I think the best way to learn how to write / produce is to start out copying
the shit out of your heroes.
Yes, that yields derivative results, but originality can come later.
In the spirit of this... this is GREAT! <3
On Wednesday, April 28, 2021, 07:51:36 AM PDT, Alasdair Lyon
wrote:
I think the best response to a typical discussion such as this is to try to
confuse the arguments as much as possible.
1. Kraftwerk claimed to be pop and cited how much they were Motown influenced.
2. Kraftwerk had 4-4 beats.
3. Is Prince pop or electro? Roger Zapp? Dr. Dre sampling
: Rob G [EMAIL PROTECTED]
To: Three-One-Three 313@hyperreal.org
Sent: Monday, December 3, 2007 1:43:52 PM
Subject: Re: (313) Electro vs Electro
I think the best response to a typical discussion such as this is to
try to confuse the arguments as much as possible.
1. Kraftwerk claimed to be pop
I totally BELIEVE that! :-)
- Original Message
From: Nik Stoltzman [EMAIL PROTECTED]
To: John Sokolowski [EMAIL PROTECTED]; Jeffrey Richards [EMAIL PROTECTED];
313 313@hyperreal.org
Sent: Wednesday, October 17, 2007 12:12:35 AM
Subject: RE: (313) UR in The Wire magazine this month
I
try this one...
http://www.funtrivia.com/playquiz/quiz45276531c28.html
sadly...this suburban boy got 10/15.
Be a better Heartthrob. Get better relationship answers from someone who knows.
actually that is an Ann Arbor teen center that gets the donations.
- Original Message
From: kent williams [EMAIL PROTECTED]
To: J.T. [EMAIL PROTECTED]; list 313 313@hyperreal.org
Sent: Friday, June 29, 2007 7:57:11 AM
Subject: Re: (313) On Topic and Topical: Baltimore Club DJ's tribute
in...
http://www.low-bee.com/forum/viewtopic.php?t=21236start=120
- Original Message
From: J.T. [EMAIL PROTECTED]
To: Rob G [EMAIL PROTECTED]; Thomas D. Cox,Jr. [EMAIL PROTECTED];
313@hyperreal.org
Sent: Thursday, June 28, 2007 2:32:19 PM
Subject: Re: (313) Justice
but I guess I just
I thought it was a dope ad. wasn't subscribed here at that
time. sounds like it got bad reviews on this board... because here is our
underground thing getting floated up to the mainstream? I find that
very understandable actually. I guess I like the add more in
retrospect because it stands as
also somewhat relevant-
this guy did a master's thesis on the subject, posted here for all to read!
http://www.dickride.com/gm-ghettotech-thesis.pdf
- Original Message
From: kent williams [EMAIL PROTECTED]
To: list 313 313@hyperreal.org
Sent: Friday, June 29, 2007 12:23:48 PM
Subject:
you can add your own influence to something else. hiphop culture is
all over the globe now, and it has been mutated and added on to. i
personally think all of this stuff sucks, but at least it is being
done by people who live that culture as best as it is done in their
country. spank rock and ta
I'm so shocked and disappointed that a serious, real artist such as DJ Funk
(from a genuine place like Chicago) would pander to working with such
transparent and vapid scenesters as Justice (from Paris no less... what the
hell do they know about culture anyway?)
- Original Message
well, yes but... I was being heavy handedly sarcastic. but now you bring money
into it...
- Original Message
From: Thomas D. Cox, Jr. [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, June 28, 2007 9:19:29 AM
Subject: Re: (313) Justice
On 6/28/07, Rob G [EMAIL PROTECTED] wrote
]
To: 313@hyperreal.org
Sent: Thursday, June 28, 2007 9:29:05 AM
Subject: Re: (313) Justice
On 6/28/07, Rob G [EMAIL PROTECTED] wrote:
well, yes but... I was being heavy handedly sarcastic. but now you bring
money into it...
my whole problem is that these guys that i dont like are taking money
fine but my point was in terms of money - I would have not sent what I did into
the hands of DJ Technics, Rod Lee, etc if it wasn't for the Hollertronix mix
that put their stuff in my ears. those guys got paid more money then that
might have if it weren't for the youngsters propagation of it.
i think all the issues we've been talking about relate equally as much to
detroit techno, no? just replace spank rock with ritchie hawtin,
technics with mike banks, and bmore with detroit, et voila
thanx for that. in my last post I was tempted to mention Disco D and DJ
Assault to that
and
it's still not really about bmore. they are bringing attention to the
music. they shouldn't?
not in this disingenuous manner.
Thomas,
I really really hear you on a lot of what you are saying in your email, and
yes, there's a twisted element at the core of American pop culture where
Hi - lurker here - isn't this simply called appropriation? And I
don't even mean that in any specific racial context, since I think you
could frame it in terms of generation or even just in terms of
scenes.
but anyway, yeah, Spankrock and supposed white scenesters are doing
their thing and
: Wednesday, June 27, 2007 10:24:06 AM
Subject: Re: (313) Justice
On 6/27/07, Rob G [EMAIL PROTECTED] wrote:
I mean, on this board is anyone here still got beef with people in the UK
becoming fans of hey-day late 80's techno from Detroit and Chicago... and
(fake gasp) making their own takes
to do with how his music sounds.
his music is a joke, that has nothing to do with why i dont like these
other aspects of it. but the fact that people equate his joke music to
club music is what really irritates me.
besides, like rob g says, spank and ayres etc have their own sound, they're
http://www.xlr8r.com/topstories/2007/06/xlr8r_tv_episode_12_soul_skate.php
XLR8R TV's Brianna Pope heads to the best party at this year's Detroit
Electronic Music Festival–Soul Skate '07–to get the real dirt on Detroit
rollerskating. The reclusive, legendary Detroit DJ/producer Kenny Dixon,
they
refer to dubby techno or techno/dub hybrids?
can anyone give some info on Rhythm and Sound and
others probing this area? looks like they're on
Basic Channel, but while I've heard that name a lot,
I'm not familar with where they're from.
thanx,
Rob G
IMHO the booty guys to watch are Disco D and Zap.
their mixes are available on www.gtirecordings.com
while we're on the subject, there's a bunch of
staple tracks that I hear in their and assaults'
and godfathers' mixes that I just can't trainspot.
(Though I recently figured out who DJ Funk
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