Hi list,
I`m not a regular poster, but this might be of interest to some:
TRESOR BERLIN: THE VAULT & THE ELECTRONIC FRONTIER
Dir. Michael Andrawis, UK, 2005, 62 mins
Screens at the ICA on Thursday 15 December as part of Soultek Session
club night.
TRESOR will also return to the ICA for a run in
testing
-Original Message-
From: Blaauw, Martijn de [mailto:[EMAIL PROTECTED]
Sent: Thursday, January 05, 2006 9:27 AM
To: 313@hyperreal.org
Subject: (313) The return of yet another oldie
Here's some news...next to Propaganda, Nitzer Ebb and Heaven 17 another
act back on track, i kin
Clinically Inclined
16 Dec 2005:Do What U Want
Fridays 9:30pm - 12:30am, 89.3 FM WNUR Chicago
Download from http://SonicSunset.com
Part 1 > Time keeps on slippin, slippin, slippin... into the future.
Matt pulls some hard swingin' funk and docks the ship to a trippy italo
disco skylab. Bea
Here's some news...next to Propaganda, Nitzer Ebb and Heaven 17 another
act back on track, i kinda liked them back in the dayzzz...dunno if a
reformis needed
though:-)...did/do some of u on this list like them???
'As previously reported , 2006 could well be
I should have it archived on my website (www.antonbanks.com) by next
Wednesday. I'll post to 313 when it's there.
-ant-
-Original Message-
From: Ian Malbon [mailto:[EMAIL PROTECTED]
Sent: Thursday, January 05, 2006 12:46 AM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) De
On Jan 5, 2006, at 12:46 AM, Ian Malbon wrote:
On Jan 4, 2006, at 7:36 PM, Anton Banks (313) wrote:
-->January 4, 2005 (TONIGHT) - Audion Mashup by Ryan Elliott (Ghostly
International)
-->Live audio at www.wesufm.org from 9:30 to 11pm Eastern Time
Nice! And archived where?
Nevermind. I'm
On Jan 4, 2006, at 7:36 PM, Anton Banks (313) wrote:
-->January 4, 2005 (TONIGHT) - Audion Mashup by Ryan Elliott (Ghostly
International)
-->Live audio at www.wesufm.org from 9:30 to 11pm Eastern Time
Nice! And archived where?
--
Ian
SIGGRAPH 2006 is looking for small-scale electronically mediated
performances for the SIGGRAPH 2006 conference in Boston in July. We are
interested in work that uses technology to creatively stimulate and
enhance the performance. We would like to see works that provoke thought,
amuse, amaze, or
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