's all techno - or house."
"They brand themselves and their mindset - can be good or bad depending on
how far you take it I suppose."
Can I get some syrup for my waffles?
;D
MEK
Well, I know I've put thing into categories before (electro vs.
electroclash anyone??) but I'm stepping away from that attitude more and
more. It is just good or bad music and it's a personal opinion when it
comes to that even.
If everything had to fit into defined categories then I doubt a record
-- Original Message --
From: Ryan Snowden <[EMAIL PROTECTED]>
>lamer
good witty retort.
tom
andythepooh.com
> From there I wandered around the corner to catch the last hour of Tom
> Churchill's set...
Glad you enjoyed it - good to see you on Sunday too! Managed to put the
records back in order for once, so here's what I played - I know there was a
tune or two you were asking about...
Francois K - Look
Correct: Hit's such as 'Flesh & Blood'. That was the 'big' one. I believe
top 30, in 82 or 83. The LP was 'Promises.' Also had one called 'African
Queen' in 82 also.
>-Original Message-
>From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
>Sent: Tuesday, July 15, 2003 3:08 PM
>To: Martin; Robert
>Glenn Gregory did a duet with Claudia Brucken for the single "When Your
>Heart Runs Out Of Time", and released a dance-project single as Ugly, and
>collaborated for ABC's new album.
Shit ABC have got a new album?!?! Details pls!
BTW someone needs to sample the reprise of 'Look Of Love' quick. Do
I bet you a fiver you can't fit an Allez-Allez track or a Heaven 17 track
into your Bleep43 set on Saturday Dan! ;-) And it's gotta be early H17. None
of this dj-friendly properly sequenced stuff post 1982!
Ken
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>Sent:
Nurse!
At 02:43 pm +0100 15/7/03, Odeluga, Ken wrote:
Glenn Gregory used to be married to Sarah Gregory from Allez Allez who had
hits like 'Promises' (which I've got somewhere and will have to dig out in
the spirit of anorakism now I 've remembered ;-) Alas the Gregorys divorced
some years afte
Glenn Gregory used to be married to Sarah Gregory from Allez Allez who had
hits like 'Promises' (which I've got somewhere and will have to dig out in
the spirit of anorakism now I 've remembered ;-) Alas the Gregorys divorced
some years after. But who should Ms Gregory wind up doing artwork for in
Glenn Gregory did a duet with Claudia Brucken for the single "When Your
Heart Runs Out Of Time", and released a dance-project single as Ugly, and
collaborated for ABC's new album.
Claudia Brucken was the singer from Propaganda, no?
##
Martyn Ware and Ian Craig Marsh who left Human League formed Heaven 17 with
Glenn Gregory who was a vocalist in their B. E. F. (British Electric
Foundation) project.
Their band name came from the novel "A Clockwork Orange". In their debut
album "Penthouse & Pavement", the three with dandy suits st
I'm pretty sure that Heaven 17 came after the League. IIRC Heaven 17 were a
project of BEF, who in turn had splintered away from Human League before they
hit the bigtime.
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: Tuesday, July 15, 2003 11:14 AM
To: Martin; 313
Maybe this has already been mentioned, but a good number of The Future-era
stuff has been recently re-released by them on a record named "Golden hour of
the future", including the excellent "Dance like a star", also available with
remixes on an EP...
Gwendal
> -Original Message-
> From:
Well before the League, they where called The Future, check this site for
more info - this will help explain most of the history here in Sheffield:
http://www.blindyouth.co.uk/
Richard X put out all the old records on Black Melody...
Dance Like A Star stands out...
> what's the deal with the mi
>I've also been digging through all the old League/BEF/Clock DVA and Cabs
>stuff, you'd be surprised just how techno some of the stuff from
>74-78 is...
I wouldn't! ;-) . Although, I'm more familiar with the post 82 stuff -
what's the deal with the mid-late 70s material? Would this be even earlie
> That's all there is I'm afraid Robin, reminds me of summer days watching
> people breakdance/pop.
yeah me toochester in the early 80s :)breakers/bmxers/v.scared
shoppers!
> Also remember it was the first time I heard the word Hip Hop as well, Man
> Parish track I believe...I've contact
That's all there is I'm afraid Robin, reminds me of summer days watching
people breakdance/pop.
