the original from J-lo/Beatnuts is:
Light, Enoch Orchestra
Disco Disque Project 3: (? 1975)
* Hi-Jack
Jennifer Lopez's Jenny From The Block
these may (?) be cases where the sample actually comes from the 2nd
generation track and not the original, and therefore it's not listed even if
it's
1st of all: wow
2ndly, that makes me even madder that i spent so much time doing that forkin
red bull application getting a passport photo putting together a mix
didnt make the cut.
it's a C-O-N-spiracy
on 12/8/02 6:11 PM, Cyclone Wehner at [EMAIL PROTECTED] wrote:
Apparently he previewed
can get.
It's a cultural vacuum! ;)
Inbox Message
From: Edwin Houghton [EMAIL PROTECTED]
Subject: Re: (313) carl craig?
Date: 09/12/2002 10:59:50
To: Cyclone Wehner [EMAIL PROTECTED]
1st of all: wow
2ndly, that makes me even madder that i spent so much time doing that forkin
I looked on Gilles Peterson's page on radio 1 all I could find was a
realaudio file of Carl talking about the Detroit Experiment...if someone
could post a link to the audio file I for one would appreciate it
on 12/8/02 6:09 PM, xx xx at [EMAIL PROTECTED] wrote:
You can listen the 12 on
well I wasn't on this list a few wks back, but anyway thanks!
on 12/9/02 2:38 PM, Andy Mitchell at [EMAIL PROTECTED] wrote:
back on topic--- so is this strictly press release or has anybody actually
heard it?
Actually, I posted this up in here a few weeks back, but y'all obviously
slept
here in NY at least there was a bootleg house remix of Too High circulating
that was pretty popular--it was pretty minimal as I recall, just the
bassline/groove looped up into a house beat. it was a white label w/ no
artist info other than 'stevie wonder too high rmx' does that fit the
just to add another 2c to the trivia, 'sugar shack' was featured in the
opening sequences of the 70s sitcom good times which is probably what most
people associate it with, why it's been re-used or ripped off for so many
videos/lp covers // eddie
on 12/5/02 5:21 AM, [EMAIL PROTECTED] at
actually the phrase ...everyday of my life is from 'Let No Man Put
Asunder', or at least that phrase is repeated towards the end of the song
and I'm sure I've heard it used as a sample, although I'm not familiar
enough with the Metalheadz stuff to verify that it's the source for the DnB
tracks in
I'm kind of assuming it is 'cause that Davina (Loud/Raekwon) was definitely
from Detroit... yeah it is a shame
on 12/2/02 12:43 AM, Cyclone Wehner at [EMAIL PROTECTED] wrote:
Is that the Davina who had a deal with Loud and recorded with Raekwon?
Shame Loud never broke their RB acts.
then maybe you haven't heard Common's The Bitch In Yoo ? aimed at Ice
Cube. rick-dickulous
(sorry to be off-topic) // eddie
on 11/29/02 4:00 AM, FC2 Richards at [EMAIL PROTECTED] wrote:
and don't forget those Everlast songs...I havn't heard them, but Em's dis of
Everlast was the second best
oops I know I'm a little late but I sent this earlier it didn't go thru:
my 2c:
when I picked up SUN and read a random passage I thought it was going to be
really pretentious and I also immediately thought of DJ Spooky's
post-structuralist name dropping.
the dif. is that where spooky
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