Also remember it was the first time I heard the word Hip Hop as well, Man
Parish track I believe...I've contacted Greg and I'll see if I can get hold
of some mixes but to me it looks like this guy was k
>
> found a mix online at deephousepage.com
>
> http://www.deephousepage.com/gregwilson.htm
awww only 11 minutes of thismore needed!! did that link you posted
martin have the same sound file (i deleted the mail soz)?
robin...
I think you're missing the point that when a dj crosses genre's then that
just his "sound". A gig which crosses genre's is entirely different and
usually has a pants trance room for the kids, a drum and bass room for the
girls, a house room and a techno room, etc.
This is off topic. We were talk
lamer
|-Original Message-
|From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
|Sent: 15 July 2003 09:12
|To: 313@hyperreal.org
|Subject: RE: (313) 313 Weekend in London
|
|
|-- Original Message --
|From: Ryan Snowden <[EMAIL PROTECTED]>
|
|>Yeah ma
Who's going tonight.. Got my ticket already.. Abit steep for a Tuesday
night but hey.. Might never get tro see them again...
Placid
--
http://www.acid-house.net
Everything you wanted to know about acid house
On 14/7/03 10:40 am, "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> wrote:
> They sure
Morning 313ers,
Thanks for all the contacts yesterday, I thought I'd share some of the info
with you, also check out the link, that will take a few of you back you back
:) I also hope that it starts some good discussions... It's interesting that
this DJ never gets mentioned, If you live in the UK
> i wonder if this was the same version stacey pullen played in
> melbourne a few weeks ago - sounds like it might be. it was
> pretty cool.
There is a stacey pullen rmx on the flip of the disc with the carl craig rmx
from memory - not sure if that would be the one - Ive not listened to it in
b
-- Original Message --
From: "David Powers" <[EMAIL PROTECTED]>
>But I guess I could see how I might be disappointed if I went
hoping to hear some Detroit style sounds and got hiphop which I
get to hear constantly.
i think ryan should email mr recloose and
-- Original Message --
From: Ryan Snowden <[EMAIL PROTECTED]>
>I don't see what broad mindedness has to do with people going
along to see
>recloose, a house producer on a primarily house record label and
expecting
>to hear house.
okay, by "house", which p
-- Original Message --
From: Ryan Snowden <[EMAIL PROTECTED]>
>Yeah maybe if he played classical with a hint of death metal it might
>attract a crowd.
the amount of death metal that draws heavily from classical music
is pretty large. youre just showing you
[EMAIL PROTECTED] wrote:
"The two times I've seen him at a "deep house"
night here in Sydney, he's always been right across the board. From
hip-hop to electro to deep house to funk to disco to broken beat to
techno and beyond."
That sounds like a *real* deep house set to me - anything else is j
holler at me when you get a chance.
On Mon, 14 Jul 2003 12:24:47 +0100, "Ryan Snowden"
<[EMAIL PROTECTED]> said:
> I thought it was very average in Manchester. If I wanted a hip hop gig
> I'd
> go to one. Is this what planet-e is pushing for? And he could have
> played
> some better hip hop too *snigger*. Apart from that, the fac
i'd bet my bippy that they aren't sampled from sun ra. they sound far too
well recorded
:^)
nevermind I found it
Michael.Elliot-Knight
"The two times I've seen him at a "deep house"
night here in Sydney, he's always been right across the board. From
hip-hop to electro to deep house to funk to disco to broken beat to
techno and beyond."
That sounds like a *real* deep house set to me - anything else is just
scratching the surface
what is the sub info for the techknow list?
MEK
"Its funny you should ask
I helped promote Recloose and common factor back in 2001 at a gig called
Raw
Funk, also villalobos, eddie flashin fowlkes, heiko laux, alexander
kowalski, isolee.
Promoters should know if they're coming or going - not just shove on a gig
which cross-covers music genre's.
i just got a new phone, a nokia 3390. i can convert rtttl format tones
(the most common) into the format that my 3390 takes. does anyone have
any classic detroit melodies in rtttl or otherwise?
-j
--
Rev. Jeffrey Paul-datavibe-
[update]
etc this Friday night
2003.07.19sa 01:00 3hours
hosted by: m50
featuring live PAs & collaboration by: Matt Mercer (live PA - Forte, 409) &
Warmdesk (live PA - Deluxe Records, Background Records/A Touch of Class, A
Posteriori Recordings)
tune in to 89.3 fm or http://www.wnur.org/live.ram
e
